20th Century Landscape Prints

Hand embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 95. Stretched....

Serigraph printed in colors on paper. Hand signed, dated and numbered by Melanie Taylor Kent. Remarqued lower margin. Printer's Proof edition. ...

The majestic Moose is just one of many iconic Canadian images to which contemporary artist Charles Pachter has devoted many pieces to. Rendered in a neutral palette this framed litho...

Signed lower right, 'Y. Ganne' for Yves Ganne (French, born 1931) and inscribed 'Epreuve d'Artiste', lower left. Yves Ganne first studied at the Ecole des Beaux-Arts of Nantes and,...

Ramon DILLEY (1932-2013) DEAUVILLE : Twenties Elegant, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 76 x 56 cm (c...

"FernLake" Cargo Ship at Sea Chromolithograph on Canvas Original Maiden Voyage of the FernLake Chromolithograph from the painting by Norwegian artist Carl B. Hestman (Norwegian, 19...

Yvonne CHEFFER DELOUIS Madeleine in Hendaye Original lithograph Signed in pencil Numbered / 275 copies On vellum 56 x 76 cm (c. 22 x 29.9 in) Excellent condition

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...

An excellent original signed lithograph depicting the legendary Windsor Castle by HM King Charles III (b. 1948). “The third lithograph to be produced was the very dramatic Windsor C...

This exquisite woodcut after Wassily Kandinsky (1866–1944), titled Klange (Sounds), from the album XXe Siecle, Decembre 1966, originates from the 1966 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1966. Klange reflects Kandinsky’s revolutionary synthesis of sound, color, and emotion, merging visual rhythm and spiritual resonance in a poetic abstraction that embodies the birth of modern non-objective art. Executed as a woodcut on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Klange (Sounds), from the album XXe Siecle, Decembre 1966 Medium: Woodcut on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Decembre 1966, published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris; printed by Mourlot Freres, Paris, 1966 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Wassily Kandinsky (1866–1944) was a visionary Russian-born, later French, painter, printmaker, and pioneering theorist whose quest to translate music and spirituality into pure visual form helped birth abstract art and irrevocably transform the modern aesthetic. Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-based Der Blaue Reiter and later teaching at the prestigious Bauhaus school—fusing his deep interests in Russian icon painting, folk ornament, theosophy, color theory, and the experimental energy of early 20th-century artistic innovation. Influenced by predecessors such as Cezanne, Matisse, and the non-European masks and forms he encountered, Kandinsky worked alongside and in dialogue with contemporaries including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists united by a fearless rejection of conventional representation and a shared impulse toward radical visual invention. His compositions of floating geometric forms, vibrant chromatic symphonies, and lyrical abstractions not only charted new territory for the avant-garde in his own time but also inspired innumerable later artists—from the Abstract Expressionists like Jackson Pollock and Mark Rothko, to the Color Field painters, post-war neo-expressionists, and contemporary abstractionists who continue to echo his bold experimentations with color, line, and composition. Kandinsky’s works remain cornerstone acquisitions for major museums worldwide and prime offerings in the global collector market. His auction record stands with Murnau with Church II (1910), which sold for £37,196,800 (≈$44.9 million) at Sotheby’s, London, on March 1, 2023. Wassily Kandinsky Klange...

Armin Landeck, '12th Street Walls', etching, edition 100, first state, 1944, Kraeft 93. Signed in pencil. Initialed in the plate lower left. A superb, early impression, with all the ...

Signed lower right, 'Guy Maccoy' (American, 1904-1981), dated 1941 and titled, lower left, 'Vermont Quarry'. Serigrapher, muralist and teacher, Guy Maccoy began his art studies at the Kansas City Art Institute and continued with Ernest Lawson in Colorado Springs. Upon moving to New York City, he studied at the Art Students League and at Columbia University. In 1932 he began producing silk screen prints in New York City with his wife, Geno Pettit...

Salvador Dalí­ Place Furstenberg, 1971 Drypoint etching Hang signed lower right Numbered 55/250 lower left Image size 31.5 x 38.5 cm Sheet size 50 x 64 cm Printed by Moret Publisher...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Suites nº8, Rencontres, 1964. Published...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

Lithograph on heavy weight wove paper, 12 3/8 x 16 3/8 inches (313 x 416 mm), full margins. Titled and signed (illegibly) in pencil, lower margins. With scattered notations in red pe...

This artwork "Cityscape" c.1990 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 24/350 in black ink by the artist. The artwork size is 9.35 x 11.15 inches, framed size is 19.75 x 21.75 inches. Custom framed in a gold and silver frame, with off white matting. It is in excellent condition. About the artist: Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting. Biography He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975. In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture. Accomplishments Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica...

Born in Budapest in 1907, he had a humble upbringing and a passion for the arts. Shortly after the Hungarian Revolution broke out in 1956, Domján was invited to showcase his work in ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (...

SWEETGRASS CARRIERS is a hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the renowned American artist JONATHAN...

Jean Carlu, Foire de Paris, 1955, Original Vintage Poster, Linen Backed. Very fine condition, Grade A-, ready to frame. This is an original, linen-backed 1955 "Foire de Paris" (Pa...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Vert, Bleu, Noir (Green, Blue, Black), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Le reveil (The Awakening), from the album Miro 1959–1960 (Miro 1959–1960), origi...

Etching on cream wove paper 3 5/16 x 1 7/8 inches (84 x 49 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. Likely one of eight trial proof impressions f...

This exquisite lithograph after Marc Chagall (1887–1985), titled Athene und das Pferd (Athena and the Horse), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-l...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Paysage a Chatou (Landscape at Chatou), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy, 1972...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872-1949) Christ Church Library, Oxford Signed and numbered 34, published by Stafford Gallery with blind stamp Lithograph 26 x 34.5cm Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...

Urbain HUCHET Lavender Fields in Provence Original lithograph Signed in pencil Numbered on /300 On vellum 37.5 x 47.8 cm (c. 14.5 x 18.5 inch) Excellent condition, small defects a...

This exquisite lithograph by Georges Rouault (1871–1958), titled Pierrot Noir (Black Pierrot), from the album Georges Rouault, Divertissement, originates from the 1943 edition publis...

Serge LASSUS (1933-) Horses : Winter Riders, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Coated paper 76 x 56 cm (c. 30...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

Classic hand-color plate by Eugene Pechaubes (1890-1967) pencil signed (LL) titled: 'Maisons-Laffitte' Art Sz: 11"H x 18"W Frame Sz: 18"H x 24 1/2"W Hand-Colored Lithograph The H...

Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...

This exquisite lithograph after Henri Matisse (1869–1954), titled Femme nu (Nude Woman), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the 1953 iss...

Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...

This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...

A complicated collaboration between two perfectionists. by John Taylor Arms & Kerr Eby Etching on cream laid paper with a deckle edge, 12 5/8 x 8 11/16 (322 x 222 mm); sheet 18 x 11...

Les Boulevards Color llthograph on china paper, 1900 Signed In graphite, below image, right: P. Bonnard A proof outside of the edition of 100 for Das Ma...

Inviernosexoprimaveral 1995 17-color silkscreen with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 "Sexual Spring-like Winter" is a large painterly work, created with laye...

BERNARD (JOSEPH) STEFFEN (1907 – 1980) PULLING CORN (FODDER HOPPER) c. 1935-45 Color serigraph signed with a full signature below the image at the lower right sheet edge . Unknown e...

This exquisite lithograph by Andre Minaux (1923–1986), titled La barque echouee (The Stranded Boat), from the album Prints from the Mourlot Press, exhibition sponsored by the French ...

This embossed, numbered and signed lithograph, part of the “Four Seasons Suite,” is by Alvar Suñol Muñoz-Ramos (b. 1935), a renowned Spanish ar...

Daniel GALLAIS Aurora Japan Original lithograph Handsigned in pencil Limited /175 copies On vellum 76 x 56 cm (c. 30 x 22 in) Excellent condition

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Robert SAVARY Paris : Theatre de l'Atelier in Montmartre, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent con...

Roland Cat Seabed with Dolphin Original lithograph Handsigned in pencil Limited /275 copies On vellum 90 x 63 cm (c. 35.43 x 24.8 in) Excellent condition

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Woodcut print realized by Pierre Gusman in the early 20th Century. Hand signed and numbered. Edition of 150. Very good condition.

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

Jean-Baptiste VALADIE White Light of Santorini Original lithograph Handsigned in pencil Limited / 199 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Rolf RAFFLEWSKI Paris : Louvre Museum Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Onde (Wave), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painter...