Vertical Abstract Prints

Abstract Composition is an artwork realized by Salvatore Provino. Screen print on paper. Hand-signed on the lower right corner. Numbered on the lower left, edition of 75. Very go...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...

"Night Views" Silkscreen Print by The Skyscape Artist, 25/100. By Tetsuro Sawada ( Japanese, 1933-1998) This raven black geometric abstraction focuses on hard-edged horizontal lines, color, and light, giving the impression of dusk through the "bokashi," or shading, technique, which is most difficult in the silkscreen medium, a good example of Sawada's theme of the infinite beyond, the silent emptiness of the universe. Signature in the bottom right corner reads, "T. Sawada '87," titled in the bottom center, "Night Views," and numbered, "25/100," in the bottom left corner. Presented in a new white mat. Paper size: 34"H x 22"W, Mat size: 39"H x 27"W Born in Hokkaido, Tetsuro Sawada (1933-1998, Japanese) graduated from Musashimo Art University where he majored in Western painting. In 1960, he began painting abstract oils...

Etel Adnan Ailleurs (Elsewhere), 2018 Etching in colours, on wove Signed and numbered from the edition of 35 Printed and published by Galerie Lelong, Paris Sheet: 48 × 38 cm (18.9 ×...

Coveted 1960s/1970s collectible with special signature and inscription. Makes a fantastic gift! Framed and ready to hang. Jasper Johns Art Card: Target with Four Faces (Hand signed ...

Nick Thomm 'After Dark' (Green) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NE...

Composition au verre a pied (Composition with stemmed glass) Lithograph (Ink drawing, pen and brush transferred to lithograph stone) , 1947 Unsigned Editi...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Tapies Litografia original Work reproduced in the catalogue raisonné, image 286. Edited in 1971 TAPIES was the maximum representative of Spanish abstract art of the 20th century. ...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Schwarz und Violett (Black and Violet), from the folio Derriere le miroir, No. 118, originates from the 1960 edi...

Harland Miller, Love Saves The Day (Hand Signed Poster), 2025 Print on Monte Carlo 300gsm watercolour paper 60 x 80 cm (23.6 x 31.5 in) From an open edition Hand-signed by the artist

This original lithographic poster was created for Max Bill's 1974 exhibition at Marlborough Galerie Zürich. A leading figure in the Concrete Art movement, Bill's work is celebrated f...

Decorative motifs of the French Renaissance is a vintage chromolithograph realized by an anonymous artist of the early 20th Century. Good conditions. The artwork represents Decorat...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme VI/VI (Woman VI/VI), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition published and print...

Otono Floral 1995 Hand-painted, 15-color silkscreen with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 "Sexual Spring-like Winter" is a large painterly work, created with ...

Segnali is an artwork realized in 1984 by the italian Contemporary artist Leo Guida (1992 - 2017). Colored screen print on ivory-colored cardboard. Hand-signed, titled and dated o...

Robert Indiana Purim: The Four Facets of Esther (I) Sheehan, 36, 1966 Color silkscreen on off white wove paper Printed by Stephen Poleskie, Chiro...

Lithograph realized in occasion of Calder's Exhibition at Galleria Rondanini, Rome, 1976. Not signed and not numbered, as issued. Edition of 500. Excellent condition

This exquisite lithograph by Sonia Delaunay (1885–1979), titled Danseuse espagnole (Spanish Dancer), from the album XXe Siecle, Nouvelle serie, XXXIVe Annee, No. 39, Decembre 1972, o...

The front cover of Derriere le Miroir (DLM) No. 183 features the work of the renowned Spanish Basque sculptor and artist Eduardo Chillida. This issue, published by the esteemed Frenc...

Composition is an original print in lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork is created through confident s...

Abstract Composition is an original etching and aquatint realized in the 1960s Century by Marcel Fiorini (1922-2008). Good Conditions. Edition of 36/100. The artwork is depicted th...

Limited edition Basquiat Gold Griot Skateboard Deck c. 2019: Rare limited edition Basquiat skateboard deck published by The Broad Museum Los Angeles in conjunction with the estate of...

Rebecca Skinner’s “Power” is a 18 x 12 inch metal print and is part of her “Transient” series. Peeling paint on a vintage wall reveals layered pastel green and pink hues around an ol...

This exquisite lithograph by Bernard Buffet (1928–1999), titled La piscine (The Swimming Pool), originates from the 1987 album Bernard Buffet, Lithographe II (Bernard Buffet, Lithogr...

Nick Thomm 'After Dark' (Pink) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #84 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW....

Alexander Calder Rocks and Sun, 1952 Original Lithograph (3 color stones) Printed in Mourlot workshop On vellum 31 x 24 cm (c. 12,2 x 9,5 in) Edited by San Lazzaro in 1952 Very goo...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene VIII, Romeo et Juliette (Scene VIII, Romeo and Juliet), originates from the 1957 album Jean Cocteau de l'Academie ...

Lithograph and original issue World Federation of United Nations Associations postage stamp on vélin paper. Inscription: Signed in the plate, as issued. Good condition. Notes: Publis...

Charles Quest, 'Still Life', 1947, wood engraving, edition 8. Signed, dated, and numbered '3/8' in pencil. Titled and annotated 'wood engraving' in the bottom left margin. A fine impression, on off-white wove paper, with full margins (1 to 2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Color and Space Medium: Agamograph, signed and numbered in ink Year: circa 2000 Edition: 99 Size: 15 in. x 14 in. (38.1 cm x 35.56 cm) F...

The Easy Dark poster for Julie Mehretu’s exhibition at the Louisiana Museum of Modern Art is a remarkable piece that embodies the energy and complexity of Mehretu’s work. Printed in ...

Untitled is an etching on wove paper realized by Johnny Friedlaender (Pless, 1912 - Paris, 1992). Signed and numbered 64/95. 76 x 56,5 cm, o. R. Embossing stamp: Manus Presse.

Hand Signed. Artist's Proofs in Arabic and Roman Numbers.

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Sign No. 5 Year: 1971 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 38/110 I...

This exquisite heliogravure after Bernard Buffet (1928–1999), titled La Fenetre ouverte (The Open Window), from the folio Bernard Buffet, Peintres d'aujourd'hui (Bernard Buffet, Pain...

Lithograph, 1980 Handsigned by the artist in pencil and numbered 12/100 Publisher : Jacques Putman, Paris Printer : Pierre Badey, Paris Catalog : [Mason Putman 371, p. 33] 80.00 cm. ...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Red one is an original artwork realized by Lorenzo Indrimi in Hand Signed on the lower right margin. Numbered on the lower left. Edition of 100 pieces plus some Artist's Proofs and ...

Artist: Yaacov Agam Title: Message of Peace Year: 1988 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Paper Size: 40 x 31 inches

Lithograph 70.00 cm. x 50.00 cm. 27.56 in. x 19.69 in. (paper) 60.00 cm. x 41.00 cm. 23.62 in. x 16.14 in. (image) Annoted "EA" Handsigned by the artist in pencil Ref : LCD2873

Union III Yaacov Agam, Israeli (1928) Date: 1976 Screenprint, signed in pen lower right Image Size: 27 x 22.75 inches Size: 33 x 28.75 in. (83.82 x 73.03 cm)

Jacqueline De Butler, French (1928 - ) - Green and Yellow Composition, Year: circa 1968, Medium: Etching with Aquatint on Arches, signed and num...

Poster Size: 23.5 x 16.5 in. Vintage Gold Leaf Frame Size: 23.5 x 16.5 in. Signed and inscribed in gold marker, bottom right A poster for "The Winter Ball 1988" in Houston, Texas, p...

RAZA Sayed Haider Tree, bindu and five elements, 2008 Original Lithograph Handsigned in pencil Numbered / 150 copies On vellum 22 x 43" (56 x 110 cm) Authenticated by the Editor sta...

Alexander CALDER (1898-1976) Four red, three black, one yellow Original lithograph, 1967 Unsigned and unnumbered Aside the edition of 90 copies numbered and hand signed On Lana vell...

This is a large hand painted Artist's Proof, (oil and gold leaf on Giclee), it's the only one proof of this image, 90 % of the proof is hand painted by the artist, Shizico Yi; its o...

James Rosenquist Castelli Gallery poster (hand signed and inscribed by the artist to the art dealer Richard Feigen), 1980 Offset lithograph poster Signed, dated and inscribed by Jame...

This is an original lithograph poster created for Achille Perilli’s 1973 exhibition Works on Paper at Marlborough Galerie in Zürich. A leading figure in postwar Italian abstraction, ...

Artist: Robert Rauschenberg (1925-2008) Title: Charms against harms Year: 1993 Medium: Lithograph on wove paper Edition: H.C. 8/15, 100, plus proofs Size: 40.5 x 28 inches Condition:...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

ARTIST: Salvador Dali TITLE: La Femme Visible MEDIUM: original Heliogravure - Etching in the book titled "La Femme Visible" SIGNED: Hand Signed by Salvador Dali on the frontispie...

Artist: Joan MIro Title: United Nations Peacekeeping Operations Medium: Lithograph in colors Date: 1980 Edition: 683/1500 Framed Size: 18 3/4" x 16 1/4" Sheet Size: 11" x 8 1/2" Ima...

Joan Miró (Spanish, 1893-1983) "Personatge I Estels II," 1979 Etching, aquatint in colors with embossing on Arches wove paper Signed in pencil lower right, numbered 26/50 lower left ...

Joan Miró "Le Permissionnaire", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 3/50. Image measures: 45 x 29 inches Sheet measure...

David Shrigley The World, 2021 Screenprint in eight colours with a varnish overlay on Somerset Satin Tub sized 410 gsm paper hand-signed by the artist and numbered, on the back of th...

The Word and the Sign is an original Screen Print realized by Rafael Alberti (El Puerto de Santa Maria 1902 – El Puerto de Santa Maria 1999) in 1...

This print by Robert Rauschenberg is part of an 8-piece portfolio published by The New York Graphic Society in 1983 and includes works from Red Grooms, Robert Indiana, Alex Katz, R.B...

This exquisite lithograph after Juan Gris (1887–1927), titled Guitare (Guitar), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 edition...

Ossip Zadkine (French-Russian, 1890-1967), limited edition color lithograph on paper titled La Famille (The Family), depicting intertwined figures in a Cubist-inspired style. The pr...