Lithograph More Prints

Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...

Artist: Salvador Dali Title: James the Greater (Lancelot of the Lake) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 33/350 F...

'1. Castnia eudesmia 2. Castnia huebneri 3. Synemon catocaloides 4. Neocastnia nicevelli' Late 19th century colour lithograph of butterflies.

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

'Winter Jasmine' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateu...

'1. Vanessa urticae 2. 3. Pyrameis cardui' Late 19th century colour lithograph of butterflies.

This elegant circa 1925 original travel poster by Étienne Clérissi promotes Monaco for the PLM railway company (Paris–Lyon–Méditerranée), one of the great producers of luxury travel advertising in France during the early 20th century. The composition offers a breathtaking elevated view of the coastline, with the peninsula and its fortified architecture extending into the dazzling blue waters of the Mediterranean. Lush vegetation in the foreground, including agave and exotic coastal plants, frames the scene, enhancing the sense of sun-drenched beauty and refined escape that Monaco represented in the interwar years. Clérissi’s style combines painterly richness with a carefully constructed sense of atmosphere. The colours are warm and luminous, capturing the play of light on sea, sky, and stone, while the sweeping curve of the bay leads the eye gracefully through the landscape. Posters of this period often emphasised elegance, leisure, and sophistication, and this work fits perfectly within that tradition—presenting Monaco as both a natural paradise and a cultured destination associated with luxury, glamour, and the Riviera lifestyle. Produced when railway travel was at its peak and posters were a primary tool of tourism promotion, this work is not only a beautiful image but also a piece of cultural history. It reflects the romantic vision of the French Riviera that captivated travellers of the 1920s and continues to shape its identity today. Stylish, evocative, and artistically refined, it remains a superb example of classic PLM poster...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

This rare and visually arresting original poster was created in 1932 by the Swiss graphic artist Gerold, capturing the streamlined elegance and mechanical power of the legendary Buga...

5 Colour lithograph on Somerset Satin Tub Sized White 410gsm. 60 x 76 cm (23.6 x 29.9 in) Signed, dated and numbered by the artist Edition of 125 ‘Peace Be Still’ (2022) showcases S...

This artwork titled "Hana" 1982 Is an original lithograph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and numbered 199/250 in pencil by the artist. With the blind stamp of the artist and printer. The image size is 19.5 x 26 inches, the sheet size is 22 x 30 inches, framed size is 33 x 41 inches. Custom framed in a dark wood frame, with fabric matting. the artwork is in excellent condition, the frame is in very good condition, it has minor restorations, barely visible. About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

'Tansy' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanis...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Refrence: Cramer 112; Orozc...

Marc Chagall (1887-1985) - Vision de Paris Lithograph from 1952. Dimensions of work: 35 x 52 cm Publisher: Tériade, Paris. On the verso another Lithographs in black. Reference: ...

Artist: Salvador Dali Title: Jude (Excalibur) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 38/350 Frame Size: 29 7/8" x 26 ...

YES TO LIFE-NO TO DRUGS (Oui À La Vie-Non À La Drogue) is a handmade color lithograph by the internationally recognized Syrian artist Mohammad Sami Burhan printed on archival Arches ...

'Miniature Mallow' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amat...

Title Julie Curtiss Woman In High Heels Small Edition Of Only 10 - 17 X 11 Pristine Condition Year 2019 Classification Limited edition Medium Type Print ...

Rare original vintage poster for KLM Royal Dutch Airlines. This version has the Constellation flying in the sky behind an old sailing schooner. Great ...

Original French vintage poster. le "Flip" Soap. This fun image shows the tube of 'Flip" pushing away the shaving bowl, towel, and shaving brush. I...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

'Metamorpha dido' Late 19th century colour lithograph of butterflies.

'1. Hestia idea 2. Ideopsis daos' Late 19th century colour lithograph of butterflies.

Act IV, Scene III - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated in plate on the left right  margin. Perfect conditions. Th...

This artwork titled "Homage to Nureyev" c.1993, is an original colors lithograph on wove paper by renown Russian artist Mihail Chemiakin, b.1943. It is hand signed and numbered 48/17...

'1. Heliconius erato 2. Heliconus vesta 3. Heliconus sylvanus' Late 19th century colour lithograph of butterflies.

Bold, theatrical, and unmistakably Cubist, this original 1959 poster was created for the exhibition Cinquante Chefs-d’Oeuvre (“Fifty Masterpieces”) held at the Musée Cantini in Marse...

'Paris' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Paris, France. Central vertical fold. Printed street index on the reverse o...

René Magritte (1898-1967) - Les bijoux indiscrets Lithograph from 1975. Edition 70/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed. Ea...

This rare poster from 1897 was created by Alphonse Mucha (1860-1939) for the French biscuit brand Lefèvre-Utile. The image shows a beautiful woman holding a plate of wafers that she ...

Ernest Wallcousins (1882-1976), UK 1939 Keep Calm and Carry On (Small size) Ministry of Information Lithographic poster 37 x 25 cm Very rare - we have traced copies in the Imperial ...

Artist: Salvador Dali Title: The Watcher (Knights of the Realm) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 37/350 Frame S...

ARTIST: Salvador Dali TITLE: Manhattan Skyline MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine EDITION NUMBER: 49/150 MEASUREMENTS: 29.75" x21.25" YEAR: 19...

A bold and uncompromising composition from French master Pierre Soulages, this original 1970 lithograph was created for the prestigious art revue XXème Siècle and printed at the reno...

This photo-lithographic poster was printed at the Atelier Mourlot in Paris in 1982 with the permission of the Matisse estate to promote the works by Henri Matisse at the Galerie Dina...

Artist: Salvador Dali Title: Matthew (Geoffrey of Monmouth) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame Size:...

Alexander Calder The original Los Angeles County Museum of Art poster, 1965 Limited Edition vintage Offset Lithograph 32 × 24 3/4 inches 81.3 × 62.9 cm Edition of 300 This is the OR...

'1. 2. Polygoma C. album 3. Vanessa polychloros' Late 19th century colour lithograph of butterflies.

ARTIST: Salvador Dali TITLE: Ivanhoe The Overseer MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali PUBLISHER: Levine & Levine EDITION NUMBER: HC XLIV/LXV MEASUREMENTS: 2...

'Cactus' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand an...

Pablo Picasso (1881-1973) - Figure Lithograph from 1957. The edition no. 211/275. With Arches watermark. Dimensions of work: 44.5 x 33.5 cm. Publisher: Fernand Mourlot Éditeur, ...

LIFE FORCE is a limited edition color lithograph printed using traditional lithography techniques on archival Arches paper by Lamar Briggs (1935-2015) American painter and Texas arti...

This vibrant original poster by Henri Matisse was published by the French Tourism Office to promote tourism in the South of France. Printed by the renowned Atelier Mourlot, it captur...

This artwork titled "Acrobats" c.1990, is an original colors lithograph by renown Russian artist Mihail Chemiakin, b.1943. It is hand signed and numbered 283/300 in pencil by the art...

This elegant lithograph on two sheets of wove paper, as issued, by Alphonse Mucha (1860–1939) and published by The Strobridge Lith, Co., Cincinnati, and New York was created to promo...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...

"Astonishing, Health and Sunshine" triptych by artist Jim Dine. Three spitbite aquatint, drypoint and lithographs with additional hand coloring on Shiramibe paper mounted onto three ...

Emilio Sanchez (1921-1999) created this color lithograph entitled “LAS CABANAS” in 1996-98. This impression is signed, titled, and inscribed in pencil. Estate stamped on verso. The...

'1. Danaus plexippus 2. Tiramala limniace' Late 19th century colour lithograph of butterflies.

Marc Chagall (1887-1985) - The Wandering Musicians Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condi...

'Calceolaria' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur b...

A blank coloring book designed and printed by American Pop artist Keith Haring. This copy is signed and dated in pen by the artist and features several illustrations in the artist’s ...

Vintage French fashion poster, original lithograph, by Jean Choiselat, (1947). Take a step back to the 1940s to immerse yourself in the surprising work ...

'1. Devanica tricolor 2. Erasmia pulchella 3. Amesia sanguiflua' Late 19th century colour lithograph of butterflies.

Signed and numbered 19/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Editions San Francisco Grafic, San Francisco. From Album San Francisco. Catalogue raison...

This striking French advertising poster for Le Thermogène was created by Leonetto Cappiello (1875–1942), the pioneering Italian-born artist often regarded as the father of the modern...

Step into a radiant vision of the French countryside with this original 1968 travel poster designed by legendary graphic artist Bernard Villemot. Created for the SNCF (French Nationa...

Joan Miro (1893-1983) - Litografía original VI Lithograph from 1972. Dimensions of work: 32 x 24.5 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. The ...

'Kaninchen' (Rabbits) German chromolithograph, circa 1910. Key in German to the types of rabbits at the bottom of the image. Central vertical fold as issued. 245mm by 305mm (shee...