1950s Abstract Prints

ZAO WOU-KI 1921- 2013 Beijing 1921 - 2013 Switzerland (Chinese) Title: Venice Venise, 1951 Technique: Original Hand Signed, Dated and Numbered Etching on BFK Rives Wove Paper Pap...

MAURICE ESTEVE 1904-2001 Culan, Cher 1904-2001 (French) Title: The Prince, 1954 Technique: Original Hand Signed and hand-numbered Lithograph on vellum p...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La route (The Road), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, Editeur...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Près de Beaumont sur Sarthe (Near Beaumont on Sarthe), from the album Vlaminck, originates from the 1958 editi...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1953 album Miro Recent Paintings. Published by the Pierre Matisse Gallery, New Y...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1953 album Miro Recent Paintings. Published by the Pierre Matisse Gallery, New Y...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1953 album Miro Recent Paintings. Published by the Pierre Matisse Gallery, New Y...

This exquisite lithograph and pochoir by Hans Jean Arp (1886–1966), titled Homme (Man), from the album XXe Siecle, Nouvelle serie, No. 8 (double), Janvier 1957, originates from the 1...

This exquisite lithograph by Bram van Velde (1895–1981), titled Formulaire bleu (Blue Form), from the folio Derriere le miroir, No. 43, originates from the 1952 edition published by ...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Femme assise (Seated Woman), from the folio Derriere le miroir, No. 65, originates from the 1954 edition publis...

Color etching on vellum. Image dimension 18x13 cm. Edition of 33/100. Hand signed in pencil. Light-stained, browned, with pinholes in two corners. Very rare.

This exquisite lithograph and pochoir by Mark Tobey (1890–1976), titled Totem, from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Juin 1959, originates from the 1959 ...

Harold Town (1924-1990) remains one of the most accomplished and fascinating characters from the "Painters Eleven" group. While Town coined the group's name (based on the number of artists who simply attended their first meeting) his output was diverse, ever-changing and not restricted to painting. Somewhat ironically, Town's first significant body of work, which established his reputation, was a group of monotype - which he called "Single Autographic Prints" Town was introduced to lithography by fellow Painters Eleven member Oscar Cahen...

This exquisite etching after Joan Miro (1893–1983), titled L'Aigrette (The Egret), from the folio Derriere le miroir, 10 Ans d'Edition 1946–1956, No. 92–93, originates from the 1956 ...

This exquisite lithograph by Max Ernst (1891–1976), titled Electra (Electra), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, originates from the 1959 editi...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, Nos. 60–61, 1953 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1953 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1953 edition, Kandinsky lithograph...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Croquis pour les peintures murales (Sketch for the Mural Paintings), from the folio Derriere le miroir, No. 107–...

Vassily KANDINSKY Woodcut print Second edition for 'XXe Siecle' the first edition was done in 1938 Printed signature (monogram) in the plate On vellum 31 x 24 cm (c. 12.5 x 10 inc...

LEONARD EDMONDSON (1906 – 2001) WINTER GARDEN, 1957 Color intaglio, Edition 50. signed, titled and no. in pencil. Image 11 x 8 ¾”, sheet 15 ¾ x 12 3/8”....

This exquisite woodcut by Pietro Consagra (1920–2005), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXIe Annee, N°13, Noel 1959, originates from the 1959 ...

Lithograph, 1951 Edition : 57/200 Publisher : Guilde internationale de la Gravure (Genève) Printer : Jean Bruller (Paris) Catalog : Sapphire E7 56.00 cm. x 38.00 cm. 22.05 in. x 14....

This exquisite heliogravure after Henri Matisse (1869–1954), titled John Dewey, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954 edit...

Ralston Crawford, 'Third Avenue Elevated #1', lithograph, 1951, edition 55. Freeman L51.4. Signed, titled and numbered '48/55' in pencil. A fine, richly-inked impression, with rich ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Maquette pour la Creation du Monde (Maquette for The Creation of the World), from the folio Contrastes, ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Voiliers sur la Seine (Sailboats on the Seine), from the album Vlaminck, originates from the 1958 edition publ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Coteaux de Chatou (The Hills of Chatou), from the album Vlaminck, originates from the 1958 edition publish...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les tilleuls sous la neige (Linden Trees in the Snow), from the album Vlaminck, originates from the 1958 editi...

This exquisite lithograph after Henri Matisse (1869–1954), titled Marguerite Matisse (Marguerite Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), or...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Cocoly Agelasto (Cocoly Agelasto), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), origin...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Lithograph, 1957 Edition : 180 ex. Publisher : Hedwig Marbach, Berne Printer : Jean Pons, Paris Catalog : [RMM 99] 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 50.20 cm. x 31...

This exquisite lithograph by Alberto Giacometti (1901–1966), titled Figures dans un interieur (Figures in an Interior), from the folio Derriere le miroir, No. 65, originates from the...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled L’atre (The Hearth), from the folio Derriere le miroir, No. 65, originates from the 1954 edition published by M...

Lithograph, 1957 After Joan Miró Edition : 212/300 Publisher : Maeght (Paris) Catalog : [Maeght 1710] 51.00 cm. x 65.00 cm. 20.08 in. x 25.59 in. (paper) 40.00 cm. x 56.00 cm. 15.7...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From the folio, Une Aventure méthodique, 1950; published ...

This exquisite collotype after Alfonso Ossorio (1916–1990), titled Peinture initiatique V (Initiatory Painting V), from the album Peintures initiatiques d'Alfonso Ossorio (Initiatory...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Village de la Sarthe (Village in Sarthe), from the album Vlaminck, originates from the 1958 edition published ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled L'église de Bougival (The Church of Bougival), from the album Vlaminck, originates from the 1958 edition publi...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La meule (The Haystack), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Colette (Mrs. Colette), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

This exquisite lithograph by Mark Tobey (1890–1976), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°5 (double) Juin 1955, originates from the 1955 edition ...

This exquisite lithograph by Giuseppe Capogrossi (1900–1972), titled Sin titulo I (Untitled I), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, orig...

This exquisite lithograph by Jean Bazaine (1904–2001), titled Paysage (Landscape), from the folio Derriere le miroir, 10 Ans d'Edition 1946-1956, No. 92-93, originates from the 1956 ...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Femme a l'oiseau (Woman with Bird), from the album Douze Contemporains (Twelve Contemporaries), originate...

This exquisite lithograph after Henri Matisse (1869–1954), titled Pierre Matisse (Pierre Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

This exquisite lithograph and pochoir by Hans Jean Arp (1886–1966), titled Moustaches et squelette (Mustaches and Skeleton), from the album XXe Siecle, Nouvelle serie, No. 8 (double)...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Vert, Bleu, Noir (Green, Blue, Black), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published...

Juggler is an original etching artwork on paper realized by Alain Ducros in 1954, Hand-signed on the lower right, titled on the lower center, numbered, limited edition of 15/20 print...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled L'Homme qui marche (The Walking Man), from the folio Derriere le miroir, No. 98, originates from the 1957 editi...

This exquisite collotype after Alfonso Ossorio (1916–1990), titled Peinture initiatique VIII (Initiatory Painting VIII), from the album Peintures initiatiques d'Alfonso Ossorio (Init...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle Jacqueline Matisse (Miss Jacqueline Matisse), from the album Portraits par Henri Matisse (Portraits b...

This exquisite lithograph and pochoir by Jean Fautrier (1898–1964), titled Annabelle nue (Annabelle Nude), from the album XXe siecle, Nouvelle serie No. 9, Juin 1957, originates from...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Chatou à l'arbre rouge (Chatou with the Red Tree), from the album Vlaminck, originates from the 1958 edition p...

Lithograph, 1954 Handsigned by the artist in pencil and annotated "Épreuve d'artiste X/XX" Artist proof Publisher : La Guilde de la Gravure (Paris-Zürich) Printer : Desjobert (Paris)...

This exquisite lithograph after Georges Braque (1882–1963), titled Cheval et oiseau (Horse and Bird), from the folio Derriere le miroir, Hesiod, Theogony, Etchings by Georges Braque,...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle M.A. (Miss M.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 256/300 Publisher : Maeght (Paris) Printer : Mourlot (Paris) Catalog : Maeght 1031 Vallier p. 295 54.50 cm. x 76.00 c...

This exquisite lithograph and pochoir after Nicolas de Stael (1914–1955), titled Sans titre (Untitled), from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Juin 1959, ...