Book Figurative Prints

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 12.2 x 9.45 inches Inscription: Unsigned and unnumbered, as issued Notes: From ...

Artist: Mimmo Rotella Title: Blue Hawaii Year: 2004 Medium: Screenprint with collage, signed in pencil l.r. Edition: P.A. Paper Size: 38 x 28 inches / 96 x...

“Splash” by Fin DAC & Christina Angelina, 2014 Three Screen Print Triptychon – three individual pieces – on archival paper 60 x 60 cm / 23,6 x 23,6 inches each Limited Edition of 10,...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Keith Haring Fault Lines 1986 (set of 4 printed works): A grouping of 4 lithographs from the book Fault Lines by Brison Gysin with illustrations by Keith Haring. These works are eac...

A vintage exhibition poster for famed New Yorker artist, Saul Steinberg at The Corcoran Gallery of Art, Washington DC.

Artist: John Giorno Title: Poppies Have Pockets Packed With Narcotic Treats Portfolio: Welcoming the Flowers Date: 2007 Screenprint, signed, numbered, and dated in pencil Edition of ...

16 color hand pulled screen print on paper. Hand signed on front by Hebru Brantley. Framed size approx 25.25 x 31.25 inches. PP edition of 3 outside the main edition of 35. Pl...

This double-sided lithograph by Paolo Garretto features a Vanity Fair cover "The Face Off" on the front and a Camel Cigarette ad on the back. It was pu...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...

Raymond Pettibon, 'Black Flag Live ‘85 Loose Nut': Folding double-sided merchandise flyer illustrated by Raymond Pettibon for SST Records advertising...

Epinal Print Battalle De Fleur US is a Hand-colored lithograph probably realized by Francis Pellerin of the 19th century. It depicts the Battle of Fleurus, a significant engagement ...

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Dimensions: 18x24 inches. Very good overall vintage condition condition; some minor fading consistent with age. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Mudd Club featured an art gallery curated by Keith Haring on the upper floor. Live performances by New York No Wave bands such as, DNA, the Contortions, Talking Heads & Basquiat's band Gray. On the dance floor, DJs, Anita Sarko and Johnny Dynell played an eclectic mix of punk, funk and curiosities. From the start it functioned as an antidote to the uptown disco glitz of Studio 54. Six months after it opened, the Mudd Club was mentioned in People: "New York's fly-by-night crowd of punks, posers and the ultra-hip has discovered new turf on which to flaunt its manic chic. It is the Mudd Club ... . For sheer kinkiness, there has been nothing like it since the cabaret scene in 1920s Berlin". After its first few years, Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie began to show up. In 1981, the Mudd Club's Steve Mass began showing up at the more informal Club 57 on St. Mark's Place, and began hiring Club 57 regulars including Keith Haring to help attract the downtown art & music scene. The Mudd Club was frequented by many of Manhattan's emerging emerging cultural figures, such as, Lou Reed, Johnny Thunders, David Byrne, Debbie Harry, Arto Lindsay, John Lurie, Nico with Jim Tisdall, Lydia Lunch, X, the Cramps...

Epinal Print Batalle De Rivoli is a Hand-colored lithograph realized by an anonymous french artist of the 19th Century. It depicts the Battle of Rivoli, a significant military engag...

Artist: Robert Kushner, American (1949 - ) Title: Paris Review Year: 1982 Medium: Lithograph, signed and numbered in pencil Edition: 200 Size: 30 in. x 44 in. (76.2 cm x 111.76 cm)

From the "ADS" portfolio. Screen print on lenox museum board Hand signed and numbered by the artist. Edition PP 5/5 (There is a main edition of Edition of 190, 30 AP, 5 PP, 5 EP, 1...

Artist: (after) Jim Dine (American, 1935-) Title: "Nassau County Museum of Art (Sculpture/Jim Dine/Pinocchio)" *Signed by Dine in black marker lower righ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

Pojdziesz Ponad Sadem - Vintage Poster is a vintage poster realized by Unknown Artist, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Director...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Champion 1979 Billy Schenck Serigraph Image size: 16 x 27 inches Billy Schenck has been known internationally for 44 ye...

7 volumes, complete. Six 8vo volumes (292 x 190 mm), and one 4to (Huitieme année, 1919, 310 x 245 mm). Publisher's pictorial paper board portfolios, patterned endpapers, housing loos...

This exquisite lithograph after Rene Magritte (1898–1967), titled Il y a sur le Rivage de la Mer Deux Pommes Visiteuses (On the Shore of the Sea There Are Two Visiting Apples), from ...

Original Vintage Poster, issued 1987 by the ETH in Zurich on the occasion of its exhibition on Le Corbusier's famous – and revolutionary – Villa Savoye, c...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

"Fashionable Boulevard Montmartre" is an original lithograph poster by Pierre Laurent Brenot. This piece depicts four figures in fashionable costumes in a variety of dynamic poses. T...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Stud...

Original Vintage Airline Poster by Harold Foster. He created several designs commissioned by the British Overseas Airways Corporation ...

"Dolly" is an original color lithograph poster by The Clérice Frères (The Clérice Brothers), signed within the composition on the lower left edge, just ...

Amy Wilson received her BFA from the School of Visual Arts, New York, in 1995 and her MFA from Yale University in 1997. Her drawings explore the tensions between her inner life and t...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 12.6 x 9.84 inches Inscription: Signed in the plate and unnumbere...

Batman – Turin Museum Retrospective By Andy Warhol Andy Warhol, a leading figure in the Pop Art movement, revolutionized the art world with his iconic works that celebrated consum...

Offset lithograph in colors on wove paper. Hand signed and dated lower front by Mr. Hand numbered 134/300 lower front. Artwork size 25.6 x 19.6 inches. Frame size approx. 31.5 x ...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...

Artist: Luis Jimenez, American (1940 - 2006) Title: Fiesta (Diptych) Year: 1986 Medium: Two Lithographs on Arches, signed and numbered in pencil Edition: 76 Size: 34 x 24 in. (86.36 ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

French caricature print from the satirical series Panthéon Charivariqure ,published in the humoristic illustrated newspaper Le Charivari, realized by Alfred Darjou (1832 – 1874) in t...

Black Guard Scotland is a poster designed by I.Sosteni, printed in Italy by Aga Cuneo" Edizione Aga il Portichetto". Good condition. The rare edition poster in the silver backgrou...

Original 1930s José Morell "Espagne" Travel Poster – Spanish Matador & Woman – Linen Backed, B Condition. Centerfold mark and corner pinholes restored. Date: 1930s. Spanish Nati...

Le Rire is a vintage Comic Magazine printed on November 1896, with illustration by A. Willette. Good condition on a yellowed paper, except for some torn paper...

Le Rire is a vintage Comic Magazine published on September 1896 with illustrations by Hermann Paul. Good condition on a yellowed paper, except some torn paper...

Etudes d'Androgynes is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Centu...

Les Deux Edmond is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. ...

Kopernik - Vintage Poster is a vintage poster realized by M. Swierzy, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Good conditions, except ...

Plate from Kanadeon Chushingura is an original modern artwork realized by Utagawa Kuniyasu in 1820 ca. Woodcut Print Oban Dyptich Format. Enya Hanga...

Zodiac Signs - Gemini is original Black and white woodcut print, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original woodcut prin...

Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...

Rare Original 1912 Théâtre National de L'Opéra Paris Poster - ROMA Opera - Rochegrosse Art - Jules Massenet - Classical Theater Collectible. This poster is archival, linen-backed, ...

Le Gratin Boulangiste is an original Modern Artwork realized in 1885. Original Lithgraph on paper. Passepartout is included. Fair conditions: some foxing is present on the surface.

Manzu Collection is an original offset poster print realized in 1981 by Giacomo Manzu. The artwork was realized on the occasion of the exhibition In the National Gallery of Modern A...

Lithograph on wove paper, realized in 1838. Signed and dated in the plate. Image 19.5x28 This finely executed lithograph by Auguste Raffet depicts two Hungarian fishermen on the b...

Fattoria Bolla is a beautiful and rare color lithograph printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914. A vintage poster representing a farmer feeding her son wit...

Medaille de Palloy is an original artwork realized by the French artist Pierre-François Palloy in the second half of the XVIII Century. Original etching on paper. Proof before Lette...

Trieb, Anton. Gran Bodega Espanola Urania, Zurich Ca 1910.Color lithograph. On Linen. Anton Trieb was a watercolor painter , draftsman , illustrat...

"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. The artist's name is written lower right. This piece depicts an Art Deco repr...

Lithograph and mezzotint on japon paper. Hand signed and numbered by Salvador Dali. LXXXIX/C. Includes original portfolio and insert. Published by Levine and Levine Publishers for Beverly Hills Gallery. A. Field 76-7, p. 131. Catalogue Raisonné: Field 76-7, pp. 131. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Salvador Dalí (Spanish, 1904–1989) was a renowned Surrealist artist known for his enigmatic paintings of dreamscapes and religious themes. The Persistence of Memory (1931), arguably his best known work, visually manifests the strangeness of time, showing clocks melting in an idyllic landscape. “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams,” he once reflected. Born Salvador Domingo Felipe Jacinto Dalí i Domènech on May 11, 1904 in Figueres, Spain, he displayed a great aptitude for the visual arts as a teenager. Three years after his first exhibition at the age of 14, he enrolled at the Academia de San Fernando in Madrid. At school, he emulated many contemporary styles but also the works of Johannes Vermeer and Diego Velázquez. During his visits to Paris in the late 1920s, he was introduced to the Surrealist movement by René Magritte and Joan Miró. Though the concept of Surrealism was new to him, Dalí was already well versed in the psychoanalytic theories of Sigmund Freud. Dabbling in various projects throughout his long career, in 1942 he published the book The Secret...

Floating Books is a lithograph on paper with an image size of 3.5 x 2.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fr...