Naturalistic Landscape Prints
to
162
296
77
24
17
9
Overall Width
to
Overall Height
to
4,675
3,194
812
808
745
655
649
442
370
89
83
78
28
15
64
34
22
21
17
112
265
25
21
1
2
2
5
1
1
1
2
100
242
175
3
127
110
100
81
47
42
41
30
27
26
23
23
22
19
18
17
17
17
15
15
161
145
116
32
22
39
162
292
28
Style: Naturalistic
Heart Spotted Woodpeckers: A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Hemicircus Cordatus" (Heart Spotted Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Brussels, Belgium, birds-eye view, chromolithograph, c1870
Located in Melbourne, Victoria
Brussels, Belgium, birds-eye view, chromolithograph, c1870 published by William Collins.
175mm by 225mm (image) 270mm by 335mm (sheet)
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Lithograph
L
Isere, France. Antique map of French department, 1856
Located in Melbourne, Victoria
'Dept. de L'Isere', Steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area is known for its production of Bleu du Vercor...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Engraving, Mezzotint
St Paul
s School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'St Paul's School'
Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an early 20th century printmaker who sp...
Category
Early 20th Century Naturalistic Landscape Prints
Materials
Etching
L
Herault, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Saone et Loire', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is home to a wide variety of vineyards a...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Lozere, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de La Lozere', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This remote mountainous part of Languedoc is rural, s...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Saone and Loire, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Saone et Loire', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
The French department of Saone et Loire is at the ...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Conway, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Conway'
Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland'...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
Pair of 19th C. Hand-colored Lithographs of Ducks by John Gould
By John Gould
Located in Alamo, CA
A pair of hand-colored lithographs of ducks entitled "Tadorna Vulpanser" (Sheldrake Ducks) and "Mergus Umbellus' (Smew or Nun Ducks) from John Gould's publication "Birds of Great Br...
Category
1860s Naturalistic Landscape Prints
Materials
Lithograph
Ivy Bridge near Plymouth, Devon. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Ivy Bridge near Plymouth'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Irelan...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
"Rough" and "Puck, " Dandies
Located in Columbia, MO
"Rough" and "Puck, " Dandies
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Etching
Paris - Parc de Monceaux, French lithograph, 1861
Located in Melbourne, Victoria
'Parc de Monceaux', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Na...
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Lithograph
Cynthia MacCollum, Ephemeral 2, 2020, Wet Cyanotype Painting, Naturalistic
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Landscape Prints
Materials
Printer s Ink, Acrylic, Rag Paper, Photogram
La Gironde, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'La Gironde', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This coastal department is the seat of the Bordeaux wine regi...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Hautes Pyrenees, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. des Hautes Pyrenees', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is home to the wine producing region, ...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Northamptonshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved view of 'Peterborough...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Cumberland, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Hertfordshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved v...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Loir and Cher, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Loir and Cher', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is mainly known for its production of Sel...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
"Katu-Belluren": A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a vine spinach plant entitled "Katu-Belluren" by Hendrik van Rheede tot Drakenstein, plate 46 from his 'Hortus Indicus M...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
1820s Naturalistic Landscape Prints
Materials
Engraving
"Prairie Wolf": An Original Audubon 19th Century Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Prairie Wolf", No. 15, Plate LXXI, 71 from Audubon's "Quadrupeds of North America". It was drawn...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
"White American Wolf" an Audubon Hand Colored by J.T. Bowen Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "White American Wolf", No. 15, Plate LXXII, from Audubon's "Quadrupeds of North America...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving
Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Engraving, Mezzotint
Yellow-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Yellow-billed Cuckoo, 1. Male, 2, Female, Papaw Tree", No. 55, Plate 275 from Audubon's "B...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Flame-bearer Hummingbirds: A 19th C. Gould Hand-colored "Selasphorus Scintilla"
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Selasphorus Scintilla" (Little Flame-bearer Hummingbirds) by John Gould, Plate 162 in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, green, ochre-colored hummingbirds with flame red protrusions under their beaks; perched on broad moss green-colored leaves of a plant with pale blue-colored flowers.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing related to the lower quality paper used for the text pages in the publication.
There are several other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Common Scaup Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Common Scaup Duck, 1. Male, 2. Female", No. 100, Plate 498 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts male and female Scaup ducks sitting on a mound, looking to the right at water. A lighthouse is seen on a point of land in the background on the right.
This original hand-colored Common Scaup Duck lithograph...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Indian Wryneck Birds (Yunx indica): A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Yunx indica" (Indian Wryneck) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The pri...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Fever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving
Red Doyenne Pear: Original 19th C. Hand-colored Engraving by Sir William Hooker
Located in Alamo, CA
This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...
Category
1810s Naturalistic Landscape Prints
Materials
Engraving
25: Crab-boat at Rottingdean
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category
1810s Naturalistic Landscape Prints
Materials
Engraving
"The Cougar, Female and Young": Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Female and Young", No. 20, Plate XCVII, 97 from Audubon's "Quadrupeds of North Ameri...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
"Texan Lynx": An Original Audubon 19th Century Hand-Colored Quadruped Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Texan Lynx", No. 19, Plate XCII, 92, from Audubon's "Quadrupeds of North America", printed and colored by J.T. Bowen and published in Philadelphia from 1849-1854. The lithograph depicts a Texan Lynx laying on the ground with hills in the background.
This antique hand colored Audubon quadruped lithograph is presented with the original descriptive text pages 293-296 from Audubon's 19th century publication. The print is in excellent condition, including the striking hand coloring.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
20: Hatch Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
"Pinnated Grouse", an Original Audubon Hand-colored First Edition Lithograph
Located in Alamo, CA
An original extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "Pinnated Grouse", No. 60, Pl. 296, from Audubon's "Birds of A...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Greenland Falcon "Falco Candicans": A 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Falco Candicans" (Greenland Falcon Light) by John Gould, from his "Birds of Great Britain", published i...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category
1820s Naturalistic Landscape Prints
Materials
Engraving
Flying Squirrels: An Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand colored lithograph entitled "Severn River Flying Squirrel & Rocky Mountain Flying Squirrel", No. 29, P...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Cuvier
s Sabre-wing Hummingbirds: A 19th C. Hand-colored lithograph by Gould
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Campylopterus Cuvieri" (Cuvier's Sabre-wing Hummingbird) by John Gould, as plate 52 published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London between 1849 and 1861. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts two mostly green-colored hummingbirds with brown wings perched on a branch of a tropical long leafed plant, possibly bamboo with ferns in the background.
This beautiful Gould hand-colored hummingbird lithograph is augmented with gum-arabic paint. It is in very good condition, other than some discoloration at the edges of the upper and lower right corners and residual binding material where the print was bound in the 19th century publication. The original descriptive text page from Gould's 19th century publication is included.
There are several other unframed Gould hummingbird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well.
This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Flowering Lyons
Chelone Botanical: A 19th C. Hand-colored Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...
Category
1810s Naturalistic Landscape Prints
Materials
Engraving
63: Fishing Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Golden Eye Duck: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Golden Eye Duck", No. 82, Plate 406, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female Golden Eye ducks in flight.
This original rare first edition hand colored Audubon bird lithograph is in excellent condition. The sheet measures 6.25" x 10". The original text pages, pages 362-366, from Audubon's publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
55: Hay Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
An Icelandic GyrFalcon: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Landscape Prints
Materials
Engraving
A Pair of Hand Colored Engravings of an African Lioness and her Cubs and a Rhino
Located in Alamo, CA
A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Sa...
Category
1770s Naturalistic Landscape Prints
Materials
Engraving
Flowering Air Plant: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Pendulous-flowered Bryophyllum", plate 1409, published in London in 1809 in William Curtis’s 'The Botanical Magazine, or Flower-Garden Displayed'. Bryophyllum pinnatum, also known as the air plant...
Category
Early 1800s Naturalistic Landscape Prints
Materials
Engraving
51: Peter Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
An Antique Engraved View of "Waterfalls in Smoland", Sweden by Erik Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Delineatio Cataractae" (Waterfalls in Smoland), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlber...
Category
Early 18th Century Naturalistic Landscape Prints
Materials
Laid Paper, Engraving
An Antique Engraved View of Copper Mining in Sweden in the 17th C. by Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Fodinae aerariae Falunenfis, qui orientem fpectat, delineatio" (Copper mining in Falun), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johannes van den Aveelen (1650-1727), who was an accomplished copperplate engraver who emigrated to Sweden to work on Dahlberg's spectacular book, "Sueciae Antiquae et Hodiernae", which was focused on the views and architecture of Sweden, both in the ancient past and at the time of the publication.
This engraving depicts a very active 17th century working scene...
Category
Early 18th Century Naturalistic Landscape Prints
Materials
Laid Paper, Engraving
Cindy MacCollum, Paradise, 2018, Cyanotype, Naturalistic
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Landscape Prints
Materials
Printer s Ink, Acrylic, Rag Paper, Monotype, Photogram
Cynthia MacCollum, Mullein, 2018, Cyanotype with Monotype Naturalistic,
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Landscape Prints
Materials
Printer s Ink, Acrylic, Rag Paper, Monotype, Photogram
La Meuse - Etching by R.P. Grouillet - 1911
Located in Roma, IT
Original etching by Robert Pierre Grouiller after a painting by Johan Barthold Jongkind. Signed and dated on plate by Jongkind. Edition of 600 prints. Etching and aquatint print on v...
Category
1910s Naturalistic Landscape Prints
Materials
Etching
Stow Wengenroth, Lock House, Lambertville, New Jersey
Located in New York, NY
Signed, numbered, and with extensive dedication to the artist Norman Kent. Titled in lower margin in another hand. Really, no one could draw on a lithograp...
Category
Mid-20th Century Naturalistic Landscape Prints
Materials
Lithograph
29: The Discovery, Convict Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Naturalistic landscape prints for sale on 1stDibs.
Find a wide variety of authentic Naturalistic landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, William Curtis, Victor Levasseur, and Isaac Slater. Frequently made by artists working with Lithograph, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic landscape prints, so small editions measuring 3.15 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $41,500, while the average work sells for $395.