Glass Photography

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Neuroqueer - Series These photographs portray neurodivergent people and their daily lives. Like them, these images were born outside of what’s considered “normal.” The film roll was...

“It was shot on a grey misty day on Dungeness Beach in Sussex. Charlie Wood lit the sky rocket and stood to attention, and I fired the flashgun that was stuffed into his trousers to ...

A sunflower reaching the end. A slow descent into a less colourful but far more sculptural state as the petals wither and crisp and the flowerhead bends slowly down. Early autumn bac...

“Colour gives me a new way of working - in complete darkness. It seems contradictory that to produce colour you need to work in the dark. You blindly feel your way around the paper w...

"All about the light. The rich golden light at sunset on a beach in Sri Lanka. Palm trees are everywhere and they have many identities. They can sway gracefully in the breeze, or the...

Supernova, 2017 Printed on museum glass, Hand gilded with White Gold and Silver leaf, Framed 61 x 61 cm (including frame) 45 x 45 cm (glass print) Edition of 5. - Although the prints...

"Solar Plexus Chakra" Photography 26" x 26" inch Edition 2/7 by Oleg Char Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame. Solar Plexus - Manipura The ...

"Tender is the Night" by Valda Bailey Archival Pigment Print on Museum Glass, hand gilded with Rich Rose 23.4 ct Gold leaf, Framed 69 x 55.5 cm, in bespoke frame "Taken on Hikkaduw...

END OF DAY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf, Framed 52 x 43 cm (framed), 36 x 27 cm (glass image size) Edition 1/5. Although the prints ar...

Cosmos I, Pink and White Gold leaf on Glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded with Pink Gold and White Gold leaf 31 x 31 cm/ 12.2 x 12.2 in (Framed) From Edi...

49" x 70" Ed. of 8 $9,800 & larger 41" x 59" Ed. of 10 $6,800 36" x 50" Ed. of 6 $5,200 30" x 42" Ed. of 6 $3,600 Recommended option to use museum glass/acrylic priced on request In this photograph, Lenoir captures a calming seascape featuring a group of piping plovers on East Hamptons beach...

Cosmos III, Moon and Pink Gold leaf on glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded by the Artist with Moon Gold and Pink Gold 31 x 31 cm/ 12.2 x 12.2 in. Framed E...

June Melody, 2017 Printed on museum glass, hand gilded with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gild...

Noverre - Horse Landscape 2, 'Mane', 2003 C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass 36.5 x 94 cm / 14.5 x 37 inches approx. Ed...

It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...

IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979 Archival Pigment Print, Framed Image size 30 x 30 cm Frame: 55 x 45.5 cm © Brian Griffin "I remember this...

Katie Eleanor, "Sweet Violet", 2019 Handcoloured portrait of blooming flower, immobilised in marble, featuring frozen eyes and the silky colours of Sprin...

49" x 70" Ed. of 8 $9,800 & larger 41" x 59" Ed. of 10 $6,800 36" x 50" Ed. of 6 $5,200 30" x 42" Ed. of 6 $3,600 In this photograph, Lenoir captures a calming seascape featuring a group of piping...

ATO MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO MIC - where the “ ” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

Toe Head, The Isle of Harris, The Hebrides, Scotland by Alex Boyd Series: No Innocent Land This image, made on the Isle of Harris in the Outer Hebrides shows the hill of Ceapabhal on the Toe Head peninsula. Print details: © Alex Boyd, Courtesy MMX Gallery Archival Pigment Print from the Wet Plate Collodion, Artist Proof, Hand Signed by the Artist on recto Image: 82 x 58 cm Frame: 116 x 91 cm Frame; Original Frame, slightly distressed from being vintage out of the Scottish castle; the print accompanied with the mount board and finished with antireflective UV protective AR art glass. About the Artist: ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" – Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. He is best known for his conceptual and figurative landscape photography which explores concepts of Scottish identity through historical and contemporary romanticism, neo-romanticism, Romantic nationalism and Spirit of Place. His work is largely concerned with depictions of the Celtic landscape, conservation and remote places, and is often characterised by its stark, poetic and introspective qualities. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK’s largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy’s artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda – The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography at Northumbria University, a selection of new books on The Faroe Islands, The Outer Hebrides. A collection of his Scottish and Irish collodion work is due out in 2021 as well as a solo exhibition ‘Hesperus’ at Stills, Scotland’s Centre of Photography, in June 2020. A contributing Arts Editor for The Island Review, Boyd has also written for Art North, The Modernist, Earthlines and many other publications. WORK REPRESENTED IN THE FOLLOWING COLLECTIONS: The National Galleries of Scotland, The Royal Scottish Academy, The Royal Photographic Society, The National Media Museum, The University of Glasgow, St Andrews University, North Ayrshire Council, Dumfries & Galloway Council, The Ballinglen Arts Foundation, Sabhal Mor Ostaig, The University of the Highlands & Islands, Highland Print Studio, Cape Farewell, The Scottish Maritime Museum, NHS Greater Glasgow & New South Glasgow Hospitals, BC Partners, Cigna, The Yale Center for British Art, The V&A *** NO INNOCENT LAND The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera...

Noverre - Horse Landscape I, 2003 C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass 36.5 x 94 cm / 14....

UNTITLED #5, 2021 Archival Pigment Print, Mounted on Aluminium Dibond, Framed with antireflective art glass 90 x 60 cm 91 x 61 cm - framed _ Overseas ship...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

"The play of water and light has fascinated me for years. From childhood I have found sunlight underwater mesmerising - be it a Cornish rock pool or The Red Sea, the movement and diffraction of light excites me. Add to that the thrill of schools of fish - specifically Akule, which are found in seas off Hawaii. I spent some time wanting to make a series of prints that captured the play of light on these fast moving fish - creating flowing abstract forms and textures." - Mike G Jackson The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - Michael G Jackson Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA. Selected Press: “Mike Jackson...

The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - (the Artist: Mike G Jackson) NEW YORK CITY AND THE HUDSON 2020 "After spending time in New York and producing work that showed the city from the viewpoint of being on the inside, I wanted to show the city from the outside looking in. I wanted to try and capture the city and water using bold shapes - building up the scene piece by piece. Making the sky and sea from rectangles to make them a whole with the city structures." - Mike G Jackson Unique 4 x Prints, Selenium toned Silver Gelatine Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 32 x 24 inches (82 x 62 cm approx including frame); can be framed separately or in one frame upon request Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various material options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc . Please allow 2-4 weeks for mounting and framing - we will keep you updated About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO MIC, MMX Gallery, London 2022. “Mike Jackson...

MacConnel, Kim Robert (American, California, born 1946) Shravan Belagola Temple (Jain) Shravanabelagola (Śravaṇa Beḷagoḷa) is a town located near Channarayapatna of Hassan district ...

A modern genre photography archival pigment print titled " Bobbi's ghost" featuring a lady with three open umbrellas near a lake. The art work created by Luciana Pampalone ( American...

De Kers The Cherry Photograph on Dibond Framed Still Life in Plastic Series Richard Kuiper (the Netherlands, 1967) To 17th century merchants, the nouveaux riches of the Dutch Golden Age, collecting luxury items and utensils to show off their wealth and lifestyle was a competition. They revelled in exotic animals and shells from the East Indies, priceless glassware from Venice, porcelain from China, silver and gold from Antwerp. To immortalise their high standard of living they commissioned famous Dutch still life painters, including Pieter Claesz, Floris van Dijck, Frans Snyders...

De Kikker The Frog Photo on Dibond Framed Still Life in Plastic Series Flowers Richard Kuiper (the Netherlands, 1967) To 17th century merchants, the nouveaux riches of the Dutch Golden Age, collecting luxury items and utensils to show off their wealth and lifestyle was a competition. They revelled in exotic animals and shells from the East Indies, priceless glassware from Venice, porcelain from China, silver and gold from Antwerp. To immortalise their high standard of living they commissioned famous Dutch still life painters, including Pieter Claesz, Floris van Dijck, Frans Snyders...

Converse sneakers. One of a kind stained glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills in ...

"Sacral Chakra" Mixed media photography 26" x 26" inch Edition 1/7 by Oleg Char Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame. ...

"Root Chakra" Mixed media photography 26" x 26" inch Edition 2/7 by Oleg Char Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame. R...

A photography archival pigment print of a a woman holding a reading magnifier close to her eye in black and white by Luciana Pampalone ( American, 1962) titled " Spy" and the first e...

An impressionistic photography archival pigment print titled "Tree" by Luciana Pampalone ( American, 1961) limited edition 1/20 in black and white, framed and matted. The print comes...

It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...

David Drebin – Limited Edition Chromogenic Print (Mounted and Framed) Available Sizes: 30 x 45 inches (75 x 110 cm) - Edition of 10 48 x 72 inches (120 x 180 cm) - Edition of 7 6...

Some Said You Were the Spitting Image of Evil 1995-1996 Signed and numbered, verso Chromogenic print with sandblasted text on glass (Edition of 10) 2...

Descendants explores the origins of personal identity as it relates to my Italian lineage and its sartorial ancestry. It is an attempt to preserve my past, connecting and honoring th...

Materials : Hand Cut Paper Date : 2016 Dimensions : 12″ x 2″ x 12″ COA provided Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a...

Materials : Hand Cut Paper Date : 2016 Dimensions : 12" x 2" x 11" COA provided Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...