Surrealist Landscape Prints

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

FOREST is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Dali Inaguracion Teatro Museo Figueras Espana Septiember 1974 is a rare plate signed vintage poster celebrating the opening of the Salvad...

INTO IT is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. INTO IT is a highly detailed drawing depict...

This exquisite lithograph by Joan Miro (1893–1983), titled Composition avec formules chimiques (Composition with Chemical Formulas), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. Composition avec formules chimiques showcases Miro’s unique blend of poetic abstraction and playful symbolism, merging scientific notations with his characteristic visual language of organic forms and vivid color harmonies. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Composition avec formules chimiques (Composition with Chemical Formulas), from the folio Derriere le miroir, No. 87–89 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 34. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 87–89, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1956 Notes: Excerpted from the folio (translated from French), Miroir Miro and Oasis Miro are extracted from the album by Jacques Prevert and Georges Ribemont-Dessaignes devoted to Miro. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Composition...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

DAYTIME KEY is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches paper, 100% acid-free. DAYTIME KEY is an engaging miniature beachscape scene depicting a sandy shoreline, blue sky, and vibrant red locking...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

MOUNTAIN LIFT is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan created using traditional hand lithography techniques printed on archival A...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Flights of Fancy is an original signed limited edition (060/250 ) lithograph by Michel Pellus showing a man in a top hat floating in the sky in a hot a...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Le reveil (The Awakening), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 edition ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

André Masson, French (1896 -1987) - Pompeii I, Year: 1953, Medium: Lithograph and Chine Colle, signed and numbered in pencil, Edition: EA, Image Size: 12.5 x 9.25 inches, Size: ...

Artist: Charles Magistro Title: Valley Hose Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 300 Paper Size: 30 x 35 inches

These exquisite lithographs and pochoirs by Joan Miro (1893–1983), titled Sans titre I et II (Untitled I and II), originate from the landmark 1934 album Cahiers d'art, Nos. 1–4, 9e a...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

This exquisite lithograph by Joan Miro (1893–1983), titled Miro a l'encre II (Miro in Ink II), originates from the 1972 album Indelible Miro. Published by Societe Internationale d'Ar...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), originates from the 1972 album Calder autobiographie. Published by Maeght Editeur, Paris, and...

Artist: Rene Magritte (after) Title: La Corde Sensible Medium: Lithograph, Signed in Pencil by Georgette Magritte Image Size: 16.5 x 21 inches Sheet Size: 21 ...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1974 album miro sculpture (Miro Sculpture). Published by Maeght Editeur, Paris, ...

Framed 40.50 x 30 in The lithograph features the dry stamps of the Magritte Foundation ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...

CHATEAU is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches p...

André Masson, French (1896 -1987) - Ruine, Year: 1945, Medium: Lithograph, signed and numbered in pencil, Edition: 10/30, Image Size: 8 x 6.25 inches, Size: 14 x 11 in. (35.56 x...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1974 album miro sculpture (Miro Sculpture). Published by Maeght Editeur, Paris, ...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (Landscape B), Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 20 in. x 27 in. (5...

Hans-Georg Rauch, German (1939 - 1993) - Landscape (2), Year: circa 1977, Medium: Etching, signed and numbered in pencil, Edition: XLII/L, Image Size: 10 x 12 inches, Size: 20.5...

Hans-Georg Rauch, German (1939 - 1993) - Nieve, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 20 in. x 25 in. (50.8 cm x 63.5 cm)

Hans-Georg Rauch, German (1939 - 1993) - Untitled - Madonna Shrine, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 20 in. x 2...

Hand signed and dated. Signed on plate. Artist's proof. Very good conditions. Passepartout included : 49 x 34 cm Image Dimensions : 10 x 13 cm This artwork is shipped from Italy. Un...

The sublime, or the amalgamation of the terrifying and the awe-inspiring, is encapsulated by the crashing wave that dominates this surrealist landscape. Artist: Clarence Holbrook Ca...

"Le Retour (Return)" is a color lithograph after the original 1940 painting by Rene Magritte. A bird which is really just the sky in the day and clouds. A nest bellow the bird has th...

SOLO is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches pri...

Ancient View of Lago Maggiore is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

Jean-Pierre HENAUT (1942-) Tribute to Magritte Original lithograph Handsigned in pencil Limited /275 copies On vellum 76 x 56 cm (c. 29.9 x 22 in) Excellent condition

Framed 25.38 x 31.38 in Color lithograph after the 1964 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 275. The lithograph features the ...

Artist Mati (Abdul) Klarwein Title: Beautiful Beasts Year: 1978 Print - Lithograph Paper Size 23" x 23½" inches Edition: signed in pencil and marked 18/300 Hand embellished by the a...

Artist: Doug Webb, Turkish (1946 - ) Title: Faucet Year: 1985 Medium: Screenprint, signed and numbered in pencil Edition: AP 54/75 Size: 29.5 in. x 36 in. (74.93 cm x 91.44 cm) Frame...

An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Peinture IV/V (Painting IV/V), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 edit...

COUPS DE TÊTE is a hand drawn, stone lithograph by the French artist Chrisitian Zeimert printed in Paris France c.1974 using hand lithography techniques on archival Rives BFK printmaking paper, 100% acid free. COUPS DE TÊTE presents a surreal, close-up portrait of a two male elk head-butting with a group of books between their opposing heads. Visible on the books spines are the names of members belonging to the 1960s Panic Movement group. Print size - 13 x 15.25 in., unframed, very good condition, pencil signed printers proof, inscribed H.C. with personal dedication to the master printer "Joseph", edition size unknown Image size - 8.25 x 10.5 in. Year - c. 1974 Christian Zeimer (1934 - 2020) was a French painter, the son of an upholsterer and designer who also worked as a salesman and Le Bon Marché. After he left the École Boulle, he learned how to engrave on jewelry. He then studied at the École nationale supérieure des arts décoratifs, where he studied under the painter Marcel Gromaire. A libertarian and anarchist, he worked alongside Fernando Arrabal, Alejandro Jodorowsky, Olivier O. Olivier, and Roland Topor and participated in the Panic Movement in the 1960s. He contributed to the newspaper Le Fou Parle and the magazine Hara-Kiri. Alongside Henri Cueco, Jacques Jouet, Hervé Le...

Jean Solombre, French (1948 - ) - Reflection, Year: 1980, Medium: Etching with Aquatint on Arches, signed, numbered and dated in pencil, Edition: 19/125, Image Size: 11 x 11 inch...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Pilgrimage #6 Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 200, 30 AP Size: 26 in. x 34 in. ...

Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition published by Maeght E...

Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...

Original "Le 14 Juillet à Paris" Poster by Gromaire, Linen-Backed, 1956, Excellent Condition. First edition lithograph poster, an after of a 1956 painting by Marcel Gromaire, spons...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (...