Offset More Prints

Peter Halley, Jablonka Galerie, Köln (Hand Signed), 1993 Offset lithograph poster (hand signed by Peter Halley) 26 1/2 × 26 1/2 inches Unframed Alpha 137 Gallery is honored to offer ...

Original military poster: Make this Pledge I Pay No More Than Top Legal Prices. This is the larger size format of this vintage poster (small size was 10 x 14) Artist: Frede...

Roy Lichtenstein for Leo Castelli Gallery is a very colorful artwork realized after Roy Lichtenstein in 1979. Mixed colored offset  on paper. This beautiful print was realized on t...

Original Vultee "Vengeance" World War II, 1942, vintage spotter airplane poster. Original linen-backed U. S. Naval Aviation Training Division, Nov.,...

Original linen-backed ‘FLYING TIGERS - A legend in air cargo;, aviation vintage poster for sale. This poster is part of The Smithsonian National Air...

Original ‘Ghost of Zorro’ vintage movie poster. 1949. Museum archival mounted on acid-free archival linen. Original fold marks touched up but could use more touch-up on the fol...

Original Einstein vintage poster. “Hair. It’s not the style that counts, it’s what’s under it.” A black and white image of Einstein with his hair messed me. Linen-backed in excellent condition, ready to frame. From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from Bettmann Archive. The poster is a variation of the original photo with the quote “It’s not the style that counts, it’s what’s under it”. This quote is a play on words emphasizing substance's importance over style. The poster reminds us that actual value lies in what is inside a person rather than their outward appearance. About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...

Linen backed original post-World War II military poster "First Class Soldier and Citizen, U.S.A." Original fold marks have been restored during linen backing. The poster features a smiling Army soldier in his khaki uniform. A rare original military poster to find today. (The poster was documented as being printed in a larger size.). R-224-RPB-2-1-47 A military recruitment poster for young men to join the military post World War 2. The poster features a clean-cut, handsome man in his military uniform with crossed arms smiling at you. Artist: Glass. No known biography of this artist. This is an original 1947 vintage American poster...

Original factory issue Porsche racing poster: Six Hours of Watkins Glen July 11, 1970, Porsche. Linen backed in very fine condition. Photo by Reichert...

Keep 'em Flying Hennies Bros Show original vintage military, carnival, and amusement park poster. Created during World War Two when entertainment and enj...

Luigi Ghirri is a vintage Poster realized in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Original linen-backed U.S. Naval Aviation Training Division, Dec., 1942 poster for the Fairey "Albacore" aircraft. Linen-backed and in very good condi...

2015 Offset lithographic poster 70 x 50 cm Edition of 500 Hand signed by Emin Published by Emin International Tracey Emin (born 1963) is best known for her intimate, authentic, auto...

Original American Airlines, San Francisco – Oakland Bay Bridge vintage travel poster. Printed: 1950. Fly American to California this vacation. Linen backed in fine condition, ready to frame. Artist: Ivan Dmitri. It was also during this time frame that Edward McKnight Kauffer started to produce posters for American. American Airlines' beautiful designs and imagery are still some of the best created. This is an original, 1950 American Airlines travel poster...

Original, WHEN WE WERE KINGS 1 sheet linen-backed movie poster. Ready to frame: great super close-up of heavyweight boxing champ Muhammad Ali! Archival linen-backed in good condition, ready to frame. Certificate of Authenticity. FREE Continental USA FedEx shipping. Film Description: When We Were Kings, the 1997 Leon Gast black African-American historic boxing sports documentary ("The untold story of the Rumble in the Jungle."; about the legendary boxing match in Zaire, Africa, between Ali and Foreman, and how Ali used his brains to help win the fight) starring Muhammad Ali, George Foreman, James Brown, B.B. King, Norman Mailer, George Plimpton, Spike Lee, The Crusaders, The Spinners, Don King...

I've Left My Love Far Behind. Their Smell, Every Memento…, 2010 by Takashi Murakami Offset print, signed and numbered by the artist 26 ³/₁₆ × 18 ³/₄ in 66.5 x 47.5 cm Edition 105/30...

Original Quale Capri? Original Italian vintage travel poster. Conservation archival linen backed in very good condition, ready to frame. Quale Capri? Is which Capri? in Italian. The image is the outline of the island of Capri, off the coast of Naples, Italy. The poster has two different sides, which Capri do you like or want? One side represents progress with large commercial skyscrapers and the other side the small homes and businesses on the island. The question is do you want to allow development on this beautiful Mediterranean island. Capri was first “discovered” by emperor Augustus in the early years of the Roman Empire. He often resided there and built many temples, villas and gardens as a way of having his own private paradise. The meaning of the name Capri can be traced to the ancient Greeks, where the ancient Greek word 'kapros' means 'wild boar'. The island of Capri has had dozens of famous vintage posters...

Original Come to Monte Carlo, Principality of Monaco vintage poster. Come to paradise on earth! A black and white vintage poster for Monte Carlo wi...

Kandinsky's Exhibition Poster is a a vintage offset print realized in the late 20th Century. An offset poster depicting one of the masterpiece of the artist. Includes frame Very g...

Original vintage movie poster: Doughboys in Ireland, the 1943 Lew Landers romantic musical ("The singing star of Jack Benny and Fred Allen radio programs!"...

This collectible work on paper by Murakami is edition # 78 of 300. It comes unframed. One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for h...

Original linen backed vintage travel poster on United Air Lines to Washington D. C. Artist: Jebary. Linen backed vintage poster. Ve...

Takashi Murakami Record Art 2018 (Takashi Murakami Kanye West Kid Cudi): This Takashi Murakami designed cover & record album is for Kids See Ghosts and is the only studio album by t...

"De Haan Kiss" from "A Portfolio of Landscapes and Figures" offset lithograph. Image of swimmers in pool under dome. Massimo Vitali Steidl Verlag, Götting...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Autographed, dated and numbered with LOVE drawing/flourish Autographed by artist, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

Luigi Ghirri is an original Poster in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Bridget Riley Flashback (Hand Signed), 2009 Offset Lithograph (hand signed by Bridget Riley) 27 × 27 inches Boldly signed in black marker on the front by Bridget Riley Unframed Signe...

Original poster produced on the occasion of Jim Dine's 1971 exhibition at the Boymans Museum, Rotterdam. This vintage poster reproduces the artist’s lithograph Two Ties: neckties ske...

Luigi Ghirri is a vintage Poster realized in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Cy Twombly Exhibition Galleria La Tartaruga 1968 is a very rare and precious exhibition offset print on ivory colored paper. The artwork was realized in the occasion of the first ar...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Lichtenstein Exhibition Poster is a very colorful poster realized in occasion of the artist's exhibition at Leo Castelli Gallery New Yor...

Original small-format Bantam Pocket Hat. Artist: Gino Boccasile. Italian Size: 9" x 13". Behind the silhouette of the man wearing his Bantam hat is another stick figures foldi...

Original The Beauty of Desktop Engineering on the Apple Macintosh, 1989 pop-art style poster. Archival linen backed in very good condition, ready to frame. Information Art / Dia...

Film Manifest is an original offset artwork on paper realized by Onegin Dabrwski in 1973. Vintage colored offset print. Good condition and aged. Titled on the top margin: Romanti...

Sean Scully Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001 Offset lithograph poster (hand signed by Sean Scully) 29 3/4 inches (vertica...

Set of 3 color offset lithographs. The last panel is signed in pencil. Printed by Drukkerij Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam. This is a reproductio...

Offset lithograph poster Printed signature and date on offset paper This poster was published in a limited edition of 250, separate from the lithographic portfolio of the same title ...

Keith Haring Talk To Us! 1989 (The Aids Hotline): Designed & illustrated by Keith Haring one year after Haring's own diagnosis, this RARE promotional bag was distributed by the NYC ...

This rare, vintage poster featuring the work on paper Untitled (1971–73) was produced in 1979, in conjunction with the exhibition Cy Twombly: Paintings and Drawings 1954–1977 at the ...

Offset print with cold stamp Edition 28 of 300 74 x 53 cm (29.1 x 20.8 in) Signed and numbered on the front Artwork in excellent condition. Minor crease along very edge of print on t...

PETE PETERSON (American, 1931-2002). Poster-American Designed ltd, Washington, D.C. May 3-8, 1978. Measures 24.75 x 28 in. Unframed. Plate-signed. Fair Condition-shows signs of age a...

This offset lithograph in colors in three panels was created in 2002 and is from the unsigned edition of unknown size measuring
 
25 x 20 ½  in. (63.5 x 52 cm.) each and 25 x 62 in. ...

Another example of this iconic Frank Stella print can be found at the Poster House Museum in Manhattan. For inspiration only are photographs from their display. "The concentric squ...

Werner Bronkhorst WET - exhibtion poster, 2025 Offset lithograph 42 x 59.4 cm unknown edition size - reported to be around 150

Pizzi Cannella Exhibition is a vintage exhibition poster realized in 2006. Mixed colored offset poster realized in the occasion of the exhibition of Pizzi Cannella in 2006. Good co...

Jasper Johns Jasper Johns at Ileana Sonnabend, 1962 Offset Lithograph exhibition poster/invitation Plate signed on the front 31 3/4 × 21 inches Unframed This rare, collectible vintag...

Takashi Murakami Superflat Exhibition Poster 1999: Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...

Georg Baselitz (German, b. 1938) Der Berg, 1991/93 Medium: Color offset print Dimensions: 100x 63.5 cm Edition size: Undisclosed (presumably 100-200) Markings: Hand-signed and dated ...

Polish Poster of film of Serce to Samotny Mysliwy is original offset realized by Ryszard Kiwerski. Signed on the plate on the lower right. Good conditions.

Picasso Poster is an offset  poster about an exhibition of Pablo Picasso's graphic works at Marino Gallery in Rome Piazza Navona. Limited edition of 1.000. Signed in the plate. Ex...

Lichtenstein Exhibition Poster is a very colorful poster realized in occasion of the artist's exhibition at Leo Castelli Gallery New York in 1979 (Recent Paintings held in Leo Castel...

Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

A very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...

Ellsworth Kelly (American, 1923-2015) Die Welt, 2011 Medium: Offset lithograph on vellum Dimensions: 57.2 x 40 cm (22½ x 15¾ in) Edition of 100: Hand-signed and numbered Publisher: D...

Original: "Save waste fats for explosives. Take them to your meat dealer" vintage poster—original World War II Acid-free, archival linen-backed, ready-to-frame. The Original "Save...

Original 1993 Louis Vuitton Poster by Razzia – Hand Signed in Graphite, Linen Backed – Rare Collector’s Art Print. The later printing has differen...

Original linen-backed vintage poster "DISQUES IMPORT CLEMENTINE". Excellent condition. The image with the psychedelic look of the two records that create the eyes and the rest...