Vertical Abstract Prints

The Jacobite Tartan Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Robert Indiana The Golden Future of America (Sheehan, 92), 1976 Silkscreen on Arches paper Signed and dated in pencil, lower right; number...

"Amsonia Pink" by Deirdre Murphy is a framed, one-of-a-kind monoprint with collage (chine collé - applied Japanese colored Gampi papers) in a range of pale pinks on archival paper. T...

This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...

Lithograph, 1970 Handsigned by the artist in pencil and annotated EA - Artist Proof Edition : 300 Printer : Clot, Bramsen et Georges (Paris) Catalog : [Mason Putman 58] 65.50 cm. x 4...

Robert Kelly (American, 1956-) Abstract Monoprint 1985 Pencil titled Donja XI and dated 1985 lower left Hand signed lower right Provenance: from the collection of a prominent US corporation. Dimensions: Sheet: 33.5" X 28" Image: 26" X 22" Robert Kelly (born 1956) is an American artist. He is based in New York City. Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.” Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine...

Dario Villalba - UNTITLED 3 Date of creation: 1975 Medium: Lithograph and photolithograph on Paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and never framed Observa...

Felipe Pantone - CHROMADYNA MICAP #2 Date of creation: 2020 Medium: Lithograph on paper Edition: 30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Lithograph...

Kenny Scharf Untitled from the environmental portfolio "Columbus: In Search of a New Tomorrow", 1992 Color silkscreen on Fabriano paper with blind stamp, held in the original portfol...

"Pierre Alechinsky (Belgium, 1927) 'Derriere le Miroir, Maeght Editeur', lithograph on paper 34.7 x 23.7 in. (88 x 60 cm.) Unframed Ref: ALE100-201 Pierre Alechinsky Born in the im...

Zao Wou-ki - Moments - Original Aquatint Edition of 130 Dimensions: 34.2 x 30.5 cm Vellum paper BFK Rives 1996 Bibliography: Jørgen Ågerup, Zao Wou-Ki: The Graphic Work, A Catalogue ...

Untitled 1 Etching original painting number 12 of an edition of 15 engravings. Jaume Plensa Suñé (Barcelona, 1955) is a Spanish plastic artist, sculptor and engraver. Very versatile ...

This exquisite lithograph by Joan Miro (1893–1983), titled Oiseau Bleu (Blue Bird), originates from the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. Executed during the height of Miro’s mature period, this poetic composition embodies the artist’s fascination with the interplay between form, color, and cosmic symbolism. Through his lyrical use of line and vibrant hues, Miro transforms the image of the bird—a recurring motif in his visual language—into a jubilant expression of freedom and imagination. Oiseau Bleu exemplifies Miro’s capacity to merge spontaneity and precision, creating a timeless dialogue between abstraction and dreamlike vision. Executed on velin paper, this lithograph measures 22 x 15 inches (55.9 x 38.1 cm), as issued. Signed in the plate and unnumbered, as issued. The edition reflects Miro’s mastery of both color and gesture, fusing Surrealist spontaneity with the refined craftsmanship of the Mourlot ateliers. Artwork Details: Artist: Joan Miro (1893–1983) Title: Oiseau Bleu (Blue Bird), from Derriere le Miroir, 1963 Medium: Lithograph on velin paper Dimensions: 22 x 15 inches (55.9 x 38.1 cm), as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1963 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, Geneva, 1989, illustration 87 Condition: Well preserved, consistent with age and medium Provenance: From the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original deluxe edition of Derriere le Miroir. The lithographs for this issue were printed in the ateliers of Mourlot Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing 1963. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro Oiseau...

Manfred Schwartz (American, b. Poland, 1909-1970), "Flowering Moon", Lithograph on Paper, mid 20th century, reclining figure in blue, numbered edition "9/70" lower left, signed in pe...

The painting is being offered with a work and authenticity certificate

This exquisite lithograph by Zao Wou-Ki (1920–2013), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXXIIIe Annee, No. 37, Decembre 1971, originates from th...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. Graphic work of the ...

Artwork title: Miramar IArtist name: Nathan Oliveira Date created: 1969 Classification: print Medium: lithograph Edition: 75 Dimensions: 29 3/8 × 22 1/8 in. (74.6 × 56.2 cm) Signed...

Pierre Alechinsky Galactic Flying Object - 1977 Print - Lithograph on Arches Archival Paper 19'' x 27 ½ " inches Edition: Signed in pencil and marked 8/100 After completing his stud...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

While Robert Motherwell (1915-1991) is known as one of the most important and influential artists associated with Abstract Expressionism, he is also revered for his work and promotio...

Antoni Tapies (Spain, 1923-2012) 'Variations I: Chaise de profil', ca. 1970-1975 Serie: Variations sur Chaise lithograph on paper 41.4 x 29.6 in. (105 x 75 cm.) Edition of 90 Unframe...

Includes a Certificate of Authenticity

virtual framed ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. virtua...

Mel Ramos Batman and Robin (Hand signed Postcard), ca. 1991 Offset Lithograph on Card Hand signed by the artist on the lower front Held in original v...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 22 (Plate No. 22), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

Offset lithograph Edition 214 of 300 76 x 61.2 cm, 28 × 24 in Signed and numbered on the front Mint, as issued. Sold in the original Kaikai Kiki packaging Published by Kaikai Kiki Co...

Leonard Edmondson, 'Winter Garden', color etching, edition 50, 1957. Signed, titled, dated, and numbered '50/50' in pencil. A superb, richly-inked impre...

"lost + found" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "lost + found" by Jim Crabb (American, b. 1947). This piece features an arachnid-like...

Original Paul Klee 1981 exhibition poster for the Florence, Italy in the Orsanmichele Museum. (The Orsanmichele is known as the kitchen garden of St. Michael.) The church - mus...

Richard Prince Angie Dickinson (Angie from Untitled Portfolio) from the estate of Vera G. List, 1986 Large Color Polaroid (w/Barbara Gladstone & Sotheby's Gallery Labels) Signed and ...

Jack Youngerman Blue/Yellow from New York City Center of Music & Drama Portfolio, 1968 Silkscreen on wove paper Hand signed, dated and numbered 75/144, in graphite by Jack Youngerman...

Lithograph, 1964 Edition : 105/150 Publisher : Hochschule St. Gallen (St. Gallen) Printer : Maeght (Paris) Catalog : [Cramer 111] 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper)...

This lithograph by Joan Miró, printed by Mourlot for the book "Art in Posters" by Sauret in 1959, reproduces the original poster #51, which was published for the Galerie Maeght. The ...

Mitsuo Miura (Japan, 1946) Hako IV, 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) series number: 5/25 ID...

Dale Hickey, Australia (Born 1937). Lithograph. Signed Lower Right. Numbered Lower Left 1 / 30. Described in the Middle To LA. Described on the Back and Dated 1991. In Original Frame...

From the Series “Métamorphoses”, one of the most important graphic works of the founder of the “Metafisica” Movement. Original colour etching numbered and signed by the artist, reali...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Nadia Sednaoui (Mrs. Nadia Sednaoui), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...

Lithograph, 2005 Handsigned by the artist in pencil and numbered 122/150 Printer : Frédéric Possot, Paris Certificate of authenticity Excellent condition LCD6447

'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...

Color lithograph on Guarro paper, edited 1975 Limited edition of 99 copies, numbered 83/99 in lower left corner. Signed in pencil by artist in lower right corner. Paper size: 70 x 5...

Persian Ballet is a woodcut on ivory-colored, realized at the beginning of the XX century by the Italian artist Arturo Martini (Treviso, 1889 - Milan, 1947). On the lower margin, the printed inscriptions with the title and the author: "Persian Ballet/ Martini de la Valle...

Etching and aquatint, 1987 Handsigned by the artist in pencil and numbered 16/99 Publisher : Atelier Lacourière-Frélaut (Paris) Printer : Atelier Lacourière-Frélaut (Paris) Catalog :...

Hand signed and numbered . Edition of 40 prints. Very good conditions.

Artist: James Coignard (French, 1925-2008) Title: "Deux Bleus Sur Noir (Two Blues on Black)" *Signed by Coignard in pencil lower right Year: 2006 Medium: Original Hand-Embellished Ca...

Arthur Secunda Long Distance Ocean - 1980 Print - Serigraph   40'' x 23'' inches Edition: signed and numbered in pencil 215/250 Secunda's exploration into printmaking has very ofte...

Carl Andre Zinc: Historic Ace Gallery poster (Hand Signed by Carl Andre), 2007 Limited Edition Offset lithograph poster (hand signed by Carl Andre) ...

Juan Genovés (Spain, 1930-2020) 'Untitled', 1996 engraving, aquatint on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: GEN1205-005-1 Hand-signed by author ___________________...

Hans Bellmer, Les Marionettes I, etching with hand coloring, 1969, edition 150. Signed and annotated 'HC' in pencil. A fine impression on brown Roma hand-made laid paper; the full sheet with margins (1 to 2 5/8 inches), in excellent condition. Archivally sleeved, unmatted. Image size 11 13/16 x 11 1/8 inches; sheet size 15 5/8 x 13 1/4 inches. A 'Hors Commerce' impression. From a suite of 11 etchings created by Bellmer to illustrate 'On the Marionette Theatre...

This linocut in black ink is hand signed in pencil by the artist ‘Moholy-Nagy’ in the lower right margin. It was hand printed by the artist in 1922. Note: Another dedicated impressi...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle A.Nelck (Miss A.Nelck), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), orig...

Antoni Clave Guerrier, 1970 Etching with Aquatint, signed and numbered in pencil Edition: 73/75 lower left Signed lower right Size: 76 x 56 cm FREE SHIPPING

This striking exhibition poster by Peter Nyborg showcases his mastery of color and form. Printed on heavy stock paper, it boasts vibrant, richly layered hues that radiate energy and ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle Jacqueline Matisse (Miss Jacqueline Matisse), from the album Portraits par Henri Matisse (Portraits b...

5138 Large colorful Abstract Modernist colored lithograph signed numbered 15/75 published 1970 Framed image size 23x23" Excellent modernist composition

This exquisite lithograph after Georges Braque (1882–1963), titled Ajax, originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to G...

Screen Print on canvas Jeremie Faivre is a French artist born in 1977 who lives and works in Paris, France. He is graduated from Massachussetts College of Art Design in Bosto...

Silkscreen, 1979 Edition : 8/15 Publisher : Editions F. B. Printer : Bernard Frize Catalog : [BNF 103] 52.00 cm. x 36.00 cm. 20.47 in. x 14.17 in. (paper) 35.00 cm. x 24.00 cm. 13....