People Landscape Prints

Black and white etching on wire rod paper, representing the Greek myth of Salmacis and Hermaphroditus. Wonderful plate with very fresh impression and a beautiful use of chiaroscuro,...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Artist: Georges Rouault, French (1871 - 1958) Title: Frontispiece from the portfolio Les Reincarnations du Pere Ubu Year: 1929 Medium: Etching and aquatint on cream wove paper, signe...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 6 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

Morris Cox (1903-1998) Untitled Figure 1983 Image: 41.0 x 19.5 cm Frame: 57.5 x 35.5 cm Signed Provenance: Morris Cox Archive Morris Cox (1903-1998) Was a writer, poet, printmake...

Ancient View of Salt Lake City is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. ...

'Bassenthwaite Water, from the Western Side' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground e...

Portrait of a Lady is an Artwork  realized by  the French Artist Louis Thomas Bardel. Lithograph, Hand-signed by the artist on the lower left corner. The artwork is glued on cardbo...

Medium: Lithograph on vélin d'Arches paper Year: 1973 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Réalistes Lyriques, VIII, ...

Ari Gradus, Israeli (1943 - ) - Old New York, Year: 1980, Medium: Lithograph, signed in pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. (55.88 cm x 76.2 c...

Original Fortune Magazine 1938 vintage cover. Archival linen backed in very fine condition; ready to frame. Artist: Miguel Covarrubias (1904 – 1957) This is an Original Letter Press...

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Donna e fiori (Woman and Flowers), from the album XXe siecle, Nouvelle serie, XLIIe Annee, No. 55, originates from t...

The little that is know about the painter and printmaker Stewart Wheeler indicates that most of his career was spent in Philadelphia, Pennsylvania. And...

A perfect summer day. A young mother, little boy, and even smaller girl have their luncheon under a make shift 'fly' -- a stripped cloth canopy fixed up with poles. Although it is titled 'Seaside Nomads,' to me it has the look of a bay or inlet. It's relatively flat and there are all sorts of grasses, old...

This exquisite lithograph by Marc Chagall (1887–1985), titled Ruth glaneuse (Ruth the Gleaner), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This lyrical composition depicts Ruth gleaning in the fields of Boaz, a story of devotion, faith, and humble perseverance that reflects Chagall’s profound empathy for biblical humanity. Through flowing lines and radiant harmonies, he transforms the pastoral act into a vision of grace and spiritual renewal, suffused with divine light and poetic serenity. The work captures Chagall’s enduring ability to elevate everyday acts into timeless expressions of love, dignity, and divine purpose. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Ruth glaneuse (Ruth the Gleaner), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Ruth...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 7.87 inches Inscription: Signed in the plate and unnumber...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

Salt Water Taffy in the Mist, Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk. Photograph from Richard Heeps' Jersey Shore ...

Linda Plotkin, American (1938 - ) - Plants II, Year: circa 1965, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 14/75, Image Size: 7.75 x 6.75 inch...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Testa di paggio (Page’s Head), from the album XXe siecle, Nouvelle serie, XLIIe Annee, No. 55, originates from the 1...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Hand signed and numbered. Edition of 125 prints. This set includes six colored lithographs by Michele Cascella: 1. Piazza di Spagna Image Dimensions...

Title: OPSAIL Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued Notes...

Original 1976 July 4th in Old New York vintage Bicentennial festival vintage poster. The poster is copyrighted by Macy’s New York. Artists were: Griesbach and Martucci. Arc...

Original San Francisco, California fun map vintage poster 1970. Archival linen backed in very fine condition, ready to frame. -Artist: Henry Hinton I don’t know how much more you could include in this detailed fun map of San Francisco...

Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed "Artist Proof" in pencil Paper: Arches ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Asuerus chasse Vasthi (Ahasuerus Banishes Vashti), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Ve...

Superb etching on papier de chine appliqué, realized by Dufeu in 1862. Signed in the plate. Very good condition.

Blashaw Dam is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed on plate . Beautiful engraving with contemporary colouring. Edition by  R...

'Gillingham Mill, Dorsetshire' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

'Loggia di Raffaello, in Vaticano' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870. Benoist was one of France's...

Original WW1 poster, linen-backed. Very good condition, rare American WW1 antique military poster. Navy ships need binoculars and spy-glasses. Will you ...

2nd State Watermark: Hand with Cuff and Flower (close to Briquet 11467)

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 69 (Plate 69), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

The artwork is print on silk and it is limited edition. Our theater of culinary extravaganza and everyday vaudeville. The worst thing is when you don’t know what's funniest to you t...

Shimada is an original modern artwork realized after Utagawa Hiroshige, in the Late 19th Century. Original Woodcut print from the series "53 Stations of t...

Original Gone with the Wind “Vom Winde Verweht” vintage lithograph poster. Original vintage movie poster with professional acid-free linen backing; excellent condition; ready to frame. This is the German 1962 release of Gone with the Wind, printed in the full lithographic style of the old French posters. Unique imagery of the famous scene of the burning of Atlanta. Starring Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland...

Title: Berlin Love Year: 1993 Medium: Offset lithograph in colors on gloss archival paper Size: 33 x 23.13 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issu...

Etching realized by Louis Bouquet after Hamboldt. not signed. Very good condition.

Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

Original silent movie poster: King of Caprice (translated from Russian.). Archivally linen-acked in very good condition. Images shown are of the exac...

Title: Lotta Love Year: 1998 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued Notes: Published and printed by Via Max, Inc., New York, 1998. Policy: We officially represent the Peter Max Studio (ALP, Inc., New York), and this artwork will be shipped directly from the Studio to the buyer. Per the requirements of the Peter Max family and the Studio (ALP, Inc., New York), this artwork will be dedicated by the Peter Max Studio to the buyer or a person of the buyer’s choosing (first and last name). Excerpted from the Peter Max Archives, Peter Max created this vibrant and sumptuous heart image for the 'Lotta Love' tribute concert in memory of singer Nicolette Larson. The concert benefitted UCLA Children's Hospital with performances by the most celebrated performers of the singer-songwriter era - Carole King, Jimmy Buffett, Joe Walsh, Dan Fogelberg, Jackson Browne, Emmylou Harris, Linda Ronstadt, Crosby, Stills and Nash, Bonnie Raitt...

Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...

Title: Earth Day 1995 Year: 1995 Medium: Offset lithograph in colors on gloss archival paper Size: 22 x 20.875 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as ...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Reflet (Reflection), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), ori...

Original World War 2 Fire Away! Buy Extra Bonds. Linen backed. Color poster of two sailors on a Navy ship at sea. One sailor uses a searchlight, and the other is looking through binoculars. The sailors wear blue jackets and knitted "watch caps". A U.S. flag can be seen on the ship deck below. "In memory, U.S.S. Dorado"--At the upper left corner of the picture. Logo near the bottom of the poster: "5th 'V' War Loan". Artist George Schrieber (1904-1977) designed this war bond poster after the U.S.S. Dorado, a Gato-class submarine, was sunk off the coast of Cuba by a German land mine. Georges Schreiber (1904-1977) commemorates the sinking of the USS Dorado submarine in this 1944 War Bonds poster entitled Fire Away for the Fifth War Loan. Schreiber sailed aboard the ship in the summer of 1943 and had a personal connection to the tragedy. USS Dorado (SS-248) was a Gato-class submarine. Her keel was laid down on 27 August 1942 by the Electric Boat Company of Groton, Connecticut and was commissioned on 28 August 1943 under the command of Lieutenant Commander Earle Caffrey Schneider. The USS Dorado sailed for the Panama Canal for use in the East Asia war effort. The submarine was sunk off the coast of Cuba due to a minefield left by a German-Nazi U Boat. This is an Original Vintage Poster; it is not a reproduction. "U.S. Government Printing Office: 1944-O-581636". "WFD 908-A" USS Eldorado (AGC-11) was named after a mountain range in Nevada. The ship was designed as an amphibious force flagship, a floating command post...

The Tree is an original artwork realized by George Henri Tribout. Original etching on paper glued on cardboard. Monogrammed on the lower right corner. George Henri Tribout (Paris,...

This artwork titled "Family Reunion" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947....

Original vintage travel poster: HOLLAND AMERICA CRUISES. Artist: David Klein. This poster is printed on a thicker paperstock and doesn't require ...

The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Wo...

Cottage and Harvesters (after a watercolor by Peter De Wint, 1784-1849). 1907. Mezzotint. Hardie 88. 6 5/8 x 10 11/16 (sheet 14 x 19 1/4). Edition 100. Housed in a 16 x 20 mat. A ver...

Lithograph on hand made Fabriano vélin paper mounted on museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Elegy of Ihpetonga and Ma...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Interieur d'hopital (Hospital Interior), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernan...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'Ecuyere (The Horsewoman), from the folio Derriere le miroir, 10 Ans d'Edition 1946-1956, No. 92-93, originates from th...

a very fine impression