1950s Art

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

Osvaldo Salas, widely recognized as one of the world’s great press photographers, was born in Havana, Cuba in 1914. At the age of fourteen, he left Havan...

Josef Sudek View of Prague Original gelatin silver print 14 x 9 cm (c. 5.5 x 3.5 in) Authenticated on the back by the workshop stamp (see picture) Excellent condition

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Title: Stone House in Salardú Artist: Joan Vila‑Puig (1890–1963) Technique: Oil on canvas board Dimensions: 33 x 41 cm (12.99 x 16.14 in) Support: Canvas board Signature: Signed in t...

Medium: original lithograph. Catalogue reference: Mourlot 82. Printed in 1952 at the atelier Mourlot for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriad...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20...

Signed on the plate by Matisse. From the portfolio ‘Dernières Oeuvres de Matisse 1950-1954’, known as Verve Vol. IX No. 35 & 36. Printed by Mourlot in Paris. Henri Matisse oversaw ...

Pablo Picasso (1881-1973) - Jacqueline Lithograph from 1964. Dimensions of work: 30 x 27 cm. Plate signed. Publisher: Éditions Cercle d'Art, Paris. The work is in Excellent cond...

A Serene, Picturesque 1950s American Scene Country Landscape Painting of a Wisconsin Farm in Late Autumn by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A small gem ...

Overlooking the Bay - Coastal Landscape in Oil on Masonite Serene coastal landscape by unknown artist "Lydia" (American, 20th century). The viewer stands at a vantage point above a small coastal town in possibly Maine. The town is nestled in lush landscape, full of vibrant foliage. Beyond the town, there is a bay with prominent cliffs surrounding it. Signed and dated "Lydia 57" in the lower right corner. Board size: 15.5"H x 19.5"W We are researching Lydia Cooley Freeman (American, 1906-1998) as a possible artist for this painting. Born in Tacoma, Washington on January 13, 1906, Lydia Cooley, by the 1930s, had settled in New York City where she studied at the Art Students League under John Sloan. Her portraits of women, children and the working class are of the Ash Can school...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu VIII (Blue Nude VIII), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and published in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inch...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Richard Andres (American, 1927–2013) S. F. L., 1955 oil on canvas signed lower right, signed and titled verso 42 x 70 inches Richard Andres was born in Buffalo, New York in 1927. A ...

Giorgio de Chirico, Italian (1888 - 1978) - Man on Horse, Year: 1950, Medium: Terracotta Sculpture, signature inscribed on base, Size: 15 x 14.5 x 5 in. (38.1 x 36.83 x 12.7 cm)

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Buckingham Palace (1949) Limited Estate Stamped (Photo By Slim Aarons) Crowds watching a military parade outside Buckingham Palace, London, circ...

Poster printed in lithography after a drawing by Francis Picabia, designed for the opening in May 1950 of the bookstore (owned by Pierre-André Benoît) ...

Artist: Dali, Salvador Title: Untitled VII (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Unframed Dimensions: 12.6" x 8.8" Framed...

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...

This lovely British Post Impressionist landscape oil painting is from a collection of Peter L Field paintings acquired from the family. Painted circa 1950 the composition is a densel...

James Dean At A Car Rally 1955 (colorised) by Frank Worth paper size 40 x 60 inches / 101 x 152 cm edition of 6 only in this size Archival pigment print unframed Note other si...

Adrien Holy (1898–1978) The Model, 1957 55,5 x 38 cm Oil on canvas, signed lower right and dated (19)57 Dimension with frame 72 x 56 x 6 cm This striking p...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Meet the genuinely exciting modernist William Einstein, who is probably better known in Europe, where numerous publications on his work have been written, than in his native US! Eins...

3991A Vintage Impressionist landscape California coastal inlet. Set in a custom silvered wood frame Image size 23.5x19.5"

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Medium: original lithograph. Printed in 1959 for the art revue Derriere le Miroir (issue number 116) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 560 mm)...

Medium: lithograph (after the original lithograph poster for the Tate Gallery Matisse sculpture show). During the late 1940's and throughout the 1950's, Henri Matisse created a serie...

Louise (McClure) Schatz (1916 – 1997) Born in Vancouver, Canada, Louise Schatz moved with her family at age three to Minnesota. Her father, a stage director, was part of the local Bohemian culture and traveled the theater circuit around the U.S. She earned a Master’s Degree in Fine Arts at the University of California, where she became a skilled water colorist. “My Japanese instructor showed me how to preserve several colors together on paper,” she noted. “Water colors can bleed into the paper, and the paper plays with the colors – some of which can even disappear. I have a great love of texture and what materials do to color. I was very excited to discover what happens to colors and how to achieve what I wanted.” Her interest in astronomy also led Louise to study science at the university. Louise joined the “California Seven” artists in 1945 and for the next three years created prints and textile patterns. During WWII, she earned her living as a sketch artist for ship builders in San Francisco Bay, and it was there she met her future husband, Bezalel. “Then, it was very avant-garde to hire women in ship-building,” she once recounted. “We used to take dimensions from engineers and make sketches. It was very trailblazing and exciting, and the ships were constructed very quickly and launched very quickly. Besides the fact that we contributed to the war effort, it was really beautiful art.” The Bohemian society developing in San Francisco at the time included the novelist Henry Miller, who was then married to Louise’s sister, Eve. “There was a group of artists in Big Sur, all of them poor,” according to Bezalel Schatz’s sister, Zohara. “They were a group of Beatniks before the hippy era of the 1960s. There were novelists, poets, and painters there who lived communally under primitive conditions and were close to nature.” Bezalel and Louise were married in 1948 and moved to Israel. There, together with Zohara, they founded the arts and crafts workshop, “Yad,” with the goal of creating and selling alternative art objects that differed in style from those of the Bezalel School of Art. The couple divided its time between the family home in Jerusalem and a residence in Ein Hod designed for them by the architect David Resnik. Despite her connection to the Schatz family and her active involvement in the Israeli art world at the time, Louise guarded her privacy and rarely granted interviews. As Henry Miller wrote, “Her paintings reflect and reveal the extent of her sensitivity, shyness, and gentleness…” Scenes of Israel were a source of inspiration for Louise, and, in addition to her abstract Bauhaus geometric works, she also painted landscapes, flowers, and other elements of the environment in which she worked. Louise worked mainly in water colors but also created collages, book illustrations, and applied art. Among her outstanding works are murals for Zim’s “Shalom” and “Theodore Herzl” ships (together with Bezalel), El Al’s London office, and Jerusalem’s tenth anniversary exhibition, as well as ceramic walls for Jerusalem’s Midreshet Amalia and Beit Ha’am Library. She was awarded the Silver Medal in 1954 at the tenth Triennale in Milan for her copper designs, and in 1952 she received the “Above Competition” prize for her textile designs at the Bezalel National Museum. She was also awarded the Shen Beit Haomanim Prize in 1970 and the Jerusalem Prize for painting in 1973. Louise took part in many art exhibitions in Israel and abroad. Her works are held by the Israel, Tel Aviv, and Haifa Museums, and in private collections in Israel, the U.S., England, Switzerland, France, and Italy. Following her husband’s death in 1978, Louise continued to live with her sister-in-law, Zohara, at the family home in Jerusalem on Schatz Street. Louise died in Jerusalem in 1997. She has been called in the pages of the Jerusalem Post " the greatest Schatz of all" and "Israel's finest watercolorist" Parts of her work summon up affinities with Paul Klee and Julius Bissier and occasionally even Joan Miro. But she never copied any of them. Her work also bears affinities for Lyonel Feininger and Wassily Kandinsky Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray recorded his observations about the two, noting that “I have never encountered such smooth cooperation…” Bezalel produced silkscreen prints for Miller’s novel, Into the Night Life, an innovation for both the art and publishing worlds. In Florence, New Mexico, New York, San Francisco, and other locations, Bezalel exhibited his own work and participated in group shows with some of the greatest artists of his era – Picasso...

Artist: Bernard Buffet, French (1928 - 1999) Title: Rooster Year: 1953 Medium: Lithograph mounted on Board, signed in the plate Image Size: 15 x 10 in. (50.8 x 36.83 cm) Frame: 22 x ...

Bianca Volpato (1958) Limited Estate Stamped (Photo By Slim Aarons) Bianca Volpato poses in front of the Temple of Love on the island of Capri, Italy, 1958. Additional Informa...

Medium: lithograph (after the original lithograph poster executed for Maison de la Pensee of Paris). During the late 1940's and throughout the 1950's, Henri Matisse created a series ...

A Very Finely Drawn Mid-Century Modern Figure Study of a Standing Young Male Nude Model by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). A well executed studio draw...

Autumn Landscape, by 1958, tempera on Masonite, 24 x 36 inches, signed lower left, exhibited: 1) 133rd Annual Exhibition of the National Academy of Design, New York, NY, February 20 – March 16, 1958 (Henry Ward Ranger Purchase Prize); and 2) Henry Ward Ranger Centennial Exhibition, National Academy of Design, New York, NY, September 25 - October 12, 1958, #133 (see Levin, Meyer, Illustrative Paintings Gathered for Ranger Show at National Academy, St. Petersburg Times, October 13, 1958 (“There’s a warm, low-keyed picture of golden fields, with distant structures, called “Autumn Landscape,” by Robert Vickrey, whose magic realism is felt in so “regular” a subject.”), literature: 1) Watson, Ernest William, Composition in Landscape and Still Life, Watson-Guptill Publications, New York, 1959, pp. 24, 155 and 157 (illustrated); and 2) Vickrey, Robert and Cochrane, Diane, New Techniques in Egg Tempera, Watson-Guptill Publications, New York, 1973, p. 111 (illustrated); ex collection National Academy of Design Reflecting on his art, Robert Vickery...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle C.P. (Miss C.P.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

An impression of "Le Poisson Bleu" (The Blue Fish) from the Jacques Lassaigne book "Marc Chagall" with 15 unsigned lithographs. This is one lithograph of...

This exquisite lithograph by Marc Chagall (1887–1985), titled David et Absalon (David and Absalom), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Ar...

American life is captured in this Clyde Singer painting, Red Coat, where he depicts a woman walking down the street towards her destination in 1956. An accomplished American Scene pa...

Joaquim Marsillach i Codony (1905-1986) - Landscape with characters Oil on canvas Oil measures 46x55 cm. Frame measures 69x78 cm. Marsillach Codony...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Title: Rincón de Horta (Corner of Horta) Artist: Antoni Llobet Aracil (Barcelona, 1910 – 1983) Medium: Oil on canvas Dimensions: 46 × 55 cm (18.1 × 21.7 in) Support: Canvas on stretcher Signature: Signed “A. Llobet” in the lower right corner Inscription on reverse: “Rincón de Horta” Estimated period: 1950s–1960s Condition: Good Provenance: Private collection DESCRIPTION The painting depicts a scene of vernacular architecture in Barcelona’s Horta neighborhood, at a time when it still preserved its rural and peaceful character. A dirt path opens between lush vegetation and the façades of traditional houses, wrapped in bougainvillea, ivy, and leafy trees. Light enters from the left, illuminating the walls with warm brushstrokes that contrast with the greens and violets defining the foliage. The atmosphere is serene, almost nostalgic, captured with a loose and impasto technique, especially visible in the sky and vegetation. The composition showcases the painter’s ability to harmonize architecture and nature, conveying the tranquility of a nearly hidden corner. The vibrant brushwork and mastery of color evoke a distinctly Mediterranean sensibility, heir to post-impressionism and the legacy of Joaquim Mir. ABOUT THE ARTIST: ANTONI LLOBET ARACIL Antoni Llobet Aracil was a Catalan painter born in Barcelona in 1910 (according to some sources, 1919) and died in 1983. He trained at the Escola Superior de Belles Arts de Sant Jordi and was a pupil of masters such as José Mongrell and Joaquim Mir. In 1931, he received a scholarship to continue his studies in Rome. His career included exhibitions in Paris, Denmark, Finland, Norway, Iceland, and Mallorca, as well as his native city. He led an itinerant life that enriched his pictorial vision and allowed him to develop a plastic language characterized by free use of color, energetic brushwork, and a poetic view of the landscape. In his works, Llobet blended the impressionist tradition with a Mediterranean sense of light. He alternated natural landscapes, seascapes, rural streets, and urban corners with a rich palette and atmospheric sensitivity. He worked as a drawing and painting teacher and exhibited in prominent venues such as Grifé Escoda in Barcelona, as well as in Palma and Inca, Mallorca. ARTISTS WITH SIMILAR STYLE The work of Antoni Llobet Aracil can be linked to that of several Catalan and Mediterranean artists through his loose technique, treatment of the landscape, and warm palette: Joaquim Mir i Trinxet – for his impasto brushwork and vibrant luminosity. Rafael Durancamps – for the intimacy and warmth of his urban and rural landscapes. Josep Mompou – for chromatic harmony and evocative simplicity. Isidre Nonell (in some late landscapes) – for dense pictorial matter and atmospheric color. Ramón Vilanova...

Signed lower right, "Di Gesu", for Victor Di Gesu (American, 1914-1988); further signed and titled verso, and bearing original exhibition label. A substantial figural oil showing V...

Henri Matisse (1869 - 1954) Bateau, 1952 Lithograph after a gouache decoupee from Verve 35/36 14 x 10.50 in

Medium: original lithograph. Catalogue reference: Mourlot 203. Printed in 1957 at the Mourlot atelier and published in Paris by Maeght. This charming composition is one of the origin...

Original oil on canvas painting of the Cafe Pepinier in Paris by Andre Picot. Condition is very good. Signed lower left by the artist. Titled “Cafe Pepini...

Harvest time. Oil on canvas, 25x27,5 cm

"Marilyn Monroe In A Bikini" by Archive Photos American actress Marilyn Monroe (1926 - 1962) posing on a rooftop circa 1951. Unframed Paper Size: 40" ...

Unique, one of a kind original gouache on paper from Harper's Bazar series. Hand signed lower front by Erte; titled top front with studio catalog number on verso. Sheet size 10.7...

'Palm Beach Street' by Slim Aarons Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. How typically 'Slim style' this photograph is. Beautiful and iconic 1950's...

Original gouache on archival paper by the well known American artist, Jimmy Ernst. Signed lower right and dated 1952. Condition is excellent. Strong, vibrant colors, no issues. Wh...

Original lithograph on paper Bears the AWAAB and Estate of Andy Warhol stamps, on verso Annotated with initials 'LC' and a unique authenticity number in pencil, on verso Accompanied ...

This superb British 1950's abstract oil on board painting is by noted Slade School trained contemporary artist Leo Davy. Davy was born in Yorkshire but settled in Cornwall in 1968 an...

French Polo Crowd 1950 by Slim Aarons Slim Aarons Limited Estate Edition A group of spectators at a polo match, France, circa 1950. unframed Silver gelatin print printed 2023 16 ...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Andros Island (1957) Limited Estate Stamped (Photo By Slim Aarons) Marsha Gayle of Paris enjoys a deserted beach near Calabash Bay, Andros, Bahamas, 1957. Additional Informat...