Nude Prints

Nude Torso Clarence Holbrook Carter American (1904–2000) Date: Circa 1980 Etching, signed and numbered in pencil Edition of AP 25 Image Size: 6 x 5 inches Size: 10 in. x 9.5 in. (2...

Kneeling Male Nude in Profile is a beautifulcolored lithograph from the portfolio " Erotica " after Egon Schiele. It is a reproduction of the homonym artwork realized in gouache, w...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

This is from a series of linocuts made with a single horizontal line. The resulting mesh of black and white creates a shimmering effect that both defines and blurs the image. Objects...

Salvador Dali - Nude at the Window - Original Handsigned Lithograph Dimensions: 76.5 x 57 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Artist: Sam Francis Medium: Lithograph Title: Round Breast of Jayne Mansfield Portfolio: 1964 1¢ Life Year: 1964 Edition: 2000 Framed Size: 21 1/4" x 16 1/4" Sheet Size: 16 1/8" x 11...

Signed, titled and numbered by the artist. Edition of 50. Female nude etching, from a series of 6 male and 6 female images. Reyes attended The School of the Art Institute of Chica...

Artist: Mel Ramos Title: Lola Cola #4 (Michelle Pfeiffer) Year: 2004 Medium: Lithograph, signed and numbered in pencil Edition: 199, HC L Paper...

Arthur B. Davies (1862-1928), Against Green (also Three Figure Composition, Figures Against Green), soft ground etching and aquatint, 1918, signed in pencil lower right; also titled ...

Salvador Dali - Sator - Original Etching Stamp Signed Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

Francesco Bartolozzi (1728 Florence - 1815 Lisbon), Mythological Scene with Four Young Women and the Boy Cupid, 1764. Crayon engraving on laid paper after a drawing by Guercino, 22 c...

Hand signed. Very rare edition of 125 prints. Good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an a...

Raymond Pettibon illustrated Black Flag flyer New York City 1981: Rare early 1980s Punk flyer illustrated by Pettibon to advertise one of Black Flag’s first ever East Coast shows hel...

Artist: Reuben Nakian, American (1897 - 1986) Title: Leda and the Swan - 8 Year: circa 1979 Medium: Etching and Chine Colle, signed in pencil Edition: AP XXX Image Size: 16 x 19 inch...

Original woodcut after Paul Gauguin. Second edition of 100 prints signed by the Artist's son Pola Gauguin: lower left "Paul Gauguin fait", lower left "Pola Gauguin imp.". Inscribed ...

Nude of Woman is an original etching and aquatint realized by Eliane Petit (1910-1969). Good condition on a white cardboard passpartout (53x37 cm). Sign...

Maiden is an original etching realized by Sergio Barletta in 1970s. Hand-signed on the lower right. In good conditions. Sergio Barletta (1934) is an Italian cartoonist and illust...

Saint Clair Cemin, Brazilian (1951 - ) - Within You II, Year: 1978, Medium: Etching and Aquatint on Arches, signed, numbered and dated in pencil, Edition: 11/30, Image Size: 5.75 x ...

OLYMPISCHED SPIELE MUNCHEN 1972; original German Olympic poster created by the artist Oskar Kokoshka. Size: 25" x 39.5". Archival linen-backed in excellent condition, this origi...

Lithograph realized in 1990s. Hand signed in pencil. Unnumbered, as issued. Excellent condition.

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograp...

Keith Haring Public Illumination 1981: A rare, highly collectible small pamphlet-style art magazine (measuring 4.25 x 2.75 inches), featuring a centerfold spread illustrated by Keith Haring, playfully credited under the moniker "Kip Herring." The illustrations include some of Haring's signature early motifs including dogs, crawling babies, and figures in varying sexual positions. A rare, early Haring collectible which quite possibly marks his first appearance in a printed publication. Staple bound zine (art magazine), 4.25 x 2.75 inches. Good to very good overall vintage condition; appears unused. Unsigned from an edition of unknown. Literature/References: Printed Matter Inc., New York, NY Public Illumination Magazine: Founded by Zagreus Bowery in 1979 in New York and distinguished by its pocket-sized format, the publication rose to prominence in the underground art scene and was revered for its blatant mockery of mainstream magazines. The texts and drawings ranging from parody to absurdities. Contributions will be published exclusively under pseudonyms. By 2007, 51 issues appeared. The magazine is published irregularly and is available in the USA, Italy and Germany. Writers and artists who have contributed include: Keith Haring, Ken Brown, Steve Dalachinsky, Michael Madore, David Sandlin...

Josef Levi, American (1938 - ) - Still Life with Cranach and De Heem, Year: 1980, Medium: Screenprint on Arches, signed, titled, numbered and dated in pencil, Edition: Trial Proof,...

Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma is from a series of original engravings published by Lodovico Mirri in the late 18th century and engraved ...

Raymond Pettibon Black Flag: 1982 Raymond Pettibon illustrated Black Flag punk flyer published on the occasion of: Black Flag, Saccharine Trust, The Minutemen...

Between the years of 1946 and 1956, Pablo Picasso pulled concepts from his earlier creations, a series of drawings and watercolor, in order to form Faune a La Diaule, 1956. Pablo Picasso chose pochoir -- a printing technique that produces refined, crisp lines and brilliant colors -- as a favorite for Femmes et Faunes. Picasso’s authorization for the reproduction of these prints is demonstrated by the fact that the paper of each print is impressed with a watermark reading, “Ceci est une reproduction Picasso”, together with the artist’s signature. Without the inclusion of the watermark, you could be forgiven for believing that you were holding an original Picasso drawing. Le Dormeur...

Leonor Fini - Walking on Death - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris...

Artist: Henri Matisse (after) Title: Nu bleu, la grenouille (Blue Nude, The Frog) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 195...

Screen print in colors on museum board. Hand signed and dated on front by Tom Wesselmann. Hand numbered 84/100 on front. Artwork size: 56 x 57 inches. Published by International ...

Artist: Henri Matisse (after) Title: Nus Bleus IV Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Framed Size: 22" x 18" Sheet Size: 14" x 10 ...

Etching monogrammed in the plate. Illustration for a Robert Ganzo's poem "Lespugue" Editions Marcel Sautier, Paris, 1966. Conditions: Good Conditions Dimensions: 25,5 x 16,5 cm. Vellum paper Référence Czwiklitzer n°55. 1890 Zadkine was born on the 14th of July in Vitebsk, a city in Belarussia, on the Dvina. His father Ephime teaches classical languages at the local seminar. His mother Sophie Lester descended from Scots, who emigrated at the time of Peter the Great. 1905 His parents send him to Sunderland, in the North of England, where his mother’s family lives. He studies English and attends modelling courses at the local Art School. 1905-1909 He travels to London without his parents permission where he attends courses at the Regent Street Polytechnicum. In order to earn his living, he plans to work with a stonecutter. He visits the British Museum and studies classical sculpture there. Returns to Smolensk where he produces his first sculpture. Goes back to London. 1909-1910 Zadkine settles in Paris and studies in the ecole Nationale des Beaux-Arts. Finds a workshop in a building called La Ruche, in the XVe arrondissement. 1911 Zadkine presents statues and drawings at the annual Salon d’Automne and at the Salon des Indépendants. It is the ‘cubists’ who draw his attention in Paris. Is essentially close to Russian students who get together in a cafe of the ‘Quartier Latin’. Has himself called Joe Zadkine until 1914. 1912-1913 Finds a room in the neighbourhood of Montparnasse, in the rue de Vaugirard. Studies Roman sculpture. Zadkine is immortalized by his neighbour, photographer Marc Vaux, in his new workshop. Meets Brancusi, Guillaume Apollinaire, Jacques Lipchitz, Pablo Picasso, Antoine Bourdelle, Leopold Survage and Robert Delaunay. Henri Matisse visits Zadkine’s workshop. 1914-1915 Exhibition at the Freie Sezession in Berlin, at De Onafhankelijken in Amsterdam (Holland) and at the Allied Artists Association in London. Thanks to collector Paul Rodocanachi, he can settle in a workshop in the rue Rousselet. Becomes friends with Modigliani. 1916-1917 Works as a stretcher-bearer on the front. Produces drawings and watercolours dealing with war. Zadkine is discharged in 1917. He says he is ‘bodily and spiritually’ ruined by the war. After his stay in the Epernay hospital he recovers in Bruniquel, in the southwest of France. 1918-1919 Makes a series of 20 war etchings...

Original Lithograph by Jean-Gabriel Domergue Title: Naked Signed Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisienne" Jean-Gabrie...

Underwater nude shot from above a small cenote in Tulum, Mexico. Other size prints, framing options and print methods (such as fine art paper or face mounted plexiglass) available up...

Medium: Limited Edition 31/250 Lithograph Style: Cubism Painting Size: 8 x 12 inches Frame Size: 5.25 x 7 inches Condition: This artwork is in great condition for its age. Signatu...

This exquisite lithograph after Rene Magritte (1898–1967), titled Une Jeune Femme Presente avec Grace (A Young Woman Presents with Grace), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Une Jeune Femme Presente avec Grace (A Young Woman Presents with Grace), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

The Roman numeral edition of 25, aside from the Arabic numeral edition of 99. Signed, titled and numbered VI/XXV in pencil, lower margin. With the artist's blind stamp lower left. Pu...

Zaida del Rio (Cuba, 1954) 'Untitled 3', 2020 woodcut on paper Intaglio 300 g. 43 x 29.2 in. (109 x 74 cm.) Edition of 40 ID: DER-105 Unframed

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

The Dream [2022] original Acrylic, natural pigments on paper Image size: H:70 cm x W:100 cm Complete Size of Unframed Work: H:70 cm x W:100 cm x D:0.1cm Sold Unframed Please note th...

Cleon Peterson Sirens of the Night (gold), 2022 Hand-pulled screen print on 290gsm Coventry Rag paper with deckled edges 61 x 45.7 cm Edition of 100 hand-signed and numbered by the a...

ARTIST: Salvador Dali TITLE: The Magicians Vanite MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 39/100 MEASUREMENTS: Paper: 11.2" x 1...

Male nude lithograph by Trevor Southey. Lifting is a striking lithograph by the South African-born, Utah-based artist Trevor Southey, celebrated for his masterful draftsmanship and ...

Artist: Raphael Soyer Title: Nude Woman Portfolio Medium: 2 Lithographs, 1 printed in color & 1 black/white Original paper portfolio cover Signed: Hand Signed Edition: From the editi...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Salvador Dali - The Giant Beliagog - Original Etching Dimensions: 45 x 33 cm Edition: 125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Artist: Mel Ramos, American (1935 - 2018) Title: Hav a Havana #10 Year: 2015 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 22.25 x 36.5 inches Size: 29.2...

untitled (Young Woman Washing) Lithograph, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Image size: 11 x 5-1/8" Sheet size: 18 7/8 x 12 5/8 inches Condition: Very good Aging to the tan paper it is printed on Provenance: Estate of the Artist Borghi & Company, NYC Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Perruche et la Sirene (The Parakeet and the Mermaid), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35...

Woodcut shunga print attributed to Keisai Eisen and realized in the early 19th century. Good condition except for some signs of time.

Artist: Mel Ramos (American, b. 1935) Title: Peek-a-Boo Marilyn 1 Year: 2002 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 31.5 in. x 23 in. (80.01 cm x 58.42 cm)

Salvador Dali - Girl on Rhinoceros Horn - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum Signed in the plate References : Fi...

Etching on BFK Rives paper, Plate 8 from series 347. Hand signed lower right by Pablo Picasso. Hand numbered 11/50 lower left (there were also 17 artist's proofs). Sheet size: 24 ...

Published By Top Art Milano, 1999. Silkscreen Print. Printed In Italy. In Good Condition. Measures 27.5 x 19.75 in.

- dated in the plate 11.1.64 - original lithograph as frontispiece of the monograph Picasso. Lithograph - edition 3000 - unsigned - cat. raisonné Mourlot 1970; cat. raisonné Bloch 1155

Pablo PICASSO (1881-1973) The 156, Midnight Swim. Women Surprised by a Laughing Sailor (plate 123), 1978 Original etching (Crommelynck workshop) Signed with stamp Justified HC B/C O...

Tom Wesselmann (1931-2004) remains one of the most iconic, collected--and sexy American Pop artists. During the movement's key years, Wesselmann was ambivalent if not critical of hi...

Jean Baptiste VALADIE Fall : Woman under a Tree Originale Etching Signed in pencil Numbered on 225 copies On vellum 45 x 32 cm (c. 17.7 x 15.5 inches) excellent condition

Screen print On Lenox museum board. Hand signed lower right margin by Tom Wesselmann. Hand numbered HC 8/12 lower right margin (there was also a main the edition of 100). Sheet si...