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Style: Naturalistic
"Under the Street Lamp" Imp. Etching
By Martin Lewis
Located in Houston, TX
Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame.
Dimensions without Frame: H 15 in x W 9.5 in.
Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
Category
1920s Naturalistic Landscape Prints
Materials
Etching, Laid Paper
Remains of Henry II
s Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
Night Heron Birds: A 19th C. Folio-sized Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Salle
s Hermit Hummingbirds: A 19th C. Gould Hand-colored "Phaethornis Augusti"
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Phaethornis Augusti", Salle's Hermit Hummingbird by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, grey, black, white and some green colored hummingbirds about a plant with green leaves and coral and yellow flowers.
This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original text page is included.
There are five other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Ince
s Paradise Flycatcher Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Muscipeta Incei" ( (Ince's Paradise Flycatcher)) by John Gould, which is plate 19 from his monograph "The Birds of Great Brita...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Curlew Bird and Charleston, SC: Original 1st Ed. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible first edition John James Audubon hand colored lithograph entitled "Long-billed Curlew", No. 71, Plate 355, from Audubon's "Birds of America. It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a male and a female Long-billed Curlew standing on a grassy mound with water and the skyline of the city of Charleston...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Lithograph
Original Tripoli - Libia vintage Italian railroad poster to North Africa linen
Located in Spokane, WA
Tripoli – Libia Original ENIT Italian State Railways antique Travel Poster, Linen-Backed, A- Excellent, 39" x 27". Ready to frame. Condition A-.
Original vintage travel poster pr...
Category
1930s Naturalistic Landscape Prints
Materials
Lithograph
A Greenfinch
A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category
1760s Naturalistic Landscape Prints
Materials
Engraving
Black-throated Diver: Original 1st Edition Hand-colored Audubon Bird Lithograph
Located in Alamo, CA
This is an original rare and collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Bir...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Sora Rail Bird Family: Original 19th C. 1st Ed. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "Sora Rail, 1. Male, 2. Female, 3. Young", No. 62, Plate 306, from Audubon's "...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Least Bittern Birds: Original 19th C. 1st Ed. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "Least Bittern, 1. Male, 2. Female, 3. Young", No. 74, Plate 366, from Audubon...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Great White Egret: An Original 19th C. Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original hand-colored lithograph entitled "Great American White Egret", No. 74, Plate 370, by John James Audubon from his "Birds of America" publication. It was lithograph...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Townsend
s Arvicola: Original 19th Cent. Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Townsend's Arvicola; Sharp-nosed Arvicola; Bank Rat", No. 31, Plate CXLIV from John James Audubon's Quadruped...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Early 18th Century Naturalistic Landscape Prints
Materials
Engraving
Bearded Tree Swift Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Harlan
s Buzzard Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st edition John James Audubon hand-colored lithograph entitled "Harlan's Buzzard", No. 2, Plate 8 from Audubon's "Birds of America, lithographed, printed and col...
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Lithograph
"Washington Sea Eagle": An Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Washington Sea Eagle", No. 3, Plate 13, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1856-1871. It depicts an adult male sea eagle perched on a rock.
This is an excerpt from Audubon's own description of this magnificent eagle, which includes how he came up with the name "Washington Sea Eagle":
"The name which I have chosen for this new species of Eagle, “The Bird of Washington,” may, by some, be considered as preposterous and unfit; but as it is indisputably the noblest bird of its genus that has yet been discovered in the United States, I trust I shall be allowed to honour it with the name of one yet nobler, who was the saviour of his country, and whose name will ever be dear, to it. To those who may be curious to know my reasons, I can only say, that, as the new world gave me birth and liberty, the great man who ensured its independence is next to my heart. He had a nobility of mind, and a generosity of soul, such as are seldom possessed. He was brave, so is the Eagle; like it, too, he was the terror of his foes; and his fame, extending from pole to pole, resembles the majestic soarings of the mightiest of the feathered tribe...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
A Family of Common Snipe Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Gallinago Scolopacinus" (Common Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Quadrangle of Corpus Christi College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Quadrangle of Corpus Christi College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 17...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Views of London: A Pair of Framed 19th Century Engravings by Havell and Allom
Located in Alamo, CA
This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Engraving, Etching
Hummingbirds: 19th C. Gould Hand-colored "Cyanifrons", Blue-capped Saucerottia
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Saucerottia Cyanifrons", Blue-capped Saucerottia Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts two green, blue and a little brown colored hummingbirds about a plant with green leaves and pink flowers.
This beautiful Gould hand-colored hummingbird lithograph has a few very small faint spots, but it is otherwise in excellent condition. The original text page is included.
There are other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
"Grizzly Bear", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Grizzly Bear", No. 27, Plate CXXXI from Audubon's "Quadrupeds of North America". It was drawn on...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Buff-breasted Merganser: Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Buff-breasted Merganser Goosander, 1. Male 2. Female", No. 83, Plate 411 from Audubon's "Birds of America, li...
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Lithograph
Colorful Parrot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...
Category
1760s Naturalistic Landscape Prints
Materials
Engraving
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Turtledove: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 160 from 'Histoire Naturelle des Oiseau...
Category
1760s Naturalistic Landscape Prints
Materials
Engraving
Caunga Cucumber Plant: A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Caunga" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 6 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the caunga plant, also known as Inca cucumber or horned squash, which is a climbing vine that produces edible, cucumber-like fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.25" high by 18.88" wide. There is a central fold, as issued. There is a small dark spot on the left which appears to represent a paper inclusion which occurred when the hand-made paper was produced. The print is otherwise in excellent condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van Rheede tot Drakenstein...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving
Villa di Castel Pulci del Signor Marchese Riccardi, Italy, engraving, 1744
Located in Melbourne, Victoria
Engraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767).
From 'Vedute delle ville, e d'altri luoghi d...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
Rothenberg
Located in Middletown, NY
Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...
Category
Early 20th Century Naturalistic Landscape Prints
Materials
Handmade Paper, Etching, Aquatint
White-throated Hummingbirds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio-sized lithograph entitled "Schistes Albogularis (White-throated Wedge-bill Hummingbirds) by John Gould from his monograph " from A Monograph o...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Group of Four Mezzotint Hunting Plates.
Located in London, London
4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides.
[Published: Augsburg, 1750].
A fine group showing 2 male and 2 female hunters along with the ...
Category
1750s Naturalistic Landscape Prints
Materials
Handmade Paper, Engraving, Mezzotint
Boats - Original Etching by Giovanni Fattori - 1895 ca.
Located in Roma, IT
Etching on a zinc plate.
Very Good conditions.
Ref.
- A. Baboni, L'Ottocento: le incisioni di Giovanni Fattori, Pacini Editore, 2001. p. 128, n.106
Giovanni Fattori was an Italian ...
Category
1890s Naturalistic Landscape Prints
Materials
Etching
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving
Yarrell
s Wood-star Hummingbirds: A 19th Century Hand-Colored Gould Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Calothorax Yarrelli", Yarrell's Wood-star Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three green, white, grey, and a little blue colored hummingbirds amid green cactus plants with white and pink colored flowers. The hummingbirds are augmented by gum-arabic paint, which gives them an iridescent appearance in areas in which it is used.
This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original descriptive text page from Gould's 19th century publication is included.
There are several other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Landscape Prints
Materials
Engraving
Black-headed Pitta Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Pitta Atricapilla (Black-headed Pitta) by John Gould, which is plate 19 from his monograph "The Birds of Asia", published in L...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Merano La Conca d"oro dell
Alto Adige original vintage lithograph poster
Located in Spokane, WA
Artist: Franz Lenhart. Size: 27.5" x 39". Professional archival linen backed; ready to frame. "La Conca d'Oro dell 'alto Adige"
The water flows f...
Category
1940s Naturalistic Landscape Prints
Materials
Lithograph
“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Skogskanten” (Winter Landscape with Spruce Trees)
signed "Oskar Bergman" in pencil
drypoint etching
image size: 19.5 x 29.5 cm (7 ...
Category
1910s Naturalistic Landscape Prints
Materials
Paper, Drypoint, Etching
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category
Early 17th Century Naturalistic Landscape Prints
Materials
Engraving
Canvass Back Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Lithograph
Pied Flycatcher Birds: 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Representation Generale de la Voute de La Galerie du President, French engraving
Located in Melbourne, Victoria
Copper-line engraving by Mathys Pool (1676-1732) after Picart and Charles Le Brun (1619-1690). 1718.
Depicts a ceiling design commissioned for the Hot...
Category
Early 19th Century Naturalistic Landscape Prints
Materials
Engraving
Downy Squirrel: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Downy Squirrel, No. 5, Plate XXV", from John James Audubon's Quadrupeds of North America, published in Philad...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well.
This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Engraving, Mezzotint
Palm Leaf Over Blue Sky, Handmade Botanical Cyanotype on Paper, Tropical Vintage
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a beautiful Palm Tree Leaf.
Details:
+ Title: Palm Tree Leaf Over Blue Sky
+ Year: 2025
+ Edition Size: 100
+ Stamped a...
Category
2010s Naturalistic Landscape Prints
Materials
Paper, Watercolor, Lithograph
"King Duck": An Original First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "King Duck, 1. Male, 2. Female", No. 81, Plate 404, from A...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Home Away From Home, Desert Modernism Architecture, Blue Tones Cyanotype, Paper
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement.
It's made by layering paper cutouts...
Category
2010s Naturalistic Landscape Prints
Materials
Paper, Monotype, Lithograph
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving
American Bittern: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background.
This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Great Tit Birds: A 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful and vibrant hand-colored folio-sized lithograph entitled "Parus Major (Great Tit birds) by John Gould from his monograph "The Birds of Great Britain ", published ...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Grey Fox: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Grey Fox, No. 5, Plate XXI" from John James Audubon's Quadrupeds of North America, published in Philadelphia ...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
American Black Bear: Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "American Black Bear", No. 29, Plate CXLI from Audubon's "Quadrupeds of North America". It was dr...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Flowering Trumpet Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Engraving, Mezzotint
Missouri Meadow Lark: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Missouri Meadow Lark, Male", No. 98, Plate 489 from Audubon's "Birds of America, lithographed, p...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Black or Silver Fox: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "American Black or Silver Fox, No. 24, Plate CXVI" from John James Audubon's Quadrupeds of North America, publ...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
Located in Melbourne, Victoria
'Alexandria'
A view of the great harbour from a little behind the shoreline.
Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of ...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving, Etching
The Quadrangle of Jesus College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'The Quadrangle of Jesus College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category
Early 17th Century Naturalistic Landscape Prints
Materials
Engraving
Naturalistic landscape prints for sale on 1stDibs.
Find a wide variety of authentic Naturalistic landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, William Curtis, Victor Levasseur, and Isaac Slater. Frequently made by artists working with Lithograph, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic landscape prints, so small editions measuring 3.15 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $41,500, while the average work sells for $395.