1960s More Prints

Original Bendix Alufroid French Lithographic Vintage Poster by Hervé Morvan from the 1960s. Archival linen-backed and in very fine condition, ready for framing. Add a touch of cla...

Original editorial cover with slipcase of green cardboard. On the cover, an original medallion sculptured by the artist on cardboard, showing the h...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they...

Holy Bible - Assuerus adamavit Esther is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-M...

Apparition of Christ - Paradise 14 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limi...

Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculptor and photogr...

Alfred Jensen Duality Triumphant I (Mid Century Modern Geometric Abstraction), 1963 Color Silkscreen on wove paper Pencil signed, dated, named and number 19/52 by Alfred Jensen on th...

Original Jest National Miami Beach original travel poster. Archival linen backed in fine condition. National Airlines was a United States airline that operated from 1934 to 1980...

Cadaver in sepulchro Elisei is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...

Original poster: II FESTIVAL MELODIA DE LA COSTA VERDE, 1961. This image for the second music festival held in Gijon, a city in north-western Spain. Located on the coast of the ...

Original, archival linen backed, vintage movie poster: FIREBALL 500. Fireball 500, 1966. Original antique muscle car hot rod movie poster for sale, ...

Pablo Picasso - Painter and His Model - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Cramer, 128 Unsigned an...

Abraham, Pater Multarem Gentium is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and...

Artist: Robert Indiana, American (1928 - 2018) Title: Black Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Screenprint (unsigned) Edition: 395 Image Size: 14 x 1...

Marc Chagall (1887-1985) - La nuit des amoureux à Saint-Paul Unsigned and Undated. Proof with additions in watercolor from 1969. Unqiue work, project for the etching. On Japan pa...

Marc Chagall (1887-1985) - The Pair in a Tree Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

The  Centaur is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, r...

printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

Artist: Marc Chagall Title: Woman Juggler Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/2" Image Size: 12 1/2" x 9 1/...

Original poster: Linen-backed original poster "Tage Slawischer Kultur" done by the artist Rasch. The days of Slavic Culture. This would cover the countries knowns as Slavic language speaking people: Russia, the Ukraine, Belarus, Poland, Czech Republic, Slovakia, Bulgaria, Slovenia, Croatia, Serbia, Bosnia and Herzegovina, Macedona and Montenegro. A drama mask in white rests on a leaning abstract color panel that could be a scarf or material that blends the styles and colors inlocking together to form a cultural pattern. A dark blue background brings the image to the forefront of this vintage original poster. Every year on May 24th all Slavic countries commemorate Saints Cyril...

Claes Oldenburg (after) Stars : A Farce for Objects (Cat. Raisonne Ref: 29, Axsom & Platzker, 1997), 1963 Letterpress poster in 1 colour over stock offset lithograph "rainbow roll" in 3 colours on paper, mounted on wood board Unsigned and unnumbered, as issued Published in an unknown edition size 28 × 22 inches x 1 inch Published by Washington Gallery of Modern Art; Printed by Globe Poster...

Original LYONS Continental Holidays British vintage travel poster. Size: 23" x 33.5". Printed in 1969. Lithograph. Linen backed. Very good condition. This European travel poster...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Then all the people pluckt from themselves the golden eare-rings, and they brough...

The Fraudulent  - Hell  is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...

Brunetto Latini - Hell Plate 34 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on ...

The Creation of Things is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. ...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. –- Marc Chagall (1887-1985) - And Moses beheld all the worke, and beholde, they had done it as the Lorde had c...

Original vintage poster 152 x 102 cm This advertising poster dates from the early 1960s. It features a playful use of text, with the correct orientation of the poster varying depen...

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked stomach. Around the print, black marks, scribbles, and dots complement the text written at the top of the sheet: “Imprint from Dorian Gray...

Hands of Antaeus - Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...

This original lithograph of an abstract depiction of Van Gogh by Jose Luis Cuevas was printed at the Atelier Mourlot in 1968 and is dated in the plate on the bottom right of the image. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. Stored in a clear protective sleeve accompanying your piece, this certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: José Luis Cuevas is a Mexican artist who worked primarily with etchings, illustrations, sculptures, and paintings, though he is perhaps best known for his drawings. According to Cuevas, “perhaps because I was born in a paper mill and pencil factory, paper has always had a great fascination for me.” He briefly attended the eminent Mexican institution Escuela de Pintura, however Cuevas considers himself a self-taught draughtsman in search of an alternative to the Mexican Muralists and their social messages. For Cuevas, his drawings represent the isolation of man and an inability to communicate, many of his drawings featuring distorted human figures and figures transformed into animals. His work was inspired by the graphic styles of Francisco de Goya, Pablo Picasso, and José Guadalupe Posada...

Lesus Flagellatus is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed...

André LANSKOY (1902-1976) Composition Lithographic poster Editor: Mourlot Dimensions: 58.5 x 47.5 cm André Lanskoy was one of the great painters o...

Antequam Exires De Vulva ... is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and ...

Holy Bible -  Jeremiah's Prophecy Against King Joachim is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Med...

Marc Chagall (1887-1985) - Soleil aux amoureux Etching from 1968. Trial proof - unique work. Dimensions of sheet: 51 x 34 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Maegh...

Under The Effect Of A Mystic Delirium is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between ...

The Black Cherub - Hell Plate 20 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limite...

Le jouer de luth is a modern artwork realized by Ossip Zadkine in 1965. Black and white lithograph. Hand signed and dated on the lower margin. Artist's proof. Includes frame

Iudit Abscidit Caput Holoferni is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

Marc Chagall (1887-1985) - Les Amoureux au soleil rouge Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent ...

Holy Bible -  Sedet sola civitas is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

The Traitors is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, r...

Artist: Joan Miro Title: Plate 15 Portfolio: Peintures sur Cartons Date: 1965 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image Size: 15" x 11" Signature:...

“Construction Drawing I”, 1973 Dimensions : 19″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist...

Faciamus Hominem is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signe...

Artist: Joan Miro Title: Plate 21 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Sheet Size: 15” x 11” Image Size: 15” x 11” Signature: Unsigned R...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it ...

ARTIST: Salvador Dali TITLE: Vaisseau Fantome MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 92/200 MEASUREMENTS: 17.5" x 22.5" YEAR: 19...

Bernard Buffet (1928-1999) - Frontispiece Lithograph from 1968. Dimensions of work: 31 x 24 cm Publisher: André Sauret, Monte Carlo. Printed by: Fernand Mourlot, Paris The work ...

Demons is an original artwork realized by Renzo Bussotti in 1963. Hand-signed and dated in pencil by the artist on the lower right margin; numbered in pencil on the lower left. Edi...

Marc Chagall (1887-1985) - The Lover's Heaven Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Artist: Robert Indiana, American (1928 - 2018) Title: Number 2 from the American Dream Portfolio Year: 1968 (1997) Medium: Screenprint Edition: 395 Image Size: 16.75 x 14 inches Size...

Bernard Buffet (1928-1999) - Horreur de la guerre Lithograph from 1960. The edition 280/300. Dimensions of work: 69 x 56 cm. Plate signed. Publisher: Éditions du Lion, Paris. T...

Plange, Virgo, Accinta Sacco is a Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and ...

Firmado a plancha en la parte inferior Se presenta enmarcada (el marco presenta algunas faltas y se enviará sin cristal para evitar posibles roturas) Medidas de la litografía: 46 c...

"Some Town without a Name" - Signed Screen Print Exhibition Poster Screen Print titled "Some Town without a Name" by Masuo Ikeda (Japanese, 1934-1997). A black headshot is seen with blue ink by the mouth and enclosed in a blue rectangle. "Masuo Ikeda" can be seen printed up top, with a list of Ten Lithographs under. Signed in pencil "Masuo Ikeda" lower right and numbered "XXXlll" middle Presented in a white mat. Mat: 36"H x 28"W Paper: 26"H x 21"W Image: 25 1/2"H x 19 1/2"W Masuo Ikeda (Japanese, 1934 - 1997) was born in 1934. Masuo Ikeda is well known a Japanese painter, printmaker, illustrator, sculptor, ceramist, novelist, and film director. He started winning prize after prize in the 1960s: the Governor of Tokyo's Prize (1962), the Tokyo Museum of Modern Art Prize (1964). In 1961 he had established himself as a printmaker by winning the Grand Prize for Printmaking at the Tokyo International Biennale of Art, but it was in foreign parts that he achieved his greatest triumphs: in 1961 the Prix d'Excellence at the Young Artists' International Biennale in Paris; in 1965 the Grand Prix at the International Print-making Biennale in Ljubljana; in 1966, the First Prize at the International Engraving Biennale in Cracow, and first prizes at the Biennales of Vienna and Venice, where he was only the second Japanese to win in this category, after Munakata Shiko in 1956. He was the first Japanese to have a one-man show at the New York Museum of Modern Art (1965). He was always on the move and spent two years in New York (1965-66), then settled for a year in Berlin (1967). Ikeda was producing prints in his studio in New York from 1969, he returned to Japan in 1980 and was based there from then on, and extended his brilliant talent beyond printmaking. In 1977, he won the 77th Akutagawa Prize (the most prestigious literary award in Japan) for his novel, Offering in the Aegean, and directed the film adaptation of the same title in 1979. His vigorous artistic activity even extended to the production of ceramic works from around 1983 onward. The Ikeda Masuo...

Ecce Homo is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and d...