1960s More Prints

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Fruit With Holes MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION N...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 85 Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: AP Image Size: 25 x 20 inches Size: 25 in. x 19 in. ...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

James Rosenquist was commissioned by the Paris Review to create this playful and colorful print. It is signed, dated and numbered from the edition of 150. Paris Review James Rosenq...

Artist: Marc Chagall Title: The Angel Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/2" Image Size: 12 1/2" x 9 1/2" S...

Artist: Marc Chagall Title: Ruth and Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4" Sheet Size: 14 3/8" x 10 1...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...

This powerful black-and-white poster captures a pivotal moment in American history: a member of the Black Panther Party in Chicago, 1969, fist raised in defiant solidarity. The image...

Step into a radiant vision of the French countryside with this original 1968 travel poster designed by legendary graphic artist Bernard Villemot. Created for the SNCF (French Nationa...

Sonia Delaunay Rythme-couleur, 1962 Lithograph on Fabriano wove paper 27 3/5 × 19 7/10 in l 70.2 × 50 cm Frame included - 32 1/3 x 24 4/5 l 83 x 63 cm Edition of 40 Condition: Overa...

ARTIST: Salvador Dali TITLE: Faust Sorceress au Bali MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Aegillet, Paris EDITION NUMBER: 9/95 MEASUREMENTS: 15" x 11.2" pa...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Pablo Picasso (1881-1973) (d'après) - Portraits Imaginaires 7.5.69 Lithograph from 1969. The edition: A 246/250. Dimensions of work: 65.5 x 50 cm. Plate signed. Publisher: Éditi...

This elegant mezzotint print, entitled, "Nature morte au coquetier", was realized by the esteemed artist Mario Avanti in France, 1962. It depicts a stylized rendition of a dove as a ...

Marc Chagall The Tables of the Law Lithograph from Vitraux pour Jerusalem 1962 Printed by Mourlot Dimensions: 32.5 x 24.5 cm Publisher: André Sauret, Monte-Carlo Reference: Mourlo...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm From Chagall Lithograph II Reference: Mourlot 399 Condition : Excellent Unsigned and unumbered as issued

Artist: Marc Chagall Title: Acrobats at Play Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 20 3/4" x 17 1/2" Sheet Size: 12 3/4" x 9...

This lithographic poster was designed in 1966 after the late artist Raoul Dufy, for an exhibition of works by Chagall, Dufy, Braque, Matisse and other French artists at the French Institute of Scotland in Edinburg. This beautiful image features a lithographic rendition of Dufy's 1952 oil painting, "Homage to Claude Debussy...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Artist: Marc Chagall Title: Self-Portrait (Frontispiece) Portfolio: Mourlot Lithographe I Medium: Lithograph Date: 1960 Edition: Unnumbered Frame Size: 20 1/2" x 17 1/2" Sheet Size: ...

A very good impression of this scarce color lithograph on Arches. Artist's proof, aside from the edition of 65. Signed and dated in pencil. Published by the Martha Jackson Gallery...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 86 Year: 1969 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)

Artist: Roy Ahlgren, American (1927 - 2011) Title: Conceptual Perspective II Year: 1969 Medium: Serigraph, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Size:...

Artist: Robert Indiana, American (1928 - 2018) Title: Black Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Screenprint (unsigned) Edition: 395 Image Size: 14 x 1...

Artist: Robert Indiana, American (1928 - 2018) Title: 4 Square from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint Edition Size: 395 (unnumbered) Image Size: 14 x...

John Godfrey Bernard Worsley (1919-2000) - attributed Join the Regular Army through a Junior Leaders' Unit Original UK Army recruitment poster c....

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Artist: Joan Miro Title: Plate 18 Portfolio: Peintures sur Cartons Date: 1965 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image Size: 15" x 11" Signature:...

Artist: Marc Chagall Title: Ruth at the Feet of Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 2...

GERHARD RICHTER b. 1932 Born in Dresden 1932 (German) Title: Sheet Corner Blattecke. 1967 Technique: Original Hand Signed, Dated and Numbered Offset Lithograph in Colour on Thin C...

Original US 1-sheet “The Lion” vintage movie poster. NSS: 63/3 Archival linen backed in very good condition. Original theater issued fold marks restored during linen backing. Linen backing on American posters is recommended because most of them were printed on a wood pulp paper which easily falls apart. "Only a brave man goes after the lion ... Only a fool goes after the lion's mate...." Old African Proverb. In the bush country of Kenya "The Lion" stands for the Male of Males ... Taking what he wants. This is the story of two such men... Fighting for a woman each had loved ~ who called them both father! A Samuel g. Engel production. William Holden; Trevor Howard Capucine. Directed by Jack Cardiff. Screenplay by Irene Kamp and Louis Kamp. CinemaScope. Filmed on location in Kenya and Uganda and on a property in Kenya co-owned by Holden, the Mount Kenya...

ARTIST: Salvador Dali TITLE: Les Rois Mages L'Incantation MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: XLIX/C MEASUREMENTS: 15" x 11" YEAR...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Desert Icon VI Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Size: 20 x 20 ...

Lithograph on Japan Paper, 1961 handsigned by the artist in pencil 23 x 19 cm (image) - 32 x 25 cm (sheet) very good condition LCD2804

Original vintage poster: BASEL (Switzerland). In ancient Basel, they beat the drums at night to drive the evil demons from the city. Fastnacht. Museum linen backed. Basel; the city on the Rhein and much more! Printer and illustator: Schaffner. This image features the drum that you beat all night long to drive the bad spirits from the city. A drama mask...

This stunning serigraph, "Untitled" (Diagonal Composition) was realized by the esteemed American color field artist Larry Zox (American, 1936-2006) circa 1965. It features a dynamic ...

Color aquatint and etching. Signed and numbered 10/75 in pencil, lower margin. Printed and published by Maeght, Paris. Catalogue reference: Dupin 396.

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Screenprint by Antonio Saura "Aquella tarde al verse en el espejo.." from "Diversaurio", 1962 77,5 x 55,2 cm Copy 52 Edition of 85 Antonio Saura (Hue...

Artist: Marc Chagall Title: Profile and Red Child Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 18 1/2" x 15 1/2" Image Size: 12 1/2...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

This elegant Ben Shahn lithograph entitled “Levana” was created in 1966. It was printed by Gemini G. E. L., Los Angeles, California, in an editi...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

A very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...

Wall 1968, paper, linocut, 20.5x28 cm The linocut print depicts a boy standing in what appears to be a dark or shadowy environment. The artist uses the linocut technique to create ...

Artist: Joan Miro Title: Plate 20 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 1...

Artist: Marc Chagall Title: Apparition at the Circus Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 20 3/4" x 17 1/2" Sheet Size: 12 ...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Artist: Marc Chagall Title: Eve Incurs God's Displeasure Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size:...

Offset color lithograph poster. Signed by the artist in felt-tip pen and black ink. This color print is based on the same-titled painting in the Böckmann collection, Berlin.

Artist: Alexander Calder Title: Cover, from Derriere le Miroir #173 Portfolio: Derriere le Miroir #173 Medium: Lithograph Date: 1968 Edition: Un...

Lithograph by Jean Cocteau Title: Europe and the World Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961

Anonymous Tours and Excursions Original Coach Poster 75x50cm Cool and crazy mid-century lettering. Poster with area for completion with details ...

Artist: Joan Miro Title: Plate 10 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image Size: 1...

Artist: Joan Miro Title: Plate 19 Portfolio: Peintures sur Cartons Date: 1965 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image Size: 15" x 11" Signature:...

Artist: Marc Chagall Title: Cain and Abel Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/...

“Construction Drawing II”, 1973 Dimensions : 18.75″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual ar...