Small Figurative Prints

Jules Perahim (1914-2008) The Scapegoat, 1974 Original lithograph Signed in pencil by the artist Numbered / 199 On Arches vellum 56 x 38 cm (c. 22 x 15 inches) INFORMATION : From p...

"Love Clam" Giclée on Hahnemühle Velvet Year: 2020 Signed and numbered by hand Edition: 30 Size: 23.0 × 23.0 on 23.8 × 23.8 inches COA provided

Rue du Rivage is an artwork realized by A.Queyroy in the 1870s. Etching. Image size: 26x21 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative ...

Image dimensions: 24.5 x 31.5 cm. Centaur In The Smithy is an original print, realized in 1898. Black and white xylograph on applied Japon paper. Good conditions except for yellowing of paper (especially along the margins), and very light foxings on lower part of paper. The print was realized by Johann Jacob Weber and it's part of the series Meisterwerke der Holzschneidekunst (original title: SECHZEHN HOLZSCHNITTE NACH GEMÄLDEN ARNOLD BÖCKLIN...

Lithograph on Magnani-Pescia paper. Paper size 35cmx50cm, work size 26cmx40cm. Excellent condition, no defects. Ermanno Iaia - Born in Rome in 1933, He attended the San Giacomo Acad...

Harfleur is an artwork realized by A. Brunet Debaines in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publishe...

Vintage poster realized in occasion of the Exhibition of Albrecht Durer's Etchings at Galleria Marino, Rome in 1970s. Limited edition of 1000. Very good condition.

After Chuck Close Presidential Inauguration Poster Offset lithograph autographed by Chuck Close to lower center, Edition 396/2013. The Presidential Inau...

Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

Two big flowers is a colored screen print on paper realized by Ivan Rabuzin in the 1990s. Hand-signed in pencil on the lower margin. Excellent conditions...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

Sommets d'Auvergnelaure is a black and white etching realized by Jules Laurens (1825–1901) in 1870s. Titled in the lower. Image size: 23cmx30.5cm. Very Good condition. Signed in ...

Le Chemin de la Mort is an artwork realized by Charles Thompson in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the ...

Portrait of Woman is a Lithograph realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is excellent. Hand-signed. Artis...

Chateau du Clos lucé à Amboise is an artwork realized by A. Queyroy in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative o...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered ...

Rose Trémière is an artwork realized by Alfred Taiée in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher...

Simon Dittrich Untitled Color Serigraph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924802-918

A Cadart & Luquet is an artwork realized by Edouard Dufeu in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publ...

Foret De Fontainebleau is an artwork realized by Pontus Cinier in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the p...

Nature Morte au Citron is a lithograph realized by Leon Lang in the mid-20th Century. Hand-signed. Numbered. Edition, 38/75. The artwork is in good condition. The artwork is dep...

An amazing New York City subject, Canarsie Meadows, is a lithograph by New York native Hyman J. Warsager (1909-1974). He was a painter and printmaker, technical innovator, and song w...

Mendiant Romain is an artwork realized by Soumy in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred...

Ayant Couru à Chantilly is an artwork realized by Jacques-Joseph Lecurieux in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the init...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Constructeurs (The Builders), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Cont...

Presée is an artwork realized by F. Cifflart in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Ca...

The Rider is an original impressive color lithograph, realized in the first half of the XX century by Franz Müller-Münster. The artwork represents a naked rider with two horses on the beach...

Sybil is an original artwork realized in 1971 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original etching on ivory-colored paper. Hand-signed on the lower right ...

The Beach is an artwork realized by Raphael Drouart in the mid-20th Century. Woodcut. Good condition. Hand signed..

Rue Du Canal à Figeac is an artwork realized by E.Mazas in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publis...

This artwork titled "Dockside" 1950, is an original lithograph on paper by noted naval American artist Gordon Hope Grant, 1875-1962. It is hand signed in pencil by the artist. The a...

Femme qui se peigne - La Coiffureis a color lithograph realized after Henri de Toulouse Lautrec in 1896.  cm. 59 x 46 ; matted. Monogrammed on plate. Good conditions. This specim...

RHYTHM & BLUES is the first suite of original lithographs by the woman artist Robin Morris. This portfolio set of four hand made limited edition lithographs were printed using hand lithography techniques on archival Arches paper, 100% acid free. Ms. Morris utilizes her characteristic Art Deco style in creating colorful musical portraits in a suite of 4 prints titled: Tres Amigos, Urban Serenade, Calypso, and Spotlight - paper size: 17" x 12.5", each has its own compelling contemporary look. Tres Amigos features a zesty trio of Mexican musicians, Urban Serenade is a sensuous female violinist, Calypso is a vibrant horn player, Spotlight calls attention to a piano soloist performing on stage. Rhythm & Blues is a lively and fun collection of hand crafted limited edition lithographs that will make a great wall art grouping...

Rade De New-York is an artwork realized by Anatole De Bonsonge in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the p...

Willibrord Haas (*1936 Schramberg), Access, 1979. etching, 40 cm x 30 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in pencil by the artist, dated “1979”, t...

Landscape is an Etching and Aquatint realized by Enotrio Pugliese in 1967. Hand-signed by the artist on the lower. Numbered, Limited edition of 30 prints. Good conditions. Enotri...

Michel Ange is an artwork realized by Edouard Moyse in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Al...

Loris Fortuna  is an artwork realized by the artist Deanna Frosini  in the 1986. Color lithograph. Signed in plate and dated in the left margin. This is a beautiful artwork to collect

Scott Reeder Artists to Watch, 2015 Screenprint on Coventry Rag paper Signed and numbered in 40/100 in graphite pencil on the back of the sheet Frame included Pencil signed and numb...

Au Fil de l'Eau is an artwork realized by Aufray in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alf...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

A Nohant-Vico is an artwork realized by Joseph François Villevieille in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of...

The Monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for some stains. Image Dimensions: 5 x 7 / 8 x 10 cm. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...

Morte di Franco is an etching print realized by Leo Guida in 1978. Hand-signed, dated, titled. Artist's proof. Good condition. Leo Guida  (1992 - 2017). Sensitive to current issue...

Le Déjeuner du Chat is an artwork realized by Théodule Ribot in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the pu...

The Body of Tee a chief as preferred after Death in Otaheite (Tahiti) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Capt...

"La Reconnaissance Infinie (The Infinite Recognition)" is a color lithograph after the 1963 painting by Rene Magritte. Two of Magritte's bourgeois "littl...

This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...

This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair. By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass. By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

Le Val Clémence is an artwork realized by T.Abraham in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher ...

Artist: Joan Gardy Artigas, Spanish (1938 - ) Title: Untitled Year: circa 1960 Medium: Screenprint, Signed and numbered in pencil Edition: 72/75 Size: 24 in. x 17 in. (60.96 cm x 43...

Louise Marler Diamond Iris Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1697 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

The Face is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Gromaire, 1958. Publ...

This artwork titled "Wien" 1911, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The ...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: La Vilaine Year: Circa 1965 Medium: Color etching with aquatint Edition: Numbered 30/350 in p...

Richard Pettibone The Appropriation Print: Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 (Andy Warhol's Electric Chair, Frank Stella's Empress of India and Roy Lichtenstein's Spray) Silkscreen in colors on smooth wove paper Pencil signed and dated 1971 on the front Frame included: Elegantly floated and framed in a white wood frame under UV plexiglass in accordance with museum conservation standards Measurements: frame: 15 7/8 x 19 3/4 x 1 3/4 inches sheet: 12 1/4 x 16 inches This is one of Richard Pettibone's most iconic, popular and desirable prints done in 1970 - during the most influential era of the Pop Art movement. This homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. Pencil signed and dated recto. It was created in limited edition - though the exact number is not known. More about RIchard Pettibone: As a young painter, Richard Pettibone began replicating on a miniature scale works by newly famous artists, and later also modernist masters, signing the original artist’s name as well as his own. His versions of Andy Warhol’s soup...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Édite...