Men Landscape Photography

Three velvet-capped women huddle in gossip as another looks on during an October 1949 Vogue photoshoot entitled "Young Velvets, Young Prices". Taken from the roof of the Condé Nast ...

"Synchronicity (part 3)" Photography 40" x 30" inch Edition of 24 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) Ships in a tube 2021 ABOUT Rob Woodcox Rob Woo...

Louis Faurer (American, 1916-2001), "Times Square, USA (Home of the Brave)", Gelatin Silver Print, 1950, printed 1981, signed, titled, and dated to verso,...

On the Slopes of Sugarbush, 1960 - Skiers on Sugarbush Mountain in Vermont by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'On ...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

John Conn, Cuba 4, limited edition Color Photograph taken in Cuba in 2016. It is a photograph, printed on 13x19 archival paper. Signed and Numbered. This is currently unframed. Edition of 15. This gold toned photograph is filled with a vintage car, people and the Cuban cityscape and buildings. John Conn got his start as a Marine Combat photographer, and later earned his BFA at the School of Visual Arts in New York. As a freelance photographer and writer, he has captured a range of subjects photojournalism delving into political and social issues, nature and landscapes, architecture, and underwater images. His work has appeared in: New York Times Sunday Magazine; Time/Life Books; IMAX Films; Village Voice; Human Rights Magazine; Shutterbug Magazine; Hasseleblad Magazine; American Photographer; RangeFinder Magazine; LensWork Magazine; Ocean Realm; Dive Travel Magazine; Picture Magazine; Discover Diving Magazine; Picture Magazine; Popular Photography; Nikon World; Black & White Photography; B&W Magazine; Studio Photography, to name a few. Starting in 1970, John travelled to South Africa capturing images of the people and social divide of Aparteid. His iconic Subway series shot between 1970 and 1982 in New York City is part of the permanent collection of the Museum of the City of New York, The New York Historical Society and Hoboken Historical Museum. In 2010, John Conn spent 45 days in Antarctica and Patagonia, traveling and hiking to capture the land and seascapes. He spent over 20 days journeying over 3,200 nautical miles in Antarctica before heading to Patagonia for the second part of his expedition. In 2014 John began a series of treks across the US photographing Americans, similar to what Robert Frank did in the late 1950’s. In 2015/16, he spent a month in Cuba photographing...

This fine art print features “Sunset by the Allahverdi Khan Bridge,” popularly known as Si-o-se-pol, the largest of the eleven historical bridges on the river Zayanderud, in the Iran...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Taj and Train, Agra, India, 1983 - Steve McCurry (Colour Photography) Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print 20 x 24 inche...

Leaving Astoria, 2016 by Jo Crowther is a 16" x 20" Archival Inkjet Print from a Limited Edition of 12 in this size only. During her American road trip, Crowther captures a view out...

Squaw Valley Picnic, 1961 Chromogenic Lambda Print Estate edition of 150 The Cushing family relaxing on the slopes of the Squaw Valley Ski Resort, one of the largest ski areas in the United States, in Olympic Valley, California, USA, 1961. Justine Cushing...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Ski Bus 1951 Skiers take a lift in a VW camper van bus, Klosters, Switzerland, 1951. by Toni Frissell 40 x 40" inches / 101 x 101 cm paper size Archival pigment print unframed ...

Jamaica Sailing by Toni Frissell Local sailboats on the turquoise waters of the sea in Jamaica. 1948 Large 40 x 40" inches / 101 x 101 cm paper size Archival pigment print unfra...

Snowmass Village - Apres Ski Lunch Picnic at Snowmass in Aspen Colorado by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Snowmas...

P Star Parking, Dallas, TX by David Graham is a 20 x 24 in C-Print, available in an edition of 25. This photograph features a parking lot with a parking ticket booth and a mural in ...

Zermatt Skiing, 1980 - Matterhorn Photograph Swiss Ski Landscape Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Zerm...

Vintage gelatin silver print. Image dimensions 7 3/4 x 9 1/2 in. (197 x 242 mm), printed to edge, bottom left corner stlightly bent Photographer's copyright stamp and credit sticker ...

Vintage gelatin silver print on baryta paper, 11 3/4 x 9 in. (300 x 228 mm), printed to edge. Photographer's credit sticker on verso, with penciled title "Caltagirone" and negative n...

Araquém Alcântara Ribeirinho Rio Solimoes the Amazon Forest, Brazil, 2011 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 ...

Istanbul 1960 – The Golden Horn – Original Vintage – Black & White Photographer: Klaus Redenbacher Captured during a journey to Turkey in 1960, this atmospheric photograph shows a tr...

'Red' (Bombay Beach) 2019, 20x20cm, Edition 2/7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid, Not mounted. Signed label & certificate. Artist inventory PL2019-5...

Araquém Alcântara Ribeirinho Rio Solimoes the Amazon Forest, Brazil, 2011 70 x 105 cm 27.5 x 41 inches Edition of 10 Also available: 100 x 150cm 40 x 60 inches Edition of 10 120 ...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Acapulco Scene 1954 Limited Signature Stamped Edition by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available please enquire)...

Desert House Party A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designe...

Silver and sepia tone photographic print of an indigenous spearfisher by Edward Sheriff Curtis, image circa 1901 (American, 1868-1952), as a 1974 copy of (and printed from negatives derived from) the original Edward Curtis copper gravure plate, by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Titled lower left, signed lower right. Presented in an aluminum frame with anti-glare glass. Paper size: 20"H x 15"W Born in France and raised in New York City, Jean-Anthony du Lac moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Monte Carlo, 1952 - Classic Italian Riva Watercraft Monaco Waters French Riviera by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Gasoline IIb (Stranger than Paradise) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #270b Not mounte...

The result of twelve trips over three years, Moore’s work in the American South uses historic homes, both grand and modest, the preserved backroom of a Jewish social club, the curta...

Massimo Listri Sala Egizia, 2011 Chromogenic Print Signed, dated, and numbered on verso label 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches ed...

New York, New York, 1981 by American photographer Leonard Freed. This is a 16" x 12" signed verso (on back), gelatin silver, also stamped verso, vintage print. The photograph captures men in suits...

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print; 8 x 5 5/8 inches (203 x 142 mm), tipped onto a mounting sheet 8 x 11 3/4 in. 2 mm tear on lower rig...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Sugarbush Skiing, 1960 - Skiers on Snowy Sugarbush Mountain in Vermont Winter by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'S...

Alter Ego, 2017, Edition 2/7 Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

Newport Tennis Week, 1954 - Tennis Tournament Rhode Island Poodle Spectators by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. ...

"Omo Spirit" Banna People, Omo Valley, Ethiopia , 2023 Available Sizes: Edition of 6: 20in x 30in (50.8 x 76.2cm) - $4,500 Edition of 6: 32in x 48in (81.3 x 121.9cm) - $7,500 Ed...

Follow the rainbow flags, and it will lead you to the famous Gay Beach on Miami Beach. Beyond the couples in the foreground, we see a packed scene of engaged in-shape men in bathing...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

We are all born from Mother Earth. Mimicking a plant or tree, a muscular man standing on his head emerges upward from the desert ground with is legs spread out like branches. Seen f...

An original silver gelatin black and white photograph shot by photographer G. Devred for Press Agency ROL, Paris, 1931. The Catherinettes March. The young ladies hold a hatbox with ...

Coffee with Dali, 1955 - Salvador Dali Black and White Portrait Madrid Hotel by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. C...

In orbit above the Pacific Ocean in June 1965, NASA Gemini 4 Astronaut Ed White is the first to spacewalk (tethered by a 25 foot cord) outside the craft. This is an 8" x 10" vintage ...

French Stately Home, 1956 - Versailles Castle Grounds French Royal Family by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Frenc...

Fragments II, Rome, Italy 2019 by Roberta Fineberg was shot at Ostia Antica, the Old Port of Rome and present-day archeological site in Italy. The image captures a symmetrical albeit...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

Scotti's Yacht, Monte Carlo, 1981 - Luxury Sailboats in Monte Carlo in Monaco by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'S...

Clay Lipsky's Atomic Overlook re-contextualizes a legacy of atomic bomb tests. In an attempt to keep a nuclear threat feeling contemporary and omnipresent, Lipsky introduces archival...

Swimming in the Bahamas, 1959 - Nassau Bahamas Snorkelling Scuba Diving by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Swimmi...

Skiers At Verbier Skiers relax in deckchairs on the slopes at Verbier in Switzerland. 48x48" inches / 122 x 122 cm paper size Estate Stamped Collection Edition to 150 Photo b...

Skier in Vermont, 1962 - Skier in Snow at Stowe Mountain Resort in Vermont by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Ski...

Henry (Stay), from Ryan Gosling's memory sequence - 2006 38x36cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. ...

Black and white photograph realized in 1918 ca. in occasion of the occupation of Belluno by the AustroGerman Army. Very good condition.

Black and white photograph realized in 1944 ca. in occasion of the occupation of Belluno by the German Army. Very good condition.

"C1" Black & White Photography 40" x 40" inch Edition 1/10 by Giuliano Bekor "C1" from CONTENDER series Original photography by Giuliano Bekor 40" x 40" inch Edition of 10 Printe...