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Miniature Landscape Prints

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Size: Miniature
No Thru Traffic, by Art Werger
Located in Palm Springs, CA
In No Thru Traffic, master printmaker Art Werger offers a striking aerial view of an archetypal suburban neighborhood, rendered with his characteristic precision and subtle wit. Curv...
Category

1990s Contemporary Landscape Prints

Materials

Etching, Aquatint

View of Mitsuke , After Utagawa Hiroshige, Ukiyo-E Woodblock, Tokaido, Edo
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of Mitsuke in Niigata Prefecture, Japan, circa 1850. A figure on horseback...
Category

Mid-20th Century Landscape Prints

Materials

Sumi Ink, Washi Paper

David Hockney, Letter V, from Hockney s Alphabet, 1991
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter V, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Category

1990s Contemporary Figurative Prints

Materials

Lithograph

Marc Chagall, The Bride, from Derriere le miroir, 1951 (after)
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled La Mariee (The Bride), from the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38, originates from the 1951 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1951. The composition captures Chagall’s poetic vision of love and mysticism, blending dreamlike imagery and radiant color into a lyrical meditation on devotion and imagination. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: La Mariee (The Bride), from the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1951 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1951 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall's art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby's New York for Les Amoureux (1928). Marc Chagall La...
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Leonor Fini, Untitled, from Parallelement, 1969
Located in Southampton, NY
This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Make Fast, Plate 2.
Located in Plano, TX
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category

1920s Modern Landscape Prints

Materials

Drypoint, Etching

Three leaves (taro) - Landscape Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Minimal image in black ink on buff rice paper. Taro leaves are a simple form inspiring this woodcut print. Three leaves (taro) - Landscape Print - Woodcut Print By Marc Zimmerman T...
Category

2010s American Modern Landscape Prints

Materials

Woodcut

Mona Lisa II, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Mona Lisa II Year: 2003 Edition: 500/500, plus proofs Medium: Lithograph on Arches paper Size: 16 x 11 inches Condition: Excellent Inscription: Signed...
Category

Early 2000s Pop Art Figurative Prints

Materials

Lithograph

Vachère au Bord de l Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

1890s Impressionist Figurative Prints

Materials

Drypoint, Etching

Adolf Dehn, Lake Tarryall, 1941 mid-century lithograph of Colorado mountain lake
Located in New York, NY
Lake Tarryall, a 1941 lithograph by Adolf Dehn (1895-1968) was made while he was teaching in Colorado. A native of Waterville, Minnesota, Dehn attended the Minneapolis School of Art ...
Category

1940s American Modern Landscape Prints

Materials

Lithograph

MANHATTAN
Located in Santa Monica, CA
ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category

1940s American Realist Landscape Prints

Materials

Etching

Decheance de al Buveuse d Eau(Downfall of a Lady Teetotaler)
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

1930s Post-Impressionist Landscape Prints

Materials

Lithograph

Francois Auguste Rene Rodin, Untitled, from The Varende, 1944 (after)
Located in Southampton, NY
This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...
Category

1940s Modern Figurative Prints

Materials

Lithograph, Stencil

La Cava (The Cave) - Etching by Francesco Mochetti - 1843
Located in Roma, IT
Image dimensions: 14.7 x 19.8 cm. La Cava is an original black and white etching on paper, printed in 1843 as a plate of the print suite "90 Views of the citi...
Category

1840s Modern Figurative Prints

Materials

Etching

Alexander Calder lithograph 1960s (Calder derriere le miroir)
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preserved. Unsigned from an edition of u...
Category

1960s Contemporary Abstract Prints

Materials

Lithograph

Wolf Kahn - Hillside in Early Summer, print for the UN, Pencil Signed/N, Framed
Located in New York, NY
Wolf Kahn - Hillside in Early Summer, print for the United Nations (WFUNA) Limited edition print commissioned by the World Federation of United Nations Associations (WFUNA) Archival ...
Category

1990s Contemporary Landscape Prints

Materials

Archival Pigment

It Seemed To Me, by Stan Washburn
Located in Palm Springs, CA
Signed, titled and numbered etching from the edition of 90. An idyllic setting for Adam and Eve before "the expulsion". In individual prints, and his illustrated books, Washburn clev...
Category

1970s Contemporary Landscape Prints

Materials

Etching

Ellsworth Kelly, Blue and Black, from Derriere le Miroir, 1958
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Bleu et noir (Blue and Black), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeg...
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Flower Jumper Over Sunrise II, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Flower Jumper Over Sunrise II Year: 2001 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excell...
Category

Early 2000s Pop Art Figurative Prints

Materials

Lithograph

Wassily Kandinsky, Two Riders Against Red, from XXe siecle, 1938
Located in Southampton, NY
This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Zwei Reiter vor Rot (Two Riders Against Red), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Dire...
Category

1930s Modern Abstract Prints

Materials

Woodcut

Paris Café with Eiffel Tower France Limited Edition Print by British Artist
Located in Preston, GB
Paris Café with Eiffel Tower France Limited Edition Print of Figurative Cityscape Painting by Leading British Urban Landscape Artist, Angela Wakefield. Print measures 16 x 9.5 inch...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Printer s Ink, Archival Paper, Giclée, Color, Digital

Tipping Point II, Wetlands Black and White Monotype Framed Print, 2024
Located in SEATTLE, WA
This atmospheric landscape framed monotype print by Kris Ekstrand, depicts marshland, mountains and sky in the Pacific Northwest. Preserved in a custom frame with archival matte, sig...
Category

2010s Landscape Prints

Materials

Monotype

The Spire -- New York
Located in Plano, TX
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn s Park Slope)
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...
Category

1990s Contemporary Landscape Prints

Materials

Mezzotint, Aquatint

Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category

Early 20th Century American Modern Landscape Prints

Materials

Archival Paper, Drypoint, Etching

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815
Located in Melbourne, Victoria
Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...
Category

Early 19th Century Naturalistic Landscape Prints

Materials

Engraving

SLOW TRAIN THROUGH ARKANSAS
Located in Portland, ME
Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...
Category

1940s Landscape Prints

Materials

Lithograph

Mid-Century Modern Abstract Monotype Print
Located in Buffalo, NY
An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whos...
Category

1960s Abstract Geometric Abstract Prints

Materials

Monoprint, Monotype

Conductor of the serene rhythm of landscape - 21st Century, Contemporary Etching
Located in Warsaw, PL
JERZY DMITRUK (born in 1960) He studied at the Academy of Fine Arts at the Faculty of Paintings and Graphics. Dmitruk graduated in 1986 from the atelier of professor Juliusz Joniak a...
Category

21st Century and Contemporary Other Art Style Landscape Prints

Materials

Paper, Etching

Rene Magritte, The Indiscreet Jewels, from XXe Siecle, 1963
Located in Southampton, NY
This exquisite lithograph by Rene Magritte (1898–1967), titled Les Bijoux indiscrets (The Indiscreet Jewels), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, o...
Category

1960s Surrealist Figurative Prints

Materials

Lithograph

Four trees. Paper, wood carving , 29x29 cm
Located in Riga, LV
Four trees. Paper, wood carving, 29x29 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...
Category

1970s Abstract Landscape Prints

Materials

Paper, Woodcut

Wassily Kandinsky, Composition White on Black, Derriere le miroir, 1957 (after)
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Komposition Weiss auf Schwarz (Composition White on Black), from the folio Derriere le miroir, No. 101–103, orig...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Le Banquet (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Southampton, NY
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

1930s Cubist Abstract Prints

Materials

Etching

"Le Lac" etching
Located in Henderson, NV
Medium: etching. Etched by Felix Bracquemond after Corot. This impression on chine-collé paper was printed in Paris by Taneur and published as plate 27 for the Les chefs-d’œuvre port...
Category

1860s Landscape Prints

Materials

Etching

Taos Artist Gene Kloss Original Etching. Indian Summer
Located in Phoenix, AZ
Original Etching by famous Taos Artist Gene Kloss (1903-1996). Full Margins. Edition of 75. Titled: Indian Summer. Image measures: 7 3/4" H x 11 1/8" W. Unframed. Archivally matted. ...
Category

Mid-20th Century Landscape Prints

Materials

Paper, Etching

Financial District , New York City — American Modernism
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category

1930s American Modern Figurative Prints

Materials

Lithograph

Venus Lamenting over the Death of Adonis
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...
Category

Mid-17th Century Old Masters Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Hill — American Modernism, California
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category

1930s American Modern Landscape Prints

Materials

Woodcut

Marc Chagall, Flower Quay, from Derriere le miroir, 1954
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Quai de fleurs (Flower Quay), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published b...
Category

1950s Expressionist Landscape Prints

Materials

Lithograph

Marc Chagall, The Horsewoman with the Red Horse, from XXe Siecle, 1957
Located in Southampton, NY
This exquisite lithograph and pochoir by Marc Chagall (1887–1985), titled L'ecuyere au cheval rouge (The Horsewoman with the Red Horse), from the album XXe Siecle, Nouvelle serie No....
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Alberto Magnelli, Untitled, from XXe Siecle, 1952
Located in Southampton, NY
This exquisite lithograph by Alberto Magnelli (1888–1971), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie No. 3 (double), Juin 1952, originates from the 1952...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
Category

1760s Naturalistic Animal Prints

Materials

Engraving

THE VISITOR Signed Lithograph, Mini Surreal Landscape Seashell, Mountains, Water
Located in Union City, NJ
THE VISITOR is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Ar...
Category

1990s Surrealist Landscape Prints

Materials

Lithograph

Wind Blown Poplars
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963) WIND BLOWN POPLARS c. 1915-20 Color woodcut, Signed and titled in pencil. 9 x 12”. On thin paper....
Category

1910s American Impressionist Landscape Prints

Materials

Woodcut

The Better World, Peter Max, hand signed limited edition WFUNA lithograph
Located in Brooklyn, NY
This colorful work by Peter Max was created in 1988. The vintage WFUNA lithograph "The Better World" has an Authentication certificate attached on the verso #443/750 There is no ch...
Category

2010s Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Lithograph

A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
Category

1780s Landscape Prints

Materials

Engraving

Georges Braque, The Horse and the Rider, from Carnets intimes, 1955 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Le Cheval et le Cavalier (The Horse and the Rider), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, N...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Georges Braque, The Tree, from Le Solitaire, XXe siecle, 1959 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled L’arbre (The Tree), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 195...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, Composition, L édition de tête (after)
Located in Southampton, NY
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Georges Braque, Derniers messages,...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Wassily Kandinsky, Untitled, from Derriere le miroir, 1969 (after)
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Formulaire rouge (Red Form), from the folio Derriere le miroir, No. 179, originates from the 1969 edition publis...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Marino Marini, Untitled, from XXe Siecle, 1955
Located in Southampton, NY
This exquisite lithograph by Marino Marini (1901–1980), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 5 (double), Juin 1955, originates from the 1955 e...
Category

1950s Modern Figurative Prints

Materials

Lithograph

The Windmill by François Vivares, after Rembrandt
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category

Mid-18th Century Old Masters Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Old Cedars – Early New Mexico Landscape, Southwest Regionalism
Located in Myrtle Beach, SC
George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...
Category

1920s Realist Landscape Prints

Materials

Etching

Tranquil Harbor (Gloucester, Massachusetts) — 1950s Cape Ann Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...
Category

1950s American Modern Landscape Prints

Materials

Woodcut

Leonor Fini, Untitled, from The Story of O, 1962
Located in Southampton, NY
This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Serge Poliakoff, Untitled, from XXe Siecle, 1956
Located in Southampton, NY
This exquisite lithograph by Serge Poliakoff (1900–1969), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates from the 1956...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Cortland Street
Located in Middletown, NY
Etching with drypoint on antique handmade laid Japon paper, 12 7/8 x 7 1/2 (327 x 191 mm); sheet 15 5/16 x 10 7/16 (389 x 265 mm), full margins. Signed in pencil in the lower margin....
Category

Early 20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

Original la Baule, le Midi de la Bretagne vintage French travel poster
Located in Spokane, WA
Original La Baule le Midi de le Bretagne, small format vintage French travel poster. Plage de Sable Fin: 20 Clubs de Culture Physique. Tennis: 50 courts ; casino, golf sur le Pouliguen. Printed in Paris. Professional, acid-free, archival, linen-backed, mint condition, ready to frame. Jean-Denis Malclès - with accent marks. Paris Boasting France’s longest beach, running no less than eight kilometers, La Baule is an ever-popular destination for seaside amusements. Here, there are 20 health clubs, 50 tennis courts, a casino, and golf courses, which are promoted below, while a fantasy world of costumed dandies, curvaceous sunbathers, equestriennes, theatrical performers, and the general haute monde wander the perfectly preened paths along the shore. This La Baule - de la Bretagne is an Original Vintage Poster, not a reproduction. This poster is conservation-mounted, linen-backed, and in excellent condition. The artist is also known for his famous French Beauty and the Beast poster...
Category

1950s American Impressionist Landscape Prints

Materials

Offset

Limited Edition Print of Trafalgar Square, Big Ben in Westminster City of London
Located in Preston, GB
Limited Edition Print of Westminster from Trafalgar Square with Big Ben, London, by leading British urban landscape artist, Angela Wakefield. Print measures 12.5 x 10.5 inches Pape...
Category

2010s Realist Landscape Prints

Materials

Paper, Color, Digital, Giclée

Marc Chagall, The Creation, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Creation (The Creation), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This visionary composition depicts the divine act of creation, evoking the genesis of light, life, and spirit through Chagall’s radiant imagination and poetic symbolism. The flowing forms and luminous harmonies reflect the unity between the divine and the natural world—a theme central to Chagall’s lifelong spiritual vision. Infused with movement and transcendence, the work transforms the biblical narrative into a lyrical meditation on the origin of existence and the creative essence of faith. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Creation (The Creation), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Creation...
Category

1950s Expressionist Figurative Prints

Materials

Lithograph