1960s More Prints

A very good impression of this scarce color screenprint on white wove paper. Signed, dated and numbered 44/75 in pencil. Published by Marlborough Graphics, Inc., New York.

Serge Poliakoff - Abstract Beach - Original Lithograph Published in the deluxe art review, XXe Siecle 1968 Dimensions: 32 x 24 cm Publisher: G. di San ...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Moreover they made garments of ministration to minister in the Sanctuarie; they m...

A very good impression of this color lithograph. Signed and numbered 14/200 in pencil.

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Maurice Estève - Composition Original Lithograph 1964 Dimensions: 32 x 24 cm Revue Art de France French painter born in Culan, Cher. He went to Paris in 1919 in the face of opposi...

A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 74/75 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York.

Pablo Picasso (after) "Picasso Linocuts 1958-1963" Museum of Fine Arts, Boston, 1969 Exhibition poster 28 x 20 inches Unsigned

Original Woodcut print from the Baja California Series by the artist Edgar Dorsey Taylor. Title is seen at lower center: “Waves Off the Shore. Bahia de Los Angeles.” Pencil signed l...

A very good impression of this color lithograph on Rives BFK. Signed and numbered 89/125 in pencil. Printed by Mourlot, Paris. Published by Atelier Mourlot, Ltd., New York.

Salvador Dali (1904-1989) - Le Pecheur Etching and watercolour from 1968. Th edition of 86/95 on Japan paper Enhanced with watercolor. Dimensions of work: 38 x 28.5 cm Publisher:...

Salvador Dali (1904-1989) - Femme à la fontaine Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor. Dimensions of work: 38 x 28.5 cm Publisher: Gra...

Salvador Dali (1904-1989) - Guerre de 1914-1918 Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Gr...

Salvador Dali (1904-1989) - Les Tiroirs Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Graphik Eu...

Salvador Dali (1904-1989) - Frontispiece Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Graphik E...

Hans Rudolf Bosshard (*1929 Balm-Lottstetten), Six variations on a circular theme, 1967. Portfolio with inserted cover sheet and six color woodcuts on thin Japanese paper. Copy no. 6...

A very good impression of this color lithograph. Initialed and numbered 73/100 in pencil by Miro. Published by Sala Gaspar, Barcelona. From the same-titled suite.

51 x 64.5 cms (20 1/8 x 25 3/8 ins) Edition of 75 Signed and dated '67 in pencil, lower right Edition of 75, with 14 artist's proofs, 1 trial proof, 1 printer's proof, 1 B.A.T...

Lithograph 38.4 x 56.5 cms (15 1/8 x 22 1/4 ins) Edition of 100

Artist: Robert Indiana, American (1928 - 2018) Title: Mississippi from the American Dream Portfolio Year: 1965 (1997) Medium: Serigraph Edition: 395 Image Size: 16 x 14 inches Size: ...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

Jean Cocteau - Morlot - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Jean Cocteau Writer, artist and film ...

Alfred Manessier - Abstract Blue Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourl...

Robert Indiana "New York City Center 25th Anniversary" New York City Center, 1968 Silkscreen Poster 35 x 25 inches Unsigned This poster is printed on...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

(after) Robert Delaunay - La Femme et la Tour - Handsigned Lithograph Handsigned and numbered by Sonia Delaunay with a dedication to Robert Delaunay Dimensions: 55 x 33 cm Circa 1960...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

André Masson - Composition Original Lithograph 1969 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Laz...

Georges Braque - Les oiseaux de nuit Lithograph after the gouache 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Pre...

Edition 23/195 Signet by artist Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorp...

Fritz Glarner - Abstract Composition - Reproduction Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Born in Zurich, Glar...

André Beaudin - Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Unsigned and unumbered as issued

Paul Guimard - New York's Port - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964

André Lanskoy (1902-1976) Framed Original Lithograph Abstract Composition Dimensions: 94 x 64 cm André Lanskoy was one of the great paint...

Original Lithograph by Jean Cocteau Title: Europe's Construction Printed signature in the stone Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky ...

Léon Zack - Snow - Original Handsigned Lithograph 1969 Handsigned in pencil and numbered Edition of 22 32.5 x 25 cm Léon Zack (1892-1980) Léon Zack was a Ru...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

André Minaux - Abandoned Boat - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 And...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Signed by artist, Artist's Proof VIII, signature "For the beautiful M" Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depiction...

Still life 13/100. Paper, linocut, 5/100, 22x25 cm 1967 Olgerts Abelite (1909-1972) The subject matter of this linocut is a still life composition featuring a fish on a plate. Sti...

Artist: Joan Miro Title: Plate 9 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

Villa Medici - Da Braque a Tàpies. Mostra di opere incise originali edite da Maeght. Dicembre 1968 Lithographic poster Includes a Certificate of Authenticity

PABLO PICASSO Spanish, 1881 - 1973 La petite bacchanale (B. 1020; Ba. 1250) signed in pencil "Picasso" (lower left) numbered in pencil "1/50" (lower right) linocut in colors on Arche...

John Godfrey Bernard Worsley (1919-2000) - attributed A Soldier of the Queen - Join the New Regular Army Original UK Army recruitment poster c. 1960 75x501cm The Soldier of the Quee...

Artist: Joan Miro Title: Plate 4 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

Offset lithograph and screenprint in colours, 1969, from the edition of 700, printed by G & B Arts Ltd., London, published by Arts Council of Great Britain for the Hayward Gallery, L...

34 x 48 cms ( 13.38 x 18.89 ins) Edition of 50 Etching with hand colouring Signed and dated (recto) Inscribed "Jean + Norman 73 BN" (verso)

Etching on BFK Rives paper, 1962/64, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. (9.9 x 7.6 in.) From The International Anthology of Contemporary Engraving...

Etching in colours by Max Ernst. "Bonjour", 1966 66,5 x 50,1 cm Copy 7/99 Edition of 111 copies (approx.)

67.3 x 49.5 cms (26 1/2 x 19 1/2 ins) Edition of 7

Open-bite etching printed in dark, brownish black on fibrous Japan paper 38 x 28 cms (14 7/8 x 11 1/8 ins) Edition of 200 in three numbered segments