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Size: Miniature
Francois Auguste Rene Rodin, Untitled, from Twelve Watercolors, 1920 (after)
Located in Southampton, NY
This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...
Category

1920s Modern Figurative Prints

Materials

Lithograph, Stencil

Barn Owl Beautiful Quality British Wildlife Artist Limited Edition Signed Print
Located in Cirencester, Gloucestershire
"The Barn Owl" limited edition color print, unframed very thick fine quality paper/ card. Adrian Rigby (British, b. 1962) signed in pencil to the lower corner numbered out of 250 pu...
Category

21st Century and Contemporary English School Animal Prints

Materials

Color

Takanawa no Kihan - Woodblock print by Utagawa Hiroshige - 1843-1847
Located in Roma, IT
Takanawa no kihan is a modern artwork realized between 1843 and 1847 after Utagawa Hiroshige. Ukiyo-e color woodblock print from the Touto hakkei (The Eight Famous Views of the Capital of the East) series. Mounted under passepartout. The artwork depicts the port of Takanawa, a suburb of Minato in southern Tokyo, and is one of the very rare sheets by Utagawa Ando Hiroshige...
Category

Mid-19th Century Modern Figurative Prints

Materials

Woodcut

Vintage American Midwestern Homestead Etching
Located in Buffalo, NY
Vintage American realist etching on paper by Chicago artist James Swann (1905 - 1985). It is hand signed in pencil by the artist. Framed. Measuring: 8 by 10 inches overall and 4 by 6...
Category

20th Century American Realist Landscape Prints

Materials

Etching

MADRE INFELIZ (Unhappy Mother)
Located in Santa Monica, CA
FRANCISCO GOYA (1746 - 1828) MADRE INFELIZ (Unhappy Mother) circa 1811-13. (Delteil 169; Harris 170) Aquatint with etching, Plate 50 From Los Disastres de la Guerra. (Disasters of ...
Category

1810s Old Masters Landscape Prints

Materials

Etching, Aquatint

Marc Chagall, Untitled, from The Lithographs of Chagall, 1969
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Sans titre (Untitled), from the album The Lithographs of Chagall, Volume III, originates from the 1969 edition published...
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Marfa Moonrise
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper, edition 4 of 30. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, t...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Archival Pigment

Calder, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres I...
Category

1960s Modern Abstract Prints

Materials

Lithograph

STORM LINED - Large Format Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) STORM LINED c.1936 Color block print, signed and titled in pencil 13 ¼ x 10 1/8, full sheet 14 3/8 x 11 ¼” with deckle edge on her typical fibrous Ja...
Category

1930s Abstract Impressionist Landscape Prints

Materials

Color, Woodcut

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper
Located in Soquel, CA
"Sometimes is forever" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Sometimes is forever" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with various biomorphic objects floating in the sky. Some of them resemble coral, growing vertically. Others look like microscopic organisms, with stringy tails. Titled, numbered, signed, and dated along the bottom edge: Sometimes is forever 16/50 J CRABB...
Category

1970s Surrealist Abstract Prints

Materials

Laid Paper, Lithograph

Christmas Pine Cones, festive printed image has the feel of a watercolor wash.
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category

1990s American Modern Landscape Prints

Materials

Mezzotint

Henri de Toulouse-Lautrec, Tightrope Dancer, from The Circus, 1952 (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Danseuse de corde (Tightrope Dancer), originates from the 1952 album The Circus of Toulouse-Lautrec. Pub...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Andre Derain, In the Garden of Allah, from Verve, Revue Artistique, 1938
Located in Southampton, NY
This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...
Category

1930s Fauvist Abstract Prints

Materials

Lithograph

NATURE - Intertwined Lizards - Facsimile, Ltd /450
Located in Paris, IDF
M.C. ESCHER (1898-1972) Intertwined Lizards, 2008 Facsimile after the original woodcut from 1938 Unsigned Numbered / 450 copies (the number you can see can be different) On vellum 4...
Category

20th Century Modern Landscape Prints

Materials

Color

Heart on Blends, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Heart on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent Inscri...
Category

Early 2000s Pop Art Figurative Prints

Materials

Lithograph

Wou-Ki 赵无极, Composition, Ediciones Polígrafa, Redfern Gallery (after)
Located in Southampton, NY
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Gustave Baumann Color Woodblock - Three Pines
Located in Phoenix, AZ
“Three Pines” by well-known woodblock artist Gustave Baumann (1881-1971). The medium is color woodblock. It's a beautiful print in excellent condition. Baumann's personal Hand and He...
Category

Mid-20th Century Landscape Prints

Materials

Paper, Color, Woodcut

Grenade (Cramer 51; Kornfeld 121), Paroles peintes I, Marc Chagall
Located in Southampton, NY
Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...
Category

1960s Modern Landscape Prints

Materials

Etching

Untitled
Located in Dallas, TX
Allison Gildersleeve, born in Connecticut in 1970, earned her B.A. from the College of William and Mary and her M.F.A. from Bard College. Gildersleeve lives and works in Brooklyn, Ne...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Photogravure

West Texas Morning
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper, edition 16 of 30. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Archival Pigment

Andrew Wyeth, Teel’s Island, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled Teel’s Island, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Sophie Taeuber-Arp, Vertical-Horizontal Composition…., XXe Siecle, 1956 (after)
By Sophie Taeuber-Arp
Located in Southampton, NY
This exquisite lithograph and pochoir after Sophie Taeuber-Arp (1889–1943), titled Composition verticale-horizontale sur fond blanc (Vertical-Horizontal Composition on White Ground),...
Category

1950s Abstract Geometric Abstract Prints

Materials

Lithograph

Pablo Picasso, The Cape Game, from To the Bulls with Picasso, 1961
Located in Southampton, NY
This exquisite lithograph by Pablo Picasso (1881–1973), titled Jeu de la cape (The Cape Game), from the album A Los Toros Avec Picasso (To the Bulls with Picasso), originates from th...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Stefanie Schneider Polaroid sized unlimited Mini Planes - signed
Located in Morongo Valley, CA
Stefanie Schneider Polaroid sized unlimited Mini 'Planes' - 2001 - signed in front, not mounted. 1 Digital Color Photograph based on the Polaroid. Polaroid sized open Editions 19...
Category

Early 2000s Contemporary Landscape Prints

Materials

Archival Paper, C Print, Color, Lambda, Polaroid

Tip Toe Floating on Blends II, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Tip Toe Floating on Blends II Year: 2005 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 17 x 13 inches Condition: Excel...
Category

Early 2000s Pop Art Figurative Prints

Materials

Lithograph

Giuseppe Capogrossi, Untitled I, from XXe Siecle 1958
Located in Southampton, NY
This exquisite lithograph by Giuseppe Capogrossi (1900–1972), titled Sin titulo I (Untitled I), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, orig...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Landscape - Etching on Paper by Hippolyte Camille Delpy - 1904
Located in Roma, IT
Landscape is an original etching on creamy paper realized in 1904 by French artist Hippolyte Camille Delpy (1842 - 1910). Signed on the plate on the lower right. The state of prese...
Category

Early 20th Century Naturalistic Figurative Prints

Materials

Etching

Gauguin, The Long Night (Te Po), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Figurative Prints

Materials

Woodcut

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Figurative Prints

Materials

Drypoint, Etching

Cathedral de Saint Julien le Mans
Located in Middletown, NY
Etching on antique cream laid paper with a deckle edge, 9 1/8 x 9 3/4 inches (232 x 248 mm); sheet 12 1/8 x 12 3/4 inches (307 x 323 mm), full margins. Signed and dated in pencil in ...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

A view of the New York Public Library, looking uptown along 5th Avenue.
Located in Middletown, NY
New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x 12 inches (220 x 304 mm), full margins. Signed and titled in pencil in the lower ma...
Category

1920s American Modern Landscape Prints

Materials

Archival Paper, Etching, Aquatint

Ellsworth Kelly, Red Form, from Derriere le Miroir, 1958
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Formulaire rouge (Red Form), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeght...
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Figurative Prints

Materials

Drypoint, Etching

Moonscape
Located in New York, NY
Created after Roy Lichtenstein's iconic Moonscape Banner (1966), this folded screenprint on wove cardstock was published by Multiples, Inc. (New York) in 1969, and would later be use...
Category

20th Century Pop Art More Prints

Materials

Screen

Marc Chagall, Daphnis and Chloe, The Ceiling of the Paris Opera, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Daphnis et Chloe (Daphnis and Chloe), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), originates from the 1965 edition published by Andre Sauret, Editeur, Monte Carlo, rendered by Charles Sorlier, Paris, and printed by Mourlot Freres, Paris, October 6, 1965. This radiant and lyrical composition celebrates Maurice Ravel’s ballet Daphnis et Chloe, one of the musical masterpieces represented in Chagall’s monumental ceiling design for the Palais Garnier. Daphnis et Chloe captures the pastoral romance of Ravel’s ballet through a symphony of color and form, as lovers, nymphs, and mythic symbols float amidst a celestial landscape. Chagall translates the musical sensuality and poetic grace of Ravel’s score into a visual harmony that radiates joy, movement, and tenderness. The composition exemplifies Chagall’s genius for merging sound and image, myth and modernity, into a timeless meditation on love and creation. Executed as a lithograph on velin paper, this work measures 13 x 9.5 inches (33.02 x 24.13 cm). Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot Freres atelier and the enduring collaboration between Marc Chagall and Charles Sorlier. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Daphnis et Chloe (Daphnis and Chloe), from Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall) Medium: Lithograph on velin paper Dimensions: 13 x 9.5 inches (33.02 x 24.13 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Andre Sauret, Editeur, Monte Carlo Rendered by: Charles Sorlier, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe III, 1962–1968. Andre Sauret, Editeur, 1969, illustration 434. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 61. Condition: Well preserved, consistent with age and medium Provenance: From the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published by Andre Sauret, Editeur, Monte Carlo, October 6, 1965, in an edition of V̅ Notes: Excerpted from the album, This work could not have been made without the valuable collaboration of Madame Marc Chagall to whom we extend our warmest thanks. This work, made by Andre Sauret, was completed to print on October 6, 1965 on the presses of l’imprimerie du Lion in Paris. Jacques Lassaigne’s texts were composed by hand in Romain du Roi in the workshops of l’imprimerie nationale. The VI color lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s original models. The original lithography and color lithographs were drawn on the presses of Mourlot Freres. The binding is by Maurice Busenhart in Lausanne. About the Publication: Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published in October 1965 by Andre Sauret, Editeur, Monte Carlo, commemorates one of the most ambitious and celebrated artistic commissions of the 20th century. Created under the direction of Charles Sorlier, the album documents Chagall’s magnificent ceiling design for the Palais Garnier in Paris, unveiled in 1964. The publication includes color lithographs based on the artist’s preparatory studies and painted maquettes, executed with exceptional fidelity by Mourlot Freres. Chagall’s ceiling—divided into segments representing musical masters such as Mozart, Wagner, Berlioz, Ravel, and Debussy—blends myth, music, and emotion into a vibrant celestial composition. The album captures this visionary synthesis through luminous lithography, allowing viewers to experience the grandeur and intimacy of the artist’s monumental work. Produced with the collaboration of Madame Marc Chagall, Charles Sorlier, and Fernand Mourlot, and printed with the precision and artistry for which Andre Sauret’s editions were renowned, this publication stands as both a tribute to Chagall’s genius and a celebration of French art’s enduring dialogue between tradition, innovation, and the divine. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Daphnis...
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Chion-in Temple Gate from Eight Scenes of Cherry Blossoms — Jizuri Seal
By Hiroshi Yoshida
Located in Myrtle Beach, SC
Hiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist. Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted. Provenance: M. Nakazawa, Tokyo. Literature: Japanese Landscapes of the 20th Century (Hotei Publishing calendar), 2001, May. Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston. ABOUT THE IMAGE Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a broad set of stairs leads to the main temple grounds. ABOUT THE ARTIST Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement. Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development. In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...
Category

1930s Showa Figurative Prints

Materials

Woodcut

Great North Diver Bird: Original 19th C. 1st Ed. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible first edition John James Audubon hand-colored royal octavo lithograph entitled "Great North Diver or Loon", No. 96, Plate 476, from...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801) Title: "Loseley House, The Seat of James More Molyneux Esq." Portfolio: The History and Antiquities of the County of Surrey Year: 1804-1814 ...
Category

Early 1800s Victorian Landscape Prints

Materials

Engraving

Still Life and Landscape - Lithograph by Mariangelo Zappitelli - 1960s
Located in Roma, IT
Lithograph realized by Mariangelo Zappitelli in 1960s. Artist's proof. Hand signed. Very good condition.
Category

1960s Contemporary Still-life Prints

Materials

Lithograph

Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category

Late 19th Century Naturalistic Animal Prints

Materials

Lithograph

Henri Matisse, Nude with Oranges, from Verve, Revue Artistique, 1958 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Le Nu aux Oranges (Nude with Oranges), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates fr...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Figurative Prints

Materials

Drypoint, Etching

"Christian Church of St. George": A Framed 19th C. Lithograph by David Roberts
Located in Alamo, CA
This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by Davi...
Category

Mid-19th Century Naturalistic Landscape Prints

Materials

Lithograph

PINK HOUSE Signed Mini Lithograph, French Country-Style Home, Artist Paintbrush
Located in Union City, NJ
PINK HOUSE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...
Category

1990s Surrealist Landscape Prints

Materials

Lithograph

Marc Chagall, The Inn House, from Nicolas Gogol, Dead Souls, 1923-1927
Located in Southampton, NY
This exquisite etching by Marc Chagall (1887–1985), titled La maison du traktir (The Inn House), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes orig...
Category

1920s Expressionist Figurative Prints

Materials

Etching

Set of Three Engravings from Nash s "History of Worcestershire" /// Landscapes
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

1780s Old Masters Landscape Prints

Materials

Engraving, Laid Paper

UK exhibition poster of Grimms Fairy Tales (Hand signed by David Hockney)
Located in New York, NY
David Hockney Grimms' Fairy Tales (Hand Signed), 1996 Offset Lithograph Poster Boldly signed in ink marker on the top front 16 1/2 × 11 1/2 inches Unframed This signed offset lithogr...
Category

1990s Pop Art Landscape Prints

Materials

Lithograph, Offset

Giacometti, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 148, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Set of 4 Ancient Greek Monuments Pantheon Athens Antique French Engravings Set
Located in Cirencester, Gloucestershire
Set of 4 Antique French Black & White Engravings Ancient Greek views and monument landmarks including the Pantheon, Athens. each paper : 9 x 12 inches...
Category

19th Century Renaissance Landscape Prints

Materials

Engraving

Andre Brasilier, The Black Frame, from Prints from the Mourlot Press, 1964
Located in Southampton, NY
This exquisite lithograph by Andre Brasilier (born 1929), titled Le Cadre noir (The Black Frame), from the album Prints from the Mourlot Press, exhibition sponsored by the French Emb...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Notre Dame de Paris
Located in Middletown, NY
A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...
Category

1920s American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Marc Chagall, The Bay of Angels, from The Lithographs of Chagall, 1960
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled La Baie des Anges (The Bay of Angels), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edi...
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Gene Autry. by Frank Romero
Located in Palm Springs, CA
Portrait of Gene Autry, by Frank Romero This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the f...
Category

1990s Contemporary Figurative Prints

Materials

Screen

Plowing It Under — WPA Era American Regionalism
Located in Myrtle Beach, SC
Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...
Category

1930s American Realist Figurative Prints

Materials

Lithograph

Large Classical Bird Color Print after John James Audubon - Painted Finch
Located in Cirencester, Gloucestershire
Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...
Category

20th Century Victorian Animal Prints

Materials

Color

Year 2250 II, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Year 2250 II Year: 2003 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 15.43 x 13.5 inches Condition: Excellent Inscription:...
Category

Early 2000s Pop Art Figurative Prints

Materials

Lithograph

Fête du Jubilé de la Reine à Bedford Park, Londres
Located in New York, NY
A superb, dark and evenly-printed impression of this very scarce lithograph by Camille Pissarro and George W. Thornley. Printed in light brown on Chine appliqué. The deluxe edition o...
Category

1890s Impressionist Abstract Prints

Materials

Lithograph

Kero-ochi Tree Saroma Lake, Hokkaido Japan, limited edition photograph
Located in Sante Fe, NM
"Kero-ochi Tree Saroma Lake, Hokkaido Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x1...
Category

2010s Minimalist Landscape Photography

Materials

Silver Gelatin

Wandelaars II, Contemporary Mezzotint by Anne Dykmans
Located in Long Island City, NY
Anne Dykmans, Belgian (1952 - ) - Wandelaars II, Year: 2002, Medium: Mezzotint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 2.5 x 3.5 inches, Frame Siz...
Category

Early 2000s Contemporary Landscape Prints

Materials

Mezzotint

Ten of views of Manhattan (10).
Located in Middletown, NY
The Society of Iconophiles (New York, 1894–1936), 1898. Each a lithograph printed on grayish-green, or white wove paper each sheet 10 3/4 x 7 1/2 inches (274 x 190 mm), each with ful...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Lithograph