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Landscape Prints For Sale
The Twin Rocks of Capri; I Faraglioni a Capri
Located in Middletown, NY
London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...
Category

Late 19th Century English School Landscape Prints

Materials

Engraving, Photogravure

Marc Chagall, Paradise II, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Paradis II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This luminous composition portrays the splendor of Paradise, filled with light, harmony, and divine presence. Through his poetic use of line and ethereal symbolism, Chagall evokes the spiritual unity between humanity and the divine, capturing the purity and joy of creation. Paradis II reflects the artist’s enduring belief in love and beauty as transcendent forces, transforming a biblical vision into a universal celebration of faith and imagination. The work forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradis II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradis...
Category

1950s Expressionist Landscape Prints

Materials

Lithograph

Nicolas de Stael, Sky at Honfleur, from Painters of Today, 1960 (after)
By Nicolas de Staël
Located in Southampton, NY
This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Ciel a Honfleur (Sky at Honfleur), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de Stael, P...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Vintage Hockney poster: Barbican Centre for Arts London 1982 colorful palm trees
Located in New York, NY
Colorful dots, lines and squares in bright blue, pink, green, lilac and yellow in wood grain form a totem against a lavender purple background. This jubilant take on Cubism features ...
Category

1980s Cubist Landscape Prints

Materials

Offset

Hand painted Limited Edition#2/5-Golden Sunlit Magic Bells-British AwardedArtist
Located in London, GB
This is a one-off hand painted Limited Edition, 70% of the painting is hand painted with original paint on Giclee print on aluminium panel, with a mat finishing, signed and numbered ...
Category

2010s Abstract Impressionist Landscape Prints

Materials

Metal

Werner Bronkhorst - Birdie Chance
Located in London, GB
Werner Bronkhorst, Birdie Chance, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over F...
Category

2010s Contemporary Landscape Prints

Materials

Giclée

Marc Chagall, Blue Horse with Couple, from Derriere le Miroir, 1982
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Cheval bleu au couple (Blue Horse with Couple), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this vibrant composition reflects Chagall’s lyrical fusion of color, dream, and devotion. In Cheval bleu au couple, ethereal figures and a radiant blue horse float within a luminous space of poetic imagination, evoking love, memory, and transcendence. The image captures the artist’s timeless ability to unite fantasy and emotion within the expressive language of modernism. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition exemplifies Chagall’s mastery of color lithography and his lifelong exploration of faith, folklore, and the human spirit. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Cheval bleu au couple (Blue Horse with Couple), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Catalogue raisonne references: Chagall, Marc, et al. Chagall Lithographe VI, 1980–1985. Andre Sauret, Editeur, 1986, illustration 993. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 113. Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary use of color and poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the rich imagery of his Jewish heritage and childhood in Vitebsk, Chagall’s dreamlike compositions fused memory, folklore, faith, and romance with the expressive innovations of modern art. His work evolved alongside and in dialogue with the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, redefined artistic language for a new century. Spanning painting, printmaking, stained glass, ceramics, stage design, and illustration, Chagall’s career reflected both his deep spirituality and his boundless imagination. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Guggenheim, the Tate, and the Centre Pompidou. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Cheval bleu au couple, Marc Chagall lithograph, Chagall Derriere le Miroir, Chagall Maeght...
Category

1980s Expressionist Landscape Prints

Materials

Lithograph

Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...
Category

Mid-17th Century Baroque Landscape Prints

Materials

Engraving, Etching

Bright Seascape in Capri, Nautical Cyanotype Triptych, Mediterranean Blue Waves
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s Post-Impressionist Landscape Prints

Materials

Lithograph, Paper

Venetian Series, Dale Chihuly
Located in Fairfield, CT
Artist: Dale Chihuly (1941) Title: Venetian Series Year: 2018 Medium: Lithograph, silkscreen and acrylic on Waterford paper Edition: 79/125 Size: 37 x 25 inches Inscription: Signed a...
Category

2010s Abstract Landscape Prints

Materials

Acrylic, Intaglio, Screen, Lithograph

Los Angeles Crashing Waves, Handmade Cyanotype on Paper, Nautical Seascape, Blue
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s American Realist Landscape Prints

Materials

Rag Paper, Lithograph

The Good Life 1978 Signed Limited Edition Art Lithograph
Located in Rochester Hills, MI
Artist Mati (Abdul) Klarwein Title: The Good Life Year: 1978 Print - Lithograph Paper Size 23" x 23½" inches Edition: signed in pencil and marked 3/300 Hand embellished by the artis...
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Mexican Art: A Portfolio of Mexican People and Places
Located in Palm Springs, CA
Ten lithographs in excellent condition, with portfolio cover. The ten artists included in the 1946 portfolio "Mexican Art: A Portfolio of Mexican People and Places" include: Ángel Bracho / Francisco Mora / Fernando Castro Pacheco / Raúl Anguiano / Alberto Beltrán...
Category

1940s Landscape Prints

Materials

Lithograph

Joan Mitchell, Sans titre, In Memory of My Feelings (after)
Located in Southampton, NY
Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...
Category

1960s Abstract Expressionist Landscape Prints

Materials

Lithograph

Werner Bronkhorst - On the Right Track - Formula 1
Located in London, GB
Werner Bronkhorst On The Right Track, 2025 Giclée Hahnemühle Photorag paper with black solid wood frame, bordered by a white mount 42.5cm x 42.5cm Unknown edition size self-released...
Category

2010s Contemporary Landscape Prints

Materials

Giclée

Topiary II - large format photograph of ornamental shaped sidewalk trees
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...
Category

18th Century Old Masters Landscape Prints

Materials

Handmade Paper, Etching, Laid Paper

Faith Ringgold, A letter From Martin Luther King, 2007
Located in Southampton, NY
This exquisite silkscreen by Faith Ringgold (1930–2024), titled A Letter From Martin Luther King, from the folio Letter from Birmingham City Jail, origi...
Category

Early 2000s Expressionist Landscape Prints

Materials

Screen

Duo of Blue Egyptian Palms, Botanical Diptych Cyanotype on Paper, Vintage Modern
Located in Barcelona, ES
Exclusive limited edition cyanotype diptych. Details: + Title: Duo of Egyptian Palms + Year: 2024 + Edition Size: 20 + Medium: Cyanotype on Watercolor Paper...
Category

2010s Naturalistic Landscape Prints

Materials

Lithograph, Handmade Paper

Paisaje Ideal — Abstract Drypoint Aquatint in Ochre by Bozon
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...
Category

21st Century and Contemporary Abstract Landscape Prints

Materials

Etching, Aquatint

The Lonesome Road (La course seule) Provence, landscapes, countryside art
Located in Kansas City, MO
Ella Fort The Lonesome Road (La course seule) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size: 7.8 × 11.7 on 11.7 × 15.6 inche...
Category

1980s Impressionist Landscape Prints

Materials

Lithograph

Max, Statue of Liberty V, Hand Signed, Official Edition, Peter Max (after)
Located in Fairfield, CT
Title: Statue of Liberty V Year: 1981 Medium: Offset lithograph in colors on gloss archival paper Size: 24.5 x 12.5 inches Inscription: Hand signed by Peter Max in ink and unnumbered...
Category

1980s Pop Art Landscape Prints

Materials

Offset

Making Camp
Located in Columbia, MO
Thomas Hart Benton (American, 1889 - 1975) was a painter, muralist, and printmaker whose sinuous, rhythmic style came to define the Regionalist movement. His paintings and lithograph...
Category

20th Century American Modern Landscape Prints

Materials

Lithograph

Dali, Femme à tete de Roses (after)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Femme à tete de Roses Year: 2004 Medium: Lithograph on wove paper Size: 30.25 x 22 inches Condition: Excellent Inscription: Unsigned and unnu...
Category

Early 2000s Surrealist Landscape Prints

Materials

Lithograph

Spring in Brittany (FRAMED + 10% OFF U.S. SHIPPING) (Provence, Landscapes)
Located in Kansas City, MO
Ella Fort Spring in Brittany (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches Framed: 16.25x20 inches COA provided *Framing Options Available - Please Inquire **edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...
Category

1980s Contemporary Landscape Prints

Materials

Lithograph

Original United Behind the Service Star antique World War One vintage poster
Located in Spokane, WA
Original poster: United Behind The Service Star ; Great vibrant colors. Linen backed. All the various support organizations that backed up the soldiers and war relief during World War One. A-, B+ condition. Paper tear from the bottom about 10" professionally laid down. No paper loss. A large blue star appears over the flags, and below the image reads "United Behind the Service Star". The poster features American soldiers carrying the flags of seven major service organizations: the YMCA, the National Catholic War Council, the Jewish Welfare Board, the Salvation Army, War Camp Community Service, the American Library Association, and the YWCA. These organizations were instrumental in providing various forms of support, such as food, medical care, and morale-boosting services, both to soldiers and civilians. If you have ever looked to have a 'supreme' version of this great war poster...
Category

1910s American Modern Landscape Prints

Materials

Lithograph

Max, 4 Liberty Heads, Hand Signed, Official Edition, Peter Max (after)
Located in Fairfield, CT
Title: 4 Liberty Heads Year: 2005 Medium: Offset lithograph in colors on gloss archival paper Size: 15 x 19 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as iss...
Category

Early 2000s Pop Art Landscape Prints

Materials

Offset

Santa Cruz Amusement Park
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...
Category

2010s Landscape Prints

Materials

Photographic Paper

The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
By Joseph Mallord William Turner
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851) THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category

1820s Old Masters Landscape Prints

Materials

Mezzotint

Werner Bronkhorst - Get Served
Located in London, GB
Werner Bronkhorst Get Served, 2015 Giclée print on Hahnemühle Photorag paper with ready-to-hang heavyweight solid oak frame. From the artist's acclaimed Wimbledon series. Accompanied...
Category

2010s Abstract Landscape Prints

Materials

Giclée

Having a cigarette amongst Green and Blue-hand painted Large CanvasEdition 12/20
Located in London, GB
This Limited Canvas Edition ( #12 of 20 ) is authentically hand painted by the artist on Giclée printed canvas. , finished with Shizico Yi's original brushstroke and oil paints on 9...
Category

2010s Impressionist Landscape Prints

Materials

Gesso, Canvas, Archival Ink, Oil, Acrylic, Stretcher Bars

Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields
Located in San Francisco, CA
Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 48 x 72 i...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

Hiver - Etching by Félix Bracquemond - 1865 ca.
Located in Roma, IT
Etching on laid paper Sheet size: approx. 65 × 50 cm Signed in plate lower left: F. Bracquemond Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blinds...
Category

1860s Modern Landscape Prints

Materials

Etching

LOBSTER and OCTOPUS (KAMPF - BATTLE)
Located in Santa Monica, CA
NORBERTINE VON BRESSLERN-ROTH (1891 1978) KAMPF (BATTLE - LOBSTER and OCTOPUS) c. 1928 Color linoleum cut Signed in pencil. Image 8 5/8 x 8 11/16” In excellent condition and full ...
Category

1920s Vienna Secession Landscape Prints

Materials

Linocut

GOING TO CHURCH Signed Lithograph, Southern Landscape, African American Heritage
Located in Union City, NJ
GOING TO CHURCH is an original hand drawn lithograph (not a photo reproduction or digital print) printed on archival printmaking paper 100% acid free, using hand lithography techniqu...
Category

1990s Contemporary Landscape Prints

Materials

Lithograph

Joan Miro, The Woman and the Bird, from XXe Siecle, 1956
Located in Southampton, NY
This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled La Femme et l’Oiseau (The Woman and the Bird), from the album XXe Siecle, Nouvelle serie No. 6, originates from...
Category

1950s Surrealist Landscape Prints

Materials

Lithograph

Picasso, Composition (Cramer 88), Dans l Atelier de Picasso (after)
Located in Southampton, NY
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Lines in Four Directions, Rubber Stamp Portfolio, Sol LeWitt
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...
Category

1970s Minimalist Landscape Prints

Materials

Printer s Ink

THE LANTERN Hand Signed Lithograph, Collage Portrait, African American Heritage
Located in Union City, NJ
THE LANTERN is an original, handmade limited edition lithograph printed in 13 colors from hand drawn lithography plates using traditional hand lithography methods on archival Somerse...
Category

1970s Contemporary Landscape Prints

Materials

Lithograph

Christo, Wrapped Trees Vertical , Lithograph, 1998
Located in Pembroke Pines, FL
Artist: Christo (1935 - 2020) Title: Wrapped Trees Vertical Size: 31" x 23" inches Type: Lithograph Poster Hand Signed Christo was born in 1935 in Gabrova, Bulgaria. (He would drop ...
Category

1990s Contemporary Landscape Prints

Materials

Offset

Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Sans titre (Untitled), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeg...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Friendship, Braniff International Airways Flying Colors Collection
Located in Fairfield, CT
Artist: Alexander Calder (1898-1976) Title: Friendship, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inc...
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Pablo Picasso, The Little Bullfight, from XXe Siecle, 1958
Located in Southampton, NY
This exquisite lithograph by Pablo Picasso (1881–1973), titled La Petite Corrida (The Little Bullfight), from the album XXe Siecle, Nouvelle serie, XXe Annee, N° 10 (double) Mars 195...
Category

1950s Cubist Landscape Prints

Materials

Lithograph

David Hockney, Letter L, from Hockney s Alphabet, 1991
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter L, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Category

1990s Contemporary Landscape Prints

Materials

Lithograph

Andrew Wyeth, The Corner, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled The Corner, originates from the distinguished 1962 folio The Four Seasons: Pai...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Scolopaceous Courlan: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...
Category

Mid-19th Century Naturalistic Landscape Prints

Materials

Lithograph

Minaret El Rhamree in Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Minaret of the Mosque El Rhamree" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publish...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Andrew Wyeth, Brinton’s Mill, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled Brinton’s Mill, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s intimate connection to the Brandywine Valley landscape. Brinton’s Mill, a historic gristmill near Chadds Ford, Pennsylvania—later purchased and restored by Wyeth and his wife Betsy—appears here bathed in the gentle light of seasonal transition, a motif of both personal and regional significance rendered with quiet reverence and precision. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to illustrate the cycle of renewal and passage. Each image in the series embodies Wyeth’s profound sensitivity to mood, atmosphere, and the subtle interplay between man and nature. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Brinton’s Mill, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Paris, Notre Dame de Paris and Seine River - Original Lithograph Handsigned N°
Located in Paris, IDF
Urbain HUCHET Notre Dame de Paris Original lithograph, 1960 Handsigned in pencil by the artist Numbered / 295 copies On velllum 19 x 28 cm (c. 8 x 11 inch) Excellent condition
Category

1960s Modern Landscape Prints

Materials

Lithograph

Praise, Rubber Stamp Portfolio, Agnes Martin
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin Dalton natural bond paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. P...
Category

1970s Minimalist Landscape Prints

Materials

Printer s Ink

1920s Deco etching aquatint Lake Shore Drive, Chicago by S. Chester Danforth
Located in Chicago, IL
A 1920s, Art Deco etching aquatint of Lake Shore Drive -- Chicago, by notable print maker S. Chester Danforth. Image size: 8 1/4" x 10 1/4". Archivally matted to 14" x 16". Mandel Brothers...
Category

1920s Art Deco Landscape Prints

Materials

Paper, Etching, Aquatint

VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Marc Chagall, The Blue Beast, from Color of Love, 1958 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled La Bete Bleu (The Blue Beast), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Lov...
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Canaluscious
Located in London, GB
Patrick Hughes "Canaluscious" Multiple. A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2025. This print comes housed in a bespoke perspex disp...
Category

2010s Contemporary Landscape Prints

Materials

Archival Pigment

Bob Dylan - Kentucky Pathway
Located in London, GB
Bob Dylan Kentucky Pathway Giclee print edition of 295 hand-signed and numbered published by Castle Fine Art
Category

2010s Contemporary Landscape Prints

Materials

Giclée

White Eye-browed Partridges: Hand-colored Folio-sized Bird Lithograph by Gould
Located in Alamo, CA
This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background. This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page. John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy. As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...
Category

1840s Naturalistic Landscape Prints

Materials

Lithograph

Max Ernst, The Wheel of Light, from Natural History, 1972 (after)
Located in Southampton, NY
This exquisite collotype after Max Ernst (1891–1976), titled La Roue de la lumiere (The Wheel of Light), from the album Max Ernst, Histoire Naturelle (Natural History), originates fr...
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Lucky Strike (Littmann P. 78), Keith Haring
Located in Fairfield, CT
Artist: Keith Haring (1958-1990) (after) Title: Lucky Strike (Littmann P. 78) Year: 1987 Medium: Silkscreen on Arches cotton rag paper Inscription: Hand signed and numbered, 70/80, a...
Category

1980s Pop Art Landscape Prints

Materials

Screen

Henri Matisse, Nude, Second Study, from Verve, Revue Artistique, 1953 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Nu, deuxieme etude (Nude, Second Study), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

David Hockney, Letter M, from Hockney s Alphabet, 1991
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter M, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Category

1990s Contemporary Landscape Prints

Materials

Lithograph