Book Figurative Prints

Hand signed, dated and inscribed "PP Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity includ...

Fleet Street by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 11.2 x 11.2 cm (4 ³/₈ x 4 ³/₈ inches) Initialled, titled and dated on the plate Signed lo...

Print of an accomplished artist Jerry Meyer.

Publisher GKM. Edition of 150 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The lan...

Digital Giclee on MOAB Entrada Cotton Rag 290 GSM Paper. Hand signed and numbered by Ben Frost. From the edition of 50. Artwork is in excellent condition. Certificate of Authentic...

Set of 3 screen prints on paper includes "Animal", "Saviour", and "Poison Reality". AP of 10. Matching editions. Each print measures 19.69 x 19.69 inches. Artwork is in excellent ...

"Saviour" from Bethlehem Print Set. Screen print on paper. From the edition of 200. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable of...

Screen Print on Munken Pure paper.. Hand signed and numbered by Ben Frost. From the edition of 36. Frame size approx 23 x 19 inches. Artwork is in exc...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 19/75. Artwork size 30 x 22 inches. F...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Rag Photographique on 310GSM Fine Art Paper. Hand signed and numbered 1/1 by Broos. Sheet size 32 x 24 inches. Frame size approx 39.5 x 32.5 inches. Artwork is in excellent condi...

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

Hand-painted with acrylic, stained silkscreen on heavy lenox 100 paper. Hand-signed by the artist duo; numbered and stamp-dated on reverse Edition of 250. Each is unique. Frame s...

Hazenplug, Frank. Chap Book. Color Lithograph, 1895. 20 1/2 x 14" Frank Hazenplug, was an artist who made engravings, typography, and posters. He also illustrated books Hazenplug worked for Chicago firm Stone & Kimball and designed books for them, continuing with the company even after it became Herbert S. Stone. Hazenplug also designed books for other publishers, such as Fleming Revell, George Doran, A.C. McClurg, Reilly and Britton, Rand McNally, and John Lane...

Classic Leroy Neiman poster of 'Royal Ascot' published June 4- June 26, 1976 by M. Knoedler & Co. Ltd. 143 New Bond Street, London Poster Sz: ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Hand signed and numbered by the artist. 12 Color, Hand-Pulled Screen Print on Mohawk Superfine UltraWhite paper with deckled edges. Edition of 150. Artwork is in excellent condit...

Art Desks by E. Brady Robinson features photographs of the desks and working spaces of artists, curators, art dealers and critics throughout the East Coast. This project explores the...

Embossing (gaufrage) with typographical color printing. Fine impression with good embossing on simili-japon paper, printed to the edges of the sheet (as issued). The combination of techniqes is unusual and may be unique. Ref: Artistes et Theatre d'Avant-Garde Programmes illustres Paris 1890-1900 Aitken p 22 pl 11; Artists and the Avant-Garde Theatre in Paris 1887-1890 Boyer p.44 pl 9. Alexandre Charpentier was French sculptor, medalist, craftsman, and cabinet-maker. He experimented with a wide variety of formats and materials—tin, marble, wood, leather, and terra cotta work, the latter executed by ceramic artisan Emile Müller...

Etching on paper. Hand signed, titled and numbered by the artist. Sheet size 10 x 14 inches. Image size 5.75 x 8.75 inches. Edition of 300. Artwork is in excellent condition. Cer...

1869 "Vanity Fair" Office Vol. I. Fifth Edition A Show of Sovereigns on Statesman, Judges and Men of the Day 46 full-colour plates 14.5" x 9.75"

"L'Estampe Moderne - David Barnett Gallery Exhibition, Feb. 18, 1978 - Mar. 25, 1978" is an offset poster limited edition, ed. 1/500. The poster...

"Merry Christmas" is an original color woodcut on paper by Sylvia Spicuzza. The artist stamped her signature lower right. This artwork features the an abstracted figure on orange p...

"Bal AAAA Bullier" is an original color lithograph poster by Achille-Emile Othon Friesz, signed by the artist in the plate in the lower left. This p...

"Sixieme Biennale de Peinture" is an vintage Picasso exhibition poster printed in 1966 by Mourlot. It depicts a Picasso painting from 1965 and advertises a Biennial exhibition of pai...

"Philadelphia Sunday Press" is an original figurative lithograph poster of black and red. 1895. 21.75" x 15.3125" art 28.5" x 22.75" framed George Brill was born August 27, 1867 in...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Screenprint on paper. Hand signed, dated and numbered by the artist. Image size 35 x 24 inches. Sheet size 39 x 28 inches. Frame size approx 45 x 35.25 inches. From the EA edition...

New mixed media Original artwork, 1/1

A print by Shepard Fairey. “Alto Arizona” is a contemporary, popular culture screenprint in black, red, and white by American street artist Shepard Fairey. The artwork is signed iin pencil, lower right, "Shepard Fairey 10", lower middle, "EAY 10" (Ernesto Yerena...

Leon Kossoff Fidelma 3 1984 Etching, Edition of 100 43.2 x 30.5 cms (17 x 12 ins) (paper size) 10.4 x 6.2 (4 1/16 x 2.7/16 ins) (plate size)

The set of two screenprints in colours, 1967, on wove paper, with wax-paper collage, and AP aside from the edition of 70, the full sheets, 74 x 40.4 cm the two screenprints are attac...

Vintage Exhibition Poster - Henri Matisse - Drawings - New-York after Henri MATISSE 1967 75 x 52 cm References : Poster for the 1967 exhibition at Albert LOEB & KRUGIER Gallery in N...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Eduardo Recife Love, 2018 Digital Collage Archival Pigment Print Framed 44 x 30 inches Edition of 5 Signed

The Nomads by Orovida Pissarro (1893-1968) Etching and aquatint, final state 21/42 27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches) Signed, Orovida, and dated 1925 Orovida was a gifted printmake...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Limited Edition Silkscreen Print Framed: 106.8 x 106 cm 42 1/8 x 41 3/4 in. Unframed: 91.4 x 91.4 cm 36 x 36 in. Edition of 10 (#2/10) Artist Signature bottom right corner ----------- Deborah...

The humor in Jerry Meyer's pieces taps into and gives voice to these worries, which are never too far from our awareness. “We have an incredible ability not to be in the moment…Hop...

Available sizes: 27.5 x 35.4 in 70 x 90 cm C-Print Edition of 7 39.4 x 51.2 in 100 x 130 cm Archival Pigment Print Edition of 5 51.2 x 67 in 130 x 1...

The Kid First National Pictures, American (1917–1936) Date: of Original: 1921 Reproduction Three Sheets Poster, numbered in pencil bottom left Edition of 125 Size: 86 x 46.5 in. (218...

Rain Dance: A Benefit for the African Emergency Relief Fund, 1985: Rare original 1980s Keith Haring & Jean-Michel Basquiat illustrated poster published on the occasion of a UNICEF benefit exhibition at 292 Lafayette Street (February 2-23 1985) & benefit party at Larry Levan’s legendary Paradise Garage (January 30, 1985). Organized & curated by Keith Haring on behalf of UNICEF’s African Emergency Relief Fund. Medium: Offset lithograph in colors on smooth wove paper. 1985. Dimensions: 22.5 x 30.5 inches. Very good overall vintage condition. Well-preserved. Featuring printed signatures by hosts: Keith Haring, Jean-Michel Basquiat,  Andy Warhol, Roy Lichtenstein, & Yoko Ono. From an edition of unknown. Scarce. Literature / References: Keith Haring: Posters (Jürgen and Osten). More on Keith Haring Rain Dance: Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol. Related Categories: Keith Haring figurative drawings. Keith Haring activist posters. Keith Haring Dancers. Street art. Graffiti. 1980s. Keith Haring Larry Levan. Keith Haring Paradise...

Marc Chagall Cover for Derriere le Miroir, 1964 is a vibrant cover detailing the artists whimsical rendering of a man gently falling from the sky, with t...

Norman Rockwell "Charwomen in Theater" 1946 Lithograph Signed in Pencil Lower Right Numbered Lower Left 160/200 Site Size: approx 26 x 20 inches Framed Size: approx. 34.5 x 28.5 inc...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Triangle Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Image: 32.5 x 24 inches Size: 36 x 26 ...

Jean-Emile Laboureur (1877-1943), Le Diner a L’Auberge, 1917-1922), engraving, signed in pencil lower left and numbered (45/55) lower right. Reference: Sylvain Laboureur 173, second ...

Theatre Libre for Monsieur Bute. November 1890. Pochoir. Framed. Ref: Artistes et Theatres d'Avant-Garde Programmes illustres Paris 1890-1900 p.19; Artists and the Avant-Garde Thea...