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Period: 18th Century and Earlier
Girls and Pigs - Etching by William Ward After George Morland - 1797
Located in Roma, IT
Image dimensions: 38.2 x 45.7 cm.
Girl and Pigs is an original etching, hand-colored, d'après George Morland.
Interesting artist's proof by William Ward ...
Category
18th Century and Earlier Animal Prints
Materials
Etching
Head of Donkey - Etching after Nicolaes Pietersz Berchem - 17th Century
Located in Roma, IT
Etching on paper, within a ruled border.
A finely executed etching after Nicolaes Berchem depicting the head of a donkey in profile, rendered with remarkable sensitivity to texture ...
Category
Old Masters 18th Century and Earlier Animal Prints
Materials
Etching
Turtledove: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 160 from 'Histoire Naturelle des Oiseau...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Head of Camel - Etching by Stefano Della Bella - 17th Century
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt Camel head is an etching by Stefano Della Bella executed in 17th century.
Monogrammed “SDB fec.”
Plate 8,1x8,5...
Category
Old Masters 18th Century and Earlier Animal Prints
Materials
Etching
"Three Herons" - Hand Watercolor Engraving
Located in Soquel, CA
"Three Herons" - Hand Watercolor Engraving
"Three Herons" from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Different Bird...
Category
French School 18th Century and Earlier Animal Prints
Materials
Paper, Watercolor, Engraving
18th Century Hand Colored Engraving of a Camel from Pennant
s " British Zoology"
Located in Alamo, CA
An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on natural history "The British Zoology, Published under the Inspection of the Cymmrodorion...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Le Brebis des Indes - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771.
It belongs to the first edition of the suite "Histoire Naturelle de Buffon".
Good conditions with slight foxing.
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Le Renard - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771.
It belongs to the first edition of the suite "Histoire Naturelle de Buffon".
Good conditions with slight foxing.
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Horn - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771.
It belongs to the first edition of the suite "Histoire Naturelle de Buffon".
Good conditions with slight foxing.
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Ostrich, Porcupine and Hedgehog Engraving
Located in New York, NY
Original engraving with later hand-coloring from "Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historia...
Category
18th Century and Earlier Animal Prints
Materials
Laid Paper
$875 Sale Price
27% Off
Le Faisan - Etching by Jacques Blanchon - 1771
Located in Roma, IT
Etching realized in 1771.
It belongs to the first edition of the suite "Histoire Naturelle de Buffon".
Good conditions with slight foxing.
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Le Bouquetin - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771.
It belongs to the first edition of the suite "Histoire Naturelle de Buffon".
Good conditions with slight foxing.
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Le Brebis des Indes - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771.
It belongs to the first edition of the suite "Histoire Naturelle de Buffon".
Good conditions with slight foxing.
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
Located in Soquel, CA
"Collection Of The Most Rare Birds" - Hand Colored Engraving
Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...
Category
French School 18th Century and Earlier Animal Prints
Materials
Paper, Watercolor, Engraving
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Canard de Miclon (Old Squaw) /// Ornithology Martinet Bird Animal Art Duck
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Canard de Miclon (Old Squaw)" (1008)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the plate (printed...
Category
Old Masters 18th Century and Earlier Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Watercolor, Engraving
Le Chat d
Espagne - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chat Domestique is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
3 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Watercolor, Engraving
Honden Jagen Op Een Beer (Hounds Hunting a Bear) /// Old Masters Dogs Landscape
By Abraham Hondius
Located in Saint Augustine, FL
Artist: Abraham Hondius (Dutch, c.1625-1691)
Title: "Honden Jagen Op Een Beer (Hounds Hunting a Bear)"
*Signed and dated by Hondius in the plate (printed signature) lower right
Year...
Category
Old Masters 18th Century and Earlier Animal Prints
Materials
Laid Paper, Etching, Intaglio
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
The Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
The Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particul...
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Cream-coloured Plover, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Chinese Jacana, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Crested Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Capital Tanager, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
Located in Melbourne, Victoria
'The Monitory Lizard'
Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800).
120mm by 195mm (platemnark).
Early engraving of an ...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Red-billed Promerops, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Chinese Diver, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Spur-winged Goose, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Impeyan Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Red-necked Grebe, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
The Yacou, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Crested Coot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Marbled Guillemot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
White-eared Bustard, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Le Chien Courant - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chien Courant is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet...
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Canada Goose: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
This original first edition hand-colored lithograph entitled "Canada Goose" was produced by J. T. Bowen after a drawing by John James Audubon. It was published in Audubon's first octavo edition of Birds of America in Philadelphia in 1840. It depicts two Canada geese, a male and a female.
This Audubon bird lithograph is in excellent condition other than tiny foci (1-2 mm) of discoloration at the edge of the upper margin of the sheet and some wrinkling along the left edge related to the book binding. The print is otherwise in very good condition. The original descriptive text from Audubon's publication is included with the purchase of this beautiful and striking lithograph. The sheet measures 10.13' x 6.75".
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Lithograph
Bird of Prey: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Bondree (Bird of Prey)" by Francois Nicolas Martinet, plate 420 from 'Histoire Naturelle des Oiseaux' in association wi...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
White Stork "Storch Ciconia": An 18th Century Hand-colored Frisch Engraving
Located in Alamo, CA
This is a rare 18th Century hand-colored copperplate engraving entitled "Der Storch Ciconia" (White Stork) by Johann Leonhard Frisch is plate 19...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Lesser White Throat, bird and nest engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with water...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Bird and Beetle - Etching and watercolor (Natural History of Birds, 1741)
Located in Paris, IDF
George EDWARDS
Bird and beetle ('The Gowry Bird')
Original engraving, enhanced with watercolor
Printed signature in the plate
Dated, 1741
28.8 x 23.3 cm
Created for Volume I of the...
Category
Academic 18th Century and Earlier Animal Prints
Materials
Engraving, Watercolor
Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Sacelle male, de la cote de Coromandel" (Plate 949)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the...
Category
Old Masters 18th Century and Earlier Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
La Noctule - Etching by Jean Louis Barran - 1771
Located in Roma, IT
La Lerot is an etching realized by J.L. Barran in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions.
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
The Aurelian, A Natural History English Moths Butterflies Moses Harris pl. IX
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785)
The Aurelian, A Natural History of English Moths and Butterflies – Plate IX
Hand-Colored Engraving
17.88 x 11.00
very good condition
Plate IX fro...
Category
18th Century and Earlier Animal Prints
Materials
Engraving
Red
Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
White Stork "Ardea Ciconia": An 18th Century Hand-colored Engraving by Nozeman
Located in Alamo, CA
This is a rare 18th Century hand-colored large folio-sized copperplate engraving entitled "Ardea Ciconia" (White Stork) by Cornelius Nozeman in volume II of his publication 'Nederlan...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Le Porc - Etching by Jacques Baron - 1771
Located in Roma, IT
Le Porc is an etching realized by Jacques Baron in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions wi...
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Animal Anatomy - Etching by Buvée l
Américain - 1771
Located in Roma, IT
Animal Anatomy is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper.
The artwork belongs to the suite "Histoire ...
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Purple Martin Bien Ed. J.J. Audubon rare hand colored chromolithograph
Located in Paonia, CO
Two adult Purple Martins are feeding their two fledglings at the nest. This chromolithograph is from The Birds of America by John James Audubon and is ...
Category
18th Century and Earlier Animal Prints
Materials
Lithograph
Anatomy of a Monkey - Etching by Madeline Rousselet - 1771
Located in Roma, IT
Anatomy of a Monkey is an etching realized by Juste Madeline Rousselet in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower rig...
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Le Sarigue - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Sarigue is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good cond...
Category
Modern 18th Century and Earlier Animal Prints
Materials
Etching
Ancient Roman Relief - Original Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century.
Signed on the plate on the lowe...
Category
Old Masters 18th Century and Earlier Animal Prints
Materials
Etching
Bird of Prey: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored woodcut engraving of a bird of prey is plate 219 from Ulisse Aldrovandi’s 'Opera Omnia', published ...
Category
Naturalistic 18th Century and Earlier Animal Prints
Materials
Engraving
Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...
Category
18th Century and Earlier Animal Prints
Materials
Engraving
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