1980s Landscape Prints

April Gornik Remember the Sabbath Day (The Fourth Commandment), 1987 2 Color Lithograph on Dieu Donne handmade paper with deckled edges 24 × 18 inches Signed and numbered AP 12/15, a...

Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., New York,with their blindstamp, 53 x 54.1 cm. (20 x 21 1/4 in.) Catalogue Raisonne: Corlett 170; Tyler, 1987, cat no. 354:RL22 ‘Night Scene’ is one of six intaglio prints Roy Lichtenstein...

Lithograph realized by Renzo Meschis in 1989. Edition of 150 prints, in Roman numbers. Hand signed and numbered. 

Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...

Dan GANDRE (1936-) FRENCH CASTLE : Azay Le Rideau, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. 2...

Artist: Jiang Tie-Feng (1938) Title: Beauty & Flowers Year: 1994 Medium: Silkscreen on Vellum Rag paper Edition: 269/300, plus proofs Size: 43 x 31.25 inches Condition: Good Inscript...

Dan GANDRE (1936-) FRENCH CASTLE : Chambord Castle, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Athene und Telemachos (Athena and Telemachus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German...

This exquisite lithograph after Marc Chagall (1887–1985), titled Opfer für Athene (Sacrifice for Athena), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-langu...

This exquisite lithograph after Marc Chagall (1887–1985), titled Ulysses und Eumaios (Ulysses and Eumaeus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-lan...

This exquisite lithograph after Marc Chagall (1887–1985), titled Poseidon, from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco-Verlag Gunter Blase, Stuttgart, and printed by Lichtdruck AG, Zurich, Dielsdorf, September 1989. This authorized edition, issued under the direction of Vava Chagall, presents one of Chagall’s most powerful and elemental interpretations of Homer’s epic. In Poseidon, Chagall evokes the god of the sea with majestic energy and symbolic grandeur, capturing the divine turbulence and cosmic motion of the ocean through bold color and sweeping composition that reflect his mastery of myth and emotion. Executed on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper, this lithograph measures 14.88 x 11.69 inches. Unsigned and unnumbered, as issued. The edition exemplifies the exceptional quality and precision of Lichtdruck AG’s craftsmanship, reproducing the depth and richness of Chagall’s original lithographs with remarkable fidelity. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Poseidon, from Homer, Die Odyssee (The Odyssey), 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Dimensions: 14.88 x 11.69 inches Inscription: Unsigned and unnumbered, as issued Date: 1989 Publisher: Daco-Verlag Gunter Blase, Stuttgart Printer: Lichtdruck AG, Zurich, Dielsdorf Condition: Well preserved, consistent with age and medium Provenance: From the folio Homer, Die Odyssee (The Odyssey), Daco-Verlag Gunter Blase, Stuttgart, 1989 Notes: Excerpted from the folio (translated from German), Imprint—The French edition, L'Odyssée, with the original lithographs by Marc Chagall was published in 1974/75 in a CCL-example edition by Fernand Mourlot, Paris. In 1989, with the authorization of Mrs. Vava Chagall, the German-language edition of the Odyssey in two volumes was published by Daco-Verlag Gunter Blase, Stuttgart. Volume I contains the songs I - XII with XX color plates, including IV on double pages and XIX gray printed reproductions in the text. Volume II contains the songs XIII - XXIV with XXIII color plates, including II on double pages and XX gray printed reproductions in the text. For the German text, the prose translation by Wolfgang Schadewaldt was chosen with the permission of Rowohlt Taschenbuch Verlag, Reinbek near Hamburg. Set design in the Berthold Garamond Antiqua by F+M Bauer...

Artist: Ted Wilbur Title: Bi-Plane Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: AP 3/30 (Artist Proof) Image Size : 22 x 26 inches Ted Wilbur is a naval a...

Artist: Thomas McKnight (American, 1941-) Title: "Westhampton" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Bett des Odysseus (The Bed of Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco-Verlag Gunter Blase, Stuttgart, and printed by Lichtdruck AG, Zurich, Dielsdorf, September 1989. This authorized edition, issued under the direction of Vava Chagall, presents one of Chagall’s most lyrical and expressive interpretations of Homer’s epic. In Das Bett des Odysseus, Chagall transforms the mythic return of Odysseus into a vision of reunion and devotion, rendered with the artist’s hallmark blend of tenderness, color harmony, and poetic symbolism. Executed on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper, this lithograph measures 14.88 x 11.69 inches. Unsigned and unnumbered, as issued. The edition exemplifies the exceptional quality and precision of Lichtdruck AG’s craftsmanship, reproducing the depth and richness of Chagall’s original lithographs with remarkable fidelity. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Das Bett des Odysseus (The Bed of Odysseus), from Homer, Die Odyssee (The Odyssey), 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Dimensions: 14.88 x 11.69 inches Inscription: Unsigned and unnumbered, as issued Date: 1989 Publisher: Daco-Verlag Gunter Blase, Stuttgart Printer: Lichtdruck AG, Zurich, Dielsdorf Condition: Well preserved, consistent with age and medium Provenance: From the folio Homer, Die Odyssee (The Odyssey), Daco-Verlag Gunter Blase, Stuttgart, 1989 Notes: Excerpted from the folio (translated from German), Imprint—The French edition, L'Odyssée, with the original lithographs by Marc Chagall was published in 1974/75 in a CCL-example edition by Fernand Mourlot, Paris. In 1989, with the authorization of Mrs. Vava Chagall, the German-language edition of the Odyssey in two volumes was published by Daco-Verlag Gunter Blase, Stuttgart. Volume I contains the songs I - XII with XX color plates, including IV on double pages and XIX gray printed reproductions in the text. Volume II contains the songs XIII - XXIV with XXIII color plates, including II on double pages and XX gray printed reproductions in the text. For the German text, the prose translation by Wolfgang Schadewaldt was chosen with the permission of Rowohlt Taschenbuch Verlag, Reinbek near Hamburg. Set design in the Berthold Garamond Antiqua by F+M Bauer...

This exquisite lithograph after Marc Chagall (1887–1985), titled ...Ich bin Odysseus (...I Am Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco-Verlag Gunter Blase, Stuttgart, and printed by Lichtdruck AG, Zurich, Dielsdorf, September 1989. This authorized edition, issued under the direction of Vava Chagall, captures the defining moment of revelation when Odysseus declares his identity. In ...Ich bin Odysseus, Chagall fuses mythic grandeur with human emotion, portraying the hero’s return to self and destiny in a luminous interplay of color and movement that reflects the artist’s timeless vision of triumph, recognition, and truth. Executed on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper, this lithograph measures 14.88 x 11.69 inches. Unsigned and unnumbered, as issued. The edition exemplifies the exceptional quality and precision of Lichtdruck AG’s craftsmanship, reproducing the depth and richness of Chagall’s original lithographs with remarkable fidelity. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: ...Ich bin Odysseus (...I Am Odysseus), from Homer, Die Odyssee (The Odyssey), 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Dimensions: 14.88 x 11.69 inches Inscription: Unsigned and unnumbered, as issued Date: 1989 Publisher: Daco-Verlag Gunter Blase, Stuttgart Printer: Lichtdruck AG, Zurich, Dielsdorf Condition: Well preserved, consistent with age and medium Provenance: From the folio Homer, Die Odyssee (The Odyssey), Daco-Verlag Gunter Blase, Stuttgart, 1989 Notes: Excerpted from the folio (translated from German), Imprint—The French edition, L'Odyssée, with the original lithographs by Marc Chagall was published in 1974/75 in a CCL-example edition by Fernand Mourlot, Paris. In 1989, with the authorization of Mrs. Vava Chagall, the German-language edition of the Odyssey in two volumes was published by Daco-Verlag Gunter Blase, Stuttgart. Volume I contains the songs I - XII with XX color plates, including IV on double pages and XIX gray printed reproductions in the text. Volume II contains the songs XIII - XXIV with XXIII color plates, including II on double pages and XX gray printed reproductions in the text. For the German text, the prose translation by Wolfgang Schadewaldt was chosen with the permission of Rowohlt Taschenbuch Verlag, Reinbek near Hamburg. Set design in the Berthold Garamond Antiqua by F+M Bauer...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus vor Nausikaa (Odysseus Before Nausicaa), from Homer, Die Odyssee (The Odyssey), originates from the 1989 Ger...

This exquisite lithograph after Marc Chagall (1887–1985), titled Proteus (Proteus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco-Verlag Gunter Blase, Stuttgart, and printed by Lichtdruck AG, Zurich, Dielsdorf, September 1989. This authorized edition, issued under the direction of Vava Chagall, depicts the ancient sea god Proteus, the elusive shape-shifter whom Menelaus must seize to learn his fate. In Proteus, Chagall transforms the mythic metamorphosis into a fluid composition of swirling forms and spectral color, expressing transformation, mystery, and divine revelation through his uniquely lyrical visual language. Executed on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper, this lithograph measures 14.88 x 11.69 inches. Unsigned and unnumbered, as issued. The edition exemplifies the exceptional quality and precision of Lichtdruck AG’s craftsmanship, reproducing the depth and richness of Chagall’s original lithographs with remarkable fidelity. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Proteus (Proteus), from Homer, Die Odyssee (The Odyssey), 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Dimensions: 14.88 x 11.69 inches Inscription: Unsigned and unnumbered, as issued Date: 1989 Publisher: Daco-Verlag Gunter Blase, Stuttgart Printer: Lichtdruck AG, Zurich, Dielsdorf Condition: Well preserved, consistent with age and medium Provenance: From the folio Homer, Die Odyssee (The Odyssey), Daco-Verlag Gunter Blase, Stuttgart, 1989 Notes: Excerpted from the folio (translated from German), Imprint—The French edition, L'Odyssée, with the original lithographs by Marc Chagall was published in 1974/75 in a CCL-example edition by Fernand Mourlot, Paris. In 1989, with the authorization of Mrs. Vava Chagall, the German-language edition of the Odyssey in two volumes was published by Daco-Verlag Gunter Blase, Stuttgart. Volume I contains the songs I - XII with XX color plates, including IV on double pages and XIX gray printed reproductions in the text. Volume II contains the songs XIII - XXIV with XXIII color plates, including II on double pages and XX gray printed reproductions in the text. For the German text, the prose translation by Wolfgang Schadewaldt was chosen with the permission of Rowohlt Taschenbuch Verlag, Reinbek near Hamburg. Set design in the Berthold Garamond Antiqua by F+M Bauer...

Ella Fort Flower Field (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches COA provided *edition number might va...

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

Mt. Christo Rey Afternoon by John Hogan rock cliff, red, brown, black and white framed edition ACPIV

Lithograph realized in 1980s. Hand signed in pencil. Hand retouched. Not numbered.

Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 22.75 x 28.5 inches. Image size: 17 x 23 inches. Edition of 250. Artwork is in excellent condition. Cert...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Good Inscription: Sig...

Lithograph on paper realized by Franco Azzinari in 1980s. Hand signed and numbered in pencil. Edition of 130. Excellent condition.

Lithograph on paper realized by Franco Azzinari in 1980s. Hand signed and numbered in pencil. Edition of 130. Excellent condition.

Lithograph realized by Catalano in 1970s. Edition of 60. Hand signed and numbered in pencil. Very good condition.

Wayne Ensrud, American (1934 - ) - Piazza Navona, Rome, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 24 x 29.5 inches, Size: 2...

Serge FENECH (1951-) Riviera : Beautiful Flowers at Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x ...

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

Hank Laventhol, American (1927 - 2001) - Tree of People, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 19.5 x 16 i...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...

Serge LASSUS (1933-) Horses : Horse Riding in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c....

This exquisite lithograph after Richard Lindner (1901–1978), titled Window, from the album XXe siecle, Nouvelle serie, XLIe Annee, No. 53, Hommage a Richard Lindner, originates from ...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Victor ZAROU (1930-2013) Small Path in Provence, 1982 Original Lithograph Handsigned in pencil Numbered / 150 (the number you can see can be different) On Vellum 74 x 55 cm (c. 29 x...

Artist: Michel Delacroix (1933) Title: Les Honneurs Year: 1988 Edition: XCIIII/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon paper, and 25 APs on Rives paper Me...

Titled Ledoux, color limited edition lithograph. Hand signed by artist in pencil to right hand corner, 101/150 to left. 19.5" X 14" print view area. This is done in a Postmodernis...

Serge FENECH (1951-) Riviera : Flower Bouquet and Mediterranean, 1982 Original Lithograph Handsigned in pencil Numbered / 290 (the number you can see can be different) On Vellum 76 ...

Maurice FILLONNEAU (1930-2000) The Swing, 1982 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On high end coated paper 76 x 56 cm ...

Rocky Shore Olga Poloukhine, French/American Aquatint Etching, Signed and Numbered in Pencil Edition of 150 Size: 28 x 21 in. (71.12 x 53.34 cm)

LAND OF THE PHAROAHS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid f...

Original Sydney (Australia) CP Air - Canadian Pacific – Sydney Opera House vintage travel poster. Archival lien-backed in excellent condition, Grade A, A-, ready to frame. Size 27.5”...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 247, 1981. Published by Aimé Maeght, Éditeur, Paris; pr...

This is the LAST one of this iconic landmark - the Rockefeller Center in winter! From a series of limited edition (of 175) - now sold out - of original etchings of New York City - fr...

Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...

Artist: Mark Kostabi (1960) Title: Close Call Year: 1986 Edition: 9/10, 40 Arabic Numerals, 10 Roman Numerals, plus proofs. Medium: Silkscreen on Arches paper Size: 40.5 x 30.25 inch...

Serge VERGEZ (1933-) Venice : Beautiful Woman, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x 3...

This very large advertisement poster was created by Mobil to promote the television series "The Flame Trees of Thika," which was presented as part of the Mobil Masterpiece Theatre se...

Pink Flowers - Limited Edition Naive Serigraph Colorful serigraph by Croatian naive artist Ivan Rabuzin (b. 27 March 1921, d. 18 December 2008.) Three giant pink flowers stand in a ...

Ramon DILLEY (1932-2013) DEAUVILLE : Twenties Elegant, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 76 x 56 cm (c...

Suhas Roy - Landscape AP - 19/12 Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Style : He is one of the biggest and the most enduring names in the genre of Indian...

Ella Fort The Lonesome Road (La course seule) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches F...

The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...

Christopher Pratt (1935-2022) is one of Canada’s most prolific and recognizable Maritime artists. Born in St. John's, Pratt has dedicated the majority of his artistic practice to d...

This exquisite lithograph by Renato Guttuso (1911–1987), titled Cesto e sega (Basket and Saw), from the album XXe siecle, Nouvelle serie, XLIIIe Annee, No. 57, Hommage a Guttuso, ori...

Landscape is an artwork realized by F. Hundertwasser around 1980s. The screen printing is made of metal foil embossing and high gloss lacquer finishing, on a black background. Ci...

Artist: Victor Vasarely (1908-1997) Title: TR-UR Year: 1980 Medium: Silkscreen on Arches paper Edition: 116/250, plus proofs Size: 39.25 x 30.75 inches Condition: Good Inscription: S...