Vertical Still-life Prints

This FLEURS #4 - Trompette de Jéricho is one of a series of beautifully rendered flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a conte...

Biagio Civale, Italian/American (1936 - ) - Pot with Flowers, Year: 1989, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 2/60, Size: 19 x 13.5 in. (48.26 x 34.29 cm)

This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...

Original Zurich, Switzerland vintage travel poster. Conservation linen backed and ready to frame. Excellent condition. Created by the esteemed...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Fine antique copper line engraving of roman style male statue seated and clutching a scroll, circa 1850. Original artwork on paper displayed on a white ma...

print, limited edition of 10. Signed.

Screen print on Lenox museum board. Hand signed lower front by Andy Warhol. Hand numbered 3/60 lower front (there were also 10 AP's, 3 PP's and 15 TP's). Each print is unique. Pu...

Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892). 235mm by 145mm (sheet) Walter Hood Fitch was a Scottish botan...

'37 Tricholoma saponaceum 38 Tricholoma terreum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et B...

This is a hand-colored copper plate engraving depicting flowering "Hyacinthus Comosus Spurius" (Hyacinth), "Hyacinthus Anglicus" (Blue Hyacinth), "Palma ...

Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...

Biagio Civale, Italian/American (1936 - ) - Crab & Shells, Medium: Screenprint, Signed, numbered, and titled in pencil, Edition: 50/100, Image Size: 20 x 16 inches, Size: 28 x 20...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Watercolor on paper 32 x 25 inches framed

Curtains and Leaves Robert Kipniss, American (1931) Date: circa 1975 Lithograph, Signed and numbered in Pencil Edition of 32/35 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

12 colour screenprint with a two varnish overlay Edition of 125 Signed, numbered and dated on the back Mint. Minor imperfections may appear due to the production process. Sold with a...

This beautiful modernist aquatint etching was realized by the esteemed Indian artist Kaiko Moti, circa 1975. It offers an abstracted and stylized tree branch (presumably that of a Ch...

This contemporary figurative portrait forms part of Natasha Lelenco’s limited edition series The Dinners, an ongoing exploration of identity, ritual, and psychological space through ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Bouquet (The Bouquet), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edit...

This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

Salvador Dali - The Winged Demon - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12"....

Bodegon by Juan Manuel Gomez-Quiroz, Chilean (1939–2021) Date: 1979 Etching, signed, titled, numbered and dated in pencil Edition of 65 Image Size: 29.5 x 23.5 inches Size: 35.75 x 2...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

Limited edition of 15, art print. Signed by the author. Picture taken in public transportation.

Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist al...

Original United States Food Administration vintage poster. This is what GOD gives us United States Food Administration. Artist A. Hendee. This is what GOD gives us What are you giving so that others may live? Eat less --wheat --meat --fats --sugar Send more to Europe or they will Stave. A bounty of freshly harvested food is shown in the image. One of the more beautiful posters produced by the United States Food Administration for the war effort. World War 1 posters...

Gary Hume Pinks 2002 Silkscreen 17 3/8 x 14 inches; 44 x 36 cm Edition of 45 Signed, titled, dated and numbered in graphite (lower recto) Frame available upon request Available fr...

The pale gray-green of this monotype calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along th...

Going Home By Phil Greenwood [2021] Going Home by artist Phil Greenwood is a limited edition print made using aquatint and etching. A figure is depicted walking through dense woodla...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White Iris on Purple Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 35 x 24 inches...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Tournesol (The Sunflower), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates f...

This exquisite lithograph after Juan Gris (1887–1927), titled Le Moulin a Cafe I (The Coffee Grinder I), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), origina...

Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, The Documents of Modern Art. Arp: On My Way, Poetry And Essays 1912 - 1...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Sony Walkman Radio. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...

Donald Baechler (American, 1956-2022), "Untitled (from Flower Quad A)", Stenciled Pigmented Handmade Linen Paper, 2011, one from a set of four, signed in pencil and dated lower right...

ARTIST: Salvador Dali TITLE: Florals Rhinoceros Stock MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBER: 62/350 ...

Cosmos Color woodcut with gauffage (embossing), January 1940 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1940) Condition: excellent Image size: 14 3/8 x 9 5/8 inches Provenance: Robert O. Muller Estate Biography Hodo Nishimura...

This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...

Mary Knowland. Poppy 10- this is a poppy print in acrylic paint made in 2014 as part of a series of works It is a unique mono print Signed bottom right Mary Knowland 2014 This work i...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Flowers is a vintage offset and lithograph artwork on paper realized after Josip Generalic in 1971. Good conditions. Signed on the plate and dated o...

Photorealist flower screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil. Electric Tulip (Black and White) Lowell Blair N...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...

Created by the artist in 2024, Ross Bleckner's, Bouquet is an archival pigment print with acrylic paint. Hand-signed in pencil and numbered from the edition of 60, the artwork measur...

Dine, Jim (American, born 1935). YELLOW CALLA LILLIES. D'Oench and Feinberg 19. Etching, soft-ground, drypoint, photogravure and electric tools, with hand-...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1794-1812 (First-second ser...

Carol Wax's mezzotint, Singer II looking at the end of the typewriter portrays the incised metal and the wood grain of the machine. It was issued as an edition of 75. This image is i...

This limited edition print on Dibond aluminum is part of a series of 25 signed and hand-numbered reproductions by Moldovan artist Natasha Lelenco. Printed directly with UV technology...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 195, 1971. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

Campanula , 62x43cm, print on canvas.Edition 20 pcs.

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Yellow Iris Lowell Blair Nesbitt, American (1933–1993) Date: 1978 Screenprint on Arches, signed, numbered and dated in pencil Edition of 175 Image Size: 24 x 24 inches Size: 29.5 x 2...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Le Mouvement dans l’Ovale (Movement in the Oval), from the album L'Art Cubiste, Theories et Realisation...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...

Eliza Southwood Oranges and Lemons Unframed Limited Edition Silkscreen Print of 100 Silkscreen Print on Paper Size: H 76cm x W 56cm Signed and title...