Bird Landscape Prints

This very rare, first edition, folio hand-colored woodcut engraving of a bird of prey is plate 219 from Ulisse Aldrovandi’s 'Opera Omnia', published ...

This exquisite collotype after Max Ernst (1891–1976), titled Les Epouvantails (The Scarecrows), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 19...

Jacques Monory Pride, fear and confusion, 1976 Original screen print Handsigned On BFK Rives 38 x 28 cm (c. 14x 11 in) Limited to 300 exemplary, not numbered INFORMATION: This wor...

Max Epstein, Canadian (1932 - 2002) - Ducks in a Pond, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x 3...

"The King" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edition ...

Print on canvas The still life Inner World is dedicated to the inner world of a person. It can be hidden from our eyes, but it can be very deep, interesting, bright, fantastic, alwa...

Uses and Customs -Jupiter and Juno is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

An original extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "Pinnated Grouse", No. 60, Pl. 296, from Audubon's "Birds of A...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...

This is a hand-colored folio sized lithograph entitled "Selasphorus Scintilla" (Little Flame-bearer Hummingbirds) by John Gould, Plate 162 in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, green, ochre-colored hummingbirds with flame red protrusions under their beaks; perched on broad moss green-colored leaves of a plant with pale blue-colored flowers. This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing related to the lower quality paper used for the text pages in the publication. There are several other unframed Gould hummingbird...

This is a hand-colored folio sized lithograph entitled "Iyngipicus Gymnophthalamus" (Ceylonese Pygmy Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The print, which was drawn by Gould and W. Hart and lithographed by Hullmandel and Walton, depicts two striped brown and ivory-colored woodpeckers with white and black on their heads. One is perched on a tree limb with pea green-colored leaves and the other on a round rose, brown-colored fruit. Both are pecking at fruit. This beautiful Gould hand-colored woodpecker lithograph measures 21" x 14.13". There is minimal faint focal discoloration in the lower margin. It is otherwise in excellent condition. The original text page is included with a round blindstamp in the right lower corner. There are several other unframed Gould woodpecker and other bird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition. The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left. There are four additional listings of David Roberts engravings of Egypt...

Harry Schaare, American (1922 - 2008) - The Seagull, Year: circa 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP 50, Image Size: 21 x 29 inches, Size: ...

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Capricorne (The Capricorn), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates fr...

This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...

An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Golden Eye Duck", No. 82, Plate 406, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female Golden Eye ducks in flight. This original rare first edition hand colored Audubon bird lithograph is in excellent condition. The sheet measures 6.25" x 10". The original text pages, pages 362-366, from Audubon's publication are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

Anna Harley Bluebird Limited Edition Silkscreen Print Edition of 36 Size: H 38cm x W 38cm x D 0.1cm Sold Unframed Please note that insitu images are purely...

Rade De New-York is an artwork realized by Anatole De Bonsonge in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the p...

Etching realized by Edouard Dufeu in 1864. Image dimension: 22x32 cm. With diffused foxing, otherwise very good condition.

Lithograph on grand vélin d'Arches pur chiffon spécialement fabriqués paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Œdipe ...

Hank Laventhol, American (1927 - 2001) - Pheasant and Tree, Year: circa 1980, Medium: Aquatint Etching, signed and Numbered in pencil, Edition: 300, AP XXXV, Image Size: 24 x 16 ...

This exquisite collotype after Max Ernst (1891–1976), titled Entre dans les continents (Come into the Continents), from the album Max Ernst, Histoire Naturelle (Natural History), ori...

Wallace Putnam, American (1899 - 1989) - Migration, Year: circa 1987, Medium: Etching, signed, dated and numbered in pencil, Edition: 5/16, Image Size: 12 x 11.75 inches, Size: ...

Maurice BRIANCHON The Pond in Winter with Ravens Original lithograph Handsigned in pencil Numbered / 75 On Arches vellum 65 x 50 cm (c. 26 x 20 in) Very good condition, light defe...

Roger de la Fresnaye (after) Small Village Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 50 x 65 cm (c. 20 x 26 inch)...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

Signed and numbered from the edition of 15. Printed on Chine colle. Image of a young woman with her hands poised to make magic, with a large flower before her, and a bird whispering ...

Artist: Jack Beal, American (1931 - 2013) Title: Garden Year: circa 1975 Medium: Screenprint, Signed and numbered in pencil Edition: 74 Image: 18 x 24 inches Sheet Size: 24.5 in. x 3...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Max Epstein, Canadian (1932 - 2002) - Seagull on a Lantern, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 26.5 x 18.5 inches, Size: 3...

Christian Ludwig Martin worked in Vienna. He was an artist, illustrator, and art teacher. 'Geese' is titled in German, and titled and signed in pencil. It is on a large sheet. While ...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the 1955 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This serene and evocative composition reflects Braque’s lifelong fascination with the motif of birds—symbols of freedom, transcendence, and spiritual equilibrium. Oiseaux sur fond bleu captures the artist’s delicate synthesis of abstraction and nature, where the silhouettes of birds emerge in lyrical harmony against a radiant blue field. The image embodies Braque’s mature artistic vision: a perfect balance between movement and stillness, light and shadow, emotion and intellect. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, 1955 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1955 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published by Editions de la revue Verve, Paris, 1955 Notes: Excerpted from the album (translated from French), The illustrations in this album are printed from the sketch-books—carnets de travail—which Georges Braque has been keeping up for thirty years and more, and which constitute a daily record of fragments of the visible world that have caught his attention and ideas for paintings that have occurred to him. In fact the only difference between these sketch-books and the diaries kept by so many writers is that here the entries are not written but take the form of gouache or watercolor sketches. Hitherto Braque has always refused to make public these albums, which he takes with him wherever he goes and which comprise the bulk of his work as a draftsman. Now at long last he has authorized the printing of a number of pages of these albums, selected by himself with our co-operation. About the Publication: Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published in 1955, represents one of the most intimate and revealing projects in Georges Braque’s career and one of the final great achievements of the legendary Verve periodical. Under the direction of Teriade, Verve became a beacon of artistic collaboration, uniting the finest artists and writers of the modern age. This special issue departs from the grand thematic volumes of previous years to offer a rare glimpse into Braque’s personal creative process. The lithographs—printed by Mourlot Freres—faithfully reproduce pages from Braque’s private sketchbooks, which span three decades of his artistic evolution. Each image captures the immediacy of his thought, the fluidity of his brush, and the disciplined spontaneity that defined his practice. The 1955 issue of Carnets intimes stands as both an artistic document and a deeply human record of the artist’s inner vision, exemplifying Verve’s enduring mission to unite art, poetry, and philosophy in perfect harmony. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseaux...

London Bestiary by Mychael Barratt. Limited Edition Silkscreen Print. Edition of 100. Image Size: H 66cm x W 99.7cm. Sheet Size: H 112.1cm x W 76.9cm x D 0.1cm. Signed and titled. So...

Flamingo! 2 is a limited edition giclée print hand finished with screen printed layers of diamond dust and varnish by printmaker Benjamin Thomas Taylor. The diamond dust animates the...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...

A Little Poor Woman is a Lithograph realized by Adolphe Léon Willette ( 1857-1926). Good condition included a cardboard passpartout (65x50 cm). Hand-signed by the artist on the low...

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

David Lee, Chinese (1944 - ) - Mountain Lake (6), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 275, Size: 20 x 25.5 in. (50.8 x 64.77 cm), Desc...

Vanneux et Sarcelles is a black and White etching realized by Félix Bracquemond in the Late 19th Century.  Titled in the lower Image Size: 35x24 Very good impression. Realized ...

This artwork titled "A Tire d'Aile" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand...

Medium: Etching with aquatint Year: 2021 Edition: 45 Image Size: 35.5 x 23.75 inches A Birds-eye view of a sea gull sailing over the California surf. Werger has received over 250 a...

Signed and numbered from the edition of 15. Printed on Chine colle. Image of two Eagles dressed as angels, celegrating a beautiful landscape under a smilin...

Winter - Eight Scenic Spots in Suburban Edo is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Uta...

Le Busard is an etching realized by Carl Guttenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". P...

John McNulty, Irish/American (1949 - ) - Eagles I, Year: 1983, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x 3...

Mel Hunter, American (1927 - 2004) - Dodge, Year: 1973, Medium: Lithograph, signed and numbered in pencil, Edition: 110, Size: 22 in. x 29 in. (55.88 cm x 73.66 cm), Description:...

Gibraltar From The Sea is a lithograph realized by James Charles Armytage in 1940. Signed on the plate and titled on the lower. Included a Pasepartout:24 x 30 cm Good conditions w...

Mel Hunter, American (1927 - 2004) - Raven Ahead of Timor, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 21 x 29 in. (53.34 x 73.66 cm)

DUSTING ELEPHANTS by the British wildlife artist Sydney Taylor, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset pa...

Le Gerfaut is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du C...

L'Autour is an etching realized by Carl Guttenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...

Medium: etching and aquatint Edition of 250 Year: 2014 Image Size: 9 x 12 inches Signed, titled and numbered by the artist. Inspired by a scene of seven Canadian Geese in Lake Padde...

Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Silkscreen print. Produced in 2016, pressed on heavy quality stock paper. This series is limited to 50 pieces. Hand signed and numbered by Mehdi.