Bird Landscape Prints

City is an original zincography artwork realized by Mino Maccari. Included a white Passepartout: 49 x 34 The state of preservation is very good. The artwork represents a landscape...

Nude is an original etching realized by an Anonymous artist in the 1960s. Sheet dimension: 32.5 x 25 cm Very good conditions. The artwork represents a nude woman skillfully expre...

"Granada", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. Very nice B/W Aquatint, representing a View of Granada, from the East, which was perhaps t...

12" x 8.5" Unframed Limited Edition Silkscreen of 100 Hand Signed by Diana Christiansen

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees will be requested for this type of frame + shipping Hugo Pondz...

Ardetta Pusilla (Minute Bittern) is a hand colored lithograph  by John Gould and Henry C. Richter. From the Birds of Australia 1849-1883...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Artist: Paul, Morrison Title: Rosy Fingered Dawn Date: 2013 Medium: Screenprint with gold leaf underlay on 410gsm Somerset Satin Paper Unframed Dimensions: 31.843" x 39.375" F...

Old Squaw Chris Forrest, American (1946) Date: 1980 Lithograph, signed and numbered in pencil Edition of 40 Image Size: 17.5 X 23 inches Size: 22 in. x 2...

Tomas Sanchez Simplemente un vuelo, 1990 Serigraph Ed 4 of 250 21 x 16 in

Longing for your return by Emma Reynolds [2022] A celebration of the developing season as the swallows arrive. Additional Information: limited_edition Screenprint Edition number ...

Celebrating the moments where the light for the day draws to a close. Emma Reynolds, printmaker, is available for sale online and in our art gallery at W...

limited_edition Original Silkscreen Print Edition number 50 Image size: H:20 cm x W:28 cm Complete Size of Unframed Work: H:40.5 cm x W:30.5 cm x D:0.2cm Sold Unframed Please note th...

The Cormorant by Tim Southall Limited Edition Silkscreen Print and hand signed by the artist Silkscreen Print on Paper
Image Size: 40 cm x 60 cm Sheet Si...

Autumn Berries by Joanna Padfield [2021] limited_edition Linocut Edition number 50 Image size: H:22.5 cm x W:16.9 cm Complete Size of Unframed Work: H:29.7 cm x W:21 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Autumn Berries is a handmade limited edition linocut print by Joanna Padfield. The scene depicts Burnham Deepdale church, trees, and clouds in the sky, framed by berries and leaves. Printed in red and purple. Norfolk Broads...

Drag Queen on the Rocks By Tim Southall [2021] limited_edition and hand signed by the artist etching Edition number 75 Image size: H:20 cm x W:30 cm Complete Size of Unframed Work: H:0.01 cm x W:32 cm x D:42cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Drag Queen on the Rocks is an allegorical print by Tim Southall. It depicts a drag queen focusing all her charisma, uniqueness, nerve and talent on negotiating a very rocky and uneven landscape. The title alone suggests that it might be all over for the Drag Queen: she is in difficulty and likely to fail; in tatters, ruined, and perhaps beyond repair. But never underestimate a drag queen. The fact that she has the nerve to wear stiletto heels while rock climbing...

Unique UV pigment print on a 6-colour silkscreen printed background 410gsm Somerset Tub-sized Radiant white 100% cotton paper, finished with hand-applied 24 carat gold leaf and ink. Hand signed lower left by Pejac. Hand numbered 723/1000 lower right corner. Artwork size 31.49 x 21.65 inches. Frame size 38 x 28 inches. The artwork is in excellent condition. Certificate of authenticity by Pejac included. All reasonable offers will be considered. HOPE was born in 2020 when, at the height of the pandemic, Pejac painted a mural on a hospital in his hometown – Santander. Seen from afar, thousands of figures formed the illusion of large crevice. The artwork quickly went viral online, and became a symbol of hope for many. Begun in the middle of 2023, our collaboration is centered on the question of how hope is found or created. To create the original work, Pejac undertook a month-long residency at Make-Ready in London. HOPE is an unprecedented collaboration between artist and printmaker. With the edition, Pejac reinterprets his iconic crevice which, seen up close, you will be surprised to see is made up from a multitude of tiny, individually-painted people. Each one plays their part in an overarching story of humanity. In the first print, just three figures appear, in the second, there are six and so on until the final print in the series of 1000, which features several thousand figures – each one unique. About the Artist: Pejac, born in Santander in 1977 is a Spanish street artist known for his minimalist style whilst exploring sensitive social, environmental and political issues. His work is powerful and deliberately provocative about real-world issues and he uses a range of artistic styles and mediums to get his often critical message across. Pejac studied art in Barcelona and Milan where he became disillusioned with the elitist attitude of the art world he was studying; he left formal education and embarked on his street art career. To label Pejac as a street artist is only capturing one element of his work. Pejac works to such fine detail and is technically highly skilled; he is quite capable at getting his message across with silhouette paintings on a wall or floor as he is at producing work in a classical style with exquisite fine detail. Pejac’s art...

Fred Deux - Grey III - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Reflection by Rob Barnes [2021] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Ple...

Overall size: H72 x W86 Lake Walk Simon Tozer Screenprint This artwork is edition of 30. Size: H:36 cm x W:43 cm Luna Simon Tozer Screenprint This artwork is edition of 25. Size:...

Morning Tide Rob Barnes [2021] limited_edition Linocut Edition number 50 Image size: H:35 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm ...

Winter Shadows by Rob Barnes [2020] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Working on snow scenes is always a challenge as there is no room for error keeping white paper unmarked. This is difficult because a lino block is almost empty, with few marks except the essential ones. In this linocut I have included a typical winter light, but the main event is the shadows changing shade and colour across the snow. Snow Trees...

A Fine Day For Lapwings by Rob Barnes [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:...

Paul Bartlett is a highly acclaimed artist who has won many awards for his original depictions of nature which inform and educate the viewer on conservation issues. Winter Fieldfare...

Flight Over Barley [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm Sold Unfram...

A Fine Day for Lapwings [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm Sold U...

Garden Blackcap by Kate Heiss [2021] limited_edition Linocut Edition number 30 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:0.5cm Sold Unframe...

Kristjana Williams Fugl Ne Fiskur – Circular Sea-Born Limited Edition Print Giclee print on Paper Edition of 275 Size: H 80cm x W 80cm Sold Unframed...

Kate Heiss Curlew On the Beach – Lulworth Blue Series Linocut Edition of 50 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velvet Paper Signed and dated on the front Mounted Unframed Edition numbers may vary from the photo. Linocut Print – A relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. This work is sold mounted but not framed. Please note that in situ images are purely an indication of how a piece may look. Printed in a soft chalky Lulworth Blue* this print depicts a Curlew on the beach in front of Orfordness Lighthouse in Suffolk. The lighthouse is framed by a medley of wild flowers; sea holly...

Rob Barnes Ploughing the Furrows Limited Edition Linocut Print Edition of 50 Image Size H 44cm x W 33cm Sheet Size H 49cm x W 61cm Sold Unframed mounted in Antique White mountboard ...

Jane Peart Forest Glen Limited Edition Etching Print Edition of 100 Image Size: H 24cm x W 34cm Signed Sold Unframed Please note that in situ images are purely an indication of how ...

In response to a massive oil spill off the coast of Southern California in 1969, Wisconsin Senator Gaylord Nelson initiated the idea of the first annual Earth Day on April 22, 1970, ...

The poor man. 1982. Paper, linocut, 25x34 cm imprint size 13,5x27 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrat...

Lithograph with foil stamping and embossing on paper. Hand signed and numbered by the artist. From the edition of 200. Artwork is in excellent condition. Certificate of authenticit...

Julian Trevelyan (English, 1910-1988), "Piazza Signoria", Etching and Aquatint, signed in pencil lower right, titled lower center, and numbered "64 /100" lower left, inscribed and st...

Donald Baechler, Potted Plant, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint on ...

Sunset Clouds by John Hogan framed monotype Desert Sky blue, black, orange John Hogan A graduate of Northeast Louisiana State University with a bachelo...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Jamie Wyeth "Herring Gulls" 1978 Color Lithograph Signed Lower Right Numbered Lower Left 149/300 Born in 1946, James Browning Wyeth came of age when the meaning of patriotism was clouded by the traumas of the Vietnam War and the scandals of Watergate. Working in an era of turmoil and questioning of governmental authority, he did art that encompassed both marching off to war and marching in protest. One of James's early masterworks, Draft Age (1965) depicts a childhood friend as a defiant Vietnam-era teenager resplendent in dark sunglasses and black leather jacket in a suitably insouciant pose. Two years later Wyeth painstakingly composed a haunting, posthumous Portrait of President John F. Kennedy (1967) that seems to catch the martyred Chief Executive in a moment of agonized indecision. As Wyeth Center curator Lauren Raye Smith points out, Wyeth "did not deify the slain president, [but] on the contrary made him seem almost too human." Based on hours of study and sketching of JFK's brothers Robert and Edward - documented by insightful studies in the exhibition - the final, pensive portrait seemed too realistic to family members and friends. "His brother Robert," writes Smith in the exhibition catalogue, "reportedly felt uneasy about this depiction, and said it reminded him of the President during the Bay of Pigs invasion." In spite of these misgivings, James's JFK likeness has been reproduced frequently and is one of the highlights of this show. The poignancy, appeal and perceptiveness of this portrait, painted when the youngest Wyeth was 21 years old, makes one wish he would do more portraits of important public figures. James himself feels he is at his best painting people he knows well, as exemplified by his vibrant Portrait of Jean Kennedy Smith (1972), which captures the vitality of the slain President's handsome sister. He did paint a portrait of Jimmy Carter for the January 1977 man-of-the-year cover of Time magazine, showing the casually dressed President-elect as a straightforward character posed under a flag-draped water tower next to the family peanut plant in Plains, Ga. James recalls that Carter had one Secret Service agent guarding him as he posed outdoors, a far cry from the protection our Chief Executives require today. As a participating artist in the "Eyewitness to Space" program organized by the National Aeronautics and Space Administration in collaboration with the National Gallery of Art in the late 1960s, Wyeth deftly recorded in a series of watercolors his eyewitness observations of dramatic spacecraft launchings and more mundane scenes associated with the space program. Commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, James Wyeth executed a series of perceptive and now evocative sketches that recall those dark chapters in our history. Memorable images include a scowling John Ehrlichman, a hollow-eyed Bob Haldeman, an owlish Charles Colson, a focused Congressman Peter Rodino, a grim visaged Father/ Congressman Robert Drinan, and vignettes of the press and various courtroom activities. An 11-by-14-inch pencil sketch of the unflappable Judge John Sirica is especially well done. These "images are powerful as historical records," observes Smith, "and as lyrically journalistic impressions of events that changed the nation forever." Wyeth's sketch of early-morning crowds lined up outside the Supreme Court building hoping to hear the Watergate case, with the ubiquitous TV cameramen looking on, is reminiscent of recent scenes as the high court grappled with the Bush-Gore contest. The Wyeth family penchant for whimsy and enigmatic images is evident in Islanders (1990), showing two of James's friends, wearing goofy hats, sitting on the porch of a small Monhegan Island (Me.) cottage draped with a large American flag. Mixing the serious symbolism of Old Glory with the irreverent appearance of the two men, James has created a puzzling but interesting composition. Painting White House...