20th Century Landscape Prints

Bill Sullivan, American (1942 - ) - Low Tide 13, Year: circa 1985, Medium: Hand Colored Lithograph, signed in pencil, Edition: 25, Size: 35 x 50 in. (88.9 x 127 cm), Descriptio...

Bill Sullivan, American (1942 - ) - Low Tide 17, Year: circa 1985, Medium: Hand Colored Lithograph, signed in pencil, Edition: 25, Size: 35 x 50 in. (88.9 x 127 cm), Descriptio...

Bill Sullivan, American (1942 - ) - Low Tide 22, Year: circa 1985, Medium: Hand Colored Lithograph, signed in pencil, Edition: 25, Size: 35 x 50 in. (88.9 x 127 cm), Descriptio...

Bill Sullivan, American (1942 - ) - Low Tide 8, Year: circa 1985, Medium: Hand Colored Lithograph, signed in pencil, Edition: 25, Size: 35 x 50 in. (88.9 x 127 cm), Description...

Bill Sullivan, American (1942 - ) - Stony Creek Sunset, Medium: Lithograph, Signed in Pencil, Edition: 50, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm), Description: Overlooking t...

John Beerman, American (1958 - ) - Light and Darkness, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 6 x 9.5 inches, Size: 13.5 x 22 in....

Sybil Kleinrock, American - Seascape, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: XX, Size: 29 x 36 in. (73.66 x 91.44 cm)

John Beerman, American (1958 - ) - In the Wind, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 7 x 6 inches, Size: 14.5 x 11.5 in. (36.83...

John Beerman, American (1958 - ) - Between the Trees, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 5.5 x 5.5 inches, Size: 17 x 13.5 in...

John Beerman, American (1958 - ) - Two Trees, Year: 1990, Medium: Monotype, signed in pencil, Image Size: 5.5 x 5.5 inches, Size: 11.5 x 9 in. (29.21 x 22.86 cm), Printer: Syliv...

John Beerman, American (1958 - ) - 3 Mile Harbor, East Hampton, Medium: Poster, signed in ink, Image Size: 17 x 25 inches, Size: 24 x 32 in. (60.96 x 81.28 cm), Printer: Syliva R...

John Beerman, American (1958 - ) - Between the Trees, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 5.5 x 7 inches, Size: 14.5 x 11.5 in...

John Beerman, American (1958 - ) - Above the Trees, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 7 x 5.5 inches, Size: 14 x 11.5 in. (3...

John Beerman, American (1958 - ) - Standing Trees, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 7 x 5.5 inches, Size: 16.5 x 12.5 in. (...

Sybil Kleinrock, American - Untitled - Three Suns, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 125, Size: 23 x 26 in. (58.42 x 66.04 cm)

John Beerman, American (1958 - ) - Two Rocks, Year: 1987, Medium: Color Etching Aquatint, signed and numbered in pencil, Edition: Working Proof, Image Size: 18 x 22 inches, Size:...

John Beerman, American (1958 - ) - Two Bushes at Twilight, Year: 1990, Medium: Color Etching Aquatint, signed and numbered in pencil, Edition: PP 7/10, Image Size: 15 x 14.5 inch...

John Beerman, American (1958 - ) - Yellow Field, Year: 1985, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 18 x 23.5 inches, Size: 25.5 x 30 in. (64...

John Beerman, American (1958 - ) - Tip of Tree, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 7 x 7 inches, Size: 14 x 10 in. (35.56 x 25.4 cm), Prin...

This exquisite lithograph after Marc Chagall (1887–1985), titled Hommage a Garnier (Homage to Garnier), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of...

Dan GANDRE (1936-) FRENCH CASTLE : Chambord Castle, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. ...

This exquisite lithograph by Marino Marini (1901–1980), titled Cavalli e cavalieri in piedi (Horses and Riders Standing), from the album XXe Siecle, Nouvelle serie, No. 1, 1951, orig...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Alongside, 1941 Tod Lindenmuth (American, 1885-1976) Color Woodblock Print 9 x 7 inches 19.75 x 14.5 inches with frame Signed Lower Right Titled and Dated Lower Left A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration. Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne. He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association's 'First Modernistic Exhibition". He exhibited regularly with the Society of Independent Artists in New York. He married artist and illustrator Elizabeth Boardman Warren...

tching on green-hued antique laid Japon paper, 9 7/16 x 4 1/16 (240 x 104 mm), full margins. Signed, dated and inscribed "Ed. 100 II." One of a total edition on 124 impressions, prin...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Maternite (Maternity), from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the 1951 edition published by Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo, in collaboration with Fernand Mourlot, Paris; rendered by Georges Duval, maître imprimeur, Paris; and printed by Mourlot Freres, Paris, March 25, 1951. Maternite expresses Renoir’s profound tenderness and humanism, portraying the intimate bond between mother and child with radiant color, warmth, and a timeless grace that epitomizes his vision of beauty and affection. Executed as a lithograph on grand velin Renage filigrane a la marque de l'editeur paper, this work measures 12.5 x 9.5 inches overall; 11.42 x 9.05 inches image. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and Georges Duval, and the exceptional production standards of Editions du livre, Monte-Carlo. Artwork Details: Artist: After Pierre-Auguste Renoir (1841–1919) Title: Maternite (Maternity), from the album Les Lithographies de Renoir (The Lithographs of Renoir) Medium: Lithograph on grand velin Renage filigrane a la marque de l'editeur paper Dimensions: 12.5 x 9.5 inches overall; 11.42 x 9.05 inches image (31.75 x 24.1 cm overall; 29 x 23 cm image) Inscription: Signed in the plate and unnumbered as issued Date: 1951 Publisher: Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo, in collaboration with Fernand Mourlot, Paris Printer: Mourlot Freres, Paris; rendered by Georges Duval, maitre imprimeur, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Les Lithographies de Renoir (The Lithographs of Renoir), published by Editions du livre, Monte-Carlo, 1951 Notes: Excerpted from the album, This album, produced by Andre Sauret and Fernand Mourlot, has been printed in MMM examples on grand velin Renage filigrane with the publisher's brand. It has been completed to print, March 25, 1951 on the presses of Mourlot Freres and Georges Duval, maitre imprimeur, in Paris. The typography is from L'Imprimerie Union. About the Publication: Les Lithographies de Renoir (The Lithographs of Renoir), published in Monte-Carlo in 1951 under the direction of Andre Sauret in collaboration with Fernand Mourlot, stands among the most elegant postwar tributes to Pierre-Auguste Renoir’s artistic legacy. Conceived as part of the distinguished series of fine art albums issued by Editions du livre, the publication united leading masters of lithography to honor Renoir’s enduring influence on modern art. Printed on grand velin Renage filigrane a la marque de l'editeur by the ateliers of Mourlot Freres and Georges Duval, the album combined technical precision with scholarly presentation, showcasing interpretive plates rendered with exceptional fidelity and tonal refinement. It embodies the collaborative spirit between printer, publisher, and artist that characterized the golden age of French art editions, joining other monumental projects such as those devoted to Matisse, Chagall, Braque, and Picasso. A hallmark of twentieth-century art publishing, Les Lithographies de Renoir preserves the warmth and radiance of Renoir’s aesthetic through the masterful lithographic techniques that made Mourlot Freres synonymous with excellence in fine art printing. About the Artist: Pierre-Auguste Renoir (1841–1919) was one of the most influential and beloved artists in the history of modern art, a French Impressionist master whose radiant color harmonies, sensual brushwork, and joyful depictions of life helped transform the course of painting. Born in Limoges, France, into a modest family, Renoir began his career as a porcelain painter before studying at the Ecole des Beaux-Arts in Paris and joining the avant-garde circle of Claude Monet, Alfred Sisley, and Frederic Bazille. Together they pioneered plein-air painting, capturing fleeting light and atmosphere with revolutionary immediacy. Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classical mastery of Raphael, Ingres, and Rubens, brought greater structure and sensuality to his figures. His art evolved into a vision of timeless beauty expressed through color, form, and emotion, celebrating humanity and intimacy with unmatched tenderness. Even when afflicted by severe rheumatoid arthritis, Renoir continued to paint daily, his hands bound with cloth, and collaborated with sculptor Richard Guino to translate his soft, fluid touch into bronze. His influence radiated across generations—Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray all drew inspiration from his dedication to expressive color and emotional depth. His sensual palette profoundly impacted Henri Matisse, Pierre Bonnard, Raoul Dufy, and Andre Derain, while later artists such as Marc Chagall and Balthus inherited his lyrical humanism and poetic approach to beauty. Renoir’s art, often described as a hymn to joy, found universality in its warmth, intimacy, and reverence for life’s everyday grace. Today, his works hang in major museums worldwide, including the Musee d’Orsay, the Louvre, the National Gallery, the Metropolitan Museum of Art, and the Art Institute of Chicago, continuing to inspire collectors and artists alike. The highest auction record for Pierre-Auguste Renoir was achieved with Bal du moulin de la Galette (1876), which sold for $78.1 million USD at Sotheby’s, New York, on May 17, 1990, securing his enduring legacy as one of the greatest masters of Impressionism and one of the most cherished figures in art history. Pierre-Auguste Renoir Maternite...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

This exquisite lithograph by Max Bill (1908–1994), titled Prisma (Prism), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Fri...

This exquisite lithograph by Serge Poliakoff (1900–1969), titled Composition rouge et bleue (Red and Blue Composition), from the album XXe Siecle, Nouvelle serie, XXIXe Annee No. 31,...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

Carefree Highway Anne Coe Serigraph 96/100 1981 Hand signed, date, and numbered by Coe in pencil. 29.5 inches H. x 39.5 inches W. Carefree Highway is a classic and wonderful example of Anne Coe's early work. Coe’s early paintings were humorous and comic-book styled. Over the years, her paintings evolved from lighthearted whimsy (such as radioactive, mutant Gila monsters...

Jean-Pierre HENAUT (1942-) Tribute to Magritte Original lithograph Handsigned in pencil Limited /275 copies On vellum 76 x 56 cm (c. 29.9 x 22 in) Excellent condition

Jean-Emile Laboureur (1877-1943), La Promenade Sur Le Port, 1933, engraving, signed in pencil lower left. Reference: Godefry 482, Sylvain Laboureur 482, second state (of 2); from the...

Signed lower right, 'Cassigneul' for Jean Pierre Cassigneul (French, born 1935) with number and limitation, lower left, '110/150'. Paper dimensions: 18.5 x 22.75 inches. Reference:...

This exquisite lithograph by Andre Masson (1896–1987), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, essais philosophiques, Le mythe d...

Lithograph realized in 1983. Hand signed and numbered in pencil. Edition of 100.

Lithograph realized by Antonio Saliola in 2000s. Edition of 217/250. Hand signed and numbered in pencil. Excellent condition. Italian painter and printmaker Antonio Saliola is ce...

Frederick Garrison Hall (1879-1946), Beach and Willows, etching, c. 1920, signed in pencil by the artist (?) and annotated "by HPH". Reference: Elton Waylon Hall: Frederick Garrison ...

Original vintage poster: "Map of the United States as Californians See It". 1947, artist: Oren Arnold. Size: 16.5" x 20.5", R. H. MOEBUS COMPANY This poster is not linen-backed. This poster is in very good fine condition, ready to frame. A humorous satirical pictorial map from 1947 with the golden sun on the upper left, gives a detailed depiction of California, its relative size to the rest of the United States, showing Florida as "Death Valley", the rest of the United States as "Unexplored" 'Unimportant anyway, not in California". The image has your Mexican singer; bikini-clad bathers and others set in the image. Shows rivers, lakes, harbors, landmarks, parks, recreational activities, and local people. This map shows Los Angeles’ city...

Artist: Mark Kostabi (1960) Title: Merger Year: 1988 Edition: 50, plus proofs. Medium: Silkscreen on Arches paper Size: 39 x 27.5 inches Condition: Excellent Inscription: Signed and ...

This exquisite lithograph by Sonia Delaunay (1885–1979), titled Rythmes couleur (Color Rhythms), from the album XXe Siecle, Nouvelle serie, XXXIe Annee No. 32, Juin 1969, originates ...

Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., New York,with their blindstamp, 53 x 54.1 cm. (20 x 21 1/4 in.) Catalogue Raisonne: Corlett 170; Tyler, 1987, cat no. 354:RL22 ‘Night Scene’ is one of six intaglio prints Roy Lichtenstein...

This exquisite etching by Marc Chagall (1887–1985), titled En route vers Sobakevitch (On the Way to Sobakevitch), originates from the celebrated folio Nicolas Gogol, Les Ames mortes,...

Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnage et oiseau (Figure and Bird), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965)...

Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp. 1913. Color lithograph Cardinaux created an extensive work of different media, he illu...

Christo The Umbrellas (Yellow) (FRAMED - either black or white frame - you choose) Lithoserigraph Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches Framed: 20.5 x 20.5 x 2.5 inches ...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Etching on cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm); sheet 14 7/8 X 8 3/8 inches (389 x 217 mm), full margins. Signed and dated in pencil in the lower right margin. Fro...

Etching realized by Antonio Saliola in 1990s. Titled and hand signed. Very good condition.

This exquisite lithograph by Joan Miro (1893–1983), titled Jardin au clair de lune (Garden in the Moonlight), originates from the 1973 album hommage a Teriade (Homage to Teriade). Pu...

Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...

Screen print realized in 1980s. Hand signed. Artist proof. Very good condition.

This exquisite lithograph after Andre Derain (1880–1954), titled Amiens (Amiens), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and 1949, V), 1970, ori...

This exquisite lithograph by Joan Miro (1893–1983), titled L’anneau (The Ring), originates from the 1961 folio Derriere le miroir, No. 128. Published by Maeght Editeur, Paris, under ...

"Silver Mine, Russell Gulch (12/25)" is a striking black-and-white lithograph by German-born American Modernist Arnold Ronnebeck (1885–1947). This rare print depicts a historic minin...

Original Aspen Colorado town and mountain scene printed in 1975. Artist: Jim Ford. This poster is archivally linen-backed in excellent condition, Grade A, and ready to frame. No...

Etching on watermarked FJ Head cream laid paper with a deckle edge, 11 1/8 x 8 3/4 inches (283 x 223 mm); sheet 14 3/4 x 11 1/2 inches (374 x 292 mm), full margins. Signed and dated ...

This artwork titled "Fallscape" 1961, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 15/40 in pencil by ...