Miniature Landscape Prints

This exquisite lithograph after Andre Derain (1880–1954), titled Enlevement de Dionysos (The Abduction of Dionysus), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flame...

'L'Hostel de Chevreuse' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume IV 1969–1972, originates from the 1981 edition published by Mae...

This exquisite lithograph after Georges Braque (1882–1963), titled Torero (Bullfighter), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the ...

"A Night Dance by Women in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third voyag...

This exquisite etching by Marie Laurencin (1883–1956), titled Jeune femme et son fils (Young Woman and Her Son), from the album Antares, eaux-fortes originales de Marie Laurencin (An...

Asa Cheffetz Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929 Wood-engraving Pencil signed, numbered 27/100 and titled by the artist on the front 13 × 10 1/4 inches Unframed - affixed to matting De-accessioned from the collection of the Denver Art Museum Asa Chaffetz, "the engraver's engraver" This is the original numbered wood engraving from 1929; not a later re-print This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929 Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example) Asa Cheffetz Biography: Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Longny (The Road to Longny), from the album Vlaminck, originates from the 1958 edition published b...

Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Palme (The Palm), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 editio...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Paysage d'hiver (Winter Landscape), from the album Vlaminck, originates from the 1958 edition published by And...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La Potiniere a Rueil (The Potiniere at Rueil), from the album Vlaminck, originates from the 1958 edition publishe...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Runde Linie (Round Line), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition publi...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Echelle (The Ladder), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and...

Camille BELTRAND (1877-1951) Mythological Hunting, 1920 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edi...

René Quillivic Brittany : Boats at the Harbour, 1923 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Ovale et rectangle (Oval and Rectangle), originates from the historic 1964 folio Derriere le Miroir, No. 149. Publish...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Artist: Bertram George Buchanan (English, 1873-1962) Titles: "The Seven Sisters", "Rye from the Hills", and "Pett Level" *Each work is signed by Buchanan in pencil lower right Circa ...

Herbert LESPINASSE (1884-1972) Seascape : Castel and Sailboats, 1924 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25 cm (c. 12,7 x 9,5 in) Edited for the 'I...

Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...

Morris Cox (1903-1998) Poem 5 from 9 Poems from Nature, 1959 Linocut inked with watercolours Image: 19.0 x 27.0 cm Frame: 34.5 x 41.5 cm Provenance: Morris Cox Archive Morris C...

This is a hand-colored antique engraving depicting the natural history of the the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, the Scarce Mar...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

Kent Hagerman was an amazing draftsman who managed to get fantastic detail into his work while showing the environment and atmosphere. This print captures the moment a 'pod' is bein...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Paris, Delpech. Lithograph with engraving on cream wove paper, 11 7/8 x 8 inches (299 x 203 mm), unevenly trimmed but full margins, the full sheet. In good condition with two paper ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Reines-Marguerites (The Daisies), from the album Vlaminck, originates from the 1958 edition published by A...

Etching on cream laid paper with a deckle edge and with an unidentified watermark with an "AL" inside an ovoid cartouche with a garter and buckle (likely English 19th century), 9 1/2...

Etching on watermarked antique handmade FJ Head paper, 9 1/2 x 14 3/4 inches (240 x 373 mm); sheet 14 x 18 1/4 inches (355 x 463 mm), full margins. Signed and dated in pencil, lower margin. Edition of 97. A magnificent, silvery impression with extremely minor (almost invisible) mat tone. [Fletcher 177] [Illustrated: Page 160, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. The Boat Builders Yard in San Trovaso is a historic 17th-century gondola repair and building yard in Venice, Italy. It's one of the few remaining such workshops in Venice, where skilled artisans traditionally craft and maintain the iconic black gondolas used...

This exquisite lithograph by Yaacov Agam (born 1928), titled Composition polymorphe (Polymorphic Composition), from the album Homage to Agam, Solomon R. Guggenheim Museum Exhibition ...

Artist: Peter Max (1937) Title: Rock N' Roll Guitar II Year: 2003 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.12 x 2.43 inches Condition: Excellen...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Allainville sous la neige (Allainville in the Snow), from the album Vlaminck, originates from the 1958 edition...

'Coupang : Ile Timor. Vue d'un chantier de construction' Depicts Timorese people and Europeans building a rowboat under a tree, with other boats in the distance. The work is being overseen by a senior naval man, possibly intended to be Captain Freycinet. Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820. From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825. Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...

This exquisite lithograph by Pablo Palazuelo (1916–2007), titled Sans titre (Untitled), from the folio Derriere le miroir, Tendance, No. 50, originates from the 1952 edition publishe...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise recoit les Tables de la Loi (Moses Receives the Tablets of the Law), from Marc Chagall, Dessins Pour La Bible (Dra...

This exquisite woodcut after Wassily Kandinsky (1866–1944), titled Klange (Sounds), from the album XXe Siecle, Decembre 1966, originates from the 1966 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1966. Klange reflects Kandinsky’s revolutionary synthesis of sound, color, and emotion, merging visual rhythm and spiritual resonance in a poetic abstraction that embodies the birth of modern non-objective art. Executed as a woodcut on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Klange (Sounds), from the album XXe Siecle, Decembre 1966 Medium: Woodcut on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Decembre 1966, published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris; printed by Mourlot Freres, Paris, 1966 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Wassily Kandinsky (1866–1944) was a visionary Russian-born, later French, painter, printmaker, and pioneering theorist whose quest to translate music and spirituality into pure visual form helped birth abstract art and irrevocably transform the modern aesthetic. Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-based Der Blaue Reiter and later teaching at the prestigious Bauhaus school—fusing his deep interests in Russian icon painting, folk ornament, theosophy, color theory, and the experimental energy of early 20th-century artistic innovation. Influenced by predecessors such as Cezanne, Matisse, and the non-European masks and forms he encountered, Kandinsky worked alongside and in dialogue with contemporaries including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists united by a fearless rejection of conventional representation and a shared impulse toward radical visual invention. His compositions of floating geometric forms, vibrant chromatic symphonies, and lyrical abstractions not only charted new territory for the avant-garde in his own time but also inspired innumerable later artists—from the Abstract Expressionists like Jackson Pollock and Mark Rothko, to the Color Field painters, post-war neo-expressionists, and contemporary abstractionists who continue to echo his bold experimentations with color, line, and composition. Kandinsky’s works remain cornerstone acquisitions for major museums worldwide and prime offerings in the global collector market. His auction record stands with Murnau with Church II (1910), which sold for £37,196,800 (≈$44.9 million) at Sotheby’s, London, on March 1, 2023. Wassily Kandinsky Klange...

Paul BAUDIER (1881-1962) Harvest in the Fields : the Haystacks, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind sta...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

This exquisite lithograph after Marc Chagall (1887–1985), titled L’ange de Mozart (The Angel of Mozart), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling o...

Signed lower right, 'Charles Surendorf' for Charles Frederick Surendorf (American, 1906-1979), titled lower left, 'State Street, Columbia' and created circa 1960. (Framed Size: 18 x ...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled Les Challonges (The Challonges), from the album Vlaminck, originates from the 1958 edition published by Andre Sau...

An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

These exquisite lithographs and pochoirs after Joan Miro (1893–1983), titled Untitled, from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bird, The Mo...

Originally from Illinois, Ann Michalov worked in Spokane, Seattle and Portland, where she finally settled. This lithograph however really looks very like ...

This is an original John James Audubon hand-colored lithograph entitled "Long Haired Squirrel, No. 6, Plate XXVII", from John James Audubon's Quadrupeds of North America, published i...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck, originates from the 1958 edition publ...

This lithograph is part of my private collection from the 20th Century School of Paris. It is original, pencil signed and numbered by the artist. Guilde de la Gravure. It is in very...

This exquisite etching after Joan Miro (1893–1983), titled Astres et Danseurs (Stars and Dancers), from the folio Derriere le miroir, 10 Ans d'Edition 1946–1956, No. 92–93, originate...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers at a teahouse in Otsu, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige...

Theo SCHMIED (1900-1985) Paris : Art Inspiration on the City, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp...

"Art softens even the most ferocious." Paris: Cadart & Luquet, 1865. Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 12 1/2 x 9 1/2 inc...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

"War Canoe of New Zealand, with a View of the Gable End Foreland" is an engraving created by Thomas Prattent, from a drawing by Sydney Parkinson, who was the artist on Captain James ...

Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Signed, titled and number...