Men Landscape Photography

Holidaymakers by the sea at Porto Ercole, Tuscany, September 1966. Gorgeous print measuring 30 x 40" inches / ca 76.2 x 101.6 cm’s paper size. Estate Stamped Collection Edition ...

Hannes Schneider ski school instructor, Herman Ostermaier skiing on Cranmore Mountain, North Conway, New Hampshire, 1955. Gorgeous print measuring 30 x 40" inches / ca 76.2 x 101.6...

Slim Aarons Estate Stamped Edition Limited to 150 only Handball In Central Park A group of young men playing handball at a court in the 95th Street playground, Central Park, Ne...

In this midcentury landscape photograph, captured by society photographer Slim Aarons, a party of skiers adjourning for drinks at Squaw Valley, California, in 1961, one year after th...

Carmen Alvarez enjoying a game of backgammon with Frank 'Brandy' Brandstetter in a swimming pool at Acapulco, 1978. Slim Aarons Keep Your Cool 1978 C print (Printed later) Estate s...

Cricket in Antigua Cricketers on the field during a match between the Leeward Islands and the MCC, Antigua, West Indies, 1960. Gorgeous print measuring an large 40 x 40" inches / ...

Dining Al Fresco Victor Marson (left) and George Amos dine in the garden of Highclere Estate, Barbados, April 1976. Gorgeous print measuring an la...

'Abaco Islander' Gorgeous print measuring an extra large 40 x 40inches / ca 101 x 101 cm's. Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Limi...

English Soldiers in Tientsin is a b/w photographic print on polished paper, taken on July 31, 1939 by World Photos (England). Stamp and stereotype in ...

'Verbier Vacation' Skiers soak up the sun in Verbier, 1964. Gorgeous print measuring 40 x 40" inches / ca 101 x 101 cm's. Estate Stamped Collection Edition to 150 Photo by Slim...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1303. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1302. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1304. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1328. N...

For What I’ve Lost (The Girl Behind the White Picket Fence) - 2013 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by S...

Massimo Listri’s photography transcends documentation to become a meditation on space, beauty, and time. His “absolute eye” reveals harmony in interiors where human presence is absen...

Baths of Caracalla is a vintage photograph realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

Baths of Caracalla is a vintage print in salt silver realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions.

Baths of Caracalla is a vintage print in salt silver realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

This late 1960s photograph, captured by society photographer Slim Aarons, features the apres-ski in Zermatt, Switzerland. This is an estate stamped and hand numbered edition of 150 ...

Austrian actress Mara Lane enjoys waiter service in the pool at the Sands Hotel, Las Vegas, 1954. Slim Aarons Spring Break Black and White Photography Sli...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed by Cole Weston.

The Houses is a painting realized by Claude Decamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions. The ar...

Venezia San Marco, Photograph is an original black and white photograph taken in the San Marco church in Venice, realized by Osvaldo Böhm. Signed on the ...

Untitled (Zuma Beach) - 1997 43x59cm, Edition of 4/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signed on back and Certificate. Artist Inventory # 111.04. ...

Ancient Views of S. Josè, Guatemala, is a series of two original albumen prints made in 1880s. Prints in very good condition, applied on a single cardboard. Caption in Italian ink ...

Downpour in Rome 1989 Vintage photograph is in black and white on paper realized by Ansa Agency of Rome in the 1989. Good condition, with some folding and foxing. With the copyrigh...

Bates Motel I (The Last Picture Show) - 2005, 78x76cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Arti...

View on a China street is a b/w photograph in gel print taken very likely in 1925. The picture, taken through the streets of Wuchon, immortalizes some bystanders among the houses. Indications in pen in German on the back...

April 1968: Mr and Mrs Donald Leas with their Rolls Royce and two pet dogs outside The Flagler Museum in Palm Beach, Florida. Complimentary dealer shipping to your framer, worldwide...

Occupational portraits in Osaka is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9 x 13.5 ...

Portraits Women and Children in Nagasaki is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9...

Caption: Three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a tray, the second man carring a wine in an ice bucket and the third carrying a menu, ...

Occupational Portraits in Seto Islands is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9 x...

Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in 1960s Good conditions. Anna Magnani was born in Rome, Italy (not in Egypt,...

Giovanni Bechelloni - Vintage Photograph is an original black and white photograph realized by an anonymous artist in the 1980s. Good conditions.

Ancient Views of Colombo and Aden is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 21.5 x 27.5 Very good conditions. Caption in Ital...

Vintage Photo. The Actors Rock Hudson and Doris Day in 1960. Good condition.

Ancient Views of Chinese Customs is a set of six original vintage Albumen prints on single cardboard: 34 x 26 cm. Image 9.5 x 13 cm and on the rear 14 ...

Slim Aarons's iconic photograph of 70's vintage seagoing glamour, captured onboard the wood-trimmed deck of the yacht 'Ondine' in Bermuda, June 1970. Figures in the foreground are offset by cheery yellow and red. A United States yacht ensign flag flies the foreground, alongside the flag of Scania, the flag of the Swedish-speaking Finns (an unofficial red flag with a yellow cross used in the Swedish-speaking parts of Finland to represent the Finland-Swedes., which may be flown in addition to the Finnish blue and white flag). Guests wear coral, navy, pastels, and whites, including classic vintage Pucci. The ship's name and home marina of New York are stenciled in gold on the white hull. Slim Aarons Party in Bermuda...

Japan - Jinn Ricshas in Gotemba - August 12nd 1893 - is an original vintage black and white photo realized during a journey to Asia performed by Prince Franz Ferdinand von Osterreich...

Digital C-print Signed and numbered, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City.

Mindscreen 4 - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #245-A Not mounted. ...

Because I Am (29 Palms, CA) - 2008 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6795 Not mounted. Stefa...

Man and Red Arrowby Michael Ormerod is a stunning Colour Print on Hahnemuehle Paper in an Edition of 20 in this size of 20" x 24". States of America: The body of work, States of Am...

Fly me to the Moon (The Girl behind the White Picket Fence) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inve...

'Yacht Holiday' by Slim Aarons Tanned bodies on the deck of Dino Pecci Blunt’s yacht in Marbella, 1967. A group of bronzed young women captured from the back are seen enjoying the S...

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5252 Not...

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5247 Not...

Brooklyn Bridge - Henry's Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 250...

Memory Sequence (Stay) - 2006 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2314. No...

Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2273 Not mounted. Stefanie ...

Pussy Footing 1958, Printed Later C print 24 x 24 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Caption: Three skiing wait...

Sudden Urge (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 809. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Edition of 25 signed and numbered by the artist A worker sits on a staircase that leads to nowhere. JJK is a pseudonym for one of the world's most successful photo artists. In his...

Last Chance (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 24104. Signature label and...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a...

Coming to Town 2008 Signed, titled, dated, and numbered, verso Archival pigment print 32 x 44 inches, sheet (Edition of 9) $2800.00 17 x 22 inches, sheet (Edition of 15) $1400.00...

Dimitris Kritsas, a fashionable young couturier, poses among the gleaming white Doric columns of the temple to Poseidon at Sounion, Greece, 1967. Posing with him, four models show off colorful dresses of red, salmon, turquoise, and pastel yellow. This iconic photo depicts a scene of vintage glamour set against a classic Greek blue sky. Slim Aarons Dmitris Kritsas at the Temple to Poseidon, Sounion, Greece Estate Edition of 150 1967, Printed Later 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Site Details: The Temple of Poseidon is an ancient Greek temple on Cape Sounion, Greece, dedicated to the god Poseidon. There is evidence of the establishment of sanctuaries on the cape from as early as the 11th century B.C. Sounion’s most prominent temples, the Temple of Athena and the Temple of Poseidon, are however not believed to have been built until about 700 B.C., and their kouroi (freestanding Greek statues of young men) date from about one hundred years later. The material and size of the offerings at the Temple of Poseidon indicate that it was likely frequented by members of the elite and the aristocratic class Approximately 13 kilometers south of Thorikos in the southern most region of Attica, the deme of Sounion is most well known for its sanctuaries of Poseidon and Athena. Its placement at the foot of Attica allowed it to function as a border deme as it could easily been seen by ships nearing Attica. The temple of Poseidon at Sounion was constructed from 444 to 440 BC. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. The temple of Poseidon was built on the ruins of a temple dating from the Archaic period, about which the Greek geographer Strabo noted: "Geraistos [in Euboia] . . . is conveniently situated for those who are sailing across from Asia to Attica since it is near Sounion. It has a sanctuary (hieron) of Poseidon, the most notable of those in that part of the world, and also a noteworthy settlement. The main temple we see today is mainly made out of marble with an intricate taenia (the fancy borders on the ceiling). The marble is an Agrileza marble. The marble used on the Temple of Poseidon at Sounion came from the marble quarries, a place where marble is removed from the earth, in the Agrileza mines. This type of marble was 'coarsed grained' meaning that it had a rougher texture than smooth, shiny marble. As indicated by literary and archaeological evidence, the "leveled summit" on the coast of Cape Sounion was likely a cult site from as early as the end of the eighth century BC. Two cult centers dedicated to Athena and Poseidon respectively are believed to have been established by 700 BC. Subject: The name of Greek fashion designer...