People Landscape Prints

Etching on laid paper Signed and inscribed in plate lower left: K. Bodmer sculp. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société de...

Original Andalusia, Spain. Iberia Airlines vintage travel poster. A flamingo dancer holds her hand up in the air as the Iberia Constellation plane flies overhead. Reddish-pink ca...

Jeremy Geddes' "Monument," a stunning archival pigment print, epitomizes his unique blend of hyper-realistic detail and surreal, dream-like compositions. This signed and numbered limited edition print, produced in 2024, measures 28.3 by 24 inches and is printed on 100% cotton, 300gsm Hahnemuhle Matt photo rag fine art paper using Epson SureColor P7070 and P9070 printers. The result is a piece that captivates with its striking imagery and profound depth, making it an essential acquisition for discerning collectors and art enthusiasts. Jeremy Geddes, born in Wellington, New Zealand, and now residing in Melbourne, Australia, has garnered international acclaim for his meticulously detailed and hauntingly beautiful works. Initially pursuing a career in video game art, Geddes transitioned to painting full-time, honing his technical skills at the Victorian College of the Arts. His work often explores themes of isolation, suspension, and the juxtaposition of the mundane with the extraordinary, making his pieces both thought-provoking and visually stunning. Geddes' paintings have been exhibited in prestigious galleries around the world, including the Jonathan LeVine Gallery in New York and the Merry Karnowsky Gallery in Los Angeles. His accolades include winning the Spectrum Gold Award for his piece "A Perfect Vacuum," and his work has been featured in numerous publications such as Juxtapoz, Hi-Fructose, and Spectrum. Geddes is particularly renowned for his series of astronaut paintings, which have become iconic in contemporary art circles. "Monument" exemplifies Geddes' ability to capture the delicate balance between reality and the surreal. The piece features a solitary figure suspended in a moment of stillness, evoking a sense of introspection and otherworldly calm. Every brushstroke showcases Geddes' masterful use of light, shadow, and texture, making this print a striking addition to any art collection. As a signed and numbered print from a limited edition, "Monument" represents a unique investment opportunity...

Shepherd With Cattle On A Wooden Bridge is an etching on ivory-colored paper realized by Antonie Waterloo in the late 17th century. Good conditions with slight foxing. The artwork ...

Etching on laid paper Signed in plate lower right: T. Chauvel Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes...

The Train from Munich is a print for Milton's wife, Edith, referencing her escape from Germany in 1939. The image started with a photograph by Eugène Atget of a girl looking out of a...

'Vue perspective du temple au nord d' Esnee' Engraving by Rousseau and Lorieux after Devilliers and Jollois, 1820. View of the temple to the north of Esne. From Napoleon's Descript...

Lithograph realized by Franco Marzilli in 1980s. Hand signed lower right. Not numbered.

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Prince de Joinville (The Prince of Joinville), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter ...

MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers kneeling along a coastal path as the Daimyo's procession passes. Signed in Kanji lower left, "Hiroshige Ga...

Timber Raft on the Rhine (after the watercolor by J.M.W. Turner in the National Gallery). 1898. Mezzotint. Hardie 66. 8 1/4 x 11 11/16 (sheet 10 5/16 x 13 1/2). Edition 100. A rich, ...

Title: Umbrella Man at Sea Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as...

Etching on laid paper. Signed and dated in plate lower left: maassluis Jongkind 1862 Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the S...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Etudes, «Histoire de l'Electricite» (Studies, “History of Electricity”), from the folio Lettre a mon peintre Raoul Dufy...

Maurice Pasternak created "Attraction 5", a mezzotint in an edition of 80 that depicts 6 men clearly attracted to something that appears outside the plane of the image. The men seem...

London: Charles Joseph Hullmandel, 1842. Lithograph with hand coloring in watercolor on cream wove paper, 17 5/16 x 12 3/16 inches (440 x 309 mm), full margins. Scattered foxing thro...

Bords du Nil, circa 1865.  Etching on laid paper.  Signed in plate lower left: E. Dufeu.  Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris.  With the blindstamp of...

Etching on laid paper Signed in plate lower right: A. Mathieu 1864 Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafort...

Etching on laid paper Signed in plate lower right: A. Martial-Potémont. Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aqu...

Etching on laid paper Signed in plate lower left: Justin Gabriel Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortis...

Etching on laid paper Signed and dated in plate lower left: P. E. Berthélemy Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société de...

This exquisite lithograph by Marc Chagall (1887–1985), titled Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Saint-Germain des Pres reflects Chagall’s poetic vision of Paris, capturing the neighborhood’s spiritual and cultural essence through his unique blend of memory, color, and imagination. The work embodies Chagall’s ability to transform the familiar into the transcendent, merging architectural harmony with human emotion and dreamlike symbolism. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, 1995, illustration 24; Mourlot, Fernand, and Marc Chagall. Chagall Lithographe I: 1922–1957. Andre Sauret, 1960, illustration 100. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 67–68, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 Notes: On the occasion of the ‘Paris’ exhibition, Marc Chagall created for this triple issue of Derriere Le Miroir XII pages of Lithography. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Saint-Germain des Pres 1954, Chagall Saint-Germain of the Fields, Chagall Derriere le miroir No. 67–68, Chagall Mourlot lithograph, Chagall Maeght...

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 165. Frame size approx 28 x 33 inches. Artwork is in excellent condition. Certificate ...

This exquisite lithograph by Georges Rouault (1871–1958), titled Petit Page Rouge et Or (Little Page in Red and Gold), from the album Georges Rouault, Divertissement, originates from...

Deluxe signed limited edition print on aluminium Edition of 25 Nick's artistic process is a captivating blend of modern techniques and nostalgic inspiration. He combines digital ma...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

Life in a Spring Salt Marsh by James McMullan is an informational poster that reveals the rich ecosystem within a salt marsh. Initially appearing as a barren grassland, the artwork u...

SPELLBOUND is an original hand drawn lithograph(not a photo reproduction or digital print) printed using traditional hand lithography techniques on archival Arches paper, 100% acid f...

'La Via Sacra, Arco di Constantino e Tempio di Venere e Roma, colla Meta Sudante, Veduta presa del Colosseo' Tinted lithograph by Eugene Cicero af...

Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...

Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...

Salvador Dalí Le Chateau de Gala (Gala's Castle) from After 50 Years of Surrealism Original etching, hand colored 1974 Image size: 15 3/...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Dan, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre...

Woodcut in colors on vélin paper. Paper Size: 19 x 18 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Così fan tutte. Dramma giocoso in due atti. Musi...

'Medinet Abou, Thebes', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s ...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Femme au cep de vigne (Woman with Vine Branch), from the album Les Lithographies de Renoir (The Lithographs ...

Janick LEDERLE Figures in the Desert Original lithograph (Mourlot) Handsigned in pencil Limited /275 copies On vellum 65 x 52.5 cm (c. 25.5 x 20.4 in) Excellent condition

This beautiful hand colored etching imaginatively depicts a historical time / place of the nation’s first transcontinental railroad where Union P...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

French Sailboats by Peter Edwards, British (1934–2017) Date: circa 1975 Lithograph, Signed and Numbered in Pencil Edition of 11/275 Image Size: 15.5 x 21 inches Frame Size: 24 x 30 i...

Paris: Sagot, 1889. Wood engraving on cream laid Japon paper with full deckle edges, 8 3/8 x 5 3/4 (212 x 145 mm). Signed, numbered 9/35, and inscribed "1er Etat" in pencil in the l...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Original poster: Rembember Your First Thrill of Ameridan Liberty YOUR DUTY Buy United States Government Bonds 2nd Liberty Loan of 1917. Linen backed and ready to frame. Poste...

Lost Shadow by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1990 Screenprint, signed and numbered in pencil Edition of EA 55 Size: 37.5 in. x 45 in. (95.25 cm x 114.3 cm)

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

This exquisite lithograph by Marcel Gromaire (1892–1971), titled Femme nu (Nude Woman), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the 1953 issu...

Ben Avram, Israeli (1937 - ) - Jerusalem, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: HC, Size: 14.5 in. x 22 in. (36.83 cm x 55.88 cm)

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

'Entrance to the Tomb of the Kings', tinted lithograph after David Roberts RA. Signed in stone lower right. Printed title below the image. Roberts tr...

Bernard VERCRUYCE (1949-) The Parisian Kiosk Original lithograph Signed in pencil Numbered / 275 copies On Arches vellum 56 x 76 cm (c. 22 x 29.9 in) Excellent condition

Original World War 2 Fire Away! Buy Extra Bonds. Linen backed. Color poster of two sailors on a Navy ship at sea. One sailor uses a searchlight, and the other is looking through binoculars. The sailors wear blue jackets and knitted "watch caps". A U.S. flag can be seen on the ship deck below. "In memory, U.S.S. Dorado"--At the upper left corner of the picture. Logo near the bottom of the poster: "5th 'V' War Loan". Artist George Schrieber (1904-1977) designed this war bond poster after the U.S.S. Dorado, a Gato-class submarine, was sunk off the coast of Cuba by a German land mine. Georges Schreiber (1904-1977) commemorates the sinking of the USS Dorado submarine in this 1944 War Bonds poster entitled Fire Away for the Fifth War Loan. Schreiber sailed aboard the ship in the summer of 1943 and had a personal connection to the tragedy. USS Dorado (SS-248) was a Gato-class submarine. Her keel was laid down on 27 August 1942 by the Electric Boat Company of Groton, Connecticut and was commissioned on 28 August 1943 under the command of Lieutenant Commander Earle Caffrey Schneider. The USS Dorado sailed for the Panama Canal for use in the East Asia war effort. The submarine was sunk off the coast of Cuba due to a minefield left by a German-Nazi U Boat. This is an Original Vintage Poster; it is not a reproduction. "U.S. Government Printing Office: 1944-O-581636". "WFD 908-A" USS Eldorado (AGC-11) was named after a mountain range in Nevada. The ship was designed as an amphibious force flagship, a floating command post...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Inspiree (The Inspired Woman), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edition ...

'Quadrangle of Corpus Christi College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 17...

Etching hand colored realized by Tommasi Ferroni in 1970s. Edition of 100. Hand signed and numbered. Very good condition.

Original Aiir India, Over 50 Years of International Operation travel poster, Archival linen backed for preservation. Excellent condition, ready to frame. Grade A condition. This rare collector’s item showcases the cheerful Air India Maharaja...

Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 74 (Plate 74), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...