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Paintings and Sculptures at Galerie Lelong 1990
Located in Brooklyn, NY
This original limited-edition exhibition poster was created for the 1990 show at the prestigious Galerie Lelong in Paris, France. Known for showcasing the works of some of the most ...
Category

1990s Abstract Abstract Prints

Materials

Lithograph

Blue Composition by Andre Lanskoy
Located in New York, NY
This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Novena Theater Festival mid-century exhibition poster (Puerto Rican artist)
Located in Wilton Manors, FL
Rare exhibition poster by Puerto Rican artist, Lorenzo Homar (1913-2004). Noveno Festival de Theatro Puertorriqueno, 1966. Screen print poster on p...
Category

Mid-20th Century Abstract Abstract Prints

Materials

Screen

Rolling Stones American Tour, rare original 1972 poster designed by John Pasche
By John Pasche
Located in New York, NY
John Pasche Rolling Stones American Tour, original 1972 poster, 1972 Original vintage offset lithograph poster (this is the original poster, not a reprint 35 1/2 × 25 inches Unframed...
Category

1970s Modern Figurative Prints

Materials

Lithograph, Offset

Joan Miró, M.990 from " Les Pénaltiés de l enfer ou les Nouvelles-Hébrides"
Located in Chatsworth, CA
Joan Miró M.990 from " Les Pénaltiés de l'enfer ou les Nouvelles-Hébrides" 1974 Hand signed in white crayon From a rare signed edition of 15, annotated EA/15 Mourlot 990 from Miró L...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Derriere Le Miroir no.204 Rear Cover
Located in Brooklyn, NY
This rear cover lithograph from Derrière le Miroir No. 204 showcases Eduardo Chillida’s iconic abstract style, emphasizing his mastery of form, balance, and spatial exploration. Publ...
Category

Late 20th Century Abstract Abstract Prints

Materials

Lithograph

"Crush me (framed)" Text and Color Photography
Located in Philadelphia, PA
This piece titled "Crush me (framed)" is an original artwork by Roxana Azar made of a digital c print. The piece measures 21.5”h x 17.5”w framed. Roxana Azar’s work utilizes photog...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

C Print, Digital

Ultra Surrealist Corpuscular Galutska, from 1971 Memories of Surrealism
Located in Washington, DC
Artist: Salvador Dali Title: Ultra Surrealist Corpuscular Galutska Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XXV (artist's proo...
Category

1970s Surrealist Abstract Prints

Materials

Etching, Lithograph

Fried Egg, Abstract Geometric Monotype Etching by Jane Kent
Located in Long Island City, NY
Jane Kent, American (1952 - ) - Fried Egg, Year: circa 1980, Medium: Monotype etching on heavy stock cotton paper, signed and numbered in pencil, Edition: 1/1, Image Size: 24 x 2...
Category

1980s Abstract Geometric Abstract Prints

Materials

Etching, Monotype

Wassily Kandinsky, Motif from Improvisation 25, from XXe siecle, 1938
Located in Southampton, NY
This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Motiv aus Improvisation 25 (Motif from Improvisation 25), from the album XXe siecle, Chroniques du jour, 13 rue Valett...
Category

1930s Modern Abstract Prints

Materials

Woodcut

Sérigraphie no. 12 - Original Screenprint, Handsigned / 75 (BNF #104)
Located in Paris, IDF
Pierre SOULAGES (1919-2022) Serigraph n°12, 1979 Original serigraph Signed in pencil Numbered 27/75 copies On Arches vellum 52 x 37 cm (c. 21 x 15 in) REFERENCE: Catalogue raisonné of the original prints of Pierre Soulages, BNF #104 INFORMATION: This serigraph is part of the series "On the wall opposite", published by Bernard Frize...
Category

1970s Abstract Abstract Prints

Materials

Screen

Henri Matisse, Chromatic Symphony, from Verve, Revue Artistique, 1940
Located in Southampton, NY
This exquisite lithograph by Henri Matisse (1869–1954), titled Symphonie chromatique (Chromatic Symphony), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from...
Category

1940s Fauvist Landscape Prints

Materials

Lithograph

Peter Halley, Jablonka Galerie Köln rare abstract exhibition print (Hand Signed)
Located in New York, NY
Peter Halley Jablonka Galerie, Köln (Hand Signed), 1990 Offset lithograph (Hand Signed by Peter Halley) 26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6) Signed by Peter Halley ...
Category

1990s Abstract Geometric Abstract Prints

Materials

Permanent Marker, Lithograph, Offset

Geometric Abstract Cast Paper Print in Soft Earth Tones Textured Signed Art
Located in Austin, TX
23 x 22 inch. Handmade Paper, Textured Lithograph. Signed in Pencil: Bottom Right. Numbered in Pencil: Bottom Left "111/150" A meditative and serene, abstract piece made of a combin...
Category

Mid-20th Century Abstract Abstract Prints

Materials

Handmade Paper, Lithograph

Ignore the Ghosts
Located in London, GB
David Shrigley Ignore the Ghosts, 2022 Screenprint in eleven colours with varnish overlay on Somerset Satin Tub Sized 410gsm paper Signed by the artist and numbered, on verso 76 x 56...
Category

2010s Contemporary Figurative Prints

Materials

Screen

Alexander Calder, Orange Sun, from Derriere le miroir, 1954
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Nocturne V (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Vulcanologie - planche 6
Located in Paris, FR
Lithograph, 1971 Edition : 85/90 Publisher : Atelier Clot, Paris Printer : Atelier Clot, Paris 56.00 cm. x 43.00 cm. 22.05 in. x 16.93 in. (paper) 54.00 cm. x 41.00 cm. 21.26 in. x...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Hand Painted Artist s Proof on aluminium-Tea Time Bloom-British Awarded Artist
Located in London, GB
Tea Time Bloom is a rare hand-painted Artist's Proof by contemporary artist Shizico Yi, created on a deluxe matte-finish giclée aluminium panel. Each edition is 90% hand-painted with...
Category

2010s Abstract Impressionist Landscape Prints

Materials

Metal

Nick Thomm - AFTER DARK (PINK)
Located in FITZROY, VIC
Nick Thomm 'After Dark' (Pink) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Archival Ink, Giclée, Archival Pigment

Paris Review Poster
Located in New York, NY
A very good impression of this early color offset lithograph on white wove paper. Signed, dated and numbered 8/150 in felt-tip pen and black ink by Rauschenberg...
Category

1960s Modern Abstract Prints

Materials

Color, Lithograph, Offset

Pierre Soulages, Plate No. 4, from Painters of Today, 1962 (after)
Located in Southampton, NY
This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 4 (Plate No. 4), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Black/White/Black
Located in Philadelphia, PA
Black/White/Black, 1970 Screenprint in colors on Special Arjomari Edition of 75 42 1/4 x 29 3/4 in. Publisher: Gemini G.E.L., Los Angeles
Category

Late 20th Century More Prints

Materials

Screen

Pablo Picasso -- Hommage à René Char, 1969
Located in BRUCE, ACT
Pablo Picasso Hommage à René Char, 1969 Color lithograph on Arches wove paper by Henri Deschamps, Paris Signed in the plate Image size: 63.6 x 44.7 cm Sheet size: 75.7 x 52 cm Prin...
Category

1960s Abstract Prints

Materials

Lithograph

"Juice Coffee", Abstract, Cup, Warm Yellows, Violet, Sepia, Photography, 2020
Located in Franklin, MA
Patty deGrandpre’s “Juice & Coffee” is a 13.5 x 10.75 inch unique abstract inkjet print represented on 17 x 11 inch Awagami Washi paper embracing both digital printmaking and creativ...
Category

2010s Contemporary Abstract Prints

Materials

Color, Digital

Entre deux eaux
Located in Paris, FR
Engraving, 1968 Catalog : Catalogue [Denoël 91] 56.00 cm. x 38.00 cm. 22.05 in. x 14.96 in. (paper) 31.00 cm. x 24.00 cm. 12.2 in. x 9.45 in. (image) Engraving on Japan paper, 1968...
Category

1960s Modern Abstract Prints

Materials

Engraving

Erebus Sculpture OP ART
Located in CANNES, FR
Victor VASARELY 1906 - 1997 EREBUS - 1982 Verre et bois Signature gravée sur le verre et numérotation sous la base "/2000" Edition Rosenthal studio-linie, Allemagne Dans sa boîte...
Category

1980s Op Art Abstract Prints

Materials

Glass

Prizma IV (Geometric Abstraction)
Located in Kansas City, MO
Prizma IV Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...
Category

2010s Abstract Geometric Abstract Prints

Materials

Screen

L Escargot Modern Art Colour Lithograph on Wove Paper
Located in Toronto, ON
Signed on the plate by Matisse. From the portfolio ‘Dernières Oeuvres de Matisse 1950-1954’, known as Verve Vol. IX No. 35 & 36. Printed by Mourlot in Paris. Henri Matisse oversaw ...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Joan Miro, Number 46, from XXe siecle, 1976
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Numéro 46 (Number 46), from the album XXe Siecle, Nouvelle serie, XXXVIIIe Annee, No. 46, originates from the 1976 edition ...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Untitled 25, Minimalist Lithograph with pastel by Stephen A. Davis
Located in Long Island City, NY
Stephen A. Davis, American (1945 - ) - Untitled 25, Year: 1999, Medium: Lithograph with hand colored pastel, signed and dated in pencil lower right, Image Size: 23 x 16 inches, Si...
Category

1990s Minimalist Abstract Prints

Materials

Pastel, Lithograph

Kenny Scharf, Absolut Vodka hand signed, edition of 200, commissioned lithograph
Located in New York, NY
Kenny Scharf Absolut Scharf for Absolut Vodka, 1987 Lithograph with offset lettering in colors on wove paper Hand signed and dated by artist on lower right front Limited Edition of 2...
Category

1980s Pop Art Figurative Prints

Materials

Lithograph, Offset

Henri Matisse, Mrs. Dorothy Parley, Portraits by Henri Matisse, 1954 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Dorothy Parley (Mrs. Dorothy Parley), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Mujer fumando
Located in BARCELONA, ES
Fernando Botero ''Mujer fumando" 1985 lithograph, signed in lower right corner Numbered in Roman numerals in lower left corner num. XLVI/L, 40 x 33 cm.
Category

1980s Realist Abstract Prints

Materials

Lithograph

Fisherman
Located in Belgrade, MT
This etching by Lucien Coutard is part of my private collection since the 1970's. It is signed. Lucien Courtard created surrealist depictions of sexuality, he called it Eroticism and...
Category

Mid-20th Century Surrealist Abstract Prints

Materials

Etching, Lithograph

Alberto Giacometti, Georges Braque, August 31, 1963, from Derriere le Miroir
Located in Southampton, NY
This exquisite lithograph by Alberto Giacometti (1901–1966), titled Georges Braque le 31 aout 1963 (Georges Braque, August 31, 1963), originates from the 1964 folio Derriere le Miroi...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Henri Matisse, Decoupage, from XXe Siecle 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Decoupage (Decoupage), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Georges Braque, Profile of a Woman, 1972 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Profil de femme (Profile of a Woman), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Pa...
Category

1970s Cubist Abstract Prints

Materials

Lithograph

Robert Rauschenberg Earth Day Limited Edition, Signed Lithograph Print
Located in San Rafael, CA
This listing is for the limited edition lithograph, not the mass produced poster. Robert Rauschenberg (American, 1925-2008) Earth Day, 1970 Lithograph with chine collé Signed, dated, numbered by the artist Edition 11/50, Full sheet: 52 1/2 x 37 1/2 in. With mat: approx 55 x 40 in Published by the American Environment Foundation Printed by Gemini G.E.L. Los Angeles, with blindstamp to lower center Catalog Raisonné: RRF 70.E016 Provenance: Butterfield & Butterfield (now Bonhams) Lot 3115, sale 5367L February, 24, 1993 This Robert Rauschenberg lithograph...
Category

1970s Contemporary Still-life Prints

Materials

Lithograph

Henri Matisse, Decoupage, from XXe Siecle 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Decoupage (Decoupage), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Wassily Kandinsky, Heavy Red, from Derriere le miroir, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Schweres Rot (Heavy Red), from the folio Derriere le miroir, No. 154, originates from the 1965 edition published...
Category

1960s Modern Abstract Prints

Materials

Lithograph

1956 Fernand Leger Mourlot Exhibition Poster
Located in Wilton Manors, FL
76 x 52 cm. Printed by Fernand Mourlot on rag paper watermarked "Mourlot." A condition. Not in Saphire. .Fernand Mourlot was born in Paris in 1895. He grew up in the family print shop but it wasn't until he took over in the early 1920s that he would change the fabric of printing forever. His influence fostered a resurgence of lithography, revealing it as a new avenue for expression and a new realm of possibilities for likes of Pablo Picasso, Henri Matisse, Marc Chagall, Joan Miró, Georges Braque, Fernand Léger, and Alberto Giacometti to enrich their own work as well as fine art in general. Fernand cultivated the lithograph as a painter's medium and the family studio on Rue Chabrol became a hub where he could invite artists to work directly on the stone, as if creating a poster. In 1937, the studio produced two posters (based on paintings by Matisse...
Category

Mid-20th Century Cubist Abstract Prints

Materials

Paper, Lithograph

David Shrigley - Art Will Save the World
Located in London, GB
Artist David Shrigley (British, b. 1968) Title: Art Will Save the World Year: 2019 Medium: 25 colour screenprint with a varnish overlay on Somerset Satin Tub sized 410 gsm paper Shee...
Category

2010s Contemporary Abstract Prints

Materials

Screen

Espriu Plate I
Located in Austin, TX
Artist: Joan Miro Title: Plate I from Espriu-Miro Series: From the series Espriu-Miró, which contains 8 engravings printed on Gvarro paper with the publisher's stamp. Date: 1971 Med...
Category

1970s Abstract Abstract Prints

Materials

Etching

Espriu Plate I
Espriu Plate I
$3,600 Sale Price
20% Off
Still Life — Mid-century Modern
Located in Myrtle Beach, SC
Charles Quest, 'Still Life', 1947, wood engraving, edition 8. Signed, dated, and numbered '3/8' in pencil. Titled and annotated 'wood engraving' in the bottom left margin. A fine impression, on off-white wove paper, with full margins (1 to 2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
Category

1940s American Modern Abstract Prints

Materials

Woodcut

Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Hen...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Hand-Painted Large Artist Proof-Summer Night-British Awarded Artist-One Off
Located in London, GB
This stunning Artist's Proof is an one-off, oil hand-painted, signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the nature of hand mixe...
Category

2010s Abstract Expressionist Abstract Prints

Materials

Gesso, Archival Ink, Oil, Acrylic, Archival Paper, Giclée

Untitled #1
Located in San Francisco, CA
This artwork "untitled #1" 1978 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed,...
Category

Late 20th Century Abstract Expressionist Abstract Prints

Materials

Screen

Brush
Located in Toronto, Ontario
Joan Mitchell (1925-1992) was a leading abstract artist whose prolific career spanned more than four decades. Working in a variety of mediums, including oil, pastel, and printmaking,...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Abstract Composition - Screen Print by Mario Radice - 1988
Located in Roma, IT
Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract Art Mario Radice (1898-1987), in 1988 Hand-signe...
Category

1980s Abstract Abstract Prints

Materials

Screen

La Foundation Marguerite et Aime Maeght
Located in Washington, DC
Artist: Joan Miro Title: La Foundation Marguerite et Aime Maeght Medium: Lithograph Date: 1964 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size...
Category

1960s Abstract Prints

Materials

Lithograph

Salvador Dalí Whoever Takes Carmen (Salvador Dalí­ prints Salvador Dalí Carmen)
Located in NEW YORK, NY
Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life 1970 (from Carmen): Lithograph in colors on Arches paper. 25.5 x 19.8 inches (64.8 x 50.5 cm). Good overall vintage ...
Category

1970s Pop Art Abstract Prints

Materials

Paper, Lithograph

Realite Imaginaire, Abstract Geometric Screenprint by Eugenio Carmi
Located in Long Island City, NY
Eugenio Carmi, Italian (1920 - 2016) - Realite Imaginaire, Year: 1972, Medium: Screenprint on Arches, signed, dated and numbered in pencil, Edition: 85/100, Image Size: 28.5 x 20...
Category

1970s Abstract Geometric Abstract Prints

Materials

Screen

Nature Overview
Located in New York, NY
ABOUT THIS PIECE: Inspired by the warm light, open vistas, and saturated colors of her birthplace (Southern California), Julianna Goodman’s collages often distill memories of nature ...
Category

2010s Abstract Prints

Materials

Photographic Paper

Hothead - Contemporary Art, Abstract Art
Located in London, GB
Hothead, 2016 Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp 82 x 78 cm - Framed 80 x 75 cm - Sheet Edition of 250 It comes with COA from t...
Category

2010s Abstract Abstract Prints

Materials

Giclée

Jules Olitski, Mozart Night, color field silkscreen for Lincoln Center, Signed/N
Located in New York, NY
Jules Olitski Mozart Night, 1992 Silkscreen on wove paper Signed, dated, titled and numbered 71/108 in graphite pencil on the front Edition 71/108 47 × 36 inches Unframed Silkscreen ...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Screen

Original Absolut Vodka Absolument Galerie Lavignes, Paris poster
Located in Spokane, WA
Original Absolut Vodka Absolument vintage exhibition poster. Archival linen backed invery good condition, ready to frame. Like most Warhol artwork, this is very vibrant and colorful. This 1994 poster was used for the exposition of contemporary artists at Galerie Lauvigne in Paris. Andy Warhol...
Category

1990s Pop Art Figurative Prints

Materials

Offset

Doughlah G.E.P., 1968-71 - Contemporary Art, Abstract Art
Located in London, GB
Title: Doughlah G.E.P., 1968-71 Year made: 2023 Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp Edition of 250 It comes with COA f...
Category

2010s Abstract Abstract Prints

Materials

Giclée

Itzchak Tarkay [Café Friends] 2001 Signed Serigraph, Hors Commerce Proof
Located in Miami, FL
ITZCHAK TARKAY – [CAFÉ FRIENDS] ⚜ Serigraph in Color on Wove Paper ⚜ Hand Signed and Annotated HC 27/80 ⚜ Gilt Wood Frame CAFÉ SCENE WITH ELEGANT DETAIL Executed circa 2001, [Café F...
Category

Early 2000s Post-Impressionist Figurative Prints

Materials

Archival Paper, Screen

Henri Matisse, Mrs. Mary Hutchinson, Portraits by Henri Matisse, 1954 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Mary Hutchinson (Mrs. Mary Hutchinson), from the album Portraits par Henri Matisse (Portraits by Henri Mati...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

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