Post-Impressionist Landscape Prints

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte (Still Life), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Signed lower right, 'K. Ogata' with number and limitation, 120/275, lower left. Accompanied by a Certificate of Authentication from the Societe de Verification de la Nouvelle Gravure...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 12.5 inches; image size: 9.05 x 10.24 inches Inscription: Unsigned and unnumbered, as issued No...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

MAURICE de VLAMINCK (1876 - 1958) BOISSY LES-PERCHES, 1951 (W148) Drypoint and etching. Unsigned but initialed in drypoint lower right in image, MV. 10 1/4 x 12 3/8 inches. Full sh...

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 10.24 x 13.78 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Etudes, «Histoire de l'Electricite» (Studies, “History of Electricity”), from the folio Lettre a mon peintre Raoul Dufy...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Moissonneurs (The Harvesters), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), or...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Prince de Joinville (The Prince of Joinville), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Isaac Newton (Isaac Newton), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Salon de Musique (The Music Room), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy),...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Sybil Andrews, 'Le Petit Bay, St. Malo', color monotype, c. 1925; edition 3, print 2. Signed 'Sybil Andrews pinx et imp' annotated 'No 2' and titled in pencil. A superb, luminous imp...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting capture...

This exquisite lithograph after Raoul Dufy (1877–1953), titled L'Orchestre (The Orchestra), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

Artist: Henri Matisse (after) Title: La Tristesse du Roi (The Sadness of the King) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: ...

Urbain HUCHET Paris : Square near Saint Germain, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 19 x 14 cm (c. 7 x 6 in) Exc...

Urbain HUCHET Paris : Opera Square, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 18 cm (c. 6 x 7 in) Excellent condition

Church of San Pietro In Banchi, Italy - 1908 Original Etching Original 1908 etching of the church of San Pietro Banchi in Genoa, Italy by George Walter Chandler (American, 1866-1928...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Isaac Newton (Isaac Newton), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

Saint Tropez Etching with aquatint, printed in colors, 1964 Signed in ink and numbered in pencil Edition: 71/100 Issued for the album St. Tropez et la Provence, in 1966 Reference: Lo...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Isaac Newton (Isaac Newton), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...

Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...

"Moorea" is an beautiful hand pulled serigraph created from the oil painted on location in Tahiti by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 10.24 x 5.91 inches Inscription: Unsigned and unnumbered, as issued No...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Invitation a un verre de lait (Invitation to a Glass of Milk), originates from the 1966 folio Derriere l...

Claude MANOUKIAN Normandy : A Nice Winter Day Original lithograph Printed signature in the plate On Arches vellum 43 x 56 cm (c. 17 x 22 inch) Exc...

Urbain HUCHET Paris : Before the Show at Opera, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 12 x 18 cm (c. 5 x 7 in) Exce...

"Woods Cove" is an beautiful 90 color hand pulled serigraph created from the oil painted on location in Laguna Beach, California by Maria Bertran. This Contemporary Impressionist pai...

Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Au Cafe, Le consommeteur et la cassiere chlorotique (At the Cafe, The Customer and the Anemic Cashier), ...

Claude MANOUKIAN Brittany Seascape at the Sunset Original lithograph Printed signature in the plate On Arches vellum 43 x 56 cm (c. 17 x 22 inch) ...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Urbain HUCHET Paris : Lovers near Notre Dame, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 17 cm (c. 6 x 7 in) Excell...

This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Urbain HUCHET Paris : Obelisk at Champs Elysees , c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 18 cm (c. 6 x 7 in) Ex...

Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 5.71 x 8.86 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...

Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...

Urbain HUCHET Palace Garnier (Opera Garnier), 1960 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On velllum paper, size 19 x 28 cm Very good condition

Claude MANOUKIAN Normandy : A Colorful Spring Day Original lithograph Printed signature in the plate On Arches vellum 43 x 56 cm (c. 17 x 22 inch) ...

Paul-Adrien BOUROUX London Tower Bridge Viewed from the Thames Original etching with aquatint Printed signature in the plate On Japan paper 28 x 19 cm (c. 11 x 8 inch) Excellent co...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates from the 1939 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1939. This striking composition epitomizes Leger’s distinct synthesis of mechanical precision and organic vitality. Tete et Feuille demonstrates his fascination with the interplay between geometry and the human figure—translating natural forms into bold, dynamic arrangements of line and color. The juxtaposition of the stylized head and leaf form reveals Leger’s mastery in uniting abstraction with humanism, a hallmark of his mature modernist vision. Through rhythmic design and rich tonal contrast, the work captures the harmony between nature and the machine age that defined much of Leger’s career. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the exceptional quality of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern masters of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, 1939 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1939 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, published by Editions de la revue Verve, Paris, 1939 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a union of art and literature, Verve featured original lithographs and writings by the foremost artists and thinkers of its time, including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger. Each issue represented a collaboration between artists, poets, and master printers, notably Mourlot Freres, whose exceptional craftsmanship brought color lithography to new aesthetic heights. The 1939 double issue, Vol. II, No. 5–6, is among the most distinguished editions, reflecting both the intellectual vigor and artistic experimentation that defined the pre-war Parisian avant-garde. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger Tete et Feuille, Leger Verve, Leger Mourlot...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

This exquisite lithograph after Georges Pierre Seurat (1859–1891), titled La banquiste (The Circus Performer), originates from the 1966 folio Derriere le Miroir, No. 158–159, publish...

"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper Bold and saturated depiction of pueblo buildings by Margie Dickson (American, b. 1938). These buildings are h...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 12.5 inches; image size: 6.69 x 11.02 inches Inscription: Unsigned and unnumbered, as issued No...