Lithograph More Prints

'54. Hygrophorus chrysodon 55. Hygrophorus cossus 56. Hygrophorus hypothejus 57. Hygrophorus conicus' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons ...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XV Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpent...

Carlos Ruano Llopis (1878-1950) Original Vintage Bullfighting Poster June 1947 107cm x 53cm Carlos Ruano Llopis was born in 1878 in Orba, Spain w...

This beautiful Art Deco poster was realized by the esteemed American Artist George Petty for the A.C. Schultz Company in 1926. The work is an advertisement for DeVilbiss Perfume, which depicts a "Petty Girl" (as they came to be known) in the center of the composition floating in a pentagonal black color block. With short cropped silvery white hair and red lipstick, the female figure in center (suggestive of a stylized flapper) squeezes the atomizer of her perfume bottle misting herself in fragrance. Skyscraper style geometric forms suggesting elaborately faceted gemstones- in hues of rose, lavender, orange sapphire and yellow diamond- explode around her, suggesting the stage design for the set of the iconic film "Metropolis". The top of the composition features a bronze color block reading "DeVilbiss Perfume sprays" and in scrolling Deco lettering text reads “A drop of perfume bursting into myriad atoms of fragrance makes the use of perfume an added delight” near the bottom of the piece. Additionally, there is a solid black color block with crystalline black forms emanating outwards at the base of the composition, as well as a geometric abstract form on the right side of the piece imbuing it with a distinctly modernist inflection. With its quintessentially Art Deco sensibility, this piece is sure to delight discerning collectors of the period as well as those with a distinct appreciation for unusual (and stunning) fine art pieces. its vibrant palate and clean modernist lines make this piece a winning addition to any style of interior from classic Deco to contemporary. The piece comes presented in a custom gallery frame and is in excellent vintage condition. George Petty was an American illustrator known for his series of pin-ups known as "Petty Girls" which he created for Esquire magazine. The Petty Girl were coquettish women whose legs were elongated to create idealized female forms. They were featured on magazine centerfolds, billboards, and calendars for companies such as Ridgid Tools. Born George Brown Petty IV on April 27, 1894 in Abbeville, LA, Petty received his formal training at the School of the Art Institute of Chicago under Ruth Van Sickle Ford...

Color lithograph, Ed. 30 In "Scattered Seed I" and "Scattered Seed II" her new lithographs, Liu has juxtaposed portraits of late 19th/early 20th century Chinese prostitutes - derived from photographs of the time - with images of dandelions rendered from close-up photographs she took at national parks and historic sites around the Western US, including Mount Rushmore...

Sean Scully Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001 Offset lithograph poster (hand signed by Sean Scully) 29 3/4 inches (vertica...

'279. Bulgaria inquinans 280. Elaphomyces variegatus 281. Xylaria hypoxylon 282. Tuber melansporum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de...

Salvador Dali (1904-1989) - Le cheval de course Lithograph from 1972. The edition of 187/250. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue...

'118. Cantharellus tubaeformis 119. Cantharellus carbonarius 120. Craterellus cornucopioides' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de Franc...

'Gompholobium Barbigerum - Fringe-keeled Gompholobium' Botanical lithograph of a Western Australian native plant with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892...

"De Haan Kiss" from "A Portfolio of Landscapes and Figures" offset lithograph. Image of swimmers in pool under dome. Massimo Vitali Steidl Verlag, Götting...

Original U.S. Post WWI United War Work Campaign “New York Will Give One Day’s Pay” Fundraising vintage poster. Linen backed in fine to mint condition, ready to frame. This is an...

Original Cinquantenaire Aeronautique vintage poster. Archival linen backed and ready to frame. Printer: Bedos & Co, Paris. A- condition. (50TH ANNIVERSARY 23E SALON INTERNATIONAL D' AERONAUTICS, JUNE 12 TO 21, 1959 * LE BOURGET AIRPORT.) This mid-century modern original French poster is for an air show...

FOREST is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archi...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Quai aux Fleurs Lithograph from 1954. Dimensions of sheet: 38 x 28 cm Dimensio...

Joan Miro (1893-1983) - La Mélodie Acide, Planche XII Lithograph from 1980. The edition 777/1500. Dimensions of work: 32 x 24 cm. Plate signed. Publisher: Au Pont des Arts and G...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

'Pitch Weed (Madia Saliva, Mol)' Colour lithograph, 1909.

Original, WHAT WILL YOUR ANSWER BE when your boy asks you -- "Father, - what did you do to help when Britain fought for freedom in 1916?" horizontal, linen-backed, excellent condition ENLIST NOW. Poster showing, in silhouette, a boy in scout uniform addressing his father. This poster was also printed with the same text but using "Ireland" in the text. Iconic British World War 1...

'The Century Atlas. Maine' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 40cm by 29.5cm.

Original vintage travel poster: Leamington Spa. Art Deco British travel poster created by the artist Freda Lingstrom. This poster is archival line...

'1-3 Fistulina Hepatica 4-6 Boletus Chrysentheron' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientif...

Original ‘Fiesta Mayor Badalona” vintage travel poster. Conservation linen backed and ready to frame. Very good condition full lithograph A bright and vibrant travel poster that ...

'Canard Nyroca - Canard Milouinan' (Ferruginous Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series o...

Juan Reus (1912-2003) Original Vintage Bullfighting Poster September 1955 107cm x 53cm Juan Reus was born in 1912 in Valencia, where he became a well-known...

Georges Braque (1882-1963) - Cubist Portrait Lithograph from 1939. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure ...

NEW DECO by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on brown colored archival printmaking paper, 100% acid ...

Juan Reus (1912-2003) Original Vintage Bullfighting Poster May 1942 107cm x 53cm Juan Reus was born in 1912 in Valencia, where he became a well-known paint...

Original WW1 poster: "Your Country Needs You! Join the Navy Now!" Original poster printed by the U.S. Food Administration during World War One. Archi...

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museu...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

ARTIST: Salvador Dali TITLE: Astronauts MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: Paper: 30" x 22" Frame: 37" x 35" YEAR: 1969 FRAMED: Yes, this...

This beautiful original lithograph depicting a Greek landscape by Charles Lapicque was printed in Paris at the Atelier Mourlot in 1964. The artist produced some of his first landscap...

'Agaricus Azureus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name ...

Original vintage Dutch poster: Ramonite... Your 'schoorsteenveger' Bright and vibrant original Dutch / Flemmish antique poster. There is no ...

'The Century Atlas. Africa. Central' Inset map of 'Madagascar'. Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm...

Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Sheet Size: 15" x 11" Image Siz...

'The Century Atlas. Colorado.' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm by 40cm.

'1-6 Lycoperdon Echinatum 7-11 Scleroderma Verrucosum' (Spiny puffball mushroom and Scaly earth ball) Antique Swiss mushroom / fungi chromolithograph, lith...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Printemps Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Téri...

Vertical lines in muted colors take on the organic quality of handmade paper, resulting in this subtle iteration of Gene Davis’ iconic color field stripe paintings. The title "Narcis...

'1. Ageronia arethusa 2. Ageronia amphinome' Late 19th century colour lithograph of butterflies.

Original vintage Second World War poster 'Warning, be on your guard' Lithograph 38 x 25 cm 'Warning, be on your guard. Thousands of lives were lost in the last war because valuabl...

"Et is avait en sa main droite sept étoiles" is an original black and white lithograph realized by Odilon Redon in 1899. The artwork is the no.1 Illustration of the “Apocalypse de S...

This colorful lithographic was printed at the Atelier Mourlot in 1984 after Miro's 'Personnage et Oiseua', 1969, depicting the abstract form of a head with birds. This print has been blind embossed with the Galerie Mourlot...

Henri Matisse (1869-1954) - Lierre en Fleur Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm. Plate signed. Publisher: Tériade, Paris. First, original edition. The work...

Marc Chagall (1887-1985) - The House in my Village Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condi...

'Agaricus Ovoideus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...

'The Century Atlas. France, Northern Part.' Original antique map, 1903. Inset maps of 'France in Provinces' and 'Paris and Vicinity'. Central fold as issued. Map name and number pr...

'The Century Atlas. Vicinity of London, England, United Kingdom.' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche III Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XXII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...

This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Moshe Tamir and Michael Gross. Yigal Tumarkin (also Igael Tumarkin...

Act III, Scene I - From “Romeo and Juliet”  is an artwork realized in 1975. Mixed colored lithograph. Signed and dated in plate on the lower right  margin. Perfect conditions. P...

This is an original 19th century hand-colored lithograph entitled "Approach to Mount Sinai Wady Barah Feby 17th 1839" by David Roberts, Plate 122 in Volume III of his Egypt and Nubia...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

After JOSEPH MARIA OLBRICHT (1867-1908) DARMSTADT POSTER, 1901, (In Mascha, no. 9) One of the founding members of the Vienna Secession and a highly esteemed architect, Olbricht was c...

Japanese Decorative Motifs is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork rep...

PETER MAX – "GEOMETRIC #2" ⚜ Lithograph on Paper ⚜ Hand signed lower right ⚜ Framed AN ICONIC GEOMETRIC STUDY BY PETER MAX "Geometric #2" (1976) captures Peter Max’s signature use o...

Apache Mountain Spirit Dancers, lithograph, black & white, Allan Houser hand pulled black and white lithograph edition printed in Santa Fe, New Mexico L...