Handmade Paper Prints and Multiples

"Lady Holding a Baby" - Woodblock Print on Laid Rice Paper Elegant woodcut print by Stephen White (American, b. 1939). In an early example of White's signature style, a stylized, mi...

This museum-quality photographic print on handmade paper by Carleigh Thomas measures 9 x 6”, and is on a mat that measures 14 x 11”. The photograph was taken in Tainan, Taiwan and is...

A superb impression of a scarce proof on rare paper. Etching on blue laid watermarked "Hand Made" paper, 7 3/8 x 3/14 inches (188 x 83 mm); sheet 11 1/2 x 8 1/4 inches (292 x 209 mm...

Patty deGrandpre’s “Stop, Sleep, Gas Up” is a dynamic mixed media depiction of a roadtrip created with deconstructed snapshots of a classic Red Roof Inn front facade, a rural highway...

Face of a Woman, Figurative Abstract Pop Art Woodcut Portrait on Handmade Paper Bold pop art woodcut print on handmade paper of a woman's face in black and red, repeated in 4 vertical registers like a film strip, by Monterey Bay artist Paula Walzer...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...

Pair of aquatints with stipple-engraving, printed in colours and finished by hand, made for Brookshaw's most famous work "Pomona Britannica" or a "Collection of the Most Esteemed Fru...

Etching on hand made cream laid paper, 2 7/8 x 6 1/4 inches (72 x158 mm), 1/4 inch margins. In very good condition with minor edge wear. Adhered with adhesive along the left top shee...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...

ngraving on light cream wove paper. In good condition with minor age tone and edge wear, well outside of image area. 6 3/8 x 8 3/8 inches (162 x 213 mm); sheet 15 3/4 x 11 3/4 inches...

A superb impression of Martin Lewis's consummate image of Japan. Etching with drypoint on fine cream laid paper, 13 7/8 x 10 3/8 inches (352 x 265 mm); sheet 17 3/4 x 14 1/4 inches ...

Artist: Nancy Genn, American (1929 - ) Title: Saratoga Year: circa 1978 Medium: Monoprint on hand-made paper, signed l.l. Size: 40 x 54 inches (101 x 137 cm)

Tokyo: c1893. Wooblock tryptich printed in colors on hand laid mulberry paper, 14 3/4 x 29 inches (375 x 737 mm), the full sheet. Meiji period. In very good condition with extensive...

Monoprint, serigraphy, laser cut on two sheets of rice paper, unique 15 x 15 inches, 2016, framed 22.25 x 22.25 inches In this piece, Sands uses the motif of a sand dollar, and her ...

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...

Kiki Smith For Leslie Gore, Mo Tucker, Laura Nyro and Mama Cass: What Girls Know About Grids (signed twice), 2000 Eight etching and relief etchings on handmade Japanese paper attache...

Page from "Spring View in Takanawa" Mid 18th Century Ukiyo-e Print Left page from the triptych print "Spring View in Takanawa" by Utagawa Kunisada (Toyokuni III) (Japanese b. 1786 d...

Donald Sultan Playing Card Prints - Artist Proofs (APs) We are excited to offer a rare collection of Artist Proof (AP) prints from Donald Sultan's acclaimed playing card series. Lim...

This unique cyanotype monotype diptych features fluid, interlocking shapes that drift across luminous fields of blue, creating a rhythmic balance between movement and stillness. Hand...

Friedel Dzubas Untitled, 1982 Monotype on handmade paper 33 1/4 x 33 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movem...

4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...

Paris: Israël Henriet, c1680. Etching with engraving on cream laid paper, laid down to a cream laid paper matrix, 3 1/8 x 7 1/8 inches (78 x 180 mm), the full sheet with thread marg...

London: c1850. Engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small edge loss at the lower-rig...

This is a Colour Woodcut by Japanese artists Kitagawa Utamaro, published c. 1792–93. A Modern reprint first between 1918 and 1923, this is a later print in the 90s from Japan. This p...

TECHNICAL INFORMATION: Shepard Fairey Sedation Pill HPM 2013 HPM (hand-painted multiple), screenprint and mixed media collage on paper Edition 10 of 10 Pencil signed and numbered Condition: This work is in excellent condition. Frame: Framed in a maple wood shadowbox frame with UV protective Plexiglass ABOUT THE WORK: This piece is an HPM, or Hand Painted Multiple. This means that before the screenprint process takes place, Fairey creates the paper by collaging his patterns, stencil, newspaper clippings, and advertising logos...

A complicated collaboration between two perfectionists. by John Taylor Arms & Kerr Eby Etching on cream laid paper with a deckle edge, 12 5/8 x 8 11/16 (322 x 222 mm); sheet 18 x 11...

A very good impression of this color lithograph on Italia handmade paper. Signed, titled, dated and numbered 35/41 in pencil by Rosenquist. Printed and published by ULAE, West Islip,...

Hand signed, numbered and dated in yellow felt pen. Mixed media with handmade paper, bamboo and fabric mounted on black board and framed. Published by Gemini G.E.L., Los Angeles. Cer...

Etching on watermarked FJ Head cream laid paper with a deckle edge, 11 1/8 x 8 3/4 inches (283 x 223 mm); sheet 14 3/4 x 11 1/2 inches (374 x 292 mm), full margins. Signed and dated ...

Etching on cream laid antique J Whatman paper with a watermark, 4 1/2 x 2 3/8 inches (109 x 61 mm); sheet 8 1/2 x 6 1/8 inches (216 x 153 mm), full margins. A proof impression from t...

Etching with engraving on cream laid paper with a partial watermark, 12 x 8 1/4 (305 x 210 mm); sheet 16 3/4 x 11 inches (425 x 280 mm), full margins. Signed by both Sweet and Shapla...

Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Isl...

An image of Jerusalem from the first comprehensive collection of documentary images of the Holy Land. London: Cassell, Petter & Galpin, circa 1850. Lithograph with hand coloring an...

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Jacquelyn Strycker One Day Tomorrow Will be Yesterday, 2024 collage of risographs and screenprints on Japanese and handmade fibers papers with sewing and acrylic gouache 57 x 76 in. ...

A very good impression of this color lithograph on TGL handmade paper. Initialed and numbered 6/40 in pencil. Printed and published by Tyler Graphics, Ltd., Mount Kisco, with the bli...

Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch, 3 1/2 x 5 5/8 inches (89 x 144 mm); sheet 5 3/4 x 8 3/8 inches...

Claudine Loquen is a French artist born in 1965 who lives and works in Sassetot-le-Mauconduit, France. Like Colette with the literature, the artist makes the apology of painting wi...

Etching on cream laid watermarked FJ Head paper with a deckle edge, 10 1/4 x 5 3/8 inches (262 x 137 mm); sheet 18 1/8 x 10 1/4 inches (457 x 260 mm), full margins. Signed, titled, d...

Lithograph in colors on cream wove paper 16 3/4 x 12 inches (425 x 304 mm); sheet 21 1/2 x 14 1/4 (546 x 361 mm), full margins. In good condition with minor toning.

Artist: Serge Helenon (French, 1934-) Title/Portfolio: "Présence" *Each work is signed by Helenon in pencil lower left or lower right Year: 1985 Medium: The Complete Portfolio of Thr...

Actor as Samurai - 18th Century Japanese Woodblock Print Woodblock print depicting an actor, possibly Nakamura Denkuro II, as a samurai. The actor stands with his sword unsheathed a...

Louise Nevelson ( 1899 - 1988 ) - hand-signed Silk-screen on hand-made paper, 1975 Additional information: Material: Silk-screen on hand-made paper Edited in 1975 Limited edition in...

Alan Shields Treasure Rute I, 1979 Relief, stamping, linocut, collage on handmade paper Titled, numbered, signed, and dated Treasure Rute I 1/11 Alan Shields 1979 on the bottom front...

Screenprint on handmade Napalese paper. Edition of 3000. Printed by Universität für angewandte Kunst, Vienna. Published by MAK Galerie, Österreichisches Museum für angewandte Kunst, ...

Flowers are like friends; They bring colour to your world, 2021 Signed and numbered by the artist Hand embellished lithograph on museum-grade rag paper 31 x 31 in 78.7 x 78.7 cm Edit...

Mixografia print on handmade paper Hand signed by artist Signed, dated, and numbered in pencil lower margin Published by Mixografia, Los Angeles “That gas station had a polished new...

"Mapping the Walk - May to August" by Judith Allen-Efstathiou is an exquisite cyanotype photographic print on mulberry paper in deep blue and white of wildflowers abstracted. Highl...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...

Tokyo: Kawaji, 1830. Three (3) woodblock prints (nishiki-e) in color on handmade mulberry paper, each 2 5/8 x 3 3/8 inches (67 x 82 mm), the full sheet, margins slightly trimmed. Ea...

This is a 6-color hybrid print by Gerhard Richter offered by CLAMP in New York City. 6-color hybrid print on 260g Rives Handmade paper (Edition of 500) Abstraktes Bild 1992/2023 A...

Etching in brownish black ink on cream laid paper, 5 3/8 x 3 1/2 inches (135 x 87 mm), partially trimmed lower sheet edge. With the artist's moniker in ...

Artist: Anne Youkeles, Austrian/American (1920 - ) Title: Script Year: circa 1980 Medium: 3-D Hand-Cast Paper Pulp Collage, signed, titled and numbered in pencil Edition: 7/25 Siz...

Claudine Loquen is a French artist born in 1965 who lives and works in Sassetot-le-Mauconduit, France. Like Colette with the literature, the artist makes the apology of painting wi...

Engraving on light weight laid paper with an small indiscernible, alphabetic watermark, 9 x 7 1/2 (230 x 188 mm); sheet 11 1/4 x 8 1/2 inches (284 x 215 mm), wide margins. In very go...

A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...

Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm), the full sheet, full margins. In very good condition with some minor, light sta...

Friedel Dzubas Untitled, 1982 Monotype on handmade paper 34 x 33 1/4 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movem...