Surrealist Landscape Prints

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a Miro (Homage to Miro), from the album XXe Siecle, Numero special hors abonnement, Hommage a Miro, originates from...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnage et oiseau (Figure and Bird), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965)...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishi...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

This exquisite lithograph by Joan Miro (1893–1983), titled Nocturne (Nocturnal), from the folio Derriere le miroir, No. 57–59, originates from the 1953 edition published by Maeght Ed...

This exquisite lithograph by Joan Miro (1893–1983), titled La femme et l'oiseau (The Woman and the Bird), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Artist Name: Julian Trevelyan Title:Richmond Year: 1969 Medium Type: Etching, with Aquatint Size-Width Size-Height: 22'' x 29'' inches Signed Edition Size: Signed in pencil, title...

This exquisite lithograph by Joan Miro (1893–1983), titled Oiseau Bleu (Blue Bird), originates from the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. Executed during the height of Miro’s mature period, this poetic composition embodies the artist’s fascination with the interplay between form, color, and cosmic symbolism. Through his lyrical use of line and vibrant hues, Miro transforms the image of the bird—a recurring motif in his visual language—into a jubilant expression of freedom and imagination. Oiseau Bleu exemplifies Miro’s capacity to merge spontaneity and precision, creating a timeless dialogue between abstraction and dreamlike vision. Executed on velin paper, this lithograph measures 22 x 15 inches (55.9 x 38.1 cm), as issued. Signed in the plate and unnumbered, as issued. The edition reflects Miro’s mastery of both color and gesture, fusing Surrealist spontaneity with the refined craftsmanship of the Mourlot ateliers. Artwork Details: Artist: Joan Miro (1893–1983) Title: Oiseau Bleu (Blue Bird), from Derriere le Miroir, 1963 Medium: Lithograph on velin paper Dimensions: 22 x 15 inches (55.9 x 38.1 cm), as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1963 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, Geneva, 1989, illustration 87 Condition: Well preserved, consistent with age and medium Provenance: From the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original deluxe edition of Derriere le Miroir. The lithographs for this issue were printed in the ateliers of Mourlot Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing 1963. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro Oiseau...

This exquisite lithograph by Zao Wou-Ki (1920–2013), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXXIIIe Annee, No. 37, Decembre 1971, originates from th...

Judson HUSS (1942-2008) Dead Zeppelin Original lithograph Handsigned in pencil Limited /275 copies On vellum 49 x 65 cm (c. 19.2 x 25.5 in) Excellent condition

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite collotype after Max Ernst (1891–1976), titled Rasant les murs (Shaving the Walls), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the ...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite lithograph by Joan Miro (1893–1983), titled L’Oiseau s’envole sur la zone poussée d’or sur les collines ensoleillées (The Bird Flies Over the Golden Zone on the Sunlit...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Andre Goezu Dawn, End of a Dream Original lithograph Handsigned in pencil Numbered on 275 copies On vellum 65 x 47 cm (c. 25.59 x 18.5 inch) Excellent condition

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celle...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celle...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (...

This exquisite lithograph by Joan Miro (1893–1983), titled Les Trois Oiseaux (The Three Birds), from the album XXe Siecle, Nouvelle serie, XXIXe Annee, No. 28, originates from the 19...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite lithograph by Joan Miro (1893–1983), titled Murale (Mural), originates from the 1961 folio Derriere le miroir, No. 128. Published by Maeght Editeur, Paris, under the d...

This exquisite lithograph by Joan Miro (1893–1983), titled L’anneau (The Ring), originates from the 1961 folio Derriere le miroir, No. 128. Published by Maeght Editeur, Paris, under ...

This exquisite lithograph by Joan Miro (1893–1983), titled Jaune et vert (Yellow and Green), originates from the 1961 folio Derriere le miroir, No. 128. Published by Maeght Editeur, ...

This exquisite lithograph by Joan Miro (1893–1983), titled Lanneau (The Ring), originates from the 1961 folio Derriere le miroir, No. 128. Published by Maeght Editeur, Paris, under t...

This exquisite lithograph by Joan Miro (1893–1983), titled Lanneau (The Ring), originates from the 1961 folio Derriere le miroir, No. 128. Published by Maeght Editeur, Paris, under t...

This exquisite lithograph by Joan Miro (1893–1983), titled Tete detoile (Star Head), originates from the 1961 folio Derriere le miroir, No. 128. Published by Maeght Editeur, Paris, u...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite lithograph by Francisco Bores (1898–1972), titled La terre (The Earth), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, originates from the 1937 issue publi...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite lithograph by Max Ernst (1891–1976), titled Electra (Electra), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, originates from the 1959 editi...

This exquisite lithograph by Joan Miro (1893–1983), titled L'origine extreme (The extreme origin), from the album XXe Siecle, Nouvelle serie, XXXVIIIe Annee, No. 47, originates from ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnages II (Figures II), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965), originate...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Untitled, from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bird, The Moon ...

This exquisite lithograph by Max Ernst (1891–1976), titled Apres-moi (After Me), from the album XXe siecle, numero special hors abonnement, Hommage a Max Ernst, originates from the 1...

This exquisite lithograph by Joan Miro (1893–1983), titled L'Astre Patagon (The Patagonian Star), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. L'Astre Patagon embodies Miro's signature dreamlike abstraction—an interplay of cosmic forms, floating symbols, and lyrical color. This composition radiates the artist’s boundless imagination and his poetic dialogue between the material and the celestial. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, capturing Miro’s visual rhythm and surreal energy in a strikingly balanced composition. Artwork Details: Artist: Joan Miro (1893–1983) Title: L'Astre Patagon (The Patagonian Star), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 62. Miro, Joan. Joan Miro, Lithographe / II, 1953–1963. Preface by Raymond Queneau. Maeght, 1975, illustration 265 Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro L'Astre Patagon, Miro Derriere le Miroir, Miro Maeght Editeur Paris, Miro Mourlot Freres, Miro 1960...

Spring Israel Rubinstein, Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of AP Image Size: 36 x 26.5 inches Size: 39 x 27.5 in. (99.06 x 69.85 cm)

This artwork titled "The City 's Conscience" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 45/495 in black ink by the artist. The artwork size is 24 x 17.5 inches, framed size is 29.5 x 23 inches. Custom framed in a wooden black and gold frame, with fabric liner. It is in excellent condition. About the artist: Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting. Biography He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975. In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture. Accomplishments Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Une Étoile de Craie, seize lithographies originales par An...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VII, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publish...

THE MAIN ATTRACTION is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fr...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...