Landscape Prints

"The Gates VIII, from Project for Central Park, New York" offset lithograph in colors on wove paper. Signed Christo in pencil on front lower right. Sheet size: 39 x 27 1/2 inches (99...

"Poles" Minimalist Abstract Lithograph on Paper Bold abstracted lithograph by Arnold Mesches (American, 1923-2016). Negative space is filled in wi...

Artist: Peter Max (1937) Title: Umbrella Man at Sunrise Year: 2001 Edition: 303/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excellent In...

The Factory is an lithograph on paper realized in 1980 by  Giuseppe Megna. Hand-signed and dated on the lower right, artist's proof. Good conditions. The artwork represents the a ...

Titled in lower left corner ("Coast July No. 2") Numbered lower center ("9/23") Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63") Presented in a cream colored mat with foamcore backing. Mat size: 24"H x 28"W Paper size: 20"H x 26"W Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926. After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany. Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a vibrant green and blue palette and captures a scene of a field with lush fo...

Plate signed signature. Lithograph measure 26 x 28 inches. Good condition.

Artist: Peter Max (1937) Title: Lady With Floating Flowers Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 9 x 11 inches Condition: Excellent Insc...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 7.87 inches Inscription: Signed in the plate and unnumber...

This beautiful, original hand-colored orchid lithograph entitled "Laelia Anceps Williamsii" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Album...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, separating a pale, nearly grey foreground and a blue gradient sky. Along the horizon line...

Subject for this artwork comes from Miguel de Cervantes' book. The print comes from edition limited to 5. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture facul...

Seascape + Sails is an original artwork realized by Osvaldo Peruzzi in 1988 . Mixed colored lithograph. Hand-signed by the artist on the lower righ...

After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas. The original was destroyed by fire ...

Artist: Saul Steinberg, Romanian/American (1914 - 1999) Title: Chrysler Building (Day) from Derrier le Mirroir Year: circa 1965 Medium: Lithograph Size: 14 x 10.5 in. (35.56 x 26.67 ...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Homage to Thoreau. Medium: Screenprint on Arches, signed and numbered in pencil, Edition: 175, Image Size: 19.5 x 25 inches, Size: 27 ...

Max Epstein, Canadian (1932 - 2002) - Old MacDonald's Farm, Year: 1977, Medium: Screenprint, signed and numbered in pencil, Edition: 53, Image Size: 17 x 18 inches, Size: 19 in....

Antique Advertising Signs Image Size: 20 x 40 Frame Size: 25 x 45 Medium: Lithograph Date: 1907 "Rock Island RR Lines" Rocky Mountain Limited Vintage Sign Railroad

Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...

This artwork "l'Entree du Port, Netherland" c. 1930 is an original color aquatint on wove paper by French/Armenian artist Heran Chaban, 1887-1939. It is h...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...

Le Raton is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artis...

Interno della Basilica della Fortuna Prenestina Image dimensions: 40x53 cm. From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...

Irish Fair Lithograph, 1923 Signed and numbered in pencil by the artist (see photo) Titled "Irish Fair" by the artist in pencil Edition: 84 Housed in an archival frame with acid free matting (see photo) Provenance: Estate of the artist, Bellows Family Trust H.V. Allison & Company (label) Private Collection, Columbus References And Exhibitions: Reference: Mason 153 Note: An illustration commissioned by The Century Company for Don Byrne's novel The Wind Bloweth Image: 18 7/8 x 21 3/8" Frame: 29 1/2 x 30 1/2" “Eleven on a hot July morning, and the little town...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Ecuyere de haute ecole (High School Rider), originates from the 1952 album The Circus of Toulouse-Lautre...

Medium: Lithograph on vélin d'Arches paper Year: 1967 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dunoyer de Segonzac...

This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

View of Urban Japan is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19t...

Lithograph on vélin bouffant d'Alfa paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Dur Désir de Durer, illustré par Marc Chagall, ...

Medium: Serigraphy (Silkscreen Printing). These are the original high quality serigraphs produced in partnership with Disney first released at D23. Edition: Varying Edition Sizes ba...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, separating a pale, nearly grey foreground and a blue gradient sky. Along the horizon line...

Robert BONFILS Gondolas on the Grand Canal in Venice Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edito...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...

This abstract landscape limited edition print captures a forest in cool blue tones accented by warm yellow-greens and reds. It is an edition size of 100. Printed on canvas, this gicl...

Max Epstein, Canadian (1932 - 2002) - Old Stone Bridge, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Size: 30 x 44 in. (76.2 x 111.76 cm)

Max Epstein, Canadian (1932 - 2002) - Big Foot Country, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 50, Image Size: 13 x 20 inches, Size: 15 in. x 2...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

‘Bears in the Woods’ is a playful silkscreen print depicting a number bears going about their business in autumnal woods. This 6 colour silkscreen is printed on Somerset Velvet, a he...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.84 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Gregory worked mostly in lithography, probably learned at the Art Students League in New York City. However he often drew New England subjects, so this evening Provincetown scene is ...

André Masson, French (1896 -1987) - Pompeii I, Year: 1953, Medium: Lithograph and Chine Colle, signed and numbered in pencil, Edition: EA, Image Size: 12.5 x 9.25 inches, Size: ...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Côtes Normandes 1961. Published by Pierre de Tartas, ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Le reveil (The Awakening), from the album Miro 1959–1960 (Miro 1959–1960), origi...

This lithograph is signed and titled in pencil.

View of Avellino is a print realized by Tommaso Piroli in the mid-19th century. Etching Hand-watercolored on paper. Signed and titled on the plate. Good conditions with foxing

Artist: Peter Max (1937) Title: Sage, Sailboat, and Vase II Year: 2000 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.375 x 8.25 inches Condition: Ex...

screenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century. While employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the "serigraph," into the mainstream. By his own request, he was not publicly credited for coining the term. He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol. Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was "an ecclesiastical painter, on Byzantine style." Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash. Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was "plenty of fun," and that a lot of technology can be discovered through hard work, more so if it is worked on "little by little." Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, "the relatively uneducated person," in his words. Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater. Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country. When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the "excitement" and "meeting all the other artists with different points of view." He also said in a later interview that "the contact and the dialogue with all those artists and the work that took place was just invaluable." Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts. Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: "I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received..." As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in "propagandizing for art in the parks, in the subways, et cetera." Since the Federal Art Project could not be "self-promoting," an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government. Around 1937-1939 Velonis wrote a pamphlet titled "Technical Problems of the Artist: Technique of the Silkscreen Process," which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country. In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period. The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops...

This is a larger version of the 18 x 11 inch photograph of the same name. This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pin...

This abstract landscape limited edition print by Ken Elliott features a predominately cool palette, which is offset by the warm yellow trees in the foreground, which are reflected in...

Original David Klein, Germany Fly TWA Jets (Larger format). Professional acid-free archival linen backing; ready to frame. Very good to excellent condition. The image of this or...

John McNulty, Irish/American (1949 - ) - Jardins de Luxembourg, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x 28 in. (55.88 x 7...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona (Tarragona Tapestry), illustrations, Joan Miro, 1972, originate...

Frank Sinatra IV by David Studwell. Hand pulled screen print of music icon Frank Sinatra. 58x36cm Edition of 30 Signed by the artist

John Stobart "The Statue of Liberty in a Panorama of New York City in 1886" Color Lithograph approx 32 x 43 inches framed Signed in Pencil and Numbered 914/950 A marine painter of ...

Mary Faulconer, American (1912 - 2011) - Sag Harbor Antique Shop, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 12 x 15.5 ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

This abstract landscape limited edition print by Elwood Howell features a vibrant blue palette. Light green and violet accents contrast with the bright blue landscape, which creates ...