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Bouquet, Modern Lithograph by Lloyd Lozes Goff
Located in Long Island City, NY
Lloyd Lozes Goff, American (1918 - 1982) - Bouquet, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 24 x 18 inches, Size: 2...
Category

1980s Modern Still-life Prints

Materials

Lithograph

RECEIVING HAND Signed Lithograph, Fantastic Realism, Stone, Healing Art
Located in Union City, NJ
RECEIVING HAND is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. RECEIVING HAND a finely detailed hand drawn example of Fantastic Realism...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Flowering Eucalyptus III ( 30 x 21.5 inch hand-printed botanical cyanotype)
Located in Oakland, CA
Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...
Category

2010s Contemporary Still-life Photography

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Blue Bouquet, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Blue Bouquet Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 27 x 22 inches Size: 30 in. x 22 in....
Category

1980s Impressionist Still-life Prints

Materials

Lithograph

Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'168. Stropharia squamosa 170. Coprinus comatus Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Sw...
Category

Early 20th Century Naturalistic Still-life Prints

Materials

Lithograph

Chinese Fish
Located in Washington, DC
Artist: Henri Matisse (after) Title: Chinese Fish Portfolio: 1958 The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Frame Size: 21 1/4" x 14 1/4" Sheet Size...
Category

1950s Fauvist Still-life Prints

Materials

Lithograph

Set of Six Fine Antique British Hand Coloured Botanical Prints, circa 1900 s
Located in Cirencester, Gloucestershire
Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...
Category

Early 19th Century Art Deco Still-life Prints

Materials

Color

Original DISCOVER FRANCE BY TRAIN -SNCF - French National Railways 1953 poster
Located in Spokane, WA
1953 “Discover France by Train” — A. Planson — French National Railways (SNCF) — Original Vintage Poster, archival linen-backed, Grade A. Ready to frame. In 1953, the SNCF, France’...
Category

1950s Impressionist Landscape Prints

Materials

Lithograph

Azaleas on Yellow (from Flowers Portfolio)
Located in Calabasas, CA
Artist: Alex Katz Title: Azaleas on Yellow (from Flowers Portfolio) Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 86/100; sig...
Category

2010s Contemporary Still-life Prints

Materials

Archival Pigment

Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif Salzer and is in the permanent collection of the Museum of City of New York...
Category

1990s Contemporary Landscape Prints

Materials

Mezzotint, Aquatint

Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...
Category

1640s Academic Still-life Prints

Materials

Engraving

Misty Agapanthus 3 ( 24 x 18 inch hand-printed cyanotype)
Located in Oakland, CA
Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...
Category

2010s Contemporary Still-life Photography

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

David Shrigley - It s A Long Day, When You Get Up Early
Located in London, GB
80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark David Shrigley is a British visual artist known for his distinctive, whimsical, and often ...
Category

2010s Contemporary Still-life Prints

Materials

Lithograph, Offset

BESLER. A Group of Four Peonies.
Located in London, GB
Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field. [Nuremberg and Eichstatt, 1640]. The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen. The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...
Category

1640s Naturalistic Still-life Prints

Materials

Copper

Four Flowers, Photorealist Screenprint on Paper by Lowell Nesbitt
Located in Long Island City, NY
Four Flowers Lowell Blair Nesbitt, American (1933–1993) Date: 1980 Screenprint, signed, numbered and dated in pencil Edition of 137200 Image Size: 25 x 25 inches Size: 31.5 x 31.25 i...
Category

1980s Photorealist Still-life Prints

Materials

Screen

Henri Matisse, Christmas Night, from Verve, Revue Artistique, 1958 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Nuit de Noel (Christmas Night), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. Created during Matisse’s final period, Nuit de Noel embodies his profound synthesis of form, color, and spirituality. The composition, evoking the calm radiance of the nativity, expresses a sense of universal harmony through luminous shapes and vibrant contrasts. This piece exemplifies Matisse’s late cut-out technique, where visual rhythm and color convey the serenity and joy of life and faith. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the coloristic richness and compositional rhythm of Matisse’s late paper cut-outs. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Nuit de Noel (Christmas Night), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, and Nuit de Noel, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse Nuit de Noel...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Set of Six Fine Antique British Hand Coloured Botanical Prints, circa 1900 s
Located in Cirencester, Gloucestershire
Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...
Category

Early 19th Century Art Deco Still-life Prints

Materials

Color

Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Set of Six Fine Antique British Hand Coloured Botanical Prints, circa 1900 s
Located in Cirencester, Gloucestershire
Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...
Category

Early 19th Century Art Deco Still-life Prints

Materials

Color

Florals Rhinoceros Stock
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Florals Rhinoceros Stock MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBER: 62/350 ...
Category

1970s Surrealist Still-life Prints

Materials

Etching

Nature Morte a la Porte et a la Clef, Cubist Lithograph after Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Nature Morte a la Porte et a la Clef". The original painting was completed in 1920. In the 19...
Category

1980s Modern Abstract Prints

Materials

Lithograph

Peter Doig Lapeyrouse Wall Limited Edition Signed Etching Print
Located in San Rafael, CA
Peter Doig (British, b. 1959). Lapeyrouse Wall, 2004 Etching and aquatint printed in colors on wove paper Signed and dated in pencil by the artist Edition 30/30 Published by the arti...
Category

Early 2000s Contemporary Figurative Prints

Materials

Etching

Fleur en Lys - Etching - 1960s
Located in Roma, IT
Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...
Category

1960s Surrealist Figurative Prints

Materials

Etching

Passion Fruit, Pop Art Silkscreen by James Rizzi
Located in Long Island City, NY
James Rizzi, American (1950 - 2011) - Passion Fruit, Year: 1989, Medium: Screenprint on BFK Rives, signed, numbered and dated in pencil, Edition: PP, Image Size: 28 x 20 inches, ...
Category

1980s Pop Art Figurative Prints

Materials

Screen

Lemons "La parte interiore": An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "La parte interiore del Cedro di fio e Sugo doppio" ...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Engraving

Bananas
Located in London, GB
9-colour screen print on rising museum board 71.1 x 58.4 cm 28 x 23 in Edition of 200 hand-signed and numbered by the artist
Category

2010s Contemporary Prints and Multiples

Materials

Screen

Banana (original drawing on paper)
Located in Aventura, FL
Original colored crayons and pastel drawing on paper. Hand signed and dated on front by David Hockney. Artwork size 16.75 x 14inches. Frame size approx 27 x 24 inches. Provenance: Annely Juda Fine Art; Richard Gray Gallery. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: David Hockney is one of the most influential British artists of the 20th century. Perhaps best known for his serial paintings of swimming pools, portraits of friends, and verdant landscapes, the artist’s oeuvre ranges from collaged photography and opera posters to Cubist-inspired abstractions and plein-air paintings of the English countryside. Often returning to a certain motif again and again, he probes the manifold ways one can see an image or a space. Hockney’s exploration of photography’s effect on painting and everyday life is evinced in his hallmark work A Bigger Splash (1967). “In art, new ways of seeing mean new ways of feeling; you can't divorce the two, as, we are now aware, you cannot have time without space and space without time,” he has explained. Born on July 9, 1937 in Bradford, United Kingdom, Hockney attended the Royal College of Art in London alongside R.B. Kitaj. At school, he studied under both Francis Bacon and Peter Blake, but also credits Pablo Picasso and Henri Matisse for influencing his distinctive and varied style. In 1963, the artist traveled to Southern California for the first time and fell in love with the bright sunshine and easygoing lifestyle. Since then, he has alternated living and working between Yorkshire, United Kingdom, and Los Angeles, CA. In November 2018, his 1972 painting...
Category

1980s Pop Art Portrait Drawings and Watercolors

Materials

Paper, Crayon, Pastel

Set of Six Fine Antique British Hand Coloured Botanical Prints, circa 1900 s
Located in Cirencester, Gloucestershire
Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...
Category

Early 19th Century Art Deco Still-life Prints

Materials

Color

Raoul Dufy, The Bouquet, from The Painters My Friends, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Bouquet (The Bouquet), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edit...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Alexander Calder, Orange Sun, from Derriere le miroir, 1954
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Still-life Prints

Materials

Engraving

Set of Six Fine Antique British Hand Coloured Botanical Prints, circa 1900 s
Located in Cirencester, Gloucestershire
Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...
Category

Early 19th Century Art Deco Still-life Prints

Materials

Color

Set of Six Fine Antique British Hand Coloured Botanical Prints, circa 1900 s
Located in Cirencester, Gloucestershire
Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...
Category

Early 19th Century Art Deco Still-life Prints

Materials

Color

Royal Palm With Turkish Design, by David Smith-Harrison
Located in Palm Springs, CA
Signed, titled artist proof. Edition of 135. Like much of his work, Royal Palm has atmosphere of the Mediterranean, but all of the elements are rooted in the artist's neighborhood. ...
Category

Early 2000s Contemporary Landscape Prints

Materials

Aquatint, Etching

Edges 9
Located in Toronto, Ontario
Adored by collectors and art lovers around the globe, Alex Katz (b. 1927) is renowned for his elegant and distinctive version of figuration. Katz has been dedicated to art-making si...
Category

1990s Minimalist Still-life Prints

Materials

Etching

John E. Billmyer, Flower Piece, WPA wood engraving
Located in New York, NY
'Flower Piece' shows the artist, John Billmyer, to be a highly accomplished wood engraver. There are endless patterns and created details -- all executed flawlessly. Mostly made up o...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Woodcut

Silver Vines II (24 x 18 inch cyanotype)
Located in Oakland, CA
Although this looks like a screen print or woodcut, it is actually a form of 19th-century photography, a cyanotype. This pale blue-gray is a very difficult color to achieve with the ...
Category

2010s Contemporary Still-life Prints

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Toadstool - Woodcut by Maurits Cornelis Escher - 1931
Located in Roma, IT
Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....
Category

1930s Modern Figurative Prints

Materials

Woodcut

Henri Matisse, Decoupage, from XXe Siecle 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Decoupage (Decoupage), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Robert Rauschenberg Earth Day Limited Edition, Signed Lithograph Print
Located in San Rafael, CA
This listing is for the limited edition lithograph, not the mass produced poster. Robert Rauschenberg (American, 1925-2008) Earth Day, 1970 Lithograph with chine collé Signed, dated, numbered by the artist Edition 11/50, Full sheet: 52 1/2 x 37 1/2 in. With mat: approx 55 x 40 in Published by the American Environment Foundation Printed by Gemini G.E.L. Los Angeles, with blindstamp to lower center Catalog Raisonné: RRF 70.E016 Provenance: Butterfield & Butterfield (now Bonhams) Lot 3115, sale 5367L February, 24, 1993 This Robert Rauschenberg lithograph...
Category

1970s Contemporary Still-life Prints

Materials

Lithograph

Colorful Bouquet of Flowers - Original lithograph - 1965
Located in Paris, IDF
Raoul DUFY Colorful Bouquet of Flowers Stone lithograph in colors Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) INFORMATION : Edited for the portfolio...
Category

1960s Modern Still-life Prints

Materials

Lithograph

Henri Matisse, Decoupage, from XXe Siecle 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Decoupage (Decoupage), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Early 18th Century Academic Still-life Prints

Materials

Engraving

Sculptured Marble in Classic Blue, Extra Large Cyanotype Print, Abstract Silk
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. Details: + Title: Marble Blue Silk Pattern + Year: 2022 + Edition Size: 50 + Medium: Cyanotype on Watercolor Paper + Sta...
Category

2010s Abstract Interior Drawings and Watercolors

Materials

Emulsion, Watercolor, Rag Paper, Lithograph

Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. There are subtle creases in the right upper corner, very common with Besler's relating to the drying of the paper during its production. The right margin is thinner than the others. The print is otherwise in excellent condition with striking hand-coloring. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Still-life Prints

Materials

Engraving

Tulips in a Vase
Located in San Francisco, CA
This artwork "Tulips in a Vase" 1995 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 169/200 in...
Category

Mid-20th Century American Realist Still-life Prints

Materials

Lithograph

Dendrobium Albo-Sanguineum, antique orchid botanical lithograph print, 1859
Located in Melbourne, Victoria
'Dendrobium Albo-Sanguineum – White and Sanguine Dendrobium' Orchid lithograph with original hand-colouring , 1859, by Walter Hood Fitch (1817-1892). 25c...
Category

Mid-19th Century Naturalistic Still-life Prints

Materials

Lithograph

Persian Cyclamen, English antique pink flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Persian Cyclamen' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amat...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Erhu
Located in Dallas, TX
Erhu is a signed and numbered time-limited edition of giclée prints. The erhu, or spike fiddle, typically has two strings, but the instrument being played here is missing a tuning sp...
Category

21st Century and Contemporary Surrealist Still-life Prints

Materials

Lithograph

Erhu
Erhu
$768 Sale Price
80% Off
Fernand Leger, Woman with a Vase, 1929 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Femme au Vase (Woman with a Vase), from the album L'Art Cubiste, Theories et Realisations, Etude Crit...
Category

1920s Cubist Still-life Prints

Materials

Lithograph, Stencil

Delicate Flowers - Etching by Georges Vial - Mid 1900
By Georges Vial
Located in Roma, IT
Delicate Flowers is an original artwork realized by Georges Vial in the XX Century. Hand-signed in pencil on the lower right corner. Numbered in penc...
Category

Mid-20th Century Modern Still-life Prints

Materials

Etching

Jacob s Ladder
Located in New York, NY
ABOUT THE ARTIST: Marc Dennis is an American artist renowned for his paintings of subtly staged and slightly voyeuristic images of contemporary American culture. Interested in the tr...
Category

2010s Prints and Multiples

Materials

Photographic Paper

Yellow Blossom (floral, still life, watercolor, bright colors, flowers)
Located in New York, NY
Watercolor on paper 32 x 25 inches framed
Category

2010s Contemporary Abstract Prints

Materials

Paper, Watercolor

"Lily of the Valley" - Botanical Still-Life Lithograph
Located in Soquel, CA
Delicate botanical lithograph of Lily of the Valley (Convallaria majoralis) by Patricia Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of othe...
Category

1990s Contemporary Still-life Prints

Materials

Paper, Ink, Lithograph

PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris. 1805] Prévost came from a long line of French artists spanning 400 years. Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies. Immediately he was commissioned by Monsieur Roussel to paint the flowers in the wealthy landowner's garden. The result was a 12-volume work of gouache studies, entitled "Hortus Cellensis", and was at once acquired by the Paris Natural History Library. Prévost's "Collection des Fleurs et Fruits...
Category

Early 1800s Naturalistic Still-life Prints

Materials

Color, Engraving, Handmade Paper

Thistle and Moths, plate no. 6, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

Zinnias and Bachelor Buttons.
Located in New York, NY
Margaret Patterson created this color woodcut print circa 1920. It is signed in pencil at the paper edge, lower right. Printed in areas to the paper edge -sheet size 10 1/16 x 7 1/...
Category

Early 20th Century American Modern Still-life Prints

Materials

Woodcut

Pelargonium, English antique pink flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Pelargonium' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur b...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Roy Lichtenstein Still Life with Goldfish Bowl Vintage Pop Art
Located in Brooklyn, NY
Still Life with Goldfish Bowl is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 ...
Category

1980s Pop Art Still-life Prints

Materials

Offset

Besler Hand-colored Botanical Engraving of Flowering Tulip Wild Garlic Plants
Located in Alamo, CA
This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...
Category

Early 18th Century Academic Still-life Prints

Materials

Engraving

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