20th Century Landscape Prints

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Original vintage poster Cruwell-Tabak. Archival linen backed in very good condition and ready to frame. Cruwell tobacco company was founded in 1753 in Bielefeld, Germany. Note: In...

Original ‘Fiesta Mayor Badalona” vintage travel poster. Conservation linen backed and ready to frame. Very good condition full lithograph A bright and vibrant travel poster that ...

MORNING MIST is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techn...

Mel Hunter, American (1927 - 2004) - In Our Birch Grove, Year: 1976, Medium: Lithograph, signed and numbered in pencil, Edition: 10, XXV, Size: 22 x 26 in. (55.88 x 66.04 cm)

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 9.125 x 12.25 inches; image size: 4.5 x 9 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vol...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Kenneth Snelson New York State Council on the Arts vintage poster, 1971 Offset lithograph on wove paper Unsigned, Unnumbered 35 × 25 inches Unframed Scarce original 1970s offset lit...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Bouquet d'amoureux (The Lovers' Bouquet), from the folio Les Peintres mes amis (The Painters My Friends), originat...

Original American Export Lines vintage travel poster. Artist Aldo Sassi, printed in Italy by Pesce, Genova. Professional acid-free archival linen ...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Le buisson ardent (The Burning Bush), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by J...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Coq Bleu (The Blue Rooster), from the folio Derriere le miroir, No. 107–109, originates from the 1958 edition publish...

Lithograph on vélin papel Guarro con filigrana paper. Unsigned and unnumbered, as issued. Good condition. Notes: published in 1970 to promote the folio, Tapís De Tarragona, il·lustra...

This exquisite lithograph by David Hockney (born 1937), titled Letter I, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Original lithograph: POINT BLEU RADIO. Artist: Pierre. Baudouin (1921 - 1971). Size is 31" x 47". Archival linen backed and ready to frame. Cleaned and restored rare original French antique...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

This exquisite lithograph after Marc Chagall (1887–1985), titled Mozart et Moussorgsky (Mozart and Mussorgsky), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ce...

Modern black and white abstract woodcut print. The piece features lush trees and foliage growing in a yard behind a house. There are three central figures standing next to a pole and...

This exquisite lithograph by Hans Jean Arp (1886–1966), titled Rouge, bleu, brun (Red, Blue, Brown), from the folio Derriere le miroir, L’art abstrait, No. 21-22, originates from the...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...

Max Epstein, Canadian (1932 - 2002) - Autumn Leaves, Year: 1980, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 99, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm)

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré à Jean-Paul Riopelle, Derrière le mi...

Original OUR AMERICA TRANSPORTATION #4, horizontal vintage WWII time frame Transportation creates new wonders. Professional acid-free archival linen backed mint condition. This #4 for Transportation has two variations produced by Coca-Cola to feature the future of modern air travel. This is a rare variation of the Coca-Cola Our America transportation series. This poster #4 for transportation is the only Coca-Cola Our America poster that had two different versions. This poster is in excellent condition. The initially issued fold narks were flattened, and the touch-up work is exceptionally well done. So well done, you would have to look to find them! As mint as this poster can be! A futuristic plane design is shown as "transportation creates new wonders' as the double-decker plane with lower and upper passenger loading. You can stop and drop off passengers directly at the plane from your car! You can arrive by boat or water taxi or by using the new suspended freeways. The scene has semi-delivery trucks driving directly to the loading bays. The airplane engines...

Delightful French woodcut titled "Maison Typique", 1981. Signed and dated lower right. 66/200 Original artwork on paper displayed on a white mat with...

This exquisite silkscreen after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Nous croyons en lEurope, Etudes pour un projet de timbre (We Believe in Europe,...

"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...

This exquisite lithograph after Marc Chagall (1887–1985), titled Wehklagen des Odysseus (Lamentations of Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 Ge...

This exquisite etching by Marc Chagall (1887–1985), titled L'intendant (The Steward), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de M...

Artist: Joan Melnick, American (1942 - ) Title: Morning Star Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 35 Paper Size: 25 x 40 in. (63.5 x 101.6 cm)

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Taureau (The Taurus), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

John Stritch was an American artist best known for his abstract and sculptural work. "Red Sky" features an abstracted and simplified red landscape. This screen...

The Wait. Three native Mexican women wait by the sea. This impression is #31/100. An impression of this lithograph is in the permanent collectio...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Appel de Muleta (Call of the Muleta), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by J...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...

Original Quale Capri? Original Italian vintage travel poster. Conservation archival linen backed in very good condition, ready to frame. Quale Capri? Is which Capri? in Italian. The image is the outline of the island of Capri, off the coast of Naples, Italy. The poster has two different sides, which Capri do you like or want? One side represents progress with large commercial skyscrapers and the other side the small homes and businesses on the island. The question is do you want to allow development on this beautiful Mediterranean island. Capri was first “discovered” by emperor Augustus in the early years of the Roman Empire. He often resided there and built many temples, villas and gardens as a way of having his own private paradise. The meaning of the name Capri can be traced to the ancient Greeks, where the ancient Greek word 'kapros' means 'wild boar'. The island of Capri has had dozens of famous vintage posters...

This exquisite lithograph by Andre Derain (1880–1954), titled Sous-bois (Underwood), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publis...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Foreurs (The Drillers), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Leger, War ...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Farmers, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New York, ...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

Original Ville de Bruxelles (City of Brussels, Belgium) vintage art nouveau poster. This beautiful lithograph is in excellent condition, ...

Jack Hofflander, American (1920 - 2003) - Donkey Ride, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: 26 ...

This exquisite lithograph by Andre Derain (1880–1954), titled Diane au bain (Diana at Her Bath), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Vendanges (The Grape Harvest), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the...

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1976. Composition aux Cercles reflects Calder’s mastery of rhythm, motion, and form—translating the dynamic energy of his sculptural works into bold, abstract compositions on paper, rich with color and movement. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1976 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 221, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1976 Notes: Excerpted from the folio (translated from French), The illustrations on the cover and pages 3, 4-5, 6, 9, 12-13 and 16 of this issue of "Behind the Mirror" are original lithographs by Calder printed at l'imprimerie Arte, Adrien Maeght. It was printed a luxury edition on velin d'Arches in CL numbered examples. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Composition...

After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas. The original was destroyed by fire ...

This exquisite lithograph by Alfred Manessier (1911–1993), titled Formes et transparence (Forms and Transparency), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

World traveler that he was, Bendiner was clearly at home in Paris. He found everyone fascinating and has made this print a compendium of local characters and types. Nothing escapes h...

"The Giant Leeches" by Bernard L Kowalski Attack of the Giant Leeches originally titled as The Giant Leeches is an independently made 1959 black-and-white science fiction-horror film, produced by Gene Corman and directed by Bernard L. Kowalski. It stars Ken Clark, Yvette Vickers and Jan Shepard. The screenplay was written by Leo Gordon. The film was released by American International Pictures on a double bill with A Bucket of Blood. Later, in some areas in 1960, Leeches played on a double bill with the Roger Corman film House of Usher...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

This exquisite lithograph by Gustave Singier (1909–1984), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°5 (double) Juin 1955, originates from the 1955 edi...

Original American Airlines, San Francisco – Oakland Bay Bridge vintage travel poster. Printed: 1950. Fly American to California this vacation. Linen backed in fine condition, ready to frame. Artist: Ivan Dmitri. It was also during this time frame that Edward McKnight Kauffer started to produce posters for American. American Airlines' beautiful designs and imagery are still some of the best created. This is an original, 1950 American Airlines travel poster...

This exquisite lithograph by David Hockney (born 1937), titled Letter P, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Artist: Norman Rockwell (1894-1978) Title: Snow Sculpture Snowman Year: 1985 Edition: 350/350, plus proofs. Medium: Offset lithograph on wove paper Size: 24.5 x 18.5 inches Condition...