Landscape Prints

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant le Tableau (Before the Painting), from the album The Lithographs of Chagall, Volume II, originates from the 1963 ...

Artist: Romare Bearden (1911-1988) Title: Girl in the Garden (Gelburd/Rosenberg 62) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 33/150, plus proofs Size: 28.75 x 2...

This exquisite lithograph by Wassily Kandinsky (1866–1944), titled Les etoiles (The Stars), from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, ...

'Mexican Fishermen in Lake Patzcuaro', lithograph by Yves Brayer (1963). Unframed. The artist, Yves Brayer, spent time painting in Mexico in 1963, one of the many worldwide destinati...

COULD ALSO BE FRAMED IN A BLACK FRAME - SAME SIZE & MODEL Christo The Umbrellas (Yellow & Blue) Lithoserigraphs Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches (EACH) Framed: 20....

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Portrait de Jacqueline (Portrait of Jacqueline), from the folio Picasso, La flute double, 16 Dessins, Aq...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edition published by Editions des Quatre Chemins, Paris, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925. The work exemplifies Matisses mastery of pure line and the expressive economy of form that defined his graphic art of the 1920s, transforming simplicity into lyrical harmony. Executed as a lithograph on velin Lafuma Navarre paper, this work measures 8 x 10 inches (20.32 x 25.4 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of the Daniel Jacomet et Cie workshops, Paris. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse) Medium: Lithograph on velin Lafuma Navarre paper Dimensions: 8 x 10 inches (20.32 x 25.4 cm) Inscription: Unsigned and unnumbered, as issued Date: 1925 Publisher: Editions des Quatre Chemins, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 3. Condition: Well preserved, consistent with age and medium Provenance: From the album Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925 Notes: Excerpted from the album (translated from French), This album was printed in C examples on velin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on velin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal et Cie, in Paris; the boards having been executed by the Daniel Jacomet et Cie workshops in Paris. About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that captures the artist’s mastery of contour and proportion through a series of delicately rendered lithographs. Realized under the direction of the Daniel Jacomet et Cie workshops—renowned for their exceptional skill in fine art printmaking—the album showcases Matisse’s fascination with the purity of line and the human form. Issued in a limited printing of examples on both velin d’Arches and velin Lafuma papers, it reflects the refined aesthetics and technical excellence that characterized the interwar Parisian print ateliers. The publication represents a pivotal stage in Matisse’s evolution as a draughtsman, bridging the intimate immediacy of his drawings with the permanence of fine print. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Crayon...

This exquisite lithograph after Jean Cocteau (1889–1963), titled La cravate de deuil (The Mourning Tie), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie No. 3 (double), Juin 1952, originates from the 1952...

This abstract landscape limited edition print by Elwood Howell features a cool, green and pale blue palette. The artist's signature high horizon line forms a very slight valley at th...

Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...

Original: FORGOTTEN ISLAND OF SANTOSHA vintage surfing poster. Artist: Bill Ogden. Size: 27" x 39 3/4". Year: 1974. Original One Sheet from Austra...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...

Medium: linocut Year: 2023 Image Size: 18 x 24 inches Edition Size: 10 Image of a immigrants wading across the Rio Grande River at the border between Mexico and the United States. ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edition published by Editions des Quatre Chemins, Paris, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925. The work exemplifies Matisses mastery of pure line and the expressive economy of form that defined his graphic art of the 1920s, transforming simplicity into lyrical harmony. Executed as a lithograph on velin Lafuma Navarre paper, this work measures 10 x 8 inches (25.4 x 20.32 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of the Daniel Jacomet et Cie workshops, Paris. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse) Medium: Lithograph on velin Lafuma Navarre paper Dimensions: 10 x 8 inches (25.4 x 20.32 cm) Inscription: Unsigned and unnumbered, as issued Date: 1925 Publisher: Editions des Quatre Chemins, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 3. Condition: Well preserved, consistent with age and medium Provenance: From the album Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925 Notes: Excerpted from the album (translated from French), This album was printed in C examples on velin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on velin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal et Cie, in Paris; the boards having been executed by the Daniel Jacomet et Cie workshops in Paris. About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that captures the artist’s mastery of contour and proportion through a series of delicately rendered lithographs. Realized under the direction of the Daniel Jacomet et Cie workshops—renowned for their exceptional skill in fine art printmaking—the album showcases Matisse’s fascination with the purity of line and the human form. Issued in a limited printing of examples on both velin d’Arches and velin Lafuma papers, it reflects the refined aesthetics and technical excellence that characterized the interwar Parisian print ateliers. The publication represents a pivotal stage in Matisse’s evolution as a draughtsman, bridging the intimate immediacy of his drawings with the permanence of fine print. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Crayon...

SHARING THE CHORES is a hand drawn, limited edition lithograph by the African American artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper, 100% ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite lithograph by Alexander Calder (1898–1976), titled Anneaux sur noir (Rings on Black), originates from the historic 1973 folio Derriere le Miroir, No. 201. Published by...

Artist: Andy Warhol (1928-1987) Title: Jacqueline Kennedy (Jackie II) Year: 1966 Medium: Silkscreen in colors on wove paper Size: 24 x 30 inches Condition: Excellent Inscription: Sig...

This is an exclusive handprinted limited edition cyanotype. Contemporary linear cyanotype showing a 3D mountain terrain. Details: + Title: 3D Render Mountain + Year: 2021 + Edition ...

Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Lithographies et Eaux...

The magnificent printed works of the Yorkshire artist, Percival Gaskell have only been fully rediscovered in recent years. Percival Gaskell rose to prominence whilst working together with Sir Frank Short in the engraving school at the Royal College of Art in London during the first two decades of the 20th century. A true painter-printmaker, Percival Gaskell developed a sensitivity to atmospheric tone which is displayed in an air of timeless beauty throughout his printed works. (sheet 24 x 20 1/2). A fine impression with tone printed in warm brown/black ink on chine appliqué mounted on white wove paper, and a backing board. Signed in pencil. Superb signed proof impression printed in warm-brownish-black ink. One of Gaskell's best large scale mezzotints. The speed with which William the Conqueror committed to the creation of a castle at Chepstow is testament to its strategic importance. There is no evidence for a settlement there of any size before the Norman invasion of Wales, although it is possible that the castle site itself may have previously been a prehistoric or early...

THE CONVERSATION is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. THE CONVERSATION...

Fugue is an original hand drawn limited edition lithograph by the African American artist Hughie Lee-Smith printed using hand lithography techniques on archival Arches paper, 100% ac...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Gelb-Rot-Blau (Yellow-Red-Blue), from the folio Derriere le miroir, No. 118, originates from the 1960 edition pu...

Lively French lithograph of sunflower field with multiple tones of yellows, orange, red, and while sunflowers, circa 1960. Original artwork on paper ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Plume (Feather), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...

This exquisite lithograph after Henri Matisse (1869–1954), titled Fusain (Charcoal), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edi...

Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...

Artist: Salvador Dali (1904-1989) Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu VI (Blue Nude VI), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 ...

This exquisite silkscreen by Roy Lichtenstein (1923–1997), titled Sandwich and Soda, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Museum of Art, Hartford, and printed by Sirocco Screenprints, Inc., North Haven, in Sandwich and Soda, Lichtenstein translates his signature Pop Art vocabulary—bold outlines, flat commercial color, and Ben-Day dot structure—into a crisp, iconic composition that reimagines everyday consumer imagery with graphic intensity and conceptual clarity. Executed as a silkscreen on Mylar over Mohawk Superfine Bristol paper, this work measures 20 x 24 inches. Unsigned and unnumbered as issued. Printed by Sirocco Screenprints, Inc., North Haven, one of the most capable American screenprinting ateliers of the mid-20th century. Artwork Details: Artist: Roy Lichtenstein (1923–1997) Title: Sandwich and Soda, from X + X (Ten Works by Ten Painters), 1964 Medium: Silkscreen on Mylar over Mohawk Superfine Bristol paper Dimensions: 20 x 24 inches (50.8 x 60.96 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Wadsworth Atheneum Museum of Art, Hartford Printer: Sirocco Screenprints, Inc., North Haven Edition: D Catalogue raisonne reference: Corlett, Mary Lee, and Roy Lichtenstein. The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948–1997. 2nd rev. ed., Hudson Hills Press in association with the National Gallery of Art, Washington, D.C.; Distributed in the U.S. by National Book Network, 2002, No. 35. Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio X + X (Ten Works by Ten Painters), published by the Wadsworth Atheneum Museum of Art, Hartford Notes: Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. About the Publication: X + X (Ten Works by Ten Painters), published in 1964 by the Wadsworth Atheneum Museum of Art in Hartford, stands as one of the most ambitious and influential printmaking endeavors of postwar American art. Conceived under the direction of curator Samuel J. Wagstaff, Jr., the project sought to capture and translate the defining visual languages of ten leading American painters of the era—Stuart Davis, Ellsworth Kelly, Robert Indiana, Adolph Gottlieb, George Ortman, Larry Poons, Richard Anuszkiewicz, Frank Stella, Andy Warhol, and Roy Lichtenstein—into original silkscreens. Each artwork was created as an autonomous work that embodied the formal, chromatic, and conceptual principles of its respective artist. The choice of silkscreen printing, executed by Sirocco Screenprints, Inc., was central to the portfolio’s purpose: its dry, matte surface and capacity for crisp, saturated color allowed for a faithful translation of the painters’ flatness, surface tension, optical effects, and graphic precision. Organized and published by a major American museum at a moment of seismic change in contemporary art, X + X marked a turning point in institutional engagement with editioned works, representing one of the first concerted efforts by a museum to commission an ensemble of original graphics from the leading figures of its time. The portfolio captured the pulse of 1960s American painting—from Hard-Edge abstraction to Pop, Op, and Color Field—offering both a curated snapshot of artistic innovation and an accessible format that expanded the audience for contemporary art. Today, X + X is widely regarded as a landmark in American printmaking, celebrated for its curatorial vision, technical accomplishment, and its role in defining the dialogue between museum patronage and the burgeoning print culture of the 1960s. About the Artist: Roy Lichtenstein (1923–1997) was an American painter, printmaker, and sculptor whose revolutionary elevation of comic-book graphics, Ben-Day dots, commercial illustration, and mass-media visual language into the realm of fine art made him one of the founding giants of Pop Art, drawing on the breakthroughs of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray to synthesize Cubist fragmentation, Surrealist wit, Modernist experimentation, and Duchampian conceptualism into an unmistakable style defined by bold outlines, flat industrial color, graphic reduction, and the now-iconic Ben-Day dot technique; emerging in the 1960s alongside Andy Warhol, Claes Oldenburg, James Rosenquist, Jasper Johns, and Robert Rauschenberg, Lichtenstein shifted American art away from Abstract Expressionism toward a cool, analytical investigation of consumer culture, mass reproduction, advertising, and the manufactured image, creating paintings, prints, sculptures, and monumental public works that reimagined romance comics, war scenes, cartoons, brushstroke parodies, landscapes, and art-historical citations while offering a humorous yet incisive commentary on how images shape contemporary life; his influence is immense, shaping artists such as Jeff Koons, Takashi Murakami, Damien Hirst, Julian Opie, KAWS, Banksy, and numerous contemporary painters, designers, fashion houses, and digital creators, while his works are held in major institutions including the Museum of Modern Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Art Institute of Chicago, the National Gallery of Art, Tate, Centre Pompidou, SFMOMA, the Hirshhorn Museum and Sculpture Garden, and LACMA, with his highest auction record achieved when Nurse (1964) sold for 95,365,000 USD at Christie's New York on November 9, 2015. Roy Lichtenstein silkscreen...

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

Original poster: Palm Springs The Desert Oasis original poster by Bill Ogden. The poster is not linen-backed. Excellent condition. Mint. 1969. ...

"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pulled 90 color ...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, bleu, vert, jaune (Red, Blue, Green, Yellow), originates from the historic 1964 folio Derriere le Miroir, No. ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Pinceau (Brush), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

THE ESCORTING OF RUTH by the acclaimed artist JONATHAN GREEN is a hand drawn limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Bacchanale (Bacchanal), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Doubl...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Judah, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by And...

A modernist fantasy winter scene created by Werner Drewes, this print brings key aspects of the period together. His cubist-inspired woodcut technique is utilized here to bring the s...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Pencil signed artists proof lithograph or serigraph. Shmuel Katz (Hebrew: שמואל כ"ץ‎) (August 18, 1926 – March 26, 2010) was an Israeli artist, illustrator, and cartoonist. A Holocau...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré au Blau...

The Los Angeles Olympics Torch /runner. 1984 Los Angeles Olympics original vintage poster. Original, hand signed and numbered #232/300 "The Olympic Tor...

This exquisite lithograph after Henri Matisse (1869–1954), titled Fusain (Charcoal), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edi...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

This exquisite offset lithograph after Jasper Johns (born 1930), titled Untitled, originates from the publication Art in America, May 2014. Published by Art in America, LLC, New York, and Sharon Coplan Hurowitz, New York; sponsored by Christies Inc., New York; and printed by Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville, 2013, this work reflects Johns ongoing investigation into symbol, perception, and repetition. In Untitled, Johns extends his celebrated exploration of marks, motifs, and coded visual language through a composition that merges conceptual clarity with painterly nuance, embodying the subtle rigor that defines his mature graphic work. Executed as an offset lithograph on velin Giama Natural paper, this work measures 15.125 x 10.875 inches (38.42 x 27.62 cm), with centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville, one of the most respected collaborative printmaking ateliers in the United States. Artwork Details: Artist: After Jasper Johns (born 1930) Title: Untitled, from Art in America, May 2014 Medium: Offset lithograph on velin Giama Natural paper Dimensions: 15.125 x 10.875 inches (38.42 x 27.62 cm), with centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 2013 Publisher: Art in America, LLC, New York; Sharon Coplan Hurowitz, New York Sponsor: Christies Inc., New York Printer: Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville Catalogue raisonne reference: Carlos Basualdo, Scott Rothkopf, Jasper Johns Mind/Mirror, Whitney Museum of American Art, 2021, No. 27; The Prints of Jasper Johns: A Catalogue Raisonne, ULAE, New York (forthcoming), No. 324. Condition: Well preserved, consistent with age and medium Provenance: From the May 2014 publication Art in America, published by Art in America, LLC, New York About the Publication: This special Art in America project was conceived as a contemporary homage to Jasper Johns’ long and distinguished history of printmaking innovation. Commissioned in collaboration with Sharon Coplan Hurowitz and sponsored by Christies Inc., the project brought together Art in America and Universal Limited Art Editions (ULAE) to create an original print that would bridge the worlds of fine art publishing, contemporary criticism, and Johns experimental graphic language. Printed at the renowned ULAE in Bay Shore and completed at Official Offset Corporation, the work reaffirms ULAEs foundational role in the evolution of Johns printmaking practice, which began at the atelier in 1960. For this publication, Johns developed a composition that synthesizes decades of explorations into mark-making, coded systems, repetition, and perceptual inquiry, extending the intellectual rigor and visual subtlety that have defined his contribution to American art since the 1950s. Distributed within the May 2014 issue, the project functioned as both a democratic expansion of Johns audience and a continuation of his long-standing interest in the intersection between mass media, printmaking processes, and the shifting boundaries between high art and printed dissemination. Today, this project is recognized as one of the most significant print-related collaborations between a major art periodical and an American master, embodying Johns lifelong dialogue between image, idea, and the materiality of print. About the Artist: Jasper Johns (born 1930) is widely regarded as one of the most influential and transformative American artists of the postwar era, a painter and printmaker whose groundbreaking fusion of abstraction, symbolism, and conceptual inquiry placed him in direct dialogue with towering modernists such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray while establishing a new visual and intellectual foundation for contemporary art; emerging in the mid 1950s with his revolutionary paintings of flags, targets, numbers, alphabets, and other everyday symbols, Johns rejected the emotional volatility of Abstract Expressionism and instead introduced a cool, analytical approach grounded in the semiotic play between object and image, employing encaustic, collage, graphite, and sculptural relief to create layered works that examine how meaning is constructed and perceived; his dialogues with Duchamps conceptualism, Picassos structural inventiveness, Miro and Kandinskys color logic, Giacomettis existential figuration, and Man Rays experimental attitude helped shape a singular aesthetic that directly influenced and helped catalyze Pop Art, Minimalism, and Conceptual Art, inspiring contemporaries and successors including Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Bruce Nauman, Glenn Ligon, Christopher Wool, Mark Bradford, Mark Grotjahn, and Wade Guyton; celebrated for more than seven decades, Johns work is held in the worlds most prestigious museums—including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, the Art Institute of Chicago, the Tate Modern, the Centre Pompidou, and the Moderna Museet—and he is recognized as one of the most intellectually rigorous and technically inventive artists of the 20th and 21st centuries; his market remains exceptionally strong, with his highest auction record achieved on November 11, 2014, when Flag (1983) sold for 36000000 USD at Sothebys New York. Jasper Johns lithograph...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...

Original Continental Airlines travel poster. Linen backed in fine condition. Signed and numbered 35/50. This original Continental Airlines poster artistically represents regional destinations prominently served by Continental Airlines in the past. The design is modern and bold, showcasing a unique black-and-white theme with strong, futuristic typography and graphical illustrations. Each city is creatively depicted using stylized imagery that resonates with its character—Oklahoma City features a cowboy motif, New Orleans embraces a jazzy, cultural essence, Dallas reflects the energy of movement, and Midland/Odessa highlights industrial and oil-centric themes. This limited-edition poster is printed in black and white. It features Oklahoma City, New Orleans, Dallas, and Midland / Odessa destinations. Above each name is a design that represents each destination city. Oklahoma City has rodeo horseback riding. New Orleans has steamships, Dallas has football players, and Midland has large oil tanker trucks. This image features the Saul Bass l967 Continental logo in the design. Continental Airlines was a major United States airline founded in 1934 and eventually headquartered in Houston, Texas. The airline was acquired by UAL Corporation, the parent company of United Airlines, on October 1, 2010. This is an original vintage Continental Airlines poster...

This exquisite lithograph after Marc Chagall (1887–1985), titled La Tribu de Levi (The Tribe of Levi), from the special issue of the XXe Siecle Review, Chagall in Jerusalem, originat...

'Magdalen Hall' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm (platemark) 200mm ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

ABOUT THIS PIECE: "In August, 2012, I led an Arctic art expedition called Chasing the Light aboard the Wanderbird up the NW coast of Greenland. It was the second expedition to this a...

Original Alphonse Mucha decorative panel. Linen backed in very good condition A-/B+ condition. This lovely poster looks just like an oil painting. It is a rare design by Alphonse ...

GARDEN ROMANCE by the artist James Denmark is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) printed on archival Somerset paper using traditional hand lithography techniques. GARDEN ROMANCE is one of Denmark's expressive, colorful collage compositions of everyday African American life - a lovely flower garden scene featuring a romantic black couple, the woman seated amid the blossoming plants wearing a green and yellow paisley print dress and head wrap; her standing male companion with flower in hand, dressed in blue denim jeans, and pastel color patchwork print shirt. Vivid coloration, watercolor patterns, and collage effect textures captivate the eye with visual variety in a striking palette of blues, greens, white, red, orange, magenta, touches of yellow, lavender and dark black - a fine example of the intricacies of hand lithography! Print size - 32 x 21.25 in., archival framing, double mat, excellent condition, pencil signed and numbered 1 / 15 H.C. by James Denmark, publisher's chop embossed lower left corner, Certificate of Authenticity provided Edition size - 250, plus proofs Year published - 1996 Printer - J K Fine Art Editions Co. NJ Publisher - Mojo Portfolio...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Artiste et la Ville (The Artist and the City), from the folio Derriere le miroir, No. 246, originates from the 1981 ed...

M.C. ESCHER (1898-1972) Birds and Fishes, 2008 Facsimile after the original woodcut from 1943 Unsigned Numbered / 450 copies (the number you can see can be different) On vellum 45 x...