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Art Subject: People
Composition (Mourlot 668-677), La Féerie et Le Royaume, Marc Chagall
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...
Category

1970s Modern Figurative Prints

Materials

Lithograph

Marc Chagall, The Juggler, from The Lithographs of Chagall, 1960
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled La Jongleuse (The Juggler), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition publis...
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Jacob Lawrence, Boy with Kite, from Hiroshima, 1983
Located in Southampton, NY
This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Boy with Kite, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New ...
Category

1980s Expressionist Figurative Prints

Materials

Screen

Original vintage poster "Truth" weekly magazine art nouveau lithograph
Located in Spokane, WA
Original vintage.poster: TRUTH CHRISTMAS. NOTE that this is the turn of the century original poster and is Not a magazine cover. The poster for a gossip magazine focusing on New...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph

Fifth Avenue Bridge.
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category

1920s American Modern Figurative Prints

Materials

Drypoint, Etching

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Figurative Prints

Materials

Drypoint, Etching

Brothers
Located in San Francisco, CA
This artwork titled "Brothers" 1991 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 115/...
Category

Late 20th Century American Impressionist Figurative Prints

Materials

Screen

Original Miss Robin Crusoe, 1953 vintage movie poster. half-sheet
Located in Spokane, WA
Original half sheet MISS ROBIN CRUSOE. With Amanda Blake, George Nader, Rosalind Hayes. As frenzied as voodoo Drums! As shocking as cannibal rituals! Very good condition, t...
Category

1950s American Realist Portrait Prints

Materials

Offset

The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Pierre-Auguste Renoir, Standing Bather, 1951 (after)
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Baigneuse debout (Standing Bather), from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the 1951 edition published by Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo, in collaboration with Fernand Mourlot, Paris; rendered by Georges Duval, maître imprimeur, Paris; and printed by Mourlot Freres, Paris, March 25, 1951. Baigneuse debout reflects Renoir’s lifelong devotion to the female form, expressing his mastery of color, light, and sensuality with a warmth that defines the essence of Impressionism. Executed as a lithograph on grand velin Renage filigrane a la marque de l'editeur paper, this work measures 12.5 x 9.5 inches overall; 10.63 x 8.27 inches image. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and Georges Duval, and the exceptional production standards of Editions du livre, Monte-Carlo. Artwork Details: Artist: After Pierre-Auguste Renoir (1841–1919) Title: Baigneuse debout (Standing Bather), from the album Les Lithographies de Renoir (The Lithographs of Renoir) Medium: Lithograph on grand velin Renage filigrane a la marque de l'editeur paper Dimensions: 12.5 x 9.5 inches overall; 10.63 x 8.27 inches image (31.75 x 24.1 cm overall; 27 x 21 cm image) Inscription: Signed in the plate and unnumbered as issued Date: 1951 Publisher: Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo, in collaboration with Fernand Mourlot, Paris Printer: Mourlot Freres, Paris; rendered by Georges Duval, maitre imprimeur, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Les Lithographies de Renoir (The Lithographs of Renoir), published by Editions du livre, Monte-Carlo, 1951 Notes: Excerpted from the album, This album, produced by Andre Sauret and Fernand Mourlot, has been printed in MMM examples on grand velin Renage filigrane with the publisher's brand. It has been completed to print, March 25, 1951 on the presses of Mourlot Freres and Georges Duval, maitre imprimeur, in Paris. The typography is from L'Imprimerie Union. About the Publication: Les Lithographies de Renoir (The Lithographs of Renoir), published in Monte-Carlo in 1951 under the direction of Andre Sauret in collaboration with Fernand Mourlot, stands among the most elegant postwar tributes to Pierre-Auguste Renoir’s artistic legacy. Conceived as part of the distinguished series of fine art albums issued by Editions du livre, the publication united leading masters of lithography to honor Renoir’s enduring influence on modern art. Printed on grand velin Renage filigrane a la marque de l'editeur by the ateliers of Mourlot Freres and Georges Duval, the album combined technical precision with scholarly presentation, showcasing interpretive plates rendered with exceptional fidelity and tonal refinement. It embodies the collaborative spirit between printer, publisher, and artist that characterized the golden age of French art editions, joining other monumental projects such as those devoted to Matisse, Chagall, Braque, and Picasso. A hallmark of twentieth-century art publishing, Les Lithographies de Renoir preserves the warmth and radiance of Renoir’s aesthetic through the masterful lithographic techniques that made Mourlot Freres synonymous with excellence in fine art printing. About the Artist: Pierre-Auguste Renoir (1841–1919) was one of the most influential and beloved artists in the history of modern art, a French Impressionist master whose radiant color harmonies, sensual brushwork, and joyful depictions of life helped transform the course of painting. Born in Limoges, France, into a modest family, Renoir began his career as a porcelain painter before studying at the Ecole des Beaux-Arts in Paris and joining the avant-garde circle of Claude Monet, Alfred Sisley, and Frederic Bazille. Together they pioneered plein-air painting, capturing fleeting light and atmosphere with revolutionary immediacy. Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classical mastery of Raphael, Ingres, and Rubens, brought greater structure and sensuality to his figures. His art evolved into a vision of timeless beauty expressed through color, form, and emotion, celebrating humanity and intimacy with unmatched tenderness. Even when afflicted by severe rheumatoid arthritis, Renoir continued to paint daily, his hands bound with cloth, and collaborated with sculptor Richard Guino to translate his soft, fluid touch into bronze. His influence radiated across generations—Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray all drew inspiration from his dedication to expressive color and emotional depth. His sensual palette profoundly impacted Henri Matisse, Pierre Bonnard, Raoul Dufy, and Andre Derain, while later artists such as Marc Chagall and Balthus inherited his lyrical humanism and poetic approach to beauty. Renoir’s art, often described as a hymn to joy, found universality in its warmth, intimacy, and reverence for life’s everyday grace. Today, his works hang in major museums worldwide, including the Musee d’Orsay, the Louvre, the National Gallery, the Metropolitan Museum of Art, and the Art Institute of Chicago, continuing to inspire collectors and artists alike. The highest auction record for Pierre-Auguste Renoir was achieved with Bal du moulin de la Galette (1876), which sold for $78.1 million USD at Sotheby’s, New York, on May 17, 1990, securing his enduring legacy as one of the greatest masters of Impressionism and one of the most cherished figures in art history. Pierre-Auguste Renoir Baigneuse...
Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Joan Miro, Figures on a Black Background, from Cahiers d Art, 1949 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnages sur un fond noir (Figures on a Black Background), from the album Cahiers dArt No. 24, 1949, orig...
Category

1940s Modern Landscape Prints

Materials

Lithograph

Jean Cocteau, Flamenco, from Bulls, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Jean Cocteau (1889–1963), titled Flamenco (Flamenco), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), ori...
Category

1960s Modern Figurative Prints

Materials

Lithograph

View of the Arch of Constantine - Etching by G.B.Piranesi - 19th Century
Located in Roma, IT
An early 19th century proof, in fair condition but with a very good inking, of the plate "View of the Arch of Constantine". It belongs to the first Paris Edition of 1800-1807. The f...
Category

19th Century Modern Landscape Prints

Materials

Etching

Leonor Fini, Untitled, from The Story of O, 1962
Located in Southampton, NY
This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Ski Paradise, Anne Storno, Limited Edition print, Sport art, Skiiing art
Located in Deddington, GB
Ski paradise by Anne Storno [2021] limited_edition and hand signed by the artist Screenprinting Edition number 30 Image size: H:58 cm x W:40 cm Complete Size of Unframed Work: H:70 ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Screen

Original Carlsberg Pilsner vintage Danish beer poster. Drink All Round
Located in Spokane, WA
CARLSBERG PILSNER, artist: Carsten Ravn. This professional archival linen-backed lithograph is ready to frame. Carlsberg is synonymous with quality and tradition in the brewing world. Condition A-. Touched-up pin holes in the four corners. Minor touch-up near the bottom left crown emblem. Green is more of an old army green, and lettering is natural, unbleached, tan colored. Carlsberg Pilsner DRINK ALL YEAR ROUND The horizontal poster shows four scenes of people enjoying their beer: a skier, a cycling woman, a dandy, and a hunter. Above them is the inscription “Carlsberg Pilsner“ and below it “DRIKKES AARET RUNDT.” The latter makes it clear that you can drink it all year round. The four scenes also show the four seasons and that you can always drink Carlsberg Pilsner. (Text is in Danish). Carlsberg’s first brewery was just outside Copenhagen and was opened in 1847. However, it wasn't until 1904 that Carlsberg pilsner is brewed for the first time This 1908 poster...
Category

Early 1900s Art Nouveau Portrait Prints

Materials

Lithograph

Quadra, Vancouver Island, Canada, North America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Villagio indiano nell' Isola Quadra-Voncuver / Interno di Una capanna di Vakosei' (Indian Village on Quadra Island, Vancouver / Interior of a Vakosei hut) Italian lithograph, c184...
Category

Mid-19th Century Naturalistic Figurative Prints

Materials

Lithograph

Rare 1923 Cubist Reuven Rubin Woodcut Woodblock Kabbalah Print Israeli Judaica
Located in Surfside, FL
This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...
Category

1920s Abstract Figurative Prints

Materials

Woodcut

Original DISCOVER FRANCE BY TRAIN -SNCF - French National Railways 1953 poster
Located in Spokane, WA
1953 “Discover France by Train” — A. Planson — French National Railways (SNCF) — Original Vintage Poster, archival linen-backed, Grade A. Ready to frame. In 1953, the SNCF, France’...
Category

1950s Impressionist Landscape Prints

Materials

Lithograph

La Jolla, Framed Art Deco Screenprint by Thomas McKnight
Located in Long Island City, NY
La Jolla Thomas McKnight, American (1941) Date: 1987 Screenprint, signed and numbered in pencil Edition of AP 6/40 Image Size: 26 x 29 inches Frame Size: 37 x 39 inches
Category

1980s Art Deco Interior Prints

Materials

Screen

THE GARDEN Signed Lithograph, Pop Art Landscape, Seated Man, Crayon Colors
Located in Union City, NJ
THE GARDEN is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 using traditional hand lithography techniques on archival Somerset paper, 100% acid free. THE GARDEN is a dreamy, abstract line drawing...
Category

1980s Pop Art Portrait Prints

Materials

Lithograph

The Gothic Spirit
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

Marc Chagall, Moses II, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Moise II (Moses II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litte...
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Carousel Animals: A Limited Edition Goines Graphic Art Poster
Located in Alamo, CA
This original limited edition graphic art lithographic poster entitled "Carousel Animals" was created by David Lance Goines in 1984 in his Berkeley ...
Category

Late 20th Century Landscape Prints

Materials

Lithograph

Endless Sleep (Black Variant) by Cleon Peterson Hand Pulled Limited Screen Print
Located in Draper, UT
Experience the intense and striking art of Cleon Peterson with his "Black Endless Sleep" print. This hand-pulled screen print, created in 2016, features Peterson's signature black an...
Category

2010s Landscape Prints

Materials

Screen

REFLECTIONS OF GLOUCESTER
Located in Santa Monica, CA
JOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
Category

1940s American Realist Landscape Prints

Materials

Aquatint

Werner Bronkhorst - The Champions (A0)
Located in London, GB
Werner Bronkhorst The Champions (A0), 2025 Archival pigment print on Hahnemüle Photorag paper with solid walnut frame Accompanied by a certificate of authenticity 118.1 x 84.1 cm (A0...
Category

2010s Contemporary Landscape Prints

Materials

Giclée

The Trajan s Column - Offset by G.B. Piranesi - 1990s
Located in Roma, IT
A beautiful reproduction of one of the most celebrated Piranesi's masterpieces, realized in a limited edition of a few hundreds in 1990s. The Trajan's Column is the last remaining n...
Category

1990s Old Masters Figurative Prints

Materials

Etching

VILLAGE SCENE / TOWN FESTIVAL
By Herbert Gurschner
Located in Santa Monica, CA
HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
Category

1920s Modern Figurative Prints

Materials

Woodcut, Linocut

Paris Café with Eiffel Tower France Limited Edition Print by British Artist
Located in Preston, GB
Paris Café with Eiffel Tower France Limited Edition Print of Figurative Cityscape Painting by Leading British Urban Landscape Artist, Angela Wakefield. Print measures 16 x 9.5 inch...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Printer s Ink, Archival Paper, Giclée, Color, Digital

Ben Harman - The Little Mermaid - Contemporary Cinema Film Movie Posters
Located in Asheville, NC
The Little Mermaid Disney Animation Film The Little Mermaid is a 1989 American animated musical fantasy film produced by Walt Disney Feature Animation and Walt Disney Pictures. The 28th Disney animated feature film, it is loosely based on the 1837 Danish fairy tale of the same name by Hans Christian Andersen. The film tells the story of a mermaid Princess named Ariel, who dreams of becoming human and falls in love with a human prince named Eric, which leads her to make a magic deal with an evil sea...
Category

2010s Contemporary Prints and Multiples

Materials

Color, Giclée, Archival Pigment, Screen

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
Located in Soquel, CA
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...
Category

Early 1900s Impressionist Figurative Prints

Materials

Handmade Paper, Drypoint, Etching

Marc Chagall, Motherhood with Centaur, from Chagall, 1957
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Maternite au Centaure (Motherhood with Centaur), from the album Chagall, originates fro...
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Venice Two - Etching by Giovanni Korompay - 1928
Located in Roma, IT
Image dimensions: 19.5 x 24.5 cm. Black and white etching on paper, realized by the Italian artist Giovanni Korompay in 1928. Titled, numbered, and monogrammed in pencil on the lo...
Category

1920s Futurist Landscape Prints

Materials

Etching

Henri Laurens, Apollo, from Verve, Revue Artistique, 1953
Located in Southampton, NY
This exquisite lithograph by Henri Laurens (1885–1954), titled Apollon (Apollo), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the 1953 issue publi...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Georges Rouault, Harlequin, from Divertissement, 1943
Located in Southampton, NY
This exquisite lithograph by Georges Rouault (1871–1958), titled Arlequin (Harlequin), from the album Georges Rouault, Divertissement, originates from the 1943 edition published by E...
Category

1940s Modern Figurative Prints

Materials

Lithograph

SWEETGRASS CARRIERS Signed Lithograph Framed, Black Farmer Lowcountry SC Gullah
Located in Union City, NJ
SWEETGRASS CARRIERS is a hand drawn, limited edition lithograph (not a photo reproduction or digital print) by the renowned American artist JONATHAN GREEN printed in 17 colors using hand lithography techniques on heavyweight archival Arches paper, 100% acid free. SWEETGRASS CARRIERS depicts a black farmer standing in a field of golden sweetgrass dressed in a straw sunhat, white shirt and rugged blue denim overalls accompanied by three female field workers clothed in colorful orange, blue and red bell shaped dresses all carrying bundles of freshly harvested sweetgrass. The expansive field of golden yellow, orange, and green blades of grass is backed by a horizon line of deep blue water and distant green trees enlivened by white clouds sweeping across a clear blue sky. Truly an impressive agricultural landscape scene reflecting back on local traditions of Geechee Gullah culture, Lowcountry South Carolina. Impressive size - large horizontal format, handmade lithograph, fine impression, vivid colors, hand signed and numbered 75/95 by Jonathan Green, professionally framed, double frame - wove textured moulding and burl wood style liner, archival framing materials, publishers chop mark embossed on lower margin, Print documentation/ Certificate of Authenticity will be provided. Framed size - 44 x 55 in. with frame Print size - 33.5 x 42.5 inches unframed print size Image size - 27 x 36.5 inches Edition size - 95, plus proofs Year published - 1999 Printed at J K Fine Art Editions Co., NJ Publisher - Mojo Portfolio, NJ Sweetgrass grows in the moist, sandy soils near oceans and marshes. It is harvested in the spring and summer by "pullers" who slip it from its roots and place it in the sun to dry. Sweetgrass baskets...
Category

1990s Contemporary Portrait Prints

Materials

Lithograph

Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category

Early 20th Century American Modern Landscape Prints

Materials

Archival Paper, Drypoint, Etching

The Battery and Castle Garden
Located in Middletown, NY
Society of Iconophiles, 1898. Lithograph on brown wove paper, 10 x 7 1/2 inches (253 x 190 mm), full margins. In good condition with some age tone and the lower left corner dog-eare...
Category

Late 19th Century American Modern Landscape Prints

Materials

Lithograph

16th c. woodcut map - Tabula Asiae Vlll
Located in Santa Monica, CA
SEBASTIAN MUNSTER (1488-1652) ASIAE TABVLA Vlll 1540 (45) Woodcut from Munster's edition of Geographia Universalis, Basel, Henri Petri. 1545 edit...
Category

16th Century Old Masters Landscape Prints

Materials

Woodcut

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Figurative Prints

Materials

Drypoint, Etching

Marc Chagall, Abraham and Sarah, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Abraham et Sarah (Abraham and Sarah), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Ar...
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Kandinsky, Tableau avec formes blanches, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 133-134, 1962. Published by...
Category

1960s Modern Landscape Prints

Materials

Lithograph

View of Hara , After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of Mt. Fuji warmly illuminated by the morning sky. Signed in Kanji center right, "Hiroshige Ga" for Utagawa (...
Category

Mid-20th Century Landscape Prints

Materials

Sumi Ink, Washi Paper

Kollwitz, Self-Portrait (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...
Category

1940s Modern Landscape Prints

Materials

Lithograph

Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...
Category

1870s Symbolist Figurative Prints

Materials

Handmade Paper, Engraving

1920s Deco etching aquatint Lake Shore Drive, Chicago by S. Chester Danforth
Located in Chicago, IL
A 1920s, Art Deco etching & aquatint of Lake Shore Drive -- Chicago, by notable print maker S. Chester Danforth. Image size: 8 1/4" x 10 1/4". Archivally matted to 14" x 16". Mandel Brothers...
Category

1920s Art Deco Landscape Prints

Materials

Paper, Etching, Aquatint

Over Cape Cod
Located in New York, NY
"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

Mid-20th Century American Impressionist Figurative Prints

Materials

Etching

Early 20th Century Signed Etching By Armin Carl Hansen -- Valley Farm
Located in Soquel, CA
Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...
Category

1920s American Impressionist Landscape Prints

Materials

Laid Paper, Etching

Composition, Poems of Léopold Sédar Senghor, Lois Mailou Jones
Located in Southampton, NY
Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CCC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...
Category

1990s Expressionist Figurative Prints

Materials

Screen

Original 1915 VTake Up The Sword Of Justice antique poster Lusitania
Located in Spokane, WA
Original "Take Up the Sword of Justice," antique poster from 1915. Archival linen backed in good condition, ready to frame. The poster was printed for the Parliamentary Recruiting...
Category

1910s Art Nouveau Portrait Prints

Materials

Lithograph

Degas, Three Dancers, Ten Ballet Sketches (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 13 x 17 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...
Category

1940s Impressionist Figurative Prints

Materials

Lithograph

Original "Clear the Way!! Buy Bonds Fourth Liberty Loan, vintage poster, 1917
Located in Spokane, WA
Original "Clear the Way !!" Buy Bonds Fourth Liberty Loan vintage poster.. With Lady Liberty holding the U. S. Flag above the soldiers prepari...
Category

1910s American Realist Portrait Prints

Materials

Lithograph

Cosmic Runner (Retro Suite I), Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Cosmic Runner (Retro Suite I) Year: 1994 Edition: 137/300, plus proofs Medium: Silkscreen on Arches paper Size: 11 x 11 i...
Category

1990s Pop Art Figurative Prints

Materials

Screen

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Figurative Prints

Materials

Drypoint, Etching

AMERICA
Located in Santa Monica, CA
IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND JOHN SPEED (1552-1629) AMERICA - With Those Known Parts In That Unknown Worlde (sic), 1626-(76) (Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676 15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the World”. Generally good condition. A repaired split in lower centerfold. This is the most common version of this important map...
Category

1620s Old Masters Landscape Prints

Materials

Engraving

AMERICA
AMERICA
$4,080 Sale Price
52% Off
Composition, Poems of Léopold Sédar Senghor, Lois Mailou Jones
Located in Southampton, NY
Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...
Category

1990s Expressionist Figurative Prints

Materials

Screen

de Vlaminck, Paysage à Chatou, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...
Category

1970s Fauvist Landscape Prints

Materials

Lithograph

Kawase Hasui -- Snow at Hie Shrine, circa 1946 - 1957
Located in BRUCE, ACT
Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...
Category

1940s Landscape Prints

Materials

Woodcut

Andre Derain, The Bathers, from Verve, Revue Artistique et Litteraire, 1940
Located in Southampton, NY
This exquisite lithograph by Andre Derain (1880–1954), titled Les Baigneuses (The Bathers), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue...
Category

1940s Modern Landscape Prints

Materials

Lithograph

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