Post-Impressionist Landscape Prints
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
to
680
651
60
69
23
4
Overall Width
to
Overall Height
to
4,673
3,198
812
808
745
655
649
442
370
89
83
78
28
15
169
14
12
12
7
12
774
22
3
8
179
15
137
258
85
50
2
2
531
272
4
586
417
293
225
158
152
115
69
69
68
39
38
33
28
27
24
23
20
18
17
568
192
45
21
16
29
20
740
62
Style: Post-Impressionist
Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper
Year: 1953
Paper Size: 5.71 x 8.86 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
"Hayrolls In The Lavender Field" Modern Impressionist Serigraph of Provence
Located in Laguna Beach, CA
"Hayrolls In The Lavender Field" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist...
Category
2010s Post-Impressionist Landscape Prints
Materials
Screen
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Mediterranean Landscape - Original Lithograph - Handsigned
Located in Paris, IDF
Charles CAMOIN
Mediterranean Landscape, 1946
Original lithograph
Signed in pencil bottom right
Numbered / XX
On Lana vellum 26 x 36 cm (c. 10...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Les Communs Au Chateau Des Clayes, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$1,996 Sale Price
20% Off
Maison Natale de Colette - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Maison Natale de Colette is a Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition.
Hand-signature on the lower right corner, numbered ...
Category
Early 20th Century Post-Impressionist Landscape Prints
Materials
Lithograph
"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting capture...
Category
2010s Post-Impressionist Landscape Prints
Materials
Screen
Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper
Year: 1950
Paper Size: 12.5 x 9.75 inches; image size: 10.24 x 7.48 inches
Inscription: Signed in the plate and unnumber...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper
Year: 1953
Paper Size: 8.86 x 5.71 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
"When Day is Done, " an Original Etching signed by John Edward Costigan
Located in Milwaukee, WI
"When Day is Done" is an original etching and aquatint signed lower right in pencil by the artist John Edward Costigan. It depicts a man and a woman with their young child at the end...
Category
1930s Post-Impressionist Landscape Prints
Materials
Etching, Aquatint
Jean-Edouard Vuillard, Untitled, from Derriere le Miroir, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Jean-Edouard Vuillard (1868–1940), titled Sans titre (Untitled), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeght E...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary I...
Category
2010s Post-Impressionist Landscape Prints
Materials
Screen
Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued
Year: 1967
Paper Size: 17.32 x 14.17 inches (backing paper size)
Inscription: Signed in the plate and u...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Gauguin, Offerings of Gratitude (Maruru), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Woods in Chatou - Lithograph, 1972
Located in Paris, IDF
Maurice de VLAMINCK (after)
Woods in Chatou
Color lithograph after a painting
Printed signature in the plate
On Arches Vellum 50 x 65 cm (c. 20 x 26 inch)
Excellent condition
Category
1970s Post-Impressionist Landscape Prints
Materials
Lithograph
Paris : Seine River - Original lithograph, Handsigned
Located in Paris, IDF
Paul COLLOMB
Paris : Seine River
Original lithograph
Handsigned in pencil
Justified Epreuve d'artiste (artist proof)
On Arches vellum 55 x 65 cm (c. 22 x...
Category
Late 20th Century Post-Impressionist Landscape Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper
Year: 1953
Paper Size: 5.71 x 8.86 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued
Year: 1967
Paper Size: 17.32 x 14.17 inches (backing paper size)
Inscription: Unsigned and unnumbered, ...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Cowdray Castle (with cows)
Located in Roma, IT
Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified.
Ref. Cat. Harrington...
Category
1880s Post-Impressionist Landscape Prints
Materials
Drypoint, Etching
Henri de Toulouse-Lautrec, Two Portraits of Women, Derriere le Miroir (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Deux portraits de femmes, medaillons pour la decoration du salon du bordel de la rue d'Amboise, Paris (T...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Le Sommeil
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC
Le Sommeil
1948
Lithograph on paper
Ed. 166/740
20.5 x 14 inches
Category
19th Century Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Une Galerie au Gymnase, L
œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Salt Marshes - Original handsigned lithograph
Located in Paris, IDF
Francois DESNOYER
Salt Marshes, 1965
Original lithograph
Handsigned in pencil
On Van Gelder vellum
45 x 33 cm (c. 18 x 13")
Excellent condition
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
Marquet, Composition, Présence de Marquet (after)
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
44% Off
Vuillard, La Vague, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$1,996 Sale Price
20% Off
Old Castle in the South of France - Original handsigned lithograph
Located in Paris, IDF
Francois DESNOYER
Old Castle in South of France, 1965
Original lithograph
Handsigned in pencil
On Van Gelder vellum
45 x 64 cm (c. 18 x 26")
Excel...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
Haystacks near Palaiseau - Original handsigned lithograph - 100 copies
Located in Paris, IDF
Armand GUILLAUMIN
Haystacks near Palaiseau (Les Meules en hiver à Palaiseau), c. 1898
Original lithograph
Handsigned in ink bottom left
Limited to 100 copies ; this one bears ...
Category
1890s Post-Impressionist Landscape Prints
Materials
Lithograph
Normandy : A Nice Summer Day - Original lithograph
Located in Paris, IDF
Claude MANOUKIAN
Normandy : A Nice Summer Day
Original lithograph
Printed signature in the plate
On Arches vellum 43 x 56 cm (c. 17 x 22 inch)
Exc...
Category
20th Century Post-Impressionist Landscape Prints
Materials
Lithograph
Marinot, Intérieur, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1972
Paper Size: 26 x 20 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Fauves, VII, Collec...
Category
1970s Post-Impressionist Landscape Prints
Materials
Lithograph
$1,036 Sale Price
20% Off
Gauguin, The Creation of the Universe (L
Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Jean-Edouard Vuillard, Intimacy, from Derriere le Miroir, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Jean-Edouard Vuillard (1868–1940), titled Intimite (Intimacy), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeght Edi...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper
Year: 1954
Paper Size: 13.5 x 9.5 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Femmes de Lau...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued
Year: 1967
Paper Size: 17.32 x 14.17 inches (backing paper size)
Inscription: Signed in the plate and u...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Vuillard, Les Sapins, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$1,996 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper
Year: 1946
Paper Size: 17 x 13 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, TLautrec, 1946. ...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Signac, L
Hôtel du Nord, Signac Dessins (after)
By Paul Signac
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper
Year: 1950
Paper Size: 9.75 x 12.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Signac Dessins, 1950. Publi...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Vuillard, Sur le Pont de l´Europe, L
œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper
Year: 1954
Paper Size: 13.5 x 9.5 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Femmes de Lau...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Othon Friesz, Paysage à La Ciotat, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1972
Paper Size: 20 x 26 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Fauves, VII, Collec...
Category
1970s Post-Impressionist Landscape Prints
Materials
Lithograph
$1,036 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Vuillard, La Partie de dames, L
œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Henri de Toulouse-Lautrec, Anna Held and All Those Ladies at the Theatre (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Anna Held en Toutes ces Dames au Theatre (Anna Held and All Those Ladies at the Theatre), originates fro...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Post-impressionist landscape prints for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Maria Bertrán, Maurice de Vlaminck, Raoul Dufy, and Georges Lambert. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist landscape prints, so small editions measuring 4.97 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $250,000, while the average work sells for $750.