Offset More Prints

Woman Standing is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1951. The print suite was realized in 1985 in a limited edition o...

Nunzio Vintage Poster is a vintage poster realized in 1989. Mixed colored offset print realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good conditions.

This Fassianos, Erotikon - Galerie Di Meo is a vintage poster. This artwork was realized in occasion of the exhibition by Alekos Fassianos held at Galerie Di Meo in Paris in 2008. The EROTIKON exhibition evokes desire and attraction, the relationship between Man and Woman, the perpetual quest for Love, but also the meeting of Man and Nature who engage in a communion of the senses. Alekos Fassianos (1935) is one of Greece's most popular contemporary visual artists. He graduated from the Athens School of Fine Arts. Fassianos used to design the stage decorations...

This poster, produced for an exhibition at the Milwaukee Art Museum, features the bold work of American architect and designer Frank Lloyd Wright. Beneat...

Show jumping is an original artwork realized by Charles Lapicque (Theizé 1898 - 1988 Orsay) in 1972. Offset poster realized for the Olympic Games of 19...

Krasno Exhibition is an original artwork realized in 1970. Original affiche for Krasno exhibition at La Hune in Paris. Hand-signed and dated on the ...

Artist: Christo Title: The Museum of Modern Art, Wrapped (Front), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special...

Ballads Galerie Alexandre Iolas Poster by William N. Copley (CPLY) New-York, Geneve, Milan, Paris 196, Boulevard Saint-Germain William Nelson Copley (January 24, 1919 – May 7, 1996) also known as CPLY, was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art. William N. Copley was born in New York City in 1919 to parents John and Flora Lodwell; they died shortly after in the 1919 Spanish Flu epidemic. Copley was adopted in 1921 by Ira C. Copley, the owner of sixteen newspaper companies in Chicago and San Diego. Copley was ten years old whereby the family moved to Coronado Island, California. Copley was sent to Phillips Andover and then Yale University by his adopted parents. He was drafted in the Second World War in the middle of his education at Yale, a decision negotiated by the school and the army. Copley experimented with politics upon returning home from the war, working as a reporter for his father's newspaper. By 1946, Copley met and married Marjorie Doris Wead, the daughter of a test pilot for the Navy. Doris's sister was married to John Ployardt, a Canadian-born animator and narrator at Walt Disney Studios. Copley and Ployardt soon became friends and Ployardt began introducing Copley to painting and Surrealism. The two traveled to Mexico and New York, discovering art, meeting the artists behind the works, and grasping Surrealist ideas. It was during this time that Copley and Ployardt decided to open a gallery in Los Angeles to exhibit Surrealist works. Copley and Ployardt tracked down Man Ray while living in Los Angeles. Ray then introduced them to Marcel Duchamp in New York City. There, Duchamp opened many doors for them, introducing the two to New York dealers in Surrealism. In 1948, Copley and Ployardt opened The Copley Galleries in Beverly Hills, displaying works by artists including René Magritte, Max Ernst, Yves Tanguy, Roberto Matta, Joseph Cornell, and Man Ray. Copley moved to Paris in 1949–50, leaving behind his wife and two children to continue to paint. During his time in Paris, he remained in Surrealist circles and continued to paint with a uniquely American style. Copley's first exhibition took place in Los Angeles in 1951 at Royer's Book Shop. From there Copley participated in numerous solo and group exhibitions worldwide. In 1961, Copley was given an exhibition in Amsterdam by the Stedelijk Museum. The museum became the first public institution to add a Copley to their collection. Copley's paintings throughout the 1950s and 60s dealt with ironic and humorous images of stereotypical American symbols like the Western saloon, cowboys, and pin-up girls combined with flags. His works during this period were often considered a combination of American and Mexican folk art and melded in well with the new young POP movement occurring in America when he returned to New York in the 1960s. Artists like Andy Warhol, Christo, Roy Lichtenstein and many others were frequent visitors at Copley's studio on Lower Broadway. Copley believed that pop art had always interested him, claiming American pop art had much to do with "self-disgust" and "satire." In 1967, after a divorce with his second wife, Noma, Copley and new friend Dmitri Petrov decided to publish portfolios of 20th-century artist collaborations with the abbreviation SMS (for "Shit Must Stop"). Copley's Upper West Side loft became a meeting place for performers, artists, curators, and composers to work together on the open-ended collective. The SMS portfolio...

Vintage offset poster realized in occasion of Baj's Exhibition at Galleria Rondanini, Rome. Very good condition.

Original 1945 “Share the Care, Victory Loan” vintage poster. Conservation linen backed and ready to frame. Printed by the U. S. Government Printing Office...

Vintage offset poster realized in occasion of Baj's Exhibition at Galleria Rondanini, Rome. Very good condition.

Original US 1-sheet “The Lion” vintage movie poster. NSS: 63/3 Archival linen backed in very good condition. Original theater issued fold marks restored during linen backing. Linen backing on American posters is recommended because most of them were printed on a wood pulp paper which easily falls apart. "Only a brave man goes after the lion ... Only a fool goes after the lion's mate...." Old African Proverb. In the bush country of Kenya "The Lion" stands for the Male of Males ... Taking what he wants. This is the story of two such men... Fighting for a woman each had loved ~ who called them both father! A Samuel g. Engel production. William Holden; Trevor Howard Capucine. Directed by Jack Cardiff. Screenplay by Irene Kamp and Louis Kamp. CinemaScope. Filmed on location in Kenya and Uganda and on a property in Kenya co-owned by Holden, the Mount Kenya...

Ellsworth Kelly (American, 1923-2015) Die Welt, 2011 Medium: Offset lithograph on vellum Dimensions: 57.2 x 40 cm (22½ x 15¾ in) Edition of 100: Hand-signed and numbered Publisher: D...

A very good impression of this color offset lithograph with strong colors. Signed, dated and numbered 230/250 in pencil by Rauschenberg. Published by S...

Vintage offset poster realized in occasion of Baj's Exhibition at Galleria Rondanini, Rome. Very good condition.

"Drawings 1970-80 (Cicada)" Margo Leavin Gallery, Los Angeles, 1981 Exhibition Poster 30.5 x 22.5 inches Unsigned

Luigi Ghirri is a vintage Poster realized in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Rare original poster from Ed Ruscha’s 2002 exhibition titled "Ed Ruscha", held at Kunstmuseum Wolfsburg from February 2 to April 28, 2002. This poster is hand-signed by the artist i...

Offset lithograph Unsigned - Unlimited copies From the poster stack exhibited at Barbara Krakow Gallery, Boston, MA in 1990. The work is double sided.

Marilyn Monroe Datebook is a print realized by Norman Mailer in the 1974. Offset Good condition.

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Peintures de Feu)" Year: 1976 Medium: Original Offset-Lithograph, Exhibition Poster on light smooth wove paper Limited edition: Unknown Printer: SMI (Société Mondiale d'Impression), Paris, France Publisher: Galerie Karl Flinker, Paris, France Sheet size: 30.75" x 19.75" Condition: Soft handling creases throughout sheet, scattered faint surface abrasions, and light edge wear. In otherwise good condition with full margins Extremely rare Notes: Provenance: private collection - Bretteville-du-Grand-Caux, France. Poster produced for a special posthumous exhibition of Klein's work "Peintures de Feu" at Galerie Karl Flinker, Paris, France from October - November, 1976. Text printed lower left: "photo pierre joly - vera cardot / smi paris 580 50 42". Yves Klein's Fire Paintings: These celebrated works were executed largely in 1961 shortly after the artist founded the New Realist...

Original poster for the exhibition "ZERO in Krefeld" at Galerie Denise Rene Hans Mayer from 10 October to 14 November 1970. This poster is sold unframed. The ZERO artist group, foun...

Original poster for the pop art exhibition "Pop Sammlung Beck" at Museum am Ostwall in Dortmund from 4 October - 22 November 1970. Pop Sammlung Beck was a major Pop Art collection ...

John "Crash" Matos The Concrete Jungle (Hand Signed by CRASH), 2018 Offset lithograph poster (hand signed by CRASH) 17 × 11 inches Boldly signed in gol...

Politeama Garibaldi is a vintage Offset print realized for the Teatro Massimo in 1974 . Good condition. Signed by Characters.

Gilardi Exhibition - Galerie Di Meo is a vintage offset poster realized in 1991. This artwork was realized in occasion of the exhibition by Piero Gilardi held at Galerie Di Meo in P...

Gilardi Exhibition - Galerie Di Meo is a colored offset poster realized in 1991 . This artwork was realized in occasion of the exhibition by Piero Gilardi held at Galerie Di Meo in ...

Gilardi Exhibition - Galerie Di Meo is a vintage offset printrealized in 1991 . This artwork was realized in occasion of the exhibition by Piero Gilardi held at Galerie Di Meo in ...

Nunzio Vintage Poster is a contemporary artwork realized in 1989. Mixed colored offset poster realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good conditions.

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1968. The print suite was realized in 1985 in a limited edition of 2500...

Nunzio Vintage Poster is a vintage offset print realized in 1989. Mixed colored offset poster realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good conditions.

Georges Gobo Exhibition is a vintage poster realized in 1998. Mixed colored offset poster realized in the occasion of the exhibition of Georges Gobo in 1998. Good conditions.

Michel Haas Exhibition vintage poster realized in 2007. Mixed colored offset poster realized in the occasion of the exhibition of Michel Haas in 2007. Good conditions.

Vintage Exhibition Poster is a vintage poster realized after David Reimondo (Genoa, 1973) in 2010, in occasion of the artist's exhibition at Galerie Di Meo. Good condition. David R...

Polish Poster, Invitation to beaches of the Baltic coast is a vintage offset tourism poster realized for the exhibition of Tomasz Ruminski Signed by the artist on the plate along th...

Codre sculpture in Milan is a vintage offset print realized in 1981, for the exhibition held in Milan, Public Garden" Giardini pubblici". Good conditions. is an original offset prin...

Gilardi Exhibition - Galerie Di Meo is an original colored lithograph realized in 1991. Hand-signed and dated 16/5/1991 by the artist on the lower right margin. This artwork was re...

This vintage poster from 1984, designed by doll historians Stéphanie Farago and Bob Dennison, features seven Lenci dolls in a setting related to the 1984 Summer Olympic Games in Los Angeles. The image plays on mimicry: dolls imitating children, children dressed as adults, and adults observing them. These iconic dolls, made of pressed felt by the Lenci company in the early 20th century, are dressed in adult sports attire: boxing gloves, jockeys, golfers' uniforms, riding jackets, and fencing gear. Their gaze is turned sideways, not toward each other or the viewer, but offstage. This sidelong glance, detached and unreadable, is the hallmark of Lenci's design and one of its earliest formal signatures. Dressed for adult games, but motionless, they do not play—they pose, returning to their status as objects. The poster unsettles by staging this discrepancy between the theatricality of adult roles and the inert form of the doll. What should remain two-dimensional takes on unexpected volume, as if the viewer were reanimating a fragment of childhood. The image, likely tied to Farago and Dennison’s 1986 publication "The Magic Romance of Art Dolls", presents the quintessential Lenci figure...

Pablo Picasso (after) "Picasso Linocuts 1958-1963" Museum of Fine Arts, Boston, 1969 Exhibition poster 28 x 20 inches Unsigned

This is a vintage 1946 public service announcement poster The artwork is bold, clear and direct. "it will look even bigger… after the war!" Girl looks on longingly at 10 dollar bill....

Philip Pearlstein "The Lithographs and Etchings of Philip Pearlstein" Boston University Art Gallery, 1979 Exhibition poster 25 x 32.5 inches Signed recto

James Rosenquist "Process: An Exhibition and Sale of International Prints" Sponsored by the Women's Committee to the Art Gallery & The London Public Library and Art Museum, London, O...

John Baldessari "John Baldessari [Two Ships]" Margo Leavin Gallery, Los Angeles, 1986 Exhibition Poster 18 x 24 inches Unsigned

Billy Al Bengston "Exposition Especial Seragraphique, Lithographique, Tapestray, Peintore en Suite, Uno-Types" Margo Leavin Gallery, Los Angeles, 1971 Exh...

Claes Oldenburg and Coosje van Bruggen "Claes Oldenburg Coosje Van Bruggen" Venezia Museo Correr, Musei Civici, 1999 Exhibition Poster 39 x 27 inche...

Claes Oldenburg and Coosje van Bruggen "School Bus Yellow, Adirondack Green, A Film by Coosje van Bruggen", 1982 Poster 33 x 23 inches Signed Poster by Cla...

Kelley Walker "Untitled" Paula Cooper Gallery, New York, 2006 Poster 40 x 28 inches Signed verso This is an exhibition poster from Kelley Walker's 2006 ...

This poster was designed by Jasper Johns in 2009, and the portraits were taken by Anna Finke. It is signed by all of the dancers photographed on the ...

Claes Oldenburg "20th Century Collage" Margo Leavin Gallery, 1991 Exhibition Poster 24 x 18 inches Signed This is an exhibition poster from "20th...

Offset poster Text at bottom reads: “©1987 THE SILENCE = DEATH PROJECT. Used by permission by ACT UP, The AIDS Coalition To Unleash Power, 135 West 29th St., #10, NYC 10001” This a...

In this offset poster, printed in collaboration with the Lower East Side literary magazine, "Between C & D," David Wojnarowicz confronts and denounces violence against members of the LGBT community. Cynthia Carr discusses this poster in her biography, "Fire in the Belly: The Life and Times of David Wojnarowicz." She relates the episode of when Wojnarowicz became estranged from collaborator Marion Scemama during the production of this piece and inked out her name on the copies of the poster in his possession. This is a copy from his estate. Between C & D (1983–1990) was a Lower East Side quarterly literary magazine edited by Joel Rose and Carherine Texier. Though a geographical reference to the blocks between Avenue C and Avenue D in New York City's East Village neighborhood, “Between C & D” has also been suggested to mean “between coke and dope,” giving an indication of the publication's transgressive content and ethos. The magazine's actual tagline was “Sex. Drugs. Danger. Violence. Computers.” It was printed on fanfold computer paper, sold in a plastic bag, and featured original artwork on each binding. Contributors included Kathy Acker, Dennis Cooper, Gary Indiana, Tama Janowitz...