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Medium: Handmade Paper
Presentation print for Royal Mail Christmas Stamp Series (Signed) British artist
By Andy Goldsworthy
Located in New York, NY
Andy Goldsworthy
Presentation print for Royal Mail Christmas Stamp Series, 2003
Color photogravure on handmade rag paper with deckled edges
15 × 20 1/4 inches
hand signed lower right...
Category
Early 2000s Contemporary Handmade Paper Prints and Multiples
Materials
Handmade Paper, Photogravure, Mixed Media, Pencil
View of Arai
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a ferry sailing across Lake Hamana. Signed in Kanji lower right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japane...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Lucky Gun
By Zane Fix
Located in East Hampton, NY
Unframed
World-renowned guru of Jap Pop Art - Zane Fix, is an American artist, born in Brooklyn, New York.
The art of Zane Fix blends both the intensity and simplicity of Japanese ...
Category
2010s Pop Art Handmade Paper Prints and Multiples
Materials
Rice Paper, Archival Pigment
Group of Four Mezzotint Hunting Plates.
Located in London, GB
4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides.
[Published: Augsburg, 1750].
A fine group showing 2 male and 2 female hunters along with the ...
Category
1750s Naturalistic Handmade Paper Prints and Multiples
Materials
Handmade Paper, Engraving, Mezzotint
Misty Underwater Shapes, Mid-Century Modern Organic Blue, Handmade Monotype 2021
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes.
It's made by layering paper cutouts and different exposures using uv-...
Category
2010s Abstract Handmade Paper Prints and Multiples
Materials
Watercolor, Paper, Mulberry Paper
View of Nissaka
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers moving through Sayo Mountain Pass. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
No. 45, View of Akasaka from "Comical Views of Famous Places in Edo" Woodblock
Located in Soquel, CA
No. 45, View of Akasaka from "Comical Views of Famous Places in Edo" Woodblock
Whimsical woodblock print by Utagawa Hirokage (Japanese, active 1855–1865). Four people are sitting on...
Category
1860s Edo Handmade Paper Prints and Multiples
Materials
Rice Paper, Woodcut
Landschaft - Giclee - 2018 - Armando - hand-signed - Edition: 25 - 2018
Located in Sint-Truiden, BE
Armando
18.09.1929 Amsterdam
Landschaft
Giclee on heavy, hand-made cotton paper
Year: 2018
Hand-signed and numbered
Edition: 25
Condition: In good condition
Dimensions: 48.0 x 47.7 on 61.0 x 58.7 cm
ARMANDO (Amsterdam 1929 - Potsdam 2018)
Sculptor, Writer, Film and documentary maker, Violinist
Education:
Armando studied art history in Amsterdam for a number of years.
He lived in Amstelveen and worked in Amsterdam.
Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy.
Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme.
Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music.
Exhibitions and prices:
1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van...
Category
21st Century and Contemporary Abstract Handmade Paper Prints and Multiples
Materials
Handmade Paper
$332 Sale Price
37% Off
Madron
Located in Kansas City, MO
Stanley Jones
Title: Madron
Year: 1970
Medium: Lithograph on BFK Japanese paper
Edition: XXXV/XXXV
Signed in Pencil
Size: 26 x 20 inches
Publication: From portfolio Europaische Graph...
Category
1970s Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Lithograph
$399 Sale Price
73% Off
View of Fujisawa
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers at Fujisawa in Kanagawa Prefecture with a view beyond to Yugyō-ji Temple, circa 1850. Signed in Kanji uppe...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Secret Seas: Acrylic, Silkscreen Ink on paper (unique signed numbered variant)
By Faile
Located in New York, NY
FAILE
Secret Seas, 2019
Acrylic, Silkscreen Ink on Lenox 100 Paper. (two sided)
Hand Signed, titled, dated and numbered 6/250 (each unique)
25 × 19 inches
Hand signed and annotated o...
Category
2010s Street Art Handmade Paper Prints and Multiples
Materials
Ink, Acrylic, Handmade Paper, Paper, Mixed Media
silver graphite double V suit
Located in Columbia, MO
Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...
Category
21st Century and Contemporary Contemporary Handmade Paper Prints and Multiples
Materials
Thread, Archival Ink, Handmade Paper, Monotype
"The Game of Transformation. Butterflies"
Located in Zofingen, AG
The etching "The Game of Transformation. Butterflies" is an artist's play with meanings and associations. In this work, modern girls are presented in the form of glamorous fluttering...
Category
2010s Aesthetic Movement Handmade Paper Prints and Multiples
Materials
Paper, Mulberry Paper, Mezzotint, Etching, Aquatint
Zurück - Giclee - 2016 - Armando - hand-signed - Edition: 30 - 2016
Located in Sint-Truiden, BE
Armando
18.09.1929 Amsterdam
Zurück
Giclee on heavy, hand-made cotton paper
Year: 2016
Hand-signed and labelled
Edition: e.a.
Condition: In good condition
Dimensions: 50.0 x 50.0 on 63.0 x 61.0 cm
ARMANDO (Amsterdam 1929 - Potsdam 2018)
Sculptor, Writer, Film and documentary maker, Violinist
Education:
Armando studied art history in Amsterdam for a number of years.
He lived in Amstelveen and worked in Amsterdam.
Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy.
Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme.
Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music.
Exhibitions and prices:
1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van Looy...
Category
21st Century and Contemporary Abstract Handmade Paper Prints and Multiples
Materials
Handmade Paper
$332 Sale Price
37% Off
"High Camp" Screen print after Andy Warhol Campbells Soup
Located in Brooklyn, NY
Original three color silkscreen print depicting Campbell's soup can labels with arrows pointing to High and Low "Camp". This piece is hand numbered 6/25 and titled and signed by the ...
Category
20th Century Handmade Paper Prints and Multiples
Materials
Handmade Paper, Screen
$675 Sale Price
25% Off
American Artist Handmade Multi Colored Paper With Collage Steven Sorman
Located in Surfside, FL
Steven Sorman was born in Minneapolis, Minnesota in 1948. Internationally known as a painter and printmaker, Sorman earned his Bachelor of Fine Arts degree from University of Minneso...
Category
21st Century and Contemporary Contemporary Handmade Paper Prints and Multiples
Materials
Handmade Paper, Monoprint
"Grave of Santa Anna
s Leg" Original Woodblock Print, Signed Artist
s Proof
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch.
Signed "Carol Summers" along the right edge of the blue shape.
Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape.
Presented in a silver colored aluminum frame.
Frame size: 32.245"H x 27.25"W
Paper size: 29.75"H x 24.5"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum.
In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category
1980s Contemporary Handmade Paper Prints and Multiples
Materials
Ink, Handmade Paper, Woodcut
Framed 18th Century Hand Colored German Book Page W/ Illustration and Text
Located in San Francisco, CA
Framed 18th Century Hand Colored German Book Page W/ Illustration and Text
Antique Book Page
German Text
Dimensions 10" wide x 15" high
The fram...
Category
Mid-18th Century Handmade Paper Prints and Multiples
Materials
Handmade Paper
VW-Käfer (Fun, Mid-Century Modern, Bug, Beetle, Iconic, ~48% OFF LIST PRICE)
Located in Kansas City, MO
Franz Graw
VW-Käfer
Mixed Media on handmade paper, Lino Carving
2022
Size: 12.59 x 10.23 inches (32,0 x 26,0 cm)
Signed by hand, stamped
COA provided
Ref.: 924802-2107
Tags: #FranzG...
Category
2010s Modern Handmade Paper Prints and Multiples
Materials
Mixed Media, Handmade Paper
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prevost's "Collection des Fleurs et Fruits...
Category
Early 1800s Naturalistic Handmade Paper Prints and Multiples
Materials
Color, Engraving, Handmade Paper
Cell with Explosions I, Line Engraving on Japanese Kozo paper, signed/N, Framed
By Peter Halley
Located in New York, NY
Peter Halley
Cell with Explosions I, 1993
Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface
Hand signed and numbered 49/50 by the artist on lower front
Original frame included: matted and framed in a wood frame
Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process.
Measurements:
Frame: 19 x 19 x 1 inches
Visible: 12 1/4 x 12 1/4 inches
Sheet: 15 7/8 x 15 1/4 inches
Peter Halley Biography
Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year.
In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint.
In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum.
While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996.
In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...
Category
1990s Abstract Geometric Handmade Paper Prints and Multiples
Materials
Rice Paper, Etching
Gladiolus Cardinalis
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Gladiolus Cardinalis
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments...
Category
19th Century Naturalistic Handmade Paper Prints and Multiples
Materials
Handmade Paper, Engraving
Tree shrine 2
Located in Fairfield, CT
Limited edition (edition number TBA)
Suite of four
Edition of four
$2,500 each, framing is additional $350
Category
2010s Contemporary Handmade Paper Prints and Multiples
Materials
Mulberry Paper, Woodcut
Artist with Models
By Manuel Ayaso
Located in Kansas City, MO
Manuel Ayaso
Artist with Models
Etching on wove paper
Year: 1970
Size: 6.5x7.25 on 15x13in
Edition: 50
Signed and numbered by hand
COA provided
Ref.: 924802-1357
Manuel Ayaso is known for Mod figure, genre, sculptor. Painter; Sculptor Born in Riviera, Spain in 1934. Studied at Newark School of Fine and Industrial Arts. His work is in the Whitney Museum of American Art, Worcester Museum and the Pennsylvania Academy of Fine Arts.
Category
1970s Modern Handmade Paper Prints and Multiples
Materials
Etching, Handmade Paper
$477 Sale Price
31% Off
"The Kaminarimon at the Kanseon Temple in Asakusa" - Original Japanese Print
Located in Soquel, CA
"The Kaminarimon at the Kanseon Temple in Asakusa" - Original Japanese Print
Japanese Print "The Kaminarimon at the Kanseon Temple in Asakusa", from the series "Famous Places in Ed...
Category
1850s Showa Handmade Paper Prints and Multiples
Materials
Rice Paper, Woodcut
VI from La Magnanerie de la Ferrage, Linocut on Rice Paper by Alberto Magnelli
Located in Long Island City, NY
Artist: Alberto Magnelli, Italian (1888 - 1971)
Title: VI from La Magnanerie de la Ferrage
Year: 1971
Medium: Linocut on Japon, signed in pencil
Edition: Pour Leon Amiel
Image Size: ...
Category
1970s Cubist Handmade Paper Prints and Multiples
Materials
Rice Paper, Linocut
Delicate Abstract Lithograph in Pale Blues and Greys
Located in Soquel, CA
Delicate Abstract Lithograph in Pale Blues and Greys by American Beat artist Will Peterson (1928-1994.)
This lithograph features a soft warm grey background overlayed with light blue shading and line work. In the bottom center of the piece is a spiky white shape. The colors and shapes are subtle and feel reminiscent of ice.
Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece.
Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers.
Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...
Category
1960s Post-Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Lithograph
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
1890s French School Handmade Paper Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Shichiri Ferry
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of two boats off the coast of Kuwana. Signed in Kanji upper right, "Hiroshige Ga" for Utagawa (Ando) Hiroshig...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
View of Kusatsu
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of a Kusatsu in Shiga Prefecture, circa 1850. Signed in Kanji lower right, "Hiroshige Ga" for Utagawa (Ando) ...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Santa Fe
Located in New York, NY
An iconic American image by Robert Cottingham, Santa Fe was created by the artist in 1988 as an original color woodcut on rice paper. The artwork is hand-signed, titled, dated and nu...
Category
20th Century Photorealist Handmade Paper Prints and Multiples
Materials
Rice Paper, Woodcut
View of Yoshida
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the workers looking out over the river from the scaffolding of Yoshida Temple, circa 1850. Signed in Kanji...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Narcissus
Located in London, GB
REDOUTE, Pierre-Joseph.
Narcissus
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of botanic...
Category
19th Century Naturalistic Handmade Paper Prints and Multiples
Materials
Handmade Paper, Engraving
$3,264
Le Collier de Lussie
Located in Kansas City, MO
Marie Thérèse Vacossin
Le Collier de Lussie
Color etching on hand-made paper
Year: 1971
Signed, numbered, dated and titled by hand
Edition: 8
Size: 8.3 × 11.6 on 22.0 × 14.8 inches
...
Category
1970s Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Etching
$199 Sale Price
59% Off
Dancing, Minimalist Handmade Paper Artwork by Harvey Edwards
Located in Long Island City, NY
A detailed image of a dancing couple dipping, a highly textured cast paper piece by Harvey Edwards. The impression is on a heavy hand-made paper shadow mounted to a linen back. unf...
Category
1980s Contemporary Handmade Paper Prints and Multiples
Materials
Handmade Paper
Celia - Adjusting her Eyelash - Celia Portraiture British Art 1979
Located in London, GB
This original lithograph is hand signed in green pencil by the artist "Hockney" in the lower right margin. It is also dated "79" (1979) in pencil.
It is hand numbered and inscribed ...
Category
1970s Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Lithograph
Study Of Drapery
Located in New York, NY
Brush and black and gray inks and wash on cream wove paper. Signed by the artist in pencil, lower center. Titled in pencil, lower right. Inscribed with the artist's name and addre...
Category
1930s American Realist Handmade Paper Prints and Multiples
Materials
Ink, Handmade Paper
Pumpkinhead (~40% OFF LIST PRICE)
Located in Kansas City, MO
Volkmar Schulz-Rumpold
Title: Pumpkinhead
Medium: Original Pigment Print, on handmade cotton paper
Year: 2017
Signed by hand
Size: 19.5 × 16.0 on 23.8 × 19.5 inches
COA provided
Vol...
Category
2010s Outsider Art Handmade Paper Prints and Multiples
Materials
Handmade Paper, Archival Pigment
$148 Sale Price
40% Off
View from Goyu
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of women stopping travelers in Goyu, circa 1850. Signed in Kanji lower left, "Hiroshige Ga" for Utagawa (Ando...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Clock - Print by Vagaram Choudhary - 2024
Located in Roma, IT
"Clock" is a painting realized by Indian Artist Vagaram Choudhary in 2024.
Painting Medium : Natural pigment on wasli paper
Painting backside Hand sign with years
Painting style ...
Category
2010s Abstract Handmade Paper Prints and Multiples
Materials
Washi Paper, Pigment
Fudesute Mountain
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of travelers admiring Mt. Fudesute in Sakanoshita. Signed in Kanji lower left, "Hiroshige Ga" for Utagawa (An...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Here We Are In Croydon by Howard Hodgkin, Lithography with Hand Colouring, 1979
Located in Kingsclere, GB
Here We Are In Croydon by Howard Hodgkin, 1979
Additional information:
Medium: lithograph with hand-colouring on Moulin d'Auvergne handmade paper, the full sheet printed to the edges
56 x 76 cm
22 1/8 x 29 7/8 in
signed, dated and numbered 30/100 in blue crayon
Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54).
Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames.
In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent.
Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category
20th Century Handmade Paper Prints and Multiples
Materials
Handmade Paper, Lithograph
Ishiyakushi Temple
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the road into Ishiyakushi. Signed in Kanji upper right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japan...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Abstract Color Field Lithograph in Pale Blue and Brown
Located in Soquel, CA
Abstract Color Field Lithograph in Pale Blue and Brown by American Beat artist Will Peterson (1928-1994.)
This lithograph blends the linework and movement of abstract impressionism with a color field-esque composition. A long copper-brown rectangle shines through from the bottom layer of the colors. It is then crossed in multiple places by black linework and hatching. Around this shape a pale cornflower blue acts as a frame and crosses the brown shape in the center. The addition of the cool black and blue tones creates a sense of warmth in the underlying shape.
Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece.
Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers.
Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...
Category
1960s Post-Modern Handmade Paper Prints and Multiples
Materials
Handmade Paper, Lithograph
POITEAU/ TURPIN. Traité des arbres fruitiers: A Set of Four Cherries.
Located in London, GB
A set of four stipple-engraved plates printed in colours and finished by hand.
Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...
Category
Early 1800s Naturalistic Handmade Paper Prints and Multiples
Materials
Color, Engraving, Handmade Paper
View of Fujikawa
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers kneeling along a coastal path as the Daimyo's procession passes. Signed in Kanji lower left, "Hiroshige Ga...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Located in Soquel, CA
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony.
Presented in a new off-white mat with foamcore backing.
Mat size: 16"H x 20"W
Paper size: 9.63"H x 14.5W"
Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...
Category
1830s Edo Handmade Paper Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
III from La Magnanerie de la Ferrage, Abstract Linocut by Alberto Magnelli
Located in Long Island City, NY
Artist: Alberto Magnelli, Italian (1888 - 1971)
Title: III from La Magnanerie de la Ferrage
Year: 1971
Medium: Linocut on Japon, signed in pencil
Edition: Pour Leon Amiel
Image Size:...
Category
1970s Cubist Handmade Paper Prints and Multiples
Materials
Rice Paper, Linocut
"Pictures Of Noh" - 1922 Original Japanese Woodblock Print
Located in Soquel, CA
"Pictures Of Noh" - 1922 Original Japanese Woodblock Print
Original Japanese woodblock print by Tsukioka Kogyo (Japanese, 1869-1927...
Category
1920s Edo Handmade Paper Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
$568 Sale Price
20% Off
Kimono with Peacock Feathers Lithograph
Located in Soquel, CA
Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948).
Numbered, dated, titled, and signed along the bottom edge, "1/5 Stage 1 Kimono 3 Patricia A Pearce" (images altered for better viewing).
Presented in a new off-white mat with foam core backing.
Mat size: 30"H x 25"W
Paper size: 27"H x 22"W
Patricia Pearce (American, b. 1948) is a California artist who attended San Francisco State and UC Irvine and was the Adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions...
Category
1980s Contemporary Handmade Paper Prints and Multiples
Materials
Paper, Ink, Mulberry Paper, Lithograph
WERNER. A Panoramic View of London
Located in London, GB
London
[WERNER, Friedrich Bernard].
Georg. Balthasar Probst, Augsburg, [c.1730].
A beautiful large, coloured panorama of ‘post fire’ London by Friedrich Bernhard Werner, a German pr...
Category
1730s Land Handmade Paper Prints and Multiples
Materials
Engraving, Handmade Paper, Watercolor
tile pool 3
Located in Columbia, MO
Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...
Category
21st Century and Contemporary Contemporary Handmade Paper Prints and Multiples
Materials
Mulberry Paper, Woodcut
Untitled (Islands)
Located in Toronto, Ontario
Friedel Dzubas (1915-1994) was a Berlin-born American abstract painter. He was associated with both the New York School and the Color Field movement.
Dzubas studied art in Germany ...
Category
1980s Abstract Geometric Handmade Paper Prints and Multiples
Materials
Handmade Paper, Monoprint, Monotype
View of Futakawa
, After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the Sarugababa (Monkey Plateau) rest stop at Futakawa, circa 1850. Signed in Kanji lower right, "Hiroshige...
Category
Mid-20th Century Handmade Paper Prints and Multiples
Materials
Sumi Ink, Washi Paper
Riot. Edition of only 6 prints
Located in Brecon, Powys
An edition of 6 woodcuts, 'Riot'. They are printed on Japanese paper
Image size 6.75" x 7.75"
Category
2010s Contemporary Handmade Paper Prints and Multiples
Materials
Handmade Paper
André Butzer. Set of 3 Screenprints ‘Untitled 7–9’, 2021. Hand signed by Butzer.
Located in Los Angeles, CA
Three two-color screen prints on handmade Hahnemühle paper (300 g/m²), each 70 x 50 cm, numbered and signed by the artist.
Fusing European Expressionism with American pop culture, w...
Category
2010s Handmade Paper Prints and Multiples
Materials
Handmade Paper, Screen
Kabuki Actor in Blue Kimono - Original Woodblock Print
Located in Soquel, CA
Kabuki Actor in Blue Kimono - Original Woodblock Print
Original woodblock print depicting a Kabuki actor in a blue kimono by Suzuki Harunobu (Japanese, 1725-1770). The actor holds u...
Category
1760s Edo Handmade Paper Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
$1,080 Sale Price
20% Off
Two Fine Prints from the David Suite by Edna Hibel, 1978
By Edna Hibel
Located in New York, NY
Edna Hibel (American, 1917-2015)
Two Lithographs from the David Suite, 1978
Hand pulled original lithograph on Japanese rice paper
Sheet: 26 x 20 in.
Signed lower right: Hibel
Number...
Category
1970s Modern Handmade Paper Prints and Multiples
Materials
Rice Paper, Lithograph
Kimono Applique with Mulberry Paper
Located in Soquel, CA
Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948).
Unsigned but acquired in a portfolio of artist's work.
Presented in a new white mat.
Mat size: 3...
Category
1980s Contemporary Handmade Paper Prints and Multiples
Materials
Paper, Ink, Mulberry Paper, Lithograph
One Hundred Prints Of The Noh - 1925 Original Japanese Woodblock Print
Located in Soquel, CA
One Hundred Prints Of The Noh - 1925 Original Japanese Woodblock Print
Original Japanese woodblock print by Tsukioka Kogyo (Japanese, 1869...
Category
1920s Edo Handmade Paper Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Handmade Paper prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Handmade Paper prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Taylor Arms, Robert Motherwell, FEOLI, Vincenzo., and Mari Ito. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Handmade Paper prints and multiples, so small editions measuring 0.01 inches across are also available
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