People Landscape Prints

A handsome woodcut on paper of the University of Chicago Chapel by artist Siegfried Weng. A perfect gift for your U of C grad! Arwork size: 9 3/4" x 7 1/2". Archivally matted to...

This exquisite lithograph by Georges Rouault (1871–1958), titled Jentie Bernard (Jentie Bernard), from the album Georges Rouault, Divertissement, originates from the 1943 edition pub...

One of a series of classically beautiful renderings of flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary and poetic reinterpr...

This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Coucher De Soleil Sur La Mediterranee (Sunset Over the Mediterranean), from Verve, Revue Artistique et Litteraire, Vol...

The Society of Iconophiles (New York, 1894–1936), 1898. Each a lithograph printed on grayish-green, or white wove paper each sheet 10 3/4 x 7 1/2 inches (274 x 190 mm), each with ful...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. C...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Limited Edition , 5 of 15, etching from this very collected Scottish artist. Signed. Excellent condition Image 9" x 7.5" Ian Laurie was born in 1933 and is a self taught artist who...

Piazza Navona allagata solito farsi nelle Feste di Agosto Etching, 1752 Signed in the plate lower right (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 26 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8 .25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...

Eyvind Earle (1916-2000) Ocean Splash, 1991 Serigraph in colors on wove paper Edition 119/150 Signed lower right With publishers/printers stamp to lower left margin Image: 36in H x ...

Original American Airlines San Francisco vintage travel poster. Artist: Dong Kingman, 1970s linen-backed authentic travel poster, ready to frame. Grade A- condition. Size 20...

Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Clown Fleuri (The Flowered Clown), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

Ski Free in Siberia. Circa 1969. Poster satirizing ski culture in Soviet-era Siberia: A skier wears a prisoner’s outfit and carries a hammer and sickle; “Gone-Dola” prison trucks are...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

LEOPOLDO MENDEZ (1902 – 1969) THE MAKING OF TORTILLAS 1954 Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...

Original vintage poster: Vichy travel poster. This is a stunning stone-lithographic turn-of-the-century poster. It advertises a train route to Vichy, France. The poster has been a...

Noel Mahaffey Night Times Square – 1979 Print – Silkscreen print on Somerset Paper 22” x 30” Edition: signed in pencil and marked PP 4/25 Noel Mahaffey was born in St. Augustine, ...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

An authentic, original Boyriven vintage poster designed by O.K. Gerand, professionally linen-backed for durability and display. A striking composition with bold graphics and clean ty...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Original. FIGHT OR BUY BONDS. THIRD LIBERTY LOAN. Linen backed. Lithograph. World War 1 authentic vintage poster. ARTIST: Howard Chandler Christy. Linen-backed, larger size format for this poster. Ready to frame. Despite minor edge wear touch-up from linen backing, this poster presents very well and is in above-average condition. You can be confident in the quality of this piece. One of the most famous and powerful WW1 propaganda images, this flag-waving Ms. Liberty (aka Columbia) poster is unusual in that it urged both recruitment and bond sales. The US had just entered the war when this poster appeared and it is one of the earliest examples of myriad illustrations that were used to motivate both troops and the American public. It's designer, Howard Chandler Christy, was at the height of his fame. He earned his spurs as a wartime artist when he accompanied US troops to Cuba in 1898, an experience that stood him in good stead when he was called on to create his famed series of patriotic WW1 posters...

SUNBATHERS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. SUNBATHERS depicts a two female sunbathers sitting in their lounge chairs on a sunny day at the beach wearing dark sunglasses, straw sun hats, and snazzy red and purple bikinis...

A drypoint and aquatint by artist Sylvia Plimack Mangold.

This lithograph titled "Thebes, Great Hall at Karnak" is a notable work by the Scottish painter David Roberts (1796-1864). This particular scene is part of Roberts' most famous colle...

A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, ...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884-1967) The Timber Merchant (c. 1932) Lithograph 47 x 43 cm Signed in pencil...

This exquisite lithograph by Marc Chagall (1887–1985), titled Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, originates from the 1960 edition published by Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1960. Daphnis et Chloe reflects Chagall’s poetic fusion of love, mythology, and dreamlike imagery, inspired by the ancient Greek pastoral romance and reimagined through his luminous color harmonies and floating forms. The work embodies Chagall’s timeless exploration of passion, innocence, and the spiritual beauty of nature, rendered in his signature chromatic radiance and lyricism. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Mourlot, Fernand, and Marc Chagall. Chagall Lithographe, Volume II, 1957–1962. Chagall Lithographe, Sauret, 1963, illustration 227 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, published by Societe Internationale d'Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1960 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagall’s reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th-century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Daphnis...

Ira Moskowitz, 'Navajo Reservation Landscape', lithograph, 1945, edition c. 30. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (1 3/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 12 3/4 x 15 3/4 inches (324 x 400 mm); sheet size: 15 1/2 x 19 inches (394 x 482 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...

This is an early 18th century hand-colored copperplate engraving of the anatomy of grapefruit by Johann Christoph Volkhamer, entitled "Pompelmus (Grapefruit), Der Herra Sitz und Burg...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel, which he chose for its popularity. When illustrating the princ...

Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Artist: Utagawa Hiroshige (Hiroshige Ando 1797-1858) Title: No.96 "Meisho Edo Hyakkei" Series: One Hundred Famous Views of Edo (名所江戸百景) Size: O-ban 大判 Age: 1856

THE ESCORTING OF RUTH by the acclaimed artist JONATHAN GREEN is a hand drawn limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Jeune faune, femme et enfant (Young Faun, Woman and Child), from the folio Picasso, La flute double, 16 ...

'Mexican Fishermen in Lake Patzcuaro', lithograph by Yves Brayer (1963). Unframed. The artist, Yves Brayer, spent time painting in Mexico in 1963, one of the many worldwide destinati...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller." Taos New Mexico Vintage...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaure et nue (Minotaur and Nude), from the folio Picasso, La flute double, 16 Dessins, Aquarelles La...

Original Rome Fly TWA Jets vintage travel poster. Conservation linen backed in excellent condition, ready to frame. This is the earlier edition of the image Before ‘up up and away’! TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was from New York to Los Angeles, followed by multiple National routes. The airline expanded to serve Europe, the Middle East, and Asia after WWII when the company was under Howard Hughes's owner's control from 1939 until 1961. Hughes was a dominant force in expanding and promoting his company's routes. The economy was vastly improving, and travel by air for business and pleasure increased, too. Posters were a crucial element in promoting this form of travel and TWA. The airline started a decline in the 1970s, ending in a third bankruptcy that caused its acquisition by American Airlines in 2001. The airline operated in 132 destinations worldwide and had a fleet size of 190. This Rome poster was created by the gifted American artist David Klein (1918 -2005), and depicts a member of the Pontifical Swiss Guard in the center wearing the iconic yellow, blue, and red uniform. The Guard is playing a drum that has the pontifical emblem. In the background, we see a representation of the ancient Roman Coliseum and the Baroque...

A finely detailed coastal scene by American artist Stephen Parrish (1846-1938). The beach is a bustling hive of activity, with various figures working along the shore. In the backgro...

Engraving by Joannes and Lucas van Doetecum (Deventer active by 1551 - circa 1569 Haarlem) in the manner of Peter Bruegel the Elder

An original hand-signed lithograph by Native American artist, RC Gorman. Numbered AP 15.

Artist: Romare Bearden (1911-1988) Title: Brass Section (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: Paper Size...

This colorful work by Peter Max was created in 1988. The vintage WFUNA lithograph "The Better World" has an Authentication certificate attached on the verso #443/750 There is no ch...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: original etching. Published in 1912 by Gazette des Beaux Arts. Plate size: 5 x 9 1/4 inches (128 x 232 mm) on cream laid paper. Signed in the plate, not by hand. The Gazett...

Original poster: The Sesquicentennial International Exposition Philadelphia. June First to December First, 1926. "The Voice of the Liberty Bell." Original vintage poster, line...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...

Original Santa Fe The Chief Way vintage railroad travel poster. Archival linen backed in very fine condition, ready to frame. Most of the Santa Fe Railway posters feature American Indians, but this poster features the big boss, The Chief! The poster has about a 1" white border around the entire image, the linen backing is not counted in the poster's measurement. Several of the trains were named "Chief" which includes the San Francisco Chief, Texan Chief, Kansas City Chief...

ANTON REFREGIER (1905 – 1979) DISCOVERY OF GOLD, 1949. Color serigraph. Signed and numbered in pencil, edition of 90. Image 23 ¼ x 21 ¾" Large sheet, 29 3/4 x 25 ¼”. Printed title...

"Entrance to Nablous, The Holy Land (West Bank)" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...

Original World War 1 vintage poster: Food Will Wn the War. Arhival linen backed. PRINTER: Rusling Wood Litho., New York Bright and in good condition. There is some marks down the left side of the poster, possible ink from when the poster was printed. This poster calls on immigrants to do their part in the war effort. It depicts recent immigrants standing near a sailing ship with the Statue of Liberty and a rainbow stretched across the New York City skyline in the background. The text reads: You came here seeking Freedom. You must now help preserve it. Wheat is needed by the allies. Waste nothing. The generosity and compassion of the American people and the great agricultural resources of the North American continent would be called upon... Twenty million Americans signed pledges of membership in the Food Administration...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 8.27 inches Inscription: Signed in the plate and unnumber...