Mid-19th Century Prints and Multiples
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Period: Mid-19th Century
19th century color woodcut Japanese ukiyo-e print female geisha figure signed
Located in Milwaukee, WI
This print is from a highly regarded series by the Edo woodblock artist Utagawa Kuniyoshi: in the period, there were at times prohibitions in depicting a...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Pigment, Paper, Woodcut
The Great Sphinx
Pyramids, Giza, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Sphinx, Pyramids of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publ...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
$3,980 Sale Price
20% Off
Pancratius - Lithograph - 1862
Located in Roma, IT
Pancratius is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws,...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Roses - Original Etching by François Langlois - 19th Century
Located in Roma, IT
Roses is an original modern artwork realized by François Langlois in the 19th Century.
Mixed colored etching.
Includes passepartout and a frame in ...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Ahyouwaighs, Chief of Six Nations: Hand-colored McKenney Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Ahyouwaighs, Chief of the Six Nat...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
Le Village de Chanaz - Etching by Appian - 1860s
Located in Roma, IT
Le Village de Chanaz is a black and White etching realized by A. Appian in the 1860s.
Titled in the lower.
Image size: 16x23.
Very good impression with wide margins and a very fr...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
The young Bostonian 1858 portrait of a notable gentleman Boston Massachusetts
Located in Norwich, GB
A wonderful portrait of a Bostonian dated 1858, by Leopold Grozelier, the artist best known for creating the first electoral poster ever, bearing the portrait of Abraham Lincoln (186...
Category
American Realist Mid-19th Century Prints and Multiples
Materials
Paper, Laid Paper, Lithograph
Bonaparte in Jaffa - Etching by Antonie Jean Gros - 1837
Located in Roma, IT
Bonaparte in Jaffa is an etching that belongs to to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837.
Author Jacques Norvins published one of the most comprehensive and influential histories on the life and military career of Napoleon, trought the works of the most important engravers of the time.
14x22 cm.
Good conditions except for some yellow halos on the margins.
The capture of Jaffa on March 7, 1799, and its violent sack by the French army, rapidly worsened due to the outbreak of an epidemic of bubonic plague which decimated the army commanded by Napoleon Bonaparte.
On March 11...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Tropaeolum Majus Atrosanguineum, antique botanical nasturtium flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat.
The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category
Romantic Mid-19th Century Prints and Multiples
Materials
Engraving
Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
$2,860 Sale Price
20% Off
"Dawn Inside the Yoshiwara" Utagawa Hiroshige, Japanese Landscape, Ukiyo-e
Located in New York, NY
Utagawa Hiroshige
Dawn Inside the Yoshiwara, circa 1857
Woodblock print
11 x 7 inches
Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock printing tradition, havin...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Paper, Ink, Woodcut
The Citadel of Cairo: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Church of St. Stephen in Vienna - Lithograph by Auguste Wahlen - 1844
Located in Roma, IT
Church of St. Stephen in Vienna is a lithograph made by Auguste Wahlen in 1844.
Good condition.
Drawing in black and white.
At the center of the artwork is the original title " Ch...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Birds of Europe by John and Elisabeth Goult, 1832
By John Gould and Elizabeth Gould
Located in Paris, FR
Rare Set of 6 beautiful Naturalistic hand-colored lithograph prints by John Gould from his work Birds of Europe, embelished with gum arabic in vibrant colors. Published 1832 - 1837 by Hullmandel, Walter and Walton. Presented in gold leaf wood frames. Very charming .
The price includes the set of 6 framed ones.
John Gould (18041881) is the most prolific publisher of ornithological subjects of all time. In 19th-century Europe, his name was as well known as Audubons was in North America. Unlike Audubon, whose lifes work focused on one region, Gould traveled widely and employed other artists to help create his lavish, hand-colored lithographic folios. John Goulds love of natural history was fostered in the gardens of King George III where his father was chief gardener at Windsor Castle. Although trained as a gardener, Goulds interests quickly evolved, and at the age of 20, he was appointed taxidermist to the Zoological Society of London. After three years, he progressed to the position of curator of birds and chief taxidermist. In 1830, newly married, Gould and his artist wife, Elizabeth Gould...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Campagne boisée (Wooded countryside)
Located in Middletown, NY
1866
Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...
Category
Barbizon School Mid-19th Century Prints and Multiples
Materials
Etching
Cloister of Saint Martin in Naples - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Cloister of Saint Martin in Naples is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Shunga, Love Plays - Woodcut by Utagawa Kunisada - 1850s
Located in Roma, IT
Shunga, Love plays is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865).
Good print with gold. Backed, restored wormholes and missing oarts, glued at upper ...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Woodcut
Brown Pelican /// John James Audubon New Orleans Ornithology Animal Bird Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Brown Pelican" (Plate 424, No. 85)
Portfolio: The Birds of America, First Royal Octavo Edition
Year: 1840-1844
Medium: Origin...
Category
Victorian Mid-19th Century Prints and Multiples
Materials
Watercolor, Lithograph
Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Chittee-Yoholo, A Seminole Chief, No. 76", published by Rice, Rutter & Co. in 1865.
This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing, with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. The print is in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
The Absinthe Drinker - Original Etching (Guerin #9 Fisher #9)
Located in Paris, IDF
Edouard MANET
The Absinthe Drinker, 1860
Original etching
Printed signature in the plate
On Japan paper 45 x 40 cm (c. 18 x 16 inch)
REFERENCES : Catalog raisonnes Guerin n°9 and F...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Etching
The Mersey at Liverpool - Etching by J.C. Armytage - 1845
Located in Roma, IT
The Mersey at Liverpool is an etching realized in 1845 by J.C.Armytage.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
PAYSAGE D’ ITALIE
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
Romantic Mid-19th Century Prints and Multiples
Materials
Etching
He Pays his Lively Court - Etching by Thomas Rowlandson - 1817
Located in Roma, IT
Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe.
Very good condition.
Thomas Rowlandson (1757-1827) was an english artis...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Tuko-See-Mathla, A Seminole Chief: A Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tuko-See-Mathla, A Seminole Chief, No. 106", published by Rice, Rutter & Co. in 1865. For his portrait, painted by Charles Bird King, Tuko-See-Mathla wore a colorful outfit, primarily of red and blue with tassels and a matching headdress, a necklace including his presidential peace medal, two metallic bands on each arm, beautiful high moccasin boots and he carries a rifle. He appears to be standing in a desert landscape.
This original beautifully hand-colored McKenney and Hall lithograph is presented in a cream colored mat (adhered at the top), suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is one tiny spot in the lower portion of the left and right margins and minimal discoloration at the left and right edges (obscured by the mat), but the print is otherwise in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Indigenous People, Virginia, America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Virginio - Sacerdote Virginio' / 'Gi' Indiant nella Virginia venerano il Fuoco''
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giu...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Hoo-Wan-Ne-Ka, Winnebago Chief: Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a paint...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Not-Chi-Mi-Ne, An Ioway Chief: Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865.
This original McKenney and Hall lithograph is presented in a cream-colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Ocelot by Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate LXXXVI. P...
Category
Mid-19th Century Prints and Multiples
Materials
Paper
Portrait of Ferdinand II - Original Lithograph by A. Zezon - Mid 19th Century
Located in Roma, IT
Portrait of Ferdinand II is an original lithograph by Antonio Zezon.
Interesting colored lithograph which describes the arrival of Ferdinand II,...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Shunga - Woodcut by Utagawa Kunisada - 1850s
Located in Roma, IT
Shunga is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865).
Making love in the winter on a terrace, behind the couple stone sculpture of the Jizo-Bosatsu.
...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Woodcut
Original Hand Colored McKenney
Hall Lithograph Wat-Che-Mon-Ne, An Ioway Chief
Located in Alamo, CA
An original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Wat-Che-Mon-Ne, An Ioway Chief, No. 90", published by Rice, Rutter & Co. in 1865.
Th...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
"C.L. Drouet, Sculptor" by Whistler
Located in Hinsdale, IL
Title: C. L. Drouet, Sculptor
Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London)
Sitter: Charles L. Drouet (French, 1836–1908)
Date: 1859
Medium: Etchi...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Etching
Raccoon: An Original 19th Century Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand colored lithograph entitled "Raccoon", No. 13, Plate LXI, 61, from Audubon's "Quadrupeds of North America", printed and color...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Tokaido
— Mt. Fuji Rising – Mid-Nineteenth Century Woodblock Print
Located in Myrtle Beach, SC
Utagawa Kunisada (Tokoyuni III), 'Tokaido', color woodblock, 1863. Signed in the cartouche, lower right. A fine impression, with rich, fresh colors and pronounced woodgrain, the full...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Woodcut
Quadra, Vancouver Island, Canada, North America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Villagio indiano nell' Isola Quadra-Voncuver / Interno di Una capanna di Vakosei'
(Indian Village on Quadra Island, Vancouver / Interior of a Vakosei hut)
Italian lithograph, c184...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Royal Villa of Naples - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Royal Villa of Naples is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Reddish Egrets, Adult
Young: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted.
This original hand-colored Audubon egret...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Quebec and Iroquois, Canada, North America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Il Quebec / Irochesi - Capo degl' Irochesi''
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, published in Venice...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Greyhounds - Etching by Henry Alken - 1822
By Henry Alken
Located in Roma, IT
Etching and aquatint realized by Henry Alken in 1822. Table from "The Sporting Repository", first edition.
Very good condition.
Henry Alken (1765-1851) was en english painter and e...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Interior of the Temple Abu Simbel, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Mexican Marmot Squirrel: Original 19th Cent. Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mexican Marmot Squirrel, No. 22, Plate CIX", from John James Audubon's Quadrupeds of North America, published...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
"Boat Horses" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Woodcut
"Passerelle du Pont au Change" original etching
Located in Henderson, NV
Medium: original etching. The complete title is "Passerelle du Pont au Change apres l'incendie de 1621". Catalogue reference: Delteil/Wright 50. This is a view of the footbridge whic...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
Mallard /// John James Audubon Ducks Waterfowl Bird Ornithology Lithograph Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Mallard" (Plate 385, No. 77)
Portfolio: The Birds of America, First Royal Octavo Edition
Year: 1840-1844
Medium: Original Han...
Category
Victorian Mid-19th Century Prints and Multiples
Materials
Watercolor, Lithograph
Marica Sabini, antique botanical blue flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
Gargantua - Rare Book Illustrated by Gustave Dorè - 1854
By Gustave Doré
Located in Roma, IT
Gargantua is an original modern rare book by François Rabelais illustrated for the first time by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1854...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Woodcut
Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right
This striking framed Gould...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category
Romantic Mid-19th Century Prints and Multiples
Materials
Engraving
$460 Sale Price
20% Off
Le Ruisseau Dans La Clairière (The Brook in the Clearing)
Located in Middletown, NY
Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Photographic Paper
The Analysis of the Hunting Field - Etching by Henry Alken- 1846
By Henry Alken
Located in Roma, IT
Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field".
Very good condition.
Henry Alken (1765-1851) was en english painter and engrav...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Le Soir: Cerf et Herons (The Evening: Stag and Herons)
By Karl Bodmer
Located in Fairlawn, OH
Le Soir: Cerf et Herons (The Evening: Stag and Herons)
Lithograph printed with brown tint stone, 1858
From: Animaux et Paysages d’apres Nature
Published by Goupil, 1858
Signed in the stone lower left, Karl Bodmer Pinx. et lith. (see photo)
Published by Goupil et Cie, Paris, with their blindstamp center, below image
Printed by Bertauts, Paris (see photo)
Condition: Excellent
One stain verso, not visible on recto
Full sheet
Image size: 11 1/4 x 18 inches
Sheet size: 17 3/4 x 24 3/4 inches
Reference: Delteil 70
IFF 22, No. 1
Karl Bodmer
(1809—1893)
Painter, draftsman, and printmaker. Although he spent only two years in the United States and its territories, Bodmer's depictions of Western Indians...
Category
Barbizon School Mid-19th Century Prints and Multiples
Materials
Lithograph
"A Cottage" original etching
Located in Henderson, NV
Medium: original etching. Published in London in 1868 for P. G. Hamerton's Etching and Etchers. This impression on laid paper was printed from Weirotter's original plate. Plate size:...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
To-Ka-Con, A Sioux Chief: Hand-colored McKenney
Hall Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "To-Ka-Con, A Sioux Chief", drawn ...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
Industry and Idleness Plate 3: The Idle
Prentice at Play In The Church Yard
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses.
A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame
Edward Smith (fl. 1823-49)
The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...
Category
Mid-19th Century Prints and Multiples
Materials
Engraving
$185 Sale Price
20% Off
Barn Owl Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition.
This striking framed Gould...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Hiroshige (1797-1858) - Horie and Nekozane - Meisho Edo Hyakkei
Located in BRUCE, ACT
Artist: Utagawa Hiroshige (Hiroshige Ando 1797-1858)
Title: No.96 "Meisho Edo Hyakkei"
Series: One Hundred Famous Views of Edo (名所江戸百景)
Size: O-ban 大判
Age: 1856
Category
Mid-19th Century Prints and Multiples
Materials
Woodcut
Le Chat et Les Fleurs
Located in Middletown, NY
Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Etching, Aquatint
Snowy Owl
Located in Columbia, MO
John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
$5,040
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