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Size: Small
Marc Chagall, The Dance, from Derriere le miroir, 1964
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled La Danse (The Dance), from the folio Derriere le miroir, No. 147, originates from the 1964 edition published by Maeght E...
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Kandinsky, Tableau avec formes blanches, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 133-134, 1962. Published by...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Peasant - Russian French Peasant
Located in London, GB
This original lithograph in colours is hand signed in pencil by the artist ‘Marc Chagall’ at the lower right margin. It is also numbered 5 from the edition of 75, at the lower left ...
Category

1960s Surrealist Figurative Prints

Materials

Lithograph

Delassement (Relaxation)
Located in San Francisco, CA
This artwork titled "Delassement (Relaxation)" 1901, is an original etching and aquatint by renown French artist Louis Auguste Mathieu Legrand, 1863-1951. The plate mark (Image) size...
Category

Early 20th Century Impressionist Figurative Prints

Materials

Etching, Aquatint

The Shepherd - Original Lithograph by Pietro Morando - 1950s
Located in Roma, IT
The Shepherd is an original artwork realized in the 1950s by Italian artist Pietro Morando (Alessandria 1889- 1980). Hand-colored lithography print. Hand-signed on the lower left i...
Category

1950s Modern Figurative Prints

Materials

Lithograph

Partie de Campagne
Located in Palm Beach, FL
Color Lithograph on wove paper, 1896. Artist's orange-red and black signature stamps, numbered in pencil (#12), from edition of 100 published by A. Vollard in the 2nd "Album des esta...
Category

1890s Art Nouveau Figurative Prints

Materials

Paper

Shadows on the Ramp
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

The Academy of Plato Plato and His Disciples
Located in Fairlawn, OH
The Academy of Plato Plato and His Disciples Etching and drypoint c. 1662, printed c. 1710 Signed in the plate lower left Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Category

1660s Old Masters Figurative Prints

Materials

Etching

Untitled (signed multidimensional silkscreen print on plexiglass and mirror)
Located in Aventura, FL
Interspaceograph - multidimensional silkscreen print on plexiglass pane and mirror. There is space between the silkscreen printed plexiglass pane and silkscreen printed mirror in th...
Category

1980s Abstract Abstract Prints

Materials

Mirror, Screen, Plexiglass

Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...
Category

1870s Symbolist Figurative Prints

Materials

Handmade Paper, Engraving

The Beloved Feeds Between the Lilies - Etching - 1971
Located in Roma, IT
The Beloved Feeds between the Lilies is a print realized by Salvador Dalì in 1971 Etching with gold processed color. cm. 56.5x37.5. Hand signed by the artist on lower margin. Num...
Category

1970s Surrealist Figurative Prints

Materials

Etching

Billy and Traci in a Pub, unique woodcut, pencil signed and inscribed, Framed
Located in New York, NY
Tracey Emin, Billy and Traci in a Pub, 1984 Woodcut in dark blue on Japon paper, signed and inscribed 'lots love Traci xx' in pencil on the backboard, printed by the artist Test prin...
Category

1980s Contemporary Figurative Prints

Materials

Woodcut

Barcarolle.
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category

1920s Impressionist Landscape Prints

Materials

Drypoint, Etching

Barcarolle.
Barcarolle.
$9,000 Sale Price
33% Off
Alex Katz from A Tremor in the Morning signed, limited edition woodcut print
Located in San Rafael, CA
Alex Katz (b. 1927) Untitled, from the portfolio 'A Tremor in the Morning', 1986 Woodcut on wove paper Edition 32/45 Signed and numbered in pencil lower left Sheet: 20 x 19.75 inches...
Category

1980s Contemporary Figurative Prints

Materials

Lithograph, Woodcut

Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Still-life Prints

Materials

Engraving

Original Vini di Lusso Italian wine vintage poster 1922
By Plinio Codognato 1
Located in Spokane, WA
Original, Italian, Vini di Lusso lithograph vintage poster for fine wines. The Italian Society for Superior Wine. The image of a satyr (or Bacchus) getting ready to eat a group ...
Category

1920s Art Deco Animal Prints

Materials

Lithograph

Paris Review Poster
Located in New York, NY
A very good impression of this early color offset lithograph on white wove paper. Signed, dated and numbered 8/150 in felt-tip pen and black ink by Rauschenberg...
Category

1960s Modern Abstract Prints

Materials

Color, Lithograph, Offset

Untitled from In the Bottom of My Garden (Plate 17)
Located in Washington, DC
Artist: Andy Warhol Title: Untitled (Plate 17) Portfolio: In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" Sheet ...
Category

1950s Pop Art Figurative Prints

Materials

Lithograph

Picasso, Composition (Cramer 88), Dans l Atelier de Picasso (after)
Located in Southampton, NY
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Road to Nowhere (Street Art, Pop Art, Frankenstein, Comic, Nuclear, Mushroom)
Located in Kansas City, MO
RF ART Road to Nowhere (Street Art, Pop Art, Frankenstein, Comic, Nuclear, Mushroom) 3D-construction Year: 2021 Signed and numbered by hand Edition: 50 Size: 23...
Category

2010s Street Art Prints and Multiples

Materials

Archival Paper, Color, Lithograph

Composition, Poems of Léopold Sédar Senghor, Lois Mailou Jones
Located in Southampton, NY
Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...
Category

1990s Expressionist Figurative Prints

Materials

Screen

Joan Miro, Number 46, from XXe siecle, 1976
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Numéro 46 (Number 46), from the album XXe Siecle, Nouvelle serie, XXXVIIIe Annee, No. 46, originates from the 1976 edition ...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed in 1970 for the art revue Derriere le Miroir (issue No. 188) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 560 mm). There is a ce...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph

Elisa and the Dragon - Etching by Leo Guida - 1971
Located in Roma, IT
Elisa and the Dragon is an Etching realized by Leo Guida in 1971s. Good condition, proof artist. Hand signed, titled and dated by the artist with pencil on the lower margin. Artis...
Category

1970s Contemporary Figurative Prints

Materials

Etching

Jean Cocteau (after) - Europe Our Country - Lithograph
Located in Collonge Bellerive, Geneve, CH
Lithograph after a drawing by Jean Cocteau Title: Europe Our Country Signed in the plate Dimensions: 33 x 46 cm Edition: 600 Luxury print edition from the portfolio of Sciaky 1961
Category

1960s Post-Modern More Prints

Materials

Lithograph

The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category

Mid-18th Century English School Landscape Prints

Materials

Laid Paper, Engraving, Watercolor

Untitled (signed multidimensional silkscreen on two plexiglass panes)
Located in Aventura, FL
Interspaceograph - multidimensional silkscreen print on two clear plexiglass panes. There is space between the two silkscreen print plexiglass panes in the custom frame giving the a...
Category

1980s Abstract Abstract Prints

Materials

Screen, Plexiglass

Wrapped Building Project for 1 Times Square New York
Located in Miami, FL
Christo Wrapped Building Project for 1 Times Square, New York, 1985 Lithograph, collage on cardboard Ed 17 of 100 18 x 22 in Christo became famous for his monumental collaborations...
Category

1980s Contemporary Figurative Prints

Materials

Cardboard, Lithograph

Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Early 18th Century Academic Still-life Prints

Materials

Engraving

"Snoopy Kingdom" Acrylic and Collage on Los Angeles newsprint
Located in West Hollywood, CA
Gary John has been a street artist since 1985, originally from Seattle Washington, then moving to Venice Beach selling his art on the boardwalk for 10 years before exploding onto the...
Category

2010s Pop Art Figurative Prints

Materials

Acrylic, Newsprint

Marc Chagall, Circus in the Sun, from Derriere le miroir, 1979
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Cirque au Soleil (Circus in the Sun), from the folio Derriere le miroir, No. 235, originates from the 1979 edition publi...
Category

1970s Expressionist Figurative Prints

Materials

Lithograph

Original Bal du Moulin Rouge "Festival" French cabaret poster, linen-backed
Located in Spokane, WA
Original Bal du Moulin Rouge “Festival” Vintage Cabaret Poster. Linen-backed in excellent condition, ready to frame. Turn your wall into a Paris night. René Gruau’s electric silh...
Category

1980s American Modern Figurative Prints

Materials

Offset

Leaves of Love-Orange Lady plus Mermaid (two proof prints)
Located in Middletown, NY
A colorful, myth-based female nude along with a portriat of a mermaid by the same artist. Lithograph in color on white wove paper, 18 1/4 x 11 3/4 inches (462 x 297 mm), full margin...
Category

Mid-20th Century Modern Nude Prints

Materials

Lithograph

Composition XXXIV, from: Circus - Paris French Russian Circus
Located in London, GB
This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also numbered 14 in pencil from the edition of 24, at the l...
Category

1960s Surrealist Figurative Prints

Materials

Lithograph

Original Absolut Vodka Absolument Galerie Lavignes, Paris poster
Located in Spokane, WA
Original Absolut Vodka Absolument vintage exhibition poster. Archival linen backed invery good condition, ready to frame. Like most Warhol artwork, this is very vibrant and colorful. This 1994 poster was used for the exposition of contemporary artists at Galerie Lauvigne in Paris. Andy Warhol...
Category

1990s Pop Art Figurative Prints

Materials

Offset

L"Ame du Poete (The Soul of the Poet)
Located in San Francisco, CA
This artwork titled "L'Ame du Poete (The Soul of the Poet)" 1901, is an original etching and aquatint by renown French artist Louis Auguste Mathieu Legrand, 1863-1951. Signed in the ...
Category

Early 20th Century Impressionist Figurative Prints

Materials

Etching, Aquatint

Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. There are subtle creases in the right upper corner, very common with Besler's relating to the drying of the paper during its production. The right margin is thinner than the others. The print is otherwise in excellent condition with striking hand-coloring. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Still-life Prints

Materials

Engraving

Centre Noeuds (Sabatier 393), Roberto Matta
Located in Fairfield, CT
Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...
Category

1970s Surrealist Figurative Prints

Materials

Etching

Young Woman - Original Lithograph by Charles Lucien Léandre - 1903
Located in Roma, IT
Young Woman is an original lithograph artwork, realized in 1903 by Charles Lucien Léandre (1862–1934). Signed on plate on the lower left and dated. Th...
Category

Early 1900s Modern Figurative Prints

Materials

Lithograph

Have A Nice Day (Happy Choppers) - Sleazenation Poster by Banksy
Located in Dubai, Dubai
A2 Poster originally published via London based culture mag Sleazenation in March 2003. This is a very rare unfolded version. 2003 Medium: Offset Lithograph Edition: Unknown Size...
Category

Early 2000s Street Art Figurative Prints

Materials

Lithograph

Braque, Pélias et Nélée, Œdipe roi de Sophocle (after)
Located in Southampton, NY
Lithograph on grand vélin d'Arches pur chiffon spécialement fabriqués paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Œdipe ...
Category

1980s Modern Landscape Prints

Materials

Lithograph

The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

Aegle - after Georges Braque - Lithograph - 1988 - Figurative Print
Located in Sint-Truiden, BE
Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...
Category

1980s Cubist Figurative Prints

Materials

Lithograph

Sex and the City hand signed/n lithograph of beloved TV series, by famed artist
Located in New York, NY
Al Hirschfeld Sex and the City, 2002 Color lithograph on Arches cover paper with deckled edges Pencil signed and numbered 274/300 on the front 20 × 20 inches Unframed Classic color l...
Category

Early 2000s Contemporary Portrait Prints

Materials

Lithograph

Besler Hand-colored Botanical Engraving of Flowering Tulip Wild Garlic Plants
Located in Alamo, CA
This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...
Category

Early 18th Century Academic Still-life Prints

Materials

Engraving

untitled (horseman)
Located in Palm Springs, CA
This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Executed with intrica...
Category

1980s Contemporary Figurative Prints

Materials

Etching

Rare 1923 Cubist Reuven Rubin Woodcut Woodblock Kabbalah Print Israeli Judaica
Located in Surfside, FL
This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...
Category

1920s Abstract Figurative Prints

Materials

Woodcut

Francesco Clemente, Geography, North
Located in New York, NY
NORTH Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of four also a...
Category

1990s Contemporary Figurative Prints

Materials

Etching

Return, O Shulamite
Located in London, GB
Original Etching from the series ‘The Song of the Songs of King Solomon’ in colours with stencil on Arches wove paper. signed and numbered by the artist Paper size: 57.1 x 38 cm Edi...
Category

1970s Surrealist Figurative Prints

Materials

Etching

Kollwitz, Self-Portrait (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...
Category

1940s Modern Landscape Prints

Materials

Lithograph

Renoir, "La Danse à la Campagne" etching c.1890
Located in Chatsworth, CA
Pierre-Auguste Renoir (1841-1919) "La Danse à la Campagne" (The Country Dance) Soft-ground etching in black ink, 2nd plate circa 1890 Stamp signature, as issued Image size: 8 5/8 x ...
Category

1890s Impressionist Figurative Prints

Materials

Etching

Composition, Poems of Léopold Sédar Senghor, Lois Mailou Jones
Located in Southampton, NY
Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...
Category

1990s Expressionist Figurative Prints

Materials

Screen

Rene Magritte, My Mother Goose, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Rene Magritte (1898–1967), titled Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 196...
Category

1960s Surrealist Figurative Prints

Materials

Lithograph

Japanese Artisans - Silk Dying -Japanese Woodblock Print
By Tosa Mitsuyoshi
Located in Soquel, CA
Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...
Category

1920s Edo Landscape Paintings

Materials

Paper, Ink, Woodcut

Warhol and Basquiat Paintings, 1985. Original Boxing Exhibition Poster
Located in San Rafael, CA
Warhol and Basquiat Paintings, 1985 'Boxing Poster' First edition original exhibition poster published by Tony Shafrazi / Bruno Bischoberger Offset sheet printed in color Photographe...
Category

1980s Contemporary Figurative Prints

Materials

Offset

Salvador Dali, signed and numbered drypoint etching, Les Coche et la Mouch, 1974
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904-1989) Le Coche et la Mouche (The Coach and the Fly) 1974 Drypoint etching on Japan paper Signed and numbered '79/250' (lower left) and 'Dali' (lower righ...
Category

20th Century Modern Figurative Prints

Materials

Drypoint, Etching

Further Back to You
Located in London, GB
Tracey Emin Further Back To You, 2014 Polymer Gravure on 300 gsm Somerset Paper Signed, numbered and dated by the artist framed in ink blue frame. 42 × 50.8 cm Edition of 150 publish...
Category

2010s Contemporary Nude Prints

Materials

Paper, Lithograph

Further Back to You
Further Back to You
$4,897 Sale Price
20% Off
Le Jarre II, from The Last Works of Henri Matisse
Located in Washington, DC
Artist: Henri Matisse (after) Title: Le Jarre II Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Framed Size: 20 1/2" x 15 1/4" Sheet Size: 14"...
Category

1950s Figurative Prints

Materials

Lithograph

L Avant-Foyer de l Opera /// French Impressionist Etching Figurative Lady Man
Located in Saint Augustine, FL
Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...
Category

Early 1900s Impressionist Figurative Prints

Materials

Etching, Laid Paper, Intaglio

Puck Corner, SOHO, New York signed, numbered by top architectural artist, Framed
Located in New York, NY
Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front Elegantly matted and f...
Category

1970s Realist Figurative Prints

Materials

Pencil, Etching, Aquatint

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