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18th Century and Earlier Animal Prints

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Period: 18th Century and Earlier
Le Porc - Etching by Jacques Baron - 1771
Located in Roma, IT
Le Porc is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions wi...
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Bird of Prey: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Bondree (Bird of Prey)" by Francois Nicolas Martinet, plate 420 from 'Histoire Naturelle des Oiseaux' in association wi...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

4 plates from The Wondrous Transformation of Caterpillars their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Watercolor, Engraving

"Three Herons" - Hand Watercolor Engraving
Located in Soquel, CA
"Three Herons" - Hand Watercolor Engraving "Three Herons" from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Different Bird...
Category

French School 18th Century and Earlier Animal Prints

Materials

Paper, Watercolor, Engraving

Cream-coloured Plover, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Red Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Chinese Jacana, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

The Skeleton - Etching by Françoise Guelard - 1771
Located in Roma, IT
The Skeleton is an etching realized in 1771 by F. Guelard. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la de...
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Turtledove: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 160 from 'Histoire Naturelle des Oiseau...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

3 plates from The Wondrous Transformation of Caterpillars their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Watercolor, Engraving

4 plates from The Wondrous Transformation of Caterpillars their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Watercolor, Engraving

Crested Pheasant, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Spur-winged Goose, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Capital Tanager, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Pink-headed Duck, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Gold-breasted Trumpeter, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

The Yacou, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Crested Coot, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
Located in Melbourne, Victoria
'The Monitory Lizard' Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800). 120mm by 195mm (platemnark). Early engraving of an ...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Red-billed Promerops, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

The Rostrated Ray, Australia, engraving with original hand-colouring, 1794
Located in Melbourne, Victoria
'The Rostrated Ray' (Eastern Shovelnose Ray) Copper-line engraving with original hand-colouring. 1794, by Frederick Polydore Nodder (fl.1770 – 1800). 110mm by 195mm (platemark) 125...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Hunting Scene - Original Etching by Antonio Tempesta - Early 17th Century
Located in Roma, IT
Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...
Category

Baroque 18th Century and Earlier Animal Prints

Materials

Etching

Impeyan Pheasant, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Head of Camel - Etching by Stefano Della Bella - 17th Century
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt Camel head is an etching by Stefano Della Bella executed in 17th century. Monogrammed “SDB fec.” Plate 8,1x8,5...
Category

Old Masters 18th Century and Earlier Animal Prints

Materials

Etching

Malabar Shrike, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Red-necked Grebe, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Red-tailed Tropic Bird, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Hackled Partridge, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Marbled Guillemot, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

White-eared Bustard, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Harlequin Humming-Bird, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Black faced Ibis, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Sacelle male, de la cote de Coromandel" (Plate 949) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...
Category

Old Masters 18th Century and Earlier Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...
Category

18th Century and Earlier Animal Prints

Materials

Engraving

Honden Jagen Op Een Beer (Hounds Hunting a Bear) /// Old Masters Dogs Landscape
By Abraham Hondius
Located in Saint Augustine, FL
Artist: Abraham Hondius (Dutch, c.1625-1691) Title: "Honden Jagen Op Een Beer (Hounds Hunting a Bear)" *Signed and dated by Hondius in the plate (printed signature) lower right Year...
Category

Old Masters 18th Century and Earlier Animal Prints

Materials

Laid Paper, Etching, Intaglio

The Lobated Musk Duck, Australia, engraving with original hand-colouring, 1795
Located in Melbourne, Victoria
'The Lobated Musk Duck' Copper-line engraving with original hand-colouring. 1796, by Richard Polydore Nodder (fl.1770 – 1800). 155mm by 125mm (platemark). Early engraving of an ...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Interior of Animals - Etching - 1771
Located in Roma, IT
Institutiones Chirurgicae is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Packhorse and Soldiers /// Antique British Victorian Etching Figurative Animal
Located in Saint Augustine, FL
Artist: (after) John Hamilton Mortimer (English, 1740-1779) Title: "Packhorse and Soldier" Year: 1783 Medium: Original Etching on watermarked laid paper Limited edition: Unknown Prin...
Category

Old Masters 18th Century and Earlier Animal Prints

Materials

Laid Paper, Etching, Intaglio

A Greenfinch A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Pair of Hand-Colored Pelican Engravings
Located in New York, NY
The Merican Pelican and The Pelican from George Edwards "A Natural History of Birds, Most of which have not been figured or described and others very little known..." published in Lo...
Category

18th Century and Earlier Animal Prints

Materials

Paper

"Egrets in the Snow" by Sesshu Toyo
Located in Chesterfield, MI
Lithograph measures 38 x 26 inches. Good/Fair, slight creasing at bottom of lithograph.
Category

18th Century and Earlier Animal Prints

Materials

Lithograph

A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Maimon - Etching by Juste Chevillet - 1771
Located in Roma, IT
Maimon is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pari...
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Le Canard a Longue Queue (The Long Tailed Duck) /// Ornithology Martinet Bird
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martin...
Category

Old Masters 18th Century and Earlier Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Harle Femell (The Female Merganser)" (Plate 953) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...
Category

Old Masters 18th Century and Earlier Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Canard de Miclon (Old Squaw) /// Ornithology Martinet Bird Animal Art Duck
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Canard de Miclon (Old Squaw)" (1008) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed...
Category

Old Masters 18th Century and Earlier Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Shooting. English engraving by Woollett after George Stubbs, 1799
Located in Melbourne, Victoria
'Shooting - Plate II', engraving from George Stubb's famous set of four shooting engravings. Copper-line engraving with later hand-colouring by William...
Category

Victorian 18th Century and Earlier Animal Prints

Materials

Engraving

Eurito Echione e Etalide Argonote
Located in Fairlawn, OH
Eurito Echione e Etalide Argonote Etching, 1664 after Remigio Cantagallina From: La manifique carousel fait sur le fleuve de l"Arne a Florence, pour le Mariage du Grand Duc, (18 plates, this no. 14) Depicts Three Argonauts conveyed on aquatic peacock Published by Pierre Giffart, Paris Note: This image is a record of the celebration on the Arno River in Florence of the marriage of Cosimo II de Medici and Maria Madaglena of Austria, 1608 Condition: Trimmed to the border line of the image Slight foxing and staining to the sheet Tipped on an "English Mount" Image size: 3 9/16 x 4 15/16 inches Reference: Bartsch XX.63.37 (copy after) Drugulin 1179 Balthasar Moncornet printmaker; publisher/printer Tapissier, engraver and print publisher in Paris, specialist in ornament prints...
Category

Old Masters 18th Century and Earlier Animal Prints

Materials

Etching

Le Chat d Espagne - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chat Domestique is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category

Naturalistic 18th Century and Earlier Animal Prints

Materials

Engraving

Le Brebis des Indes - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Horns - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Le Perdrix Rouge - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Le Hocco Femelle - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Le Hocco Male - Etching by François Hubert - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Le Faisan - Etching by Jacques Blanchon - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Le Petit Tetras - Etching after Jacques De Seve - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Le Tetràs - Etching by Etienne Fessard - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Le Peintade - Etching by Catherine Haussard - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

Le Foque - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

Modern 18th Century and Earlier Animal Prints

Materials

Etching

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