20th Century Landscape Prints

This exquisite lithograph and pochoir after Georges Valmier (1885–1937), titled Femme assise (Seated Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Original. YMCA for Your Boy. Acid-free original vintage poster in excellent condition with archival linen backing, ready to frame. Certificate o...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

Artist: Jiang Tie-Feng (1938) Title: White Mermaid Year: 1988 Medium: Silkscreen on Vellum Rag paper Edition: LXX/LXXV, 293 Arabic Numerals, 75 Roman Numerals, plus proofs Size: 36 x...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Original THE MIKADO, or the Town of Titipu vintage poster. Size: 20" x 30"; original early theater poster. Acid-free, archival linen backed; ready to frame. Excellent condition. The poster features a stylized illustration of a woman in traditional Japanese attire, with a serene expression and flowers in her hair. Original, linen-backed lithograph of Gilbert and Sullivan's The Mikado or, The Town of Titipu. Museum linen backed and in great condition. Lithograph in colors, printed by Stafford & Co. Ltd., Netherfield, Nottingham and London, England. Gilbert and Sullivan refer to the Victorian-era theatrical partnership of the librettist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900). Gilbert, who wrote the words, created fanciful 'topsy-turvy' worlds for these operas where each absurdity is taken to its logical conclusion. Sullivan created the music for these operas. "The Mikado" is a comic opera by Gilbert and Sullivan, first performed in 1885. Set in Japan, it satirizes British politics and society through its whimsical characters and humorous plot. The vintage poster you mentioned typically features vibrant colors and stylized artwork, often depicting a character from the opera, such as Yum-Yum, known for her beauty and charm. "The Mikado" is one of the most frequently performed works in the Gilbert and Sullivan repertoire and has been adapted into numerous productions worldwide. This is an Original Vintage Theater Poster...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, New York, and printed by Mourlot Freres, Paris, 1975. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume II, 1975 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: Leon Amiel, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 198. Cramer, Patrick. Joan Miro: Lithographs Volume V 1972–1975. Maeght, 1992, illustration 1038. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume II, published by Leon Amiel, New York; printed by Mourlot Freres, Paris, 1975 Notes: Excerpted from the album, The original Joan Miro lithographs were printed by Mourlot, the illustrations by Arte Adrien Maeght, and the text by Imprimerie Union, Paris, France. V̅ examples of this English-language edition, numbered I-V̅, have been printed. A deluxe French edition of CL examples, numbered I-CL, with II additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the XIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume II, published in 1975 by Leon Amiel, New York, with lithographs printed by Mourlot Freres, Paris, is the second installment in the monumental four-volume series documenting Miros complete lithographic work. The project was conceived as both an artistic and scholarly endeavor, uniting Miro’s technical innovation with comprehensive cataloguing of his print oeuvre. Volume II chronicles an essential period in Miros career—from 1950 to 1956—when his exploration of symbolic abstraction, vibrant color, and gestural spontaneity reached new levels of expressive freedom. The collaboration between Miro and the master lithographers at Mourlot resulted in works of exceptional brilliance and vitality, capturing the artist’s playful yet deeply spiritual sensibility. The album was produced with meticulous attention to detail, printed on the highest-quality velin paper, and accompanied by essays and documentation that provide historical and artistic context. Issued in English and French-language editions, Joan Miro Lithographs, Volume II stands as a landmark in 20th-century printmaking—testament to the enduring creative partnership between Miro, Mourlot, and the publishers Maeght and Amiel. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 13 x 17 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Degas, Ten Ballet Sketches,...

Artist: Andy Warhol Title: Washington Monument Medium: Screenprint on wallpaper Date: 1974 Edition: Unnumbered Sheet Size: 44" x 29 1/2" Framed Size: 50 5/8" x 36 1/8" Signature: Uns...

Tiger TATEISHI (1941 - 1998) Moon Landscape, 1973 Original lithograph Handsigned in pencil Numbered /100 On vellum 82.5 x 58.5 cm (c. 33 x 23 in) Exce...

The original Hawaii Western Airlines 1970s vintage travel poster is archivally linen-backed, in excellent condition, and ready to frame. It was p...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

Artist: LeRoy Neiman Title: Home Hole at Shinnecock Medium: Serigraph Year: 1995 Edition: 398/450 Frame Size: 26 1/4" x 35 1/4" Sheet Size: 24 3/4" x 33 3/4" Image Size: 15 3/4" x 25...

This exquisite lithograph by Marc Chagall (1887–1985), titled Rahab et les espions de Jericho (Rahab and the Spies of Jericho), from Marc Chagall, Dessins Pour La Bible (Drawings for...

Artist: Peter Max (1937) Title: Garden Flowers Year: 1979 Edition: 347/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: Si...

Japanese Boats is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by Utagawa Hiroshige in 1857 and ...

Rendered in hues of blue, teal, and brown, this Ralph Fasanella print is a bustling depiction of New York City including views of identifiable landmarks from various boroughs and loc...

This exquisite lithograph after Maurice Utrillo (1883–1955), titled Vers Franconville (Toward Franconville), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Vers Franconville (Toward Franconville), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...

Step into the serene beauty of a New Mexico winter with this stunning 1950s signed lithograph, New Mexico Village Under Snow, by acclaimed artist Kenneth Miller Adams. This rare vint...

Beetles 36. 5 1/4 x 6 1/4 (sheet 9 1/4 x 11 1/4). Edition 50 for the Print Collector's Club. Exhibited: Royal Academy, 1934; Royal Society of Painter-Etchers and Engravers, 1934 and ...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Dan, from the album Marc Chagall, The Jerusalem Windows, originates...

Original stone lithograph by well-known Regionalist Thomas Hart Benton (1889-1975). Titled: "Shallow Creek.” The print has full margins and is in excellent condition. AAA print creat...

This exquisite lithograph and pochoir after Louis Marcoussis (1878–1941), titled Nature morte avec guitare (Still Life with Guitar), from the album L'Art Cubiste, Theories et Realisa...

Original vintage travel poster Holy Week in Spain. Original color lithograph in English HOLY WEEK IN SPAIN. Linen backed and in excellent condition, ready to frame. Spanish Nat...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Cirque (The Circus), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition published ...

Artist: Kiyoshi Saito – Japanese – (1907-1997) Title: Katsura, Kyoto (L) Year: 1964 Medium: Woodblock Image size: 18 x 24 inches. Sheet size: 21.5x 28.5 inches. Signature: Signed, ...

Original poster: Parc de Bagatelle et Louis Vuitton 1999 Hand-signed by the artist Razzia in black marker on the left side. In plate right side. Linen backed, ready to frame. Excellent condition. Linen-backed Parc de Bagatelle. Concours Automobiles et Louis Vuitton. September 1999. Hand-signed by the artist in black marker in the lower left. The signature on the plate is in the lower right. This original poster is also archivally linen-backed and ready to frame. This was the merger of Mercedes Benz and Chrysler with an automobile from each company represented. The Louis Vuitton house...

This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills t...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Simeon, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

Original Holy Land TWA vintage travel poster. Artist David Klein. Size 25" x 40.5". Archival linen-backed authentic vintage TWA travel poster...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated with Original Lithographs by Leonor Fini), 1969, was published and printed by Pierre de Tartas, Paris-Bievres, Paris, 1969. Executed as a lithograph on grand velin d'Arches paper, this work exemplifies the technical refinement and sophisticated aesthetic that defined the finest Parisian printmaking of the mid-twentieth century. Measuring 15.94 x 11.61 inches, the work is unsigned and unnumbered as issued. Printed on grand velin d'Arches paper, the composition reveals Finis distinctive blend of psychological intensity, theatrical sensuality, and symbolic mysticism. Artwork Details: Artist: Leonor Fini (1907–1996) Title: Sans titre (Untitled), from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated with Original Lithographs by Leonor Fini) Medium: Lithograph on grand velin d'Arches paper Dimensions: 15.94 x 11.61 inches (40.5 x 29.5 cm) Inscription: Unsigned and unnumbered as issued Date: 1969 Publisher: Pierre de Tartas, Paris-Bievres, Paris Printer: Pierre de Tartas, Paris-Bievres, Paris Catalogue Raisonne Reference: Monod, Luc. Manuel de L'amateur de Livres Illustres Modernes: 1875-1975. Ides and Calendes, 1992, No. 11122. Condition: Well preserved, consistent with age and medium Provenance: From the folio Parallelement, published and printed by Pierre de Tartas, Paris-Bievres, Paris, 1969 Notes: Excerpted from the folio (translated from French), Justification of draw: a unique example on Japon nacre, including two original watercolors specially executed for the work, two vouchers to shoot, a suite of all the plates on grand velin d'Arches, a continuation of all the plates on Japon nacre, signed by the Artist, as well as a series of the plates refused on grand velin d'Arches; a unique example. XX examples on Japon nacre with an original watercolor of the Artist executed for the work, a suite of all the plates on grand velin d'Arches, a continuation of all the plates on Japon nacre, signed by the Artist, as well as a series of the plates refused on grand velin d'Arches; lettered from A to T; XXX examples on Japon nacre including a suite of all the boards on grand velin d'Arches, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples on grand velin d'Arches, including a suite of the six double-boards on grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from XXXI to XC. CCC grand velin d'Arches, with the definitive state of the illustrations; numbered from XCI to CCXC; In addition, some examples were drawn, all nominative, reserved for the Artist, the Publisher and those who contributed to the production of this album. All examples are signed by the Artist on the colophon, the publisher, and endorsed by Ministere d'Huissier de Justice. On Japon nacre, it was taken from the sequels of the plates numbered and signed by the Artist. About the Publication: Parallelement (Parallel), published and printed in 1969 by Pierre de Tartas, Paris-Bievres, is one of the most refined and luxurious livres d'artiste of the late twentieth century, uniting Paul Verlaines celebrated poetry with the visionary imagery of Leonor Fini. Produced with uncompromising standards of printing, paper, and typographic craftsmanship, the folio exemplifies the golden era of French limited-edition printmaking. Issued in multiple paper states—from Japon nacre to grand velin d'Arches—the album reflects the meticulous care, material richness, and artistic ambition characteristic of Pierre de Tartas' finest publications, affirming its status as a masterwork in the tradition of French illustrated albums. About the Artist: Leonor Fini (1907–1996) was an Argentine-born Italian-French painter, illustrator, author, and stage designer whose electrifying fusion of myth, mysticism, eroticism, and psychological depth established her as one of the most unmistakable and influential artistic voices of the twentieth century. Celebrated for depicting women as sovereign, enigmatic, and psychologically commanding beings, Fini rejected the patriarchal hierarchy of Surrealism even as she exhibited alongside its foremost figures, forging instead a fiercely independent path defined by theatricality, female autonomy, and visionary imagination. Her richly symbolic universe filled with sphinxes, priestesses, witches, and androgynous guardians was shaped by a broad constellation of influences including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, while also drawing deeply from Symbolist painting, Renaissance portraiture, and Venetian colorism. Moving among artists such as Max Ernst, Giorgio de Chirico, Leonora Carrington, Dorothea Tanning, Meret Oppenheim, and Pavel Tchelitchew, she nevertheless maintained a singular vision whose impact reverberates through the work of later creators including Kiki Smith, Cindy Sherman, Marlene Dumas, Tracey Emin, Pierre et Gilles, Laurie Simmons, and numerous feminist and queer artists who embraced her exploration of gender, identity, and psychological mythology. A prolific illustrator and designer, Fini also shaped European performance culture through celebrated costumes and stage designs, while her paintings entered major museum collections worldwide, including the Metropolitan Museum of Art, the Tate Modern, Centre Pompidou, the Museum of Modern Art in Buenos Aires, and the Moderna Museet. Known for her imaginative freedom, elaborate personal style, and legendary Parisian salon, she remains a defining figure in feminist and avant-garde art history. The highest auction record for Leonor Fini was achieved when her self-portrait Autoportrait au Scorpion sold for 2,319,000 USD at Sotheby's New York on May 12, 2021, underscoring the dramatic rise in appreciation for her visionary legacy. Keywords: Leonor Fini print, Parallelement Fini, Leonor Fini lithograph...

Color lithograph, on Magnani-Pescia paper. Paper size 56cmx76cm, work size 47cmx66cm. Excellent condition, no defects. Artist, costume designer, after having created numerous scenog...

Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat t...

Biagio Civale, Italian/American (1936 - ) - Seaside Town, Medium: Screenprint, signed and numbered in pencil, Edition: 100, Size: 19.5 x 27.5 in. (49.53 x 69.85 cm)

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Flutiste (The Flautist), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originate...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Boats in Harbor with Lighthouse, Year: circa 1980, Medium: Lithograph, Image Size: 13.5 x 19.5 inches, Size: 19.5 x 25.5 ...

Original Washington (D.C.) American Airlines mid-century vintage travel poster. Professional archival linen backed in very fine condition, ready to frame. Featuring one of the ...

Image dimensions: 28.8 x 22.2 cm. Desolate Landscape is a mezzotint realized by Michel EstÈbe in the second half of the XX century. The artwork represents a view of a landscape. ...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

Visit Belgium original travel poster. Linen backed. Grade A condition. Ready to frame. Very good condition. Excellent. Printed in Belg...

This artwork titled "Daughters" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 72/...

This exquisite lithograph by Marie Laurencin (1883–1956), titled Toutes les personnes a plus d'un mile de haut Quitter la Cour (All Persons More Than a Mile High Leave the Court), fr...

The original vintage poster by Emil Cardinaux for the Jungfrau Railway in the Bernese Oberland, Switzerland, is a classic example of early 20th-century travel advertising. Emil Cardi...

Original linen-backed ‘FLYING TIGERS - A legend in air cargo;, aviation vintage poster for sale. This poster is part of The Smithsonian National Air...

Luigi Lucioni: 1900-1988. Very well listed American Painter and etcher. He has Auction results as high as $4600 for an etching. This adding is most likely a barn in Vermont.. It meas...

This exquisite lithograph by Marc Chagall (1887–1985), titled Adam et Eve et le fruit defendu (Adam and Eve and the Forbidden Fruit), from Marc Chagall, Dessins Pour La Bible (Drawin...

Edition of 110, signed and numbered lower right

Duane Bryers, American (1911 - 2012) - Morning Flight, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 17.5 x 21 in., Size: 21 in. x...

Artist: John Chamberlain (1927-2011) Title: Flashback II Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 88/175, plus proofs Size: 28 x 20 inches Inscription: Signed a...

This exquisite lithograph, after Wassily Kandinsky (1866–1944), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 8 (double), Janvier 1957, originates from...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 29 (Plate 29), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Original poster commemorating Rene Ricard's 1990 exhibition Paintings 1989-1990 at the Petersburg Press Gallery, New York. The poster is folded as it was sent out for the original ex...

Harold E. Keeler worked in Hollywood as a set designer. That seems especially important here because the Water Fall looks a little as though it could be a w...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...