20th Century Landscape Prints

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu V (Blue Nude V), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 is...

Etching and aquatint in colours on wove paper Edition 73 of 250 + 30 AP's 73.7 x 106 cm (29 x 41.7 in) Excellent. Only visible on the reverse of the print under studio lighting, mino...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated...

This exquisite lithograph by Serge Poliakoff (1900–1969), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates from the 1956...

Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...

Landscape is an original etching on paper realized by Paulette Humbert. Hand-signed on the lower right in pencil. Numbered, edition of 8/25 prints. on the lower left in pencil. The...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Frontispice pour Les Cavaliers d’Ombre (Frontispiece for The Horsemen of Shadow), from the album Les Cavaliers d'Ombr...

Original Piedmont, Take Off and Paint the Town vintage airlines travel poster. Archival linen backing in very good condition, ready to frame. This is a serigraph, so it features rich...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Formulaire rouge (Red Form), from the folio Derriere le miroir, No. 179, originates from the 1969 edition publis...

This exquisite lithograph by Marino Marini (1901–1980), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 5 (double), Juin 1955, originates from the 1955 e...

This exquisite lithograph after Marc Chagall (1887–1985), titled Ares und Aphrodite (Ares and Aphrodite), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-langu...

Sybil Kleinrock, American - Seascape, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: XX, Size: 29 x 36 in. (73.66 x 91.44 cm)

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

An original 20th century etching by artist Richard Beer, signed and titled in graphite below the plate lines. On paper laid to card.

Calais Chem de fer du Nord – Original Linen-Backed Vintage Travel Poster Full lithograph, archival linen-backed in A- condition, ready to frame. There is a restored tear about 5” long from the center bottom, as shown in one of the images. It is not a distraction, just trying to point out any visible imperfection on this 100-year-old, seldom found (in any condition). There is no paper loss. This exquisite original travel poster, designed by the acclaimed French artist Jeanne Poye Maillard, was commissioned by the French Northern Railway (Chemin de Fer du Nord) to entice holidaymakers to the picturesque port city of Calais. Rendered in lush, vivid colors and professionally linen-backed, the poster depicts an inviting seaside vista characteristic of the early- to mid-20th-century golden age of rail travel. The Embroidery Factories of Calais. Calais is famous well beyond its port—for more than a century, it has been a global center for embroidery and lace-making. Starting in the early 1800s, British inventors brought mechanical lace-making machines (notably the Leavers machine) to Calais to avoid industrial restrictions at home. This technological advance turned Calais into the central hub of the lace and embroidery industry. The artistry and precision of the Calais factory workers established French lace as the international standard, adorning haute couture garments for houses like Chanel and Dior...

The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...

Artist: Christo, Title: Running Fences yellow Series: Running Fences Date: 1976 Medium: Offset Lithograph Dimensions: 25.25" x 39.5" Signature: Signed Edition: 1000

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Teel’s Island, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

M.C. ESCHER (1898-1972) Surrealist Lovers, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different) On...

This artwork titled "Girl at the Docks" c.1980, is an original colors serigraph by noted Italian artist Nicola Simbari, 1927-2012. It is hand signed and numbered 76/150 in pencil by ...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

After Gustav Klimt, Max Eisler #9, Haus Im Garten; aka Forester’s House in Weissenbach II; multi-color collotype after 1914 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GU...

The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...

This exquisite lithograph after Rene Magritte (1898–1967), titled Un Bombardon Libere son Bouquet de Flammes (A Bombardon Releases its Bouquet of Flames), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Un Bombardon Libere son Bouquet de Flammes (A Bombardon Releases its Bouquet of Flames), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

Jean Solombre, French (1948 - ) - Tous Les Oiseaux Du Monde, Year: 1983, Medium: Etching with Aquatint on Arches, signed, titled and numbered in pencil, Edition: 24/110, Image Siz...

'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

This exquisite lithograph by Marc Chagall (1887–1985), titled Sans titre (Untitled), from the album The Lithographs of Chagall, Volume III, originates from the 1969 edition published...

A moody evening in New York City. The buildings capture the quiet that New York sometimes achieves. Signed and dated in pencil.

MOUNTAIN LIFT is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan created using traditional hand lithography techniques printed on archival A...

FRANCES H. GEARHART (1869-1958) STORM LINED c.1936 Color block print, signed and titled in pencil 13 ¼ x 10 1/8, full sheet 14 3/8 x 11 ¼” with deckle edge on her typical fibrous Ja...

David T. Kessler, American (1950 - ) - Reflected Overhang IV, Year: circa 1980, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 15/100, Image Size: ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu XII (Blue Nude XII), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 195...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

Composition is an original etching realized by Leo Guida in 1970s. Good condition. Mounted on a white cardboard passpartout (50x35). Not signed and not dated. Leo Guida (1992 - ...

Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...

This artwork titled "La Cote d'Azur" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Jean Claude Picot, 1933-2020. It is hand signed and ...

Title: America 2000 Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued...

Artist: Peter Max (1937) Title: Cosmic Runner (Retro Suite I) Year: 1994 Edition: 137/300, plus proofs Medium: Silkscreen on Arches paper Size: 11 x 11 i...

Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Artist: Pablo Picasso Title: La Pique (I), Le Picador (II), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of four transfer lithographs Ye...

This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...

ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

This exquisite lithograph by Hans Jean Arp (1886–1966), titled Composition sur fond bleu (Composition on a Blue Background), from the folio Derriere le miroir, L’art abstrait, No. 21...

Original vintage travel poster: Chicago - Fly TWA. UP UP and Away Trans World Airline. Artist: David Klein. Size 25" x 40" Dated 1960's. ...

This exquisite lithograph after Marc Chagall (1887–1985), titled La Mariee (The Bride), from the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38, originates from the 1951 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1951. The composition captures Chagall’s poetic vision of love and mysticism, blending dreamlike imagery and radiant color into a lyrical meditation on devotion and imagination. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: La Mariee (The Bride), from the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1951 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1951 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall's art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby's New York for Les Amoureux (1928). Marc Chagall La...

Tony Bennett Title: San Francisco Golden Pavilion Lithograph Signed and Marked PP  2/10 ( Printers Proof ) Paper Size: 30" x 24" inches Image Size : 25" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

Pastel Landscape: Impressionist Farmhouse is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artist Nell Revel Smith from Leland...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

This exquisite lithograph by Pablo Palazuelo (1916–2007), titled Sans titre (Untitled), from the folio Derriere le miroir, Tendance, No. 50, originates from the 1952 edition publishe...

Chaim SOUTINE (1893-1943) French Riviera : View of Cagnes Stone lithograph after a painting (Mourlot workshop) Unsigned On Arches vellum 50 x 65 cm (c. 20 x 26 inch) Excellent cond...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Komposition Weiss auf Schwarz (Composition White on Black), from the folio Derriere le miroir, No. 101–103, orig...

Fernand Léger Dantzig's street, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c...

Etching with drypoint on antique handmade laid Japon paper, 12 7/8 x 7 1/2 (327 x 191 mm); sheet 15 5/16 x 10 7/16 (389 x 265 mm), full margins. Signed in pencil in the lower margin....